Ikaw na babaeng sumasayaw sa dilim,
   Ikaw na nakakapit sa patalim:

Di ba nasusugat ang porselanang palad
    Na kasing lambot ng puwit ng sanggol?

Sa matalim na kutsilyong kinakapitan
      Ano mang oras hahatulan ng lipunan?

At sa higpit ng piring mo sa mata,
     Pasasaan pa't mabubulag ka na

Ikaw na babaeng gumigiling-giling,
   Iba't ibang laway ang pinanghihilamos gabi-gabi

Ang sugatan **** puso'y walang gamot
    Ngunit ang kandungan mo'y sagot

Sa mga problema ng mga lalakeng–
      Naghahanap ng panandaliang saya.

Ikaw ba, babaeng hubad,
   Naranasan mo na ba ang lumigaya?

Kumusta na ba ang anak mo sa una **** nobyo?
     Balita ko'y di ka na niya kilala.

Hindi ba't may tatlo ka pa sa probinsiya
   Na pinagkakasiya ang padala **** barya?

Naalala mo ba ang bilin sa 'yo
     Ni Karla na siyang una **** bugaw?

"Huwag **** bigyan ng puwang sa utak mo
      Ang sasabihin ng Inay mo.

Sasampalin ka niya, di ng palad niya,
     Kun'di sakit na dama ng isang Ina.

At iyon ang pinakamasakit
    Sa lahat ng puwedeng sumakit."

Ilang ulit mo na bang tinanong ang sarili
   Kung saan ka nagkamali?

Kung ilang liko ang ginawa
     Para mapunta sa hawlang 'sing dilim ng kuweba

Na pinamamahayan ng mga paniking
     Takot sa liwanag na magpapakita ng mga galos

Na bunga ng mga gabing kinukurot ang sarili,
     Tinatanong, hinihiling na sana'y bangungot lamang

Ang buhay nila sa dilim,
    Pasasaan pa't nasanay na rin.

Ikaw na isang mabahong lihim
   Ng mga mister na may misis na bungangera

Ha'mo na't sa iyo naman sila panatag
     Sa mga suso **** malusog, pinili nilang humimbing.

Ikaw na pantasiya ng karamihan,
   Ano ba ang pakiramdam ng pinagsasalsalan

Ng mga nagbibinatang hindi pa tuli,
      Ng mga lalakeng di kaya ang presiyo mo,

O ng matandang libog na libog sa mabango **** kepyas
      Ngunit nanghihiram ng lakas at tigas sa ******?

Saan ka na ba nakapuwesto ngayon?
    Sa Malate, Morayta, Quiapo, o Aurora?

Ilan na ba ang napuntahan mo?
  Ilan pa ba ang bibiyayaan mo ng iyong alindog?

Sa Makati Ave, Pasay, o sa Parañaque?
      Ha'mo na't langit pa rin naman ang dala mo

Kahit na alam ninyo ng Diyos
    Na nakaukit na ang pangalan mo sa impyerno.

Ikaw na babaeng walang pangalan,
   Ano ba ang itatawag ko sa 'yo?

Ilan na ba ang nahiram mo sa tabloid
  O sa mga artistang iniidolo mo?

Kathryn, Julia, Nadine, Meg, Yen, Anne
    Yna, Katya, Ara, Cristine, Kristine, Maui

Daria, Pepsi, RC, Susan, Gloria, Lorna, Aida, Fe
    Vilma, Sharon, Nora, Maricel, Dina

Ikaw na babaeng 'sing nipis ng balat ng sibuyas ang saplot
   Di ka ba nilalamig sa pag-iisa mo?

Ikaw na babaeng marumi,
  Sadsad na sa lupa ang lipad, saan ka pupunta?

Wala ka nang kawala sa dilim,
     Pasasaan pa't malalagutan ka rin ng hininga
        at  magpapasalamat sa biyaya.

Ikaw na babaeng bukod tangi,
   Ginawa **** lahat pero hindi naging patas ang mundo.

Lunukin mo na lang ang mga hibla ng pagsisisi
    Ipagdadasal kong huwag nang magdilim sa hawla mo.

when i was younger, this boy used to tease me about my skin color;
how much it resembles coal,
and how it makes me look like an Aeta,
and how they can't see me in the dark,
but even before that i was insecure.
because when people bothered to look at me,
they'd only see ebony
and to them it was synonymous with ugly and *****.

but i don't blame them.

they're just caught in the current of colonialism
when we measured one’s status through the hue of their skin
and we followed.
we followed their discrimination of the ones whose skin didn't look like the exact duplicate of ivory and marshmallow.
we followed their system of supremacy of putting the lighter ones up in the stars to match whiteness with brightness.
we followed their standards of beauty which just happened to be the exact ******* opposite of our majority.

now our country is driven mad
by the idea of whitening your skin
until your heritage is nowhere to be seen;  
it has been scrubbed off by papaya soap,
masked by glutathione
and devalued by insults.
but hey,
who cares about heritage if you look like that European actress?
who cares about culture when you could pass off as an American?
who cares about natural brown when synthetic white wears the crown?

•
Duterte said, "My gahd I hate drugs."
Do drugs if ever you want free hugs
With some cardboard and tape embracing you
And a statement saying: "I did drugs too."
•
Do you see a turtle swimming in the air?
I know we're lucky, to see a sight so rare
Swirls and swivels make you feel so alive
Oblivious to the life that you are being deprived.
•
Wait. Where do I live? The monsters are near
If I enter this tunnel, there'll be nothing to fear
There's a rope in the sky, way up high
If I grab this light, will I...

to every family that has lost someone to the war on drugs, i offer you a piece of my heart. take it and make it yours.

when the other children ask if i miss you, i answer no. how can i miss someone who has not even left? you are still alive, i feel it; i know it to be true. you live in the paper thin walls of our home, a ghost lingering on the dining table.

(i'm sorry there's hardly any food laid out. sometimes mother forgets to buy any or her hands shake too much for her to cook -- i don't know if it's from the cigarettes or the lambanog. brother is always out nowadays, trying to make money. he leaves before the sun is up and comes home long after mother has gone to bed. i think they're like this because they can hardly bear to look at your seat without dying a little more.)

grandmother tells me to talk some sense into mother. "just because he died doesn't mean she can let her children die too. she is just sad. she needs someone to talk to." what she means is: comfort her. but i wonder. what comfort can you offer a dead man walking?

sometimes i stare at the sky from the hole on my ceiling, and i wonder which star is you. is it the bright one that is always at the center of my vision? the one a little ways to the left? on better days, brother joins me and takes my hand in his. i swear it's almost like you're back, laying beside me.

it's hard without you here. we miss you. when i see the other children and their fathers -- whole, unhurt, *alive -- i feel a pang of pain. it's like hearing the gunshot all over again.

i don't know if you were still alive then, but i was the one who called for help. i screamed until my lungs gave way to the torrent of pain that filled even the spaces between my bones. i don't know (nor do i wish to) if you were still alive or if you had already had a taste of sunset.

it's a little funny. you had promised me we'd go to the lake that day. just you and i. you had gotten a job the week before and you wanted to celebrate with your favorite daughter. (i didn't have the heart to remind you i was your only daughter.)

and i want you to know i am holding you to that promise. when we meet again. in space. heaven. eternity. in whatever version of the afterlife we end up in. we'll go to the lake.

just you and i.

J.R. said the man in the helmet said, “Goodbye, my friend,” before shooting his father in the chest. His body sank, but the man shot him twice more, in the head and cheeks. The children said the three men were laughing as they left.*
-Daniel Berehulak, They Are Slaughtering Us Like Animals, New York Times

Manila, goodnight.
The world is watching you slowly die.
Tattered truths & losing sense of life
captivate your battered night. Mud hurls blood
streets batted with horror & blabbed
anonymous spirits ghostlier than ever.

(Even ghostlier than your Martial Law days)

Manila, tranquilize yourself.

Your rest will be disturbed by scourged souls, thunderous cracks of guns,
bullets hitting flesh, motorcycle tandem arrests,
people’s holy shouts shunning shibboleth sounding death.

Hear them not. Sleep well.

Maggots festering wound. Manila,
on your knees, worms stich your broken nerves
healing gunshot wounds with peace.

Your night will be a train of madness
shattered by lies through morbid holes in skulls
& confessions in cardboard signs.

(Justice today is served cold, so cold)

& everything from that day on is simply to be known
as a cold just.

Truth decays. Life smolders, vanishing.

Your nights will be unthreaded from memories
for no one dares to look back to twisted arms clenched
by plastic strips, head bowing to ground (instead of ground
bowing to head), ground kissing the body naked swarmed
either by grease or blood, the body breaking gossips
among gossipers & gossamer among spiders.

Weep not, dead men tell no fiction.
Their bodies are the shocking truth, forsaken
shocking headlines hissing morning papers
peppered with mint or lies.

Manila, goodnight for your night will be remembered
through vigilant myths & nothing more.

Often cold bodies, freezing voices from limbo,
can’t speak nor bothered the living.

Again, Manila, in your arms, dead men tell no tales.

The killing spree of fragmented morality,
mortality, fatality, vanity, sanity, insanity, apathy.

Manila, do not move. You are now sedated with fear,
stronger than cooked methamphetamine of crooked realities,
no less than a drug making your anxious, bothered
in the darker & dimmer night
in dimmer  & darker disaster.

Manila, walk with your graffiti walls.
Your gutters will be banks of blood. Daylight traffic
will erase your night’s unwelcoming sphere. Last night
persists as tiny figment of imaginings photographed
& again, nothing more.

Everything will pass like hyacinths of Pasig River.

Everything will pass like one’s eternal passing.

Everything will pass like a chilling December wind.

Everything will pass either a typhoon or a butterfly fluttering.

Manila, goodnight. I am afraid they will ****** you
in your sleep. I am afraid that everything will just pass
like your breath losing hold of your lungs then your heart.

I am afraid that your death, my dear Manila,
will just be a neighbourhood rumour passing
& everything turns into a fiasco of a madman who believes
that he is a messiah, was he a messiah or never he will be a messiah.

Manila goodnight, I will watch you in your sleep. Your sleep
will be a thousand fold peace. No more of your sons or daughters
will be killed at least not in my memory.

Manila, here comes the night. Sleep,
sleep holy in the hidden lair of my mind. Your
catacomb will be wreathed by flowers & tears.
Incense will be fragrant burning bones. Your life,
your tired life will be a gentle ebbing of time
like your Bay’s sunset beauty, like your lively street people
like your once known heritage, your life
in the busy daybreak of your kindred sons.

Goodnight, my dear Manila.