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Nat Lipstadt Sep 4
the trouble with poetry
(and this poetry site) is its

facilitation

awoke in a strange bed, my own,
in a different city, with my old eyes
renewed with, by loving amazement
at the beauty of so many souls experimenting
with edged, loving, dangerous compo-notions,
that make me older than King David, who loved the
love of life and this world, for here I am, falling too
for the life & love potions
of words of my fellow humans across
vast oceans
and I stoke their and stroke their
heated words, pretending that
the cool warmth of my tablet
is both their gorgeous skin and
alluring verbal twists that arouse
my innermost, and break my already
broken heart, and heals it at the very
same time...
all too, so easily

this communication is at levels that
descend, transcend,
grips me with passion and consternation
at my own desires, my open body & mind
stirred, chilled, shaken, stirred and soothed
by the busting out contradictions of us, me,
so well hidden, so well revealed in the marvy
ability of so many to share their essences,
their own scents, just by words upon a page,
and here I pause...
to consider the duality of the word

f a c i l e
for poetry shared facilitates this burning,
  "     "              "            "             "     tumult,
and yet comes to me so facile, that I worry,
that the words themselves are facile, cheap
& easy, but then I am reassured by the very
real drops of my body's fluids upon my cheeks,
that confirm, that poetry is too so real, so living,
and I guess you know me by my real name,
my real face, and my realized words here,
and wonder if I need cease to wonder why
wonderful is...
a thing

my poetry is written by silent night, or early morn,
so very differing, and laugh out loud at myself,
for I am a differing man, at differing times,
of a potpourri of contagious contradictory
conceptions, that I traverse so easy, this facility
is my blessing, and poetry my well worn skill
at...facilitating this absurd admixture of
human~you-man~a man~amen.

and here I leave you...
for I have left
the sunroom too...

@
3:26 am
Thu Sep 4
someplace else
Nat Lipstadt Sep 1
its birthplace, its origins, the where the whence,
these clues are inclusive of
sources of inspiration which
are like handholds,

Even,

"incidents and accidents /
There were hints and allegations"
but you knew, you knew in advance,
you,
Can Call Me Al"

eye easing offerings, kindly giving kindling,
to the overwhelmed reader burning eyes,
ease the struggle, hire/higher the insights,
just hints of the wherefores, if the whys so
desperate must remain secreted in your heart alone

you are so right!
the greatest poems ever
go oft,  without stepping stones,
why not mine?

If you anticipate scholars centuries later
explicating your poems, well then, they
most of all, will  need a leg up about your
disco~

graphy
Labor Day ~Sunroom- inspired by conversations with new poets
Nat Lipstadt Sep 1
thanks for your thanks, but your work is always
100% entirely you

but you have to be grateful and greatfull,
first and foremost to yourself for the
ownership of your unique creativity &
courage, first to write, and then for saying,

"Hey! lets post it, and who knows what mighty might
happen?"
.(I will😉)

<>
writ on Labor of Love Day
Sept 1, 2025
please visit Heart Hackers page, only 31 poems and  each is so deft, so
well,  composed, it made  think about throwing in the towel, except for the 157
drafts lying about
Nat Lipstadt Sep 20
"if it is not on the calendar,
it cannot be, it exists not!"
nml

yes, my words, oft recited,
in my defense,
when issues and extants of importance,
evade, go unremarked, alas, uncelebrated

this man~made device,
now an essence of essentials,
an app,
before apps were ubiquitous,
mundane, quotidian, prosaic, and banal,
no longer a diary, a journal more a scarf
capable of being wrapped about multiple necks,
a device of connectivity and
the unwelcome public isolation,
(why was I not invited to that event?)

it can be a savory,
used sparingly for the dates that must never be forgot,
anniversaries of birth &  deaths,
of events assumed to be unforgettable
(where & when was I, upon giving birth
to this poem particular),
the why of the words well recalled,
the triggering, less so,
perhaps, deliberately so...

or it can be a chronology of the mundane,
The hour I awoke,
the timeline of my perfunctoriness,
those things that extend life!
but are somehow so oft overlooked,
(did I take my meds?)
the stuff of life,
or the stuffing of living,
and the desired time to enter into the critical
state of restful sleep,
which is provided and reminded solely
for your own 
amusement

due. dates,
to do assignations & assassinations, in date order,
even motivational ticklers
to breathe,

to be mindful of thyself

it will not record the precise time a fly,
buzzed me as I scripted this,
what emotes I spoke when he predeceased me,
if any,

so I give my calendar a salutation most impressive,
My Imperial Calendar,
the only, most royale,
"personage"
we know who never forgets!
who cannot be denied,
and when it tickles me gently at 6:08aM,
with a daily perennial.
'Got any new poem abrewing?"

it cannot be ignored, for imperial
is rooted in the non~impishness of  the
!i m p e r a t i v e!
missing; the mentality of summer;
one has ended,
another circle/cycle , on
my internal yearly aging tabulationIs done, for I am a Summerman
Nat Lipstadt Sep 2
(from "To: Mimi Romanelli"

~indebted to suggestion of
https://hellopoetry.com/MacGM/
for filling me up one of the trillions of missing datapoints
in my slowly diminishing insights & missing knowledges
<>
"I am happy, Dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms. Finally: happy."

from the poem by Rilke
"To: Mimi Romanelli"
see notes

'~~~'
so worthy of my/our attentions,
his reflections on loss, grief and mortality,
for in the natural course of this poet's story,
the interplay of this shopping list of preoccupations,
foremost on this temporal frontal lobe in these waning days
of my perhaps, last summery summary,
that falls upon your eyes with
my guilt that you have clicked upon
this e~pistle, in and un~
tentionally & tensionally
thus demanding & tendering post-haste
my apology

so be advised, be learned, and query why
an essay on ending mortality should be
be finished with a concluding a
"Finally: happy."
by breaching this poet Rilke essay,
one discovers
this poet sees through the storms of his preoccupations,
"the red of his blood,"
because he loves
another human, being,
so many would agree,
yet so few are so certain,
as Rilke,
and yet,

"It is still always that death which continues inside of me, which works in me, which transforms my heart, which deepens the red of my blood, which weighs down the life that had been ours so that it may become a bittersweet drop coursing through my veins and penetrating everything, and which ought to be mine forever.

And while I am completely engulfed in my sadness, I am happy to sense that you exist,
Beautiful. I am happy to have flung myself
without fear into your beauty just as a bird flings itself into space. I am happy, Dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms.

Finally: happy."


<>
Writ the last week of August,
and the first of September
2025
see https://www.theparisreview.org/blog/2018/09/06/rainer-maria-rilkes-letters-on-grief/
Nat Lipstadt Aug 31
I think of Harlon Rivers, poet,
and go to my corner to
contemplate modesty and
idiocy, or both, that is, to say,
my unique combination of both

and repost one of his jewels

SEE BELOW
Nat Lipstadt Aug 31
it will always be complete

too late, this wisdom for me,

so i guess i write more, daily,

to eradicate that feeling of

incompleteness

clearly, i never met a good piece of advice

i didn't ignore

for her~4:41aM
Nat Lipstadt Aug 30
so you write a lot,
pouring entire waking existences,
current n' prior,
into a long and crafted 'pistles,
and pixels

and you got jive pride
and then, the poem,
you worked so hard for,
ups and dies
gets a few middling fingers of reads,
dying on a vining of
Juliet's pseudo poisoning elixir,
no big deal, happens all the time

but here's what's wielding & weirdly wilding:

A poetpourri.
of newly found co-inhabitors,
from around the universe,
from places unpronounceable,
unlike Venus & Mars, (very poet-popular)
and from previously places were
never or seldom was heard a
discouraging word, igniting a
rewarded mutuality of a
following up embracing


par example;

Tirunelveli
Poland
Lisbon
Cyprus
Bihar
Uruguay
Ankara
Vienna
Albania
Tanzania
India
Bangladesh
New Zealand/Australia
Soldotna (Alaska)
plus Texas, West Va., Ohio, and other exotica, like
Nowhere

what a blessing!

Blessed art Thou o Lord,
that permits the miracle that my integers
of 0 & 1
can be translated into such
varied exotica, in harmony,
thus permitting this discovery of
never visited oceans and landfalls
of poetry never heretofore to join as
one.

Aman.

<>
nml
Nat Lipstadt Aug 30
those who wash in and wash out with tides of
their lives, peaking into ours
for a poem, a cider & doughnut,
a quick hit of a script,
like a rush of fresh ****,
that comes all the ways from states that end in A,
(ex: newyorkcitaaa baaaaaba)
but  they, don't stick around,
they, in possess and possess
other multi~typical addictions,
than just word flow,
tho artistic in temperament,
but lacking
the concomitant commitment of pleasuring others,
above and themselves.
with the musicality of their owned
alphabetical notes, rhyme, chime,
whipping, driving, yes, even chiming,
to their internal soul's baton,
a familiar friendly conductor,
who bids them greetings,
with a piecemeal peace,
a quick bite, lightly chewed,
sometimes not even swallowed,
with a greeting
of Peace,  
welcoming them and wishing them well
on their no staying way
to the next diversional
entertainment


postscript
~~~
creativity,
tho sometimes fast, even easy,
is never
cheap,
always come at a cost
Nat Lipstadt Aug 28
''Well, I've been out walking
I don't do that much talking these days
These days
These days I seem to think a lot
About the things that I forgot to do for you
And all the times I had the chance to...

These days I'll sit on corner stones
And count the time in quarter tones to ten, my friend
Don't confront me with my failures
I had not forgotten them
"
These days by Jackson Browne
[?]

once again, mess with soulful perfection,
the melancholic mood of music & word
making me aching for the sweet sadness
of loss for when one possessed a curvature of
the smooth straight idyllic perfect love
of friends, family & females,
ascending into crescendo,
then the blood letting of
ego, vanity, incorrect priorities,
the hurrying up to nowhere silly manhood,

and Jackson bemoans
"About the things that I forgot to do for you,"
begging please in a daily prayer,
let me be
confronted with my failures,
my children,
I have not forgotten them,
though, they, I,
nor you,
and you too,
have not forgiven me,
nor I,
myself

and all that is left
is counting time
in quarter tones,
and even smaller, finer
intervals,
to make my punishment for all my
mistakes, go slower, making my time taking
more grievous painful

In the context of the song "These Days," counting time in quarter tones to ten means using musical notation to mark the passage of time, specifically dividing each "quarter" of an hour into even smaller intervals (quarter tones) up to the tenth quarter hour. This is likely a metaphorical way of saying the speaker is deeply immersed in a melancholic state, counting down the time until a specific moment (perhaps ten o'clock) or simply reflecting on the slow passage of time
><
These Days
https://www.google.com/gasearch?q=these%20days%20lyrics%20jackson%20browne&source=sh/x/gs/m2/5#ebo=1
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