Submit your work, meet writers and drop the ads. Become a member
Nat Lipstadt Jan 22
Disclaimer:
an unintended very long poem
from a very long walk,
hoping it might come
to rest within your
heart
but feel free to go your own,
another direction

<•>

“Another writer told me a few weeks ago of his New England Yankee mother,
who believed there are no problems
that aren’t made at least slightly better
by a long walk, and
none that are made worse.“
<•>

a moderate walker am I,
on the Promenade,
hard by the wide & narrow strait,
a tidal estuary, that divides our urban island
from its suburban Longer cousin,

this my path, most oft traversed,
a time spent usually creating,
reciprocating verses from a
copulating mind

every walking expedition is
an-in-transit composition,
an enchantment by a song
anointed, appointed and a
derivation
of a song about
going home

the last of my family
to be buried, l,
to be interred,
finally grounded,
in a park of cedar trees,
next to my immediates,
for can’t think of any other place
that might, would willingly,
not resist mightily, taking me in

it will thy will that they bury me
there if they can get permission
from the heavenly authorities,
but told the betting odds
are 3 to 1
against,
the Lords of song not so happily
with the quantity and the quality
of my unseeded spilled,
of my un-indeeded actions,
they were not entirely
rainbow colored,
some very berry blackened,
urgently misdelivered
with no justifiable delicacy
warranting memorizing or
further discussion

most likely will continue
to remain a pedestrian,
though unlikely I’ll have to
look both waysides before
crossing over

I’ll carry copies of  my scriptures,
psalms and even my one and only
flawless poem in hand,
wrote here so long ago,
s small proof that my theorems
were not
always entirely wrong,
but my replica action figurines,
were posed and struck,
were sufficient evidences
that my overall demeanor
of demeaned marks,
were negative numbered,
irony, they were unlettered
and ungraded,
mostly average, only worthy
of a place in the sadeyed lowlands

So walk I shall,
hoping they give me decent
walking & wailing shoes,
a warm suit,
a fedora or a watch cap,
cause it is more than chilly
down by the uninhabited riversides

this thinning vision is not
tinged with
any tingling regret,
nor sorrow,
what I did, what I wrote,
every word mine alone,
the way I lived,
walking solitaire is
something grown quite accustomed,
and a pretty fair pre~text of a
judgement coming
down

on the morrow,
will walk with no
measurements needed,
not speed, nor distance,
not counting crows or any other
unenumerated birds of a feather,
those on a wire or a river railing
spying observers watching,
who will go unnumbered,
as will all my
steps of no value

so this poem’s title absolute right,
no needs for solving
for absolutions,
was never ever sorry for
taking a walk,
and there are no more vocabulary
modifiers,
unneeded words left, like,

but nonetheless

only
just don’t know how
this river poem got
so long
Nat Lipstadt Jan 8
12:53am,  January 3,2025
New York City
<>
A Traveler notates these words to my attention, but only because I make myself
a convenient target, for truthfully,
it is addressed to one and all,
to the royalty of:


We,

who speake out loud, to all those who ***** these damp woods full of wet words, that spring up overnight, ripe for the plucking, there for the taking, an exacting where & when they did not even exist
the twenty four prior


These purloined overnight creatures are

white and  black

lettered truffles, like the pages on which we inscribe, the letters raw, exquisitely tasty, shaved, measured in grams, but only when shared with others, in the privacy of our open minds, after being spooned from within us with exquisite care upon the pages that decorate our lives, sprinkled
with great care and cunning


but when consumed, our five senses rage with aromatic pleasured pain, for these letters, so tiny, so powerful, grow only when
combinatory, individual bitty granules,
but when leavened, they enhance, provoke!,
they sauce, the


flavors  of the ordinary

of our experiences,
creating the extraordinary
when interacting upon
our five robust senses


for without the spaces of delineation,
our jumbled words are but the
random jingle jangle of the sounds
of night winds, rustling a tune
pleasant but incomprehensible


Here I take your leave,
with the liberty taken
for speaking in all our names
to a Traveler
who so succinctly captures our work,
the glue of our interactive Us,
Our,

Collective of Individuality
finished @ 1:53am
Nat Lipstadt Jan 1
•~ A tidal strait is a strait connecting two oceans or seas through which a tidal current flows. Tidal currents are usually unidirectional but sometimes are bidirectional. The East River is a saltwater tidal estuary or strait in New York City. The waterway, which is not a river despite its name, connects Upper New York Bay on its south end to Long Island Sound on its north end. (Wikipedia)~•

The river by my dwelling is miscalled by all,
in verity, it is a tidal strait, a battling diversity of fresh and saltwater, with currents visible, bidirectional, clashing eddies underway, are
underwater arguments boiling up to the surface,

!a perfect metaphor for a New Year!
<•>

each year seems like a tumult survived,
the currents of joy and its many alternates,
seem to always clash, spot staining
and yet
the estuary of life flows on and on,
the two seas remain connected,
the salt and the fresh intermingling,
waters
surf~officially calm, stoic,
but appearances misleading

every year different
every year also similar,
substance may vary,
the surprises differing,
but we for-see troubled waters
neath the glassine superficial surficial,
and we hold hands,
knotted fingers until
we raise out arms heavenbound,
asking why,
but expecting no answer
for we
knowingly
live our lives in a
tidal strait
Jan 1, 2025
Nat Lipstadt Dec 2024
flipping channels,
odd conjunction of random itinerants,
mix and mismatched, blend and burr, and the
combination of irritants, annoyingly raucous
pester the barely warmed brain,
by informing me to solve for X,
combine and contrast,
throw all into the blender,
add Fage yogurt, and some chill
ice with interracial combo of
black, blue & red berries
and pour it on you head…

and a breakfast poem is served up…

the utter urgency for civility
rings alarm bells, for it is so threadbare a quality these days, and it is worn by so
very few, and I ponder,
how the quality of
civility
could be so lost,
when I diagram said word,
see it
so clear
April 13 2024
Nat Lipstadt Dec 2024
12/18/24

I choose fingers,
among the array
of many wonderful
parts on offer,

the other sensory emissaries protest,
but the multi-fluency of fingers,
fluent in all Romance languages,
nay, in every dialect, tongue,
tippling the balance in their favor

for the fingers are wonderful conversationlists, trumping the
cooing coyness of sweet wordy
verbs, fingers defy nouns, pronouns

and are fingers the finest conjunction
that was ever conjured ot conjuncted?

the ears hear poorly when upom it
a long  slim finger casually traces outlines
slow~sensually and the eyes shut tightly,
reflexively, the tongue froze to the
mouth roof, muted into inaction

even the the sense of smell lies powerless
should we block the nostrils with but
*******, and breathe mouth mightily

we do not diminish the orchestration’s
totality, the blending of sound ‘n sensation,
but the blind and deaf all must bow before the power of fingers speaking to
every part of the bodies totality
Nat Lipstadt Jan 4
most oft, the
wherever I write,
is duly noted,
it is a due,
due you,
and hopefully,
the why I scribe,
arrives ‘pon your eyes
with Steuben glass,
of diamond tooled curettage,
a clarifying visual of
beauty,

but always
with fair detailed precision
is the
when
denoted,
for it is the timing
of the mining the specificity,
of the exact momentous,
a precious decision
taken by you,
when to turn words
of a few seconds
of a heart’s unburdening,
with
an inescapable reminder,
of the
thereabouts & the whyabouts
the very verity of a serious
causality
that parented the
casualties
we call
our poems

join me then,
in the processional
of denoting the origins,
linkage contained therein
to the work we
c r e a t e

*•for in the recording of the reckoning•
•exactitude of the longitude•
•and l’atitude is the truest revelation•
•of yourself•
the week I was home alone in dec 2024;
well I’m guessing you know the exact time
this one was born😉
Nat Lipstadt Dec 2024
WHY are you reading and writing poetry today?

why not?
**** straight &
just be the cause
that's right,

even writing
just keep it
short/\ sweet (self mocking Ha)
there are actual family members
who might require
a shocking paddling
to the
heart
when conducting their
year end review

as for us
the shock, the awe,
of so many fine
new poens opening
is a sufficient charger to the
parts that need restarting when
we wake up, no matter
our diversification
our diversions
and divisions,
reading new words ancient
in the Reforming,
are dividends and
that keep on after the electrolytes, caffeine
& other stimulies

stimulants that keep us going
a golden charging,
Plenty good enough

Ps
and I delight in many new ones
discovering my prose, welcoming
them like my newborn children
all my own, and raising them
and the new-for all-new combinations
to see their Forthcoming with/\ by
bringing them to your attention,
and that is my Jewish own creche,
my own scene of all of god’s chosen
poets
nativities

and did not plan to go in & on
but nothing stirs the sparks,
like thinking that every minute
a birth is celebrated
and I am blessed to be among
the witnesses

nml
12/25/24~12/26/24
Nat Lipstadt Dec 2024
preface

yup

this is #99, & when it’s done,
another winking title will pop-up,
be

recorded, reordered, and reported
out to you,
and that old drinking song will~still
be justified with words adapted to
sing out of & about~no~doubt them
emotional rhythms traversing my
blood stream that inhabit my
thoughts and causes, visions and
curses


poem

a gray cloudy xmas day, and home alone
by my-choice, which is a potpourri of
caramel popcorn vinegar and vital vitamins,
a metronome of verbosity and to counter~~
attack these insidious moody blues, select my McIntosh mug with a Winslow Homer painting of East Hampton Beach


yup,

this is no. 99, in my file of
working scribbled potions, ,
which like my porcelain lipped mug,
is brimmm-ing filled too,
with phrases~tastes,
accompanied &harmonized,
with a mug up-to-the-top
of circularity spooned, steamy fine
Blue Mountain coffee,
colored beautifully creamy brown
by a quarter cup of
Fairlife skim milk
and damnable inspired
pseudo-dissatisfaction


apology

for rambling but it’s
a rambling day, and just going
with flow, and the east river
ocean bound current strings chains
of molecules, words, randomly
planned and planted, and lined
up to take  stolen sips of  coffee
breaks, indoors-inside my coffee cup
mind


****

got lost and now forget what
this poem was to be announced~about,

thus #99,
version b., will re-main on
the list, awaiting refurbishment, and
more, sigh,

                          *coffee
12-25-24
Poetoftheway Dec 2024
“you should watch for what’s good and say so, watch for what’s bad and say that,
and be afraid of neither observation.
If you lose your temper, lose it; if you find yourself unexpectedly moved, admit it.
Keep your tools, compass and gyroscope,
clean, dry and level.”
Peggy Noonan,
columnist, author
<•>

good
Christmas Eve advice
getting harder to find,
wheat from chaff, and all that,
what’s sensible,
what’s defensible,
and what actually feels
A~ok!
as in
perhaps, it actually could be,
pause to think,
correct?
and:or:heck,
even right

so if you read the above ,
take it from a couple of senior geezers,
you just got a holiday freebie!
yeah, yeah, keep your powder dry,
just ain’t the same, sorry…

we talking tools and fools here,
them that keep you
on a course
of your owned free choice,
with an assist,
to  know your position & to
never to lose your balance

when everybody is
instantly
telling you what to think,
take that long pause,
use your tools,
to pick the problem up,
Rubik’s cube it,
twist and shout,
when the
solution emerges

‘tis the season for
preaching and overreaching,
but use this quietime pause,
look internal,
and keep your instinct and
inside tools oiled,
and mind open, clarified

wish you then, clear eyes, open ears & love;
wisdom, that’s up to you,
but, you’re a billionaire for sure,
use the grey cells you were given
thoughtfully & well,
and keep on looking for
‘what’s a good way,’
which is always an
everlasting work


                             nat lipstadt
12/24/24
5:45 pm
NYC
Nat Lipstadt Dec 2024
“Talk in everlasting words
And dedicate them all to me
And I will give you all my life
I'm here if you should call to me
You think that I don't even mean
A single word I say
It's only words and words are all I have
To take your heart away”


“Words” by the Bee Gees
<•>

words are orbs,
living in the airy space just
about above over my head

still plucking ‘em when the
spirits shake me awake,
speaking
“create, can’t wait,”
for if the instance slips by,
a
disparate disparaging displacement
though not fully lost,
the precise
conviction combination
precious precision decision
if not stepped upon with
a codifying immediacy urgency
can result in an
irreparably irreversible irresponsibly
l o s s,
feeling as if a piece of your
owned amazing
has been chipped off irretrievably,
flown away to a
never again
nether land

not lost on me that
the infinite symbol

is sometimes called the
lazy eights

a minute momentous moment,
all it takes, for the loss of
infinity permanence of going
gone gone gone

read of a man,
in a creative place,
songwriter on a crowded California
Santa Monica highway,
with no place to pull off,
sings over again the tune birthing
with no intermission
repeating for hours the tune
and the lyrics
of a new (now famous) song,
proceeds
directly to the recording studio
to lay that track down

been there, done exactly that,
“while doing 85 mph on the
Long Island Expressway,”
(L.I..E. )
and those
everlasting words
live on today
Dec. 2024
Next page