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Michael R Burch Feb 2020
Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

"Love Has a Southern Flavor" has been published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India), Victorian Violet Press and Trinacria
Hang on, hold on...
...we get the fiddle out,

Now the old Ban-jo...
here comes it now,
clap tune with us...


America went in the can when Hollywood then brought-in,
The good feelings sneakin' 'round as Old Times never for-got-ten.
HOORAY! HOORAY! America, still Dixie!

Real T.V. got your goat as poli-ticks snake your vote,
I guess that's how, guess what's now, -rock that boat!
LOOK AWAY! LOOK AWAY! T.V. keepin' Dixie!

Take a knee you N-F-L, NBA you go to Hell!
Still not same, as Me 'n Me, with money, life is swell!
HOORAY! HOORAY! America, still Dixie!

Demo-cracy was thrown a hand, when Dixieland lost it's stand,
Oh live and die for T.V.

Keep your eyes down now, -boy don't look around...
...Our way, -T.V. -is Dixie!

HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!

Gotten out? The Great Gar-den? Then we shot your Mar-tin.
And ole Jay Z we'll mow him down, every time he hits our town,
oh you'll see, catch a grave, as God T.V. keep y'all a slave!
Not the same, as Me n' Me, in spite of all your New money!
HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!

HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!
Remake of the Dixie tune for modern times. It must have been hilarious to see people dancing and clapping to this tune as it appears to be made in jest to mock racists.
Brent Kincaid Feb 2016
In old New Orleans
Musical lumberjacks
Legitimizing their axes;
Just piano, clarinet,
Bass and the drums.
Bringing jazz back
And then some.

The cat could play
That skinny long black horn,
Hotter clarinet than
Anybody ever born,
He kept hitting notes
So pure and high
We felt each note
In our eyes!

And, if you chance by
Remember this,
They don’t allow dancing.
But when the drummer
Makes works those skins
And makes them talk out
There is plenty of toe-tapping
And nobody ever walks out.

Then, when the guy
Plays that bass fiddle
He adds an underscore
To top bottom and middle.
It’s an underbeat of grace
That will fill the rest space
And the hearts of all
In this overcrowded place.

Vintage jazz roars out
Of an old, old piano
Played by a happy madman
With fingers afire, he knows
He’s got them hooked;
He’s making them wild
As he wails on those keys
He looks out and smiles
And he puts the Satchmo touch
On those old-timey songs

And once in a while
They ask us to sing along.
For the past forty-six years
Those ugly plastered walls
Have never hear so many
Gratefully rendered curtain calls
From an audience of clerks and swells.
On Bourbon Street’s Fritzel’s.
Through hurricanes and beers
Like stepping back a hundred years.
Fats is still playing, Bessie singing
Original jazz music is still swinging.

— The End —