Before that August--

(strange month                                        echo)--

bloomed in the east
sunrise bomb                                           sunset dawn

you sometimes
                                                                   rose
(unbidden)

to the surface
of my mind.

These were some of my triggers:

Calgary                                                     (always Calgary)
me too
Christmastime.

And all the times                                     you attempted
to reach out to me

(sucker punch                                          sleep ****).

And then that August--

(good mornin'                                         bombshell)

the news--
for shame.

For I had fallen for the lie
(while you talked all the while
                                                                 in your human voice).

So you like 'em young.
So you like it rough.

August sun                                            beat me down.

It took this glaring
of a light

to show me
the darkest                                             of men's natures--

and that I knew them
intimately.

There's always been something
so Hollywood about her--
and I don't mean
21st Century *******.

I'm talkin'
Judy Garland,
you're the bee's knees
type of Hollywood.

Now, listen'--
this girl--
I'm talkin'
Bombshell-Cutie
(she'll blow your
******'socks off).

I'm talkin'
Cinematic Beauty Queen;
skin freckled with film grain
the same way the night sky
is freckled with constellation,
mouth parted like velvet curtains,
only to reveal the sweetest prose.

She is Mystique-Fatale,
blazon in colour
among dull, sepia tones--
an Oz among all
the dreary Kansases.

She is allure and poeticism,
hair curled grand,
dressed to the nines
in lace and satin
(they wonder
what lies beyond the
half moons of her *******
and the slit in her gown,
if the butterflies
run rampant
between her knees
like everyone says).

Do not underestimate her--
she is both
Shirley-Temple-Sweetheart
(her kindness
does not falter)
and Pinup-Girl-Honey
(one would not think
to challenge--
to break--
a woman
so prolifically brazen,
but they try anyway).

In a world filled
with actresses--
please, darlings,
save the acting for
the stage,
******* it--
she is so ineffably herself.

She does not reserve
her emotion for
the theatre alone;
she is not afraid
to cry, and--
Jesus--
when she cries
the earth shakes
with the very profusions
of an opera singer's vibrato.

And, God,
you should hear
her poetry,
brimmed with images
picturesque and tragic,
straight outta the movies
it would seem.
Yet, her words
ring with something
so inconceivably real.

And that's what
you've always loved
best about her--
she is the truest person
you've ever met.

It's a shame, then,
that you wouldn't stay
for the grand finale.

But,
with or without you,
this show must go on.

(and it has).

Love me for my destruction, for my mayhem --
after all, loving you isn't so much different,
I could have chosen cigarettes, smokey ashtrays over your
smokey eye make-up,
Or maybe alcohol, sip at lukewarm beer, and become embittered by how
your lips are stained elegantly wine,
and then again, I might've had the opportunity to inhale car exhaust
but your breath is much heavier than monoxide
and much more deadly--
turns out nuclear warfare is much more easily attainable by
your explosive needs
for genocide -- you love those broken hearts,
you little radioactive succubus.
Knives, I could have made love to a knife, but I guess your nails served the same purpose, you've left your mark, okay?
I have a target in the shape
of little crescent marks on my back from you and
people keep
staring.
And yes, I could've injected myself with something stronger like morphine, but
you're already running through my ******* veins --
I looked up "infatuation" in the dictionary but the words kept
blurring because all I could see was your blushing expression
when I used my fingertips like paintbrushes
on your cheekbones.