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You
Every time I try to close my eyes you're there
And I can't for the life of me get you out of my head
Or the way your curls would fall into my eyes
And tickle my face and you would laugh
And shake your hair in my face some more
And your eyes would beam with love
And I never wanted anything more
But now here I am sitting on my computer
Writing a poem about you
And you have already forgotten my name
And I'm still in love with you
Please come back.
I will continue to sulk in my own despair so long as she is not by my side
 May 2014 Shane Oltingir
aetherx
You see it from afar. Noticing the subtle glow.

"I'm sorry it hasn't been raining for you lately. Will the crimson of my wrists be worthy enough for you?"

"I'm sorry the rays of sunshine haven't been gleaming and lighting you up. Will the blaze from skin all the way to my bones, when I set myself on fire, be worthy enough for you?"
[Note: you're a growing plant]
 May 2014 Shane Oltingir
aetherx
we have our own worlds;
we are completely unanimous

we'll never leave,
now that you've drawn us by your magnetism
you are essential

coexistingly contradistinct;
has no one enlightened you?
you, I, all of us
are celestial bodies
in the vast space
and we orbit around you

pirouette and waltz on our own particular rhythms
we are on different belts, but even then,
don't you see?
parallel lines don't meet

don't ever forget,
for every time you crumble,
a new star is born;
your rebirth
embrace this because

Sun, you are a star
the history of melancholia
includes all of us.
me, I writhe in ***** sheets
while staring at blue walls
and nothing.
I have gotten so used to melancholia
that
I greet it like an old
friend.
I will now do 15 minutes of grieving
for the lost redhead,
I tell the gods.
I do it and feel quite bad
quite sad,
then I rise
CLEANSED
even though nothing
is solved.
that's what I get for kicking
religion in the ***.
I should have kicked the redhead
in the ***
where her brains and her bread and
butter are
at ...
but, no, I've felt sad
about everything:
the lost redhead was just another
smash in a lifelong
loss ...
I listen to drums on the radio now
and grin.
there is something wrong with me
besides
melancholia.
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.
against the wall, the firing squad ready.
then he got a reprieve.
suppose they had shot Dostoevsky?
before he wrote all that?
I suppose it wouldn't have
mattered
not directly.
there are billions of people who have
never read him and never
will.
but as a young man I know that he
got me through the factories,
past the ******,
lifted me high through the night
and put me down
in a better
place.
even while in the bar
drinking with the other
derelicts,
I was glad they gave Dostoevsky a
reprieve,
it gave me one,
allowed me to look directly at those
rancid faces
in my world,
death pointing its finger,
I held fast,
an immaculate drunk
sharing the stinking dark with
my
brothers.
ignore all possible concepts and possibilities ---
ignore Beethoven, the spider, the damnation of Faust ---
just make it, babe, make it:
a house  a car   a belly full of beans
pay your taxes
****
and if you can't ****
copulate.
make money but don't work too
hard --- make somebody else pay to
make it --- and
don't smoke too much but drink enough to
relax, and
stay off the streets
wipe your *** real good
use a lot of toilet paper
it's bad manners to let people know you **** or
could smell like it
if you weren't
careful
some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.
it's the same as before
or the other time
or the time before that.
here's a ****
and here's a ****
and here's trouble.

only each time
you think
well now I've learned:
I'll let her do that
and I'll do this,
I no longer want it all,
just some comfort
and some ***
and only a minor
love.

now I'm waiting again
and the years run thin.
I have my radio
and the kitchen walls
are yellow.
I keep dumping bottles
and listening
for footsteps.

I hope that death contains
less than this.
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