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Geno Cattouse  Sep 2013
Vat 69
Geno Cattouse Sep 2013
Hey Baby. Long time no see.
She said leaning out the driver's side
what have you been up to ?
She said.

Hey lover.You have  not changed said Vat 69
You still stay at the same place ?

Gene  baby,why did you never call ?
she asked.

Just been caught up in the flow
said vat 69. The neon lights tranced me as I bent to kiss her upturned face.

Obsession wafted from her frame and carried me back to warm summer nights
of pure urban fairy tales and Grand Marnier. White powder and Vat 69.

Where you headed ? asked Vat 69.
Anywhere you want to take me replied obsession. My head spun.
Faster than Vat 69. But i could not spin back to that special time. New love beckoned.

So I kissed her goodbye and climbed into my ride. Two ships passing on a saturday night.
Oh what might have been. Her eyes filled  to the brim.. my heart turned on a whim.
The engine flowed smoothly
Like Vat 69.
Bad Jokes Inc Jun 2014
I was packing some snus
when I got up from a snooze
to put a ****
In a boiling vat of hotdog juice.

She was screaming and yelling
as I poured in the salt
and the cops busted my door
as my meal came to a halt.

I said "whats the rush?"
He said "***** hush"
As he sipped very angrily
at his watermelon slush.

I am black
yes very black
so they put me in the back
of their ****** cop van.

I went to jail again
For trying to cook a ****
in a boiling vat of hotdog juice
as I watched espn.

I got out of jail
Cause my drug money was bail
went back home
to see a fresh cooked **** in my garbage pail.

I was so happy
that I took a break to fappy
on my nice leather couch
while my girlfriend was napping.

Today was a good day.
Ice cube agreed.
I smoked all of my ****
and gave into my greed.

***** don't **** my vibe.
Poetry ***** *****.
My wife always nags me.
This seems to be a problem with most women I marry.
Or most women in general.
They all nag me.
I'm laid back.
Or as my past wives say,
"lazy".
Sure, you could say that,
but I prefer the term,
laid back.
Anyway,
so my wife is always nagging me.
"Do the dishes" she says.
"Do the laundry" she says.
"Vacuum the house" she says.
Eventually, I would do it.
But the nagging got worse.
"Fix the squeaky front door" she says.
"Clean out the gutters" she says.
"Sort the trash from the recyclables" she says.
Eventually, I couldn't take it anymore.
I had enough.
So I took my wife,
and threw her in a vat of acid.
I watched as her skin slowly melted off her body,
like ice cream melting on an ice cream cone,
minus the stickiness.
I watched her hair dry up,
and disintegrate into nothing.
Her fingernails slowly fell off,
and her eyes began to slip out of her head,
as she let out a final scream.
She looked just as beautiful as she did the first day I met her.
My eyes feasted on the greatness before them,
although it does get kind of boring after the fourth time.
Nonetheless, I still enjoyed it.
There's nothing like throwing your half asleep wife in a vat of acid on a cold Sunday morning.
Copyright Barry Pietrantonio
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Stephen E Yocum Aug 2013
Went to the County Fair today,
I have always liked to go,
So many animals,
and things to see,
It's truly quite a show.

The Carnival Games are fun,
But certainly never free,
Most are surely rigged,
You hardly ever succeed.

There are Side Shows galore,
Some bring, right out in the open
******* clad young women for
perusal, to tease men into arousal.
But you need to pay to go inside,
To get a better peek.

Best of all though, for me,
Is the vast array of Junk Food,
Right there on display,
for everyone to see.
Forbidden none healthy stuff,
that the rest of the year,
I never get to eat.

While walking around,
The sights and the sounds,
of these many prohibited treats,
Their enticing smells do so delight,
That my stomach begins to growl.

It does not help, that huge colorfull,
signs, on each food stalls does adorn,
Advertising it's tantalizing offerings,
making them all the harder to ignore.

The combination of these deeds,
of visual, and nose sensory sensations,
Can doubtless render this person,
incredibly weak in the knees.

Next up jumps a big dilemma,
Which one thing should it be?
Pop Corn, with lots of salt and  butter,
Better yet, that fresh corn on the cobb
I see.

Look over there, Oh MY!
It's fried dough Elephant Ears, I spy,
Sprinkled with honey and cinnamon,
I seldom, almost never pass them by.

Oh YES, Bright Red Candy Apples!
A boyhood favorite of mine,
and a sure win.
An apple a day, they say,
Keeps the Doctor away,
The candy is just there for a grin.

Fried Chirreo's and Corn Dogs on a stick,
Both I could do, making that combination,
a bona fide Hat Trick.

Nachos dripping with melted cheese,
Oh sure, that's bound to please.

Pulled Pork on a bun would be kind of fun,
But the Barbeque Sauce gives me gas.

One that I'd almost forgotten,
How 'bout Candy Cotton?
A marvelous Incantation,
Sugar dropped into a machine's
whirring vat, spun like magic,  
Puff, just like that.
No slight of hand required.
Really quite a sweet sensation.

I've spent now over an hour,
Just wandering all around,
Looking at the stalls and signs.
And yet,
Still can't make up my mind.

Racked with indecision,
This perplexing dilemma,
Rests with no other person,
This one is all about me.
Yet another half hour,
from the clock has expired,
and still no decision is rendered.

The day is ending,
it's nearly Six,
Not long 'till Supper Time.
Before I left home,
My wife did inform,
"It's *** Roast tonight,
your favorite,
Make sure you're here by seven!"

With a certain hesitation,
And twinge of remorse,
Disappointment etched on my face,
I turn listlessly towards my car,
With slow pace resignation,
Still pondering all those treats,
I might have had,
If it weren't for my procrastination.

Decision making,
I've been slow to admit,
Has never been my forte.

Well perhaps, No for sure.
Maybe, I'll probably come back.
Tomorrow, or even the next day.
It could, or might possibly be,
That by then, I will have thought,
this all through,
And come to some decision.
And we know he won't, poor guy,
his sort never can.
Which of the treats would you have
picked? Bet you can make up your mind.
That's an easy bet. Writers make instant
decisions all the time.
Mateuš Conrad Jan 2023
it's not like i was away from society,
sure, i crawled into my room and stockpiled on books,
the Tibetan Book of the Dead was never something
i was going to finish reading and find translatable
insights to compliment...
but there were plenty of books...
enough newspapers too... all the culture sections
written by critics: just today i was reading
up on two reviews in the culture section of
yesterday's the Sunday Times:
  poetry reviews! wow! wow! poetry is being
criticised in a mainstream media publication: still?
isn't poetry dead? last time i heard
TS Eliot killed poetry...
    well: if anything needs a killing -
i imagine trying to **** a dead person...
**** a dead person by mime?
**** a corpse by propping him in a chair...
talking to him, it, her,
pouring her, it, him a glass of whiskey...
dealing cards to them?
pretending the dead thing is somehow still
a body and all the mechanisation process of SIGMA
we dare to call soul or a seal of falling leaves or self?

horrors of the novel and all things
flashy and pop... i could if not for the autobiographical
drip drip drip...
   today i stood in the kitchen and imagined
myself: the demon cook of hell...
tomorrow i'll be making a Turkish dish
of finely cut beef... rosemary (oddly more complimentary
of beef than lamb), chillies, garlic,
sumac, pepper... cheese... white wine vinegar
to cure the meat...
                        black pepper... salt...
eaten with LAVASH...
                                          gorge of all gorges of
the thirst -
      but i will also be making two curries for the day
after tomorrow... to give myself more time for:
more time...

i went away from society: but didn't...
society tried to cement my ear into a lunatic asylum:
how i wished i made it among the madmen,
truly... how i wished i was at one point sectioned:
i tried my luck, i tried and tried but failed...
i never was... pop pill X white as nerves
and the bleaching of aluminium -
   pop pill Y... no result... the desired result...
the world span forward and still the same world
i returned to... although with quaked psyches
reaching out for hands instead of receiving
pointing fingers... exclude you: exclude i and you:
you-not-you i-not-i: or even:
i as "i" and you as "you"...
                    
in this kitchen: this, not this: any kitchen...
what was playing in the background? a spin on vampirism,
a blood-disease romance...
i thought about: if i wrote a YA novel about
vampires in the decadent period of the 1980s
with the height of the AIDS epidemic?
imagine: i "said" to myself...
    imagine vampires with AIDS... i started to imagine
vampires suffering from AIDS...
    not the sort of pristine vampires that needed
virgins or children to survive...
just a wild-thought: an unnecessary thought...
i'd be better off thinking of windmills...
    like that one coming up to Upminster from
Hornchurch...
               because this book, will never be written by
me... but a theme exists...
vampirism at the height of the AIDS pandemic...
vampires with AIDS...
             the homosexuality of vampires is yet
to be explored... seems these creatures might want
to exchange blood, spit and *****...
perhaps vampires would be immune to AIDS...
but then again: that's irrelevant since there's a cure
for ***: the virus that designated the past-"redemption"
state of AIDS...
or at least: this is what i "think" i "know":
point being - i don't care to know...
                              
the following rubric also came up...
on the topic of gravity...
swimming - ∇ (you find gravity in the top part
of your body... in the torso)...
the feet are slackers... they come in for the swim...
cycling - (again) ∇ nabla schematic...
your torso actually manages the coordination
of the body on the bicycle...
your feet do all the work... peddling...
but your upper body needs to coordinate
the centre point of gravity being: you're not falling...
you're not falling when either swimming
or cycling...
you're not falling when walking...
you're not falling when climbing, rock or tree...
∇... the legs are only there for the "ride"...

but? ice-skating... it should be the same!
it should be a ∇-schematic...
but is it?! is it?!
hardly some darkened mysterious, poetic O...
oh god... not another of those O O's...
like O is ****** or O is orbit
or O is eye or: whatever happened in Ur
and why not Oor for up-sigh-alone
   is not different to oh-mega-n: oh Meghan?
not a name in the tabloids... just
a coincidence, a little coincidence...

i can't be blamed for underachieving in the second
wave of literacy: basic example i can give:
frightoffreedom = "FRIGHTOFFREEDOM"
print(f"{frightoffreedom.lower()}")
who write so complicated but still performs
magic in 2D and can't translate 2D into 3D?
did every child start speaking said, any said
language to an unsaid capacity of a Buddha's
silence? gate-keepers some say,
a new literacy i say: i too could learn if
there was someone willing to teach...
but as the first pigs to the trough...
first learners come first and the rest "struggle"...
that's me sorting out the basics of ever used
EXCEL twice, properly...
HTML building blocks once...
sorting out my father's change of accountant:
three years prior to his retirement:
quick-books confuses everyday tax-payers
except for the intended audience of accountants...
but... how happy i was... filling out the rubrics
finding math fun without doing any math...
my new favourite expressions
are =SUM(D3:D34)
   that's for the total of money spent...
next column... =(D3*1.2)
   that's the rubric for the Netto (without VAT)
slide the mouse down from D3 through to D34...
next column the VAT (Brutto)..
    =(D3-E3)
             ergo... the VAT in cell F3... scroll down
to F34... then at F35 type in:
    =SUM(F3:24)...

                   modern poets are yet to have discovered
or used the internet or computers...
Poet-Luddite... conflated language:
i want to forget outside of the immediacy of having to
know an elephant is an elephant and
there are five blind men trying to tell apart
a chair from a table...
                 perhaps seeing each item represented
by a cubist painting would leave them
the same blind men if they were only given
a snippet of sight to tell a chair from table apart...

conkers left on windowsill and other locations
in the household allow you to spend the winter
months: freed from feeling spiders...
spiders apparently abhor the scent of oak seeds:
i've been huddling in my winter abode
freed from spider bites... in winter...
when spiders morph into mosquitos and draw
blood from mammalian flesh...

- i can't believe it though! it was so easy!
but... it had to take a lesbian to ask me out on a date!
it took me from the age of 21 through
to the age of teasing 37, done so casually...
hey: do you want to go ice-skating with me
after the shift is over? sure! why not!
today i paid for it... however many hours
i spent cycling, today i felt muscles i never thought
i had... but it took a lesbian to ask me on a date...
a coworker mingling scenario...
we worked the shift, we went ice-skating...
she filmed me trying my best not to fall over...
her laughter, or rather, her giggling reminded
me of Ilona... that masculine-feminine aura
of self-assurance...
i'm not attracted to these women:
they just seem to be attracted to me...
tattoos, piercings, bully-boy butch-Toms...
standing a proud 5ft4 eyeing up a 6ft2 example
trying to kick punch and kiss all at the same time...
well... it was so easy, so much fun...

it should follow that finding the centre of gravity
within the confines of ice skating
should be the same as that of finding the centre
of gravity while swimming or cycling...
i.e. ∇... that's the schematic...
upper-body: the torso is giving prime psychological
concerns... the legs are secondary...
but no... it's counter-intuitively: "intuitive"...
you can't exactly begin finding gravity while
either swimming or cycling by flapping your
arms about pretending to learn to fly:
but you do! you do!

            a drowning man is flapping his arms about
but his legs... his legs...
i'm starting to think i'm getting this theory all wrong...
swimming = cycling = ice skating = ∇...
i kept looking at my legs
pretending to walk while simultaneously trying to glide...

Δ schematic insinuates: don't look at your legs...
no one who walks upright looks down
asking the legs to do the walking...
one looks down to resemble a humbling
expression of grace: thank you: mechanisms of
what binds water to a tide and the mountain
to itch for rising above the setting sun...
thank you...
no one looks at one's legs insinuating:
you're not performing my unconscious demands
of moving from X to Y...
but on ice? ice skating...
it's a fake schematic... ice skating is truly like
swimming and cycling...
next time? my 3rd time on the ice? i will have to let go...
i will have to fall the nth number of times...
what's scary is generating a momentum
so easily without any obstacles of a hill
of grit of grind...
     it's a bit like: people exercising in the gym...
performance art... they can lift weights as a spectacle...
they can create a sexed-up physique, body-shape...
but throw the same people into a manual-labour
environment: with the drudgery of manual labour...
the bulkiest of them will stumble...
tell them to lift, perform "art work" on a roll of
      felt in the roofing industry...
lifting weights is an abstract compared to actual
physical labour...

still... aged 36 and the first "date": it wasn't a date...
was with a female who just so happened to be a lesbian...
what sort of heterosexual woman would go on
a date with me so simple... she asked to go ice-skating
i would have asked: want to go cycling with me?
want to go to an art gallery with me?
was there any talk about what job i have?
was there any talk about what living arrangements
i'm living "under": more like over given
the current climate of renting in London:
12 months upfront rent?!
             of course i still live with my parents...
i clean the house, i cook, i sort out my father's invoices...
i do the VAT for the accountant,
i tend to the garden...
                              i pay "rent"... well...
thankfully i didn't have hopes to get married...
so... my parents didn't have to fork out from their savings
for some grand fakery parade of ceremonial pomp
of ****** white: bride to be...
easier with the prostitutes in the brothel...
but i figured: if the the 8 year old me figured out
how to ******* before he could produce *****
he could also have an inkling into the current debacle
of men who *******: like that was ever a hindering
"problem": because women are all pristine
because they rarely talk about it:
cipher: Madame Bovary...

         two bad experiences having *** in one brothel
and i'm thinking about curing my ills seeking out
another brothel... but it's winter and my libido is
obviously not up to scratch...
so? three times daily... jerking off to the point
where i: i don't have to actually enjoy it...
no movies... just pictures... cleavage... ***...
eyes... mostly eyes...
                           bacon, butcher, bacon,
tenderising meat, curing meat with acids...
spices... herbs...
                 the more i do it the less i think of it...
worried about communal hot topics about loss
of testosterone?
                   i have hair on my chest
my stomach, my back and on my chin...
                  blah blah some parrot said...
seagulls dived in for a *******... the Kraken yawned...
Norse mythologies crept up on dying Christianity
and all was well... meadows covered by frost come
late January somewhere in the open green patches
of Edinburgh...

                - the labour and the pains of the crucified-foetus....
some say it's like waking into a world
where women perform the splinter-membrane
argument of what's living and what's not...
how ancient male mammals performed infanticide...
yet how chemistry and the abstract allowed
a new-mammalian-wave of female infanticide:
because: early birds in the dynamic of ***
made their first falls the fault in the opposite ***...
while some of us waited and waited and
by waiting became freed from ugly brides
and social expectation: Darwinism's pressures
to procreate...

i can't listen to both Darwinism and Buddhism
at the same time: i simply can't knife through
to the fork to subsequently spoon up and gulp down
this sort of duality...
like i can't stomach the dualism: if there is one
of consolidating the aesthetic with the ascetic...
i can't consolidate the AESTHETIC with the ASCETIC!
Christianity did just that! Christianity
married the AESTHETIC with the ASCETIC"
ryn  Jan 2015
Interview
ryn Jan 2015
How are you?
I'm alright I guess...

Where do we begin?
Maybe at the start of this mess.

Are you uncomfortable?
I can't say that I'm not.

Is it your past?
Well it's all I've got.

Do you still get nightmares?
Well I used to...

Will you let them show?
Depends on you...

What do you hope to accomplish?
I don't know... Peace of mind?

Would you have done things differently?
Everyone wants the chance to push "rewind".

Care to elaborate?
Let's just say I would've liked to be braver.

What do you mean?
I should've stood up to my father...

Did he abuse your trust?
He did more than just that...

Rob you of your freedom?
Let's see... His belt, cigarettes and also boiling water out of a vat.

Do you wish him ill?
I wished him dead.

"Wished"?
Yeah...in his bed.

Why "wished"?
Because I wanted that then...

For how long?
Since I was ten.

What about now?
(
Maniacal smile) I am now... At peace.

"At peace"?
I have found release.

You have?
Yes... I couldn't resist the urge.

Urge to do what?
To comply with the voice... "
Freedom...lies in the purge..."

You left your father?
Yes but not before...

Go on...*
Not before I slit his throat with a smile on my face as I shut the door...
Inspired a programme I watched on the crime channel.
LD Goodwin Apr 2013
And now she is only a scar,
you can barely see from afar.
It’s something I’ve learned to live with.

I can hide it well behind tears,
and it changes down through the years.
Just something I’ve learned to live with

When it happened, the cut was deep.
The fall was hard, the climb was steep.
Now, something I’ve learned to live with.

Though it will never fade away,
a wound from an unconscious day.
Just something I’ve learned to live with.



Go Vat
*The French Influence can be seen in this one, where there is a longer syllable count and a repeat line or word, and is believed to have become a popular form in the late 1800s.
It consists of a couplet of usually eight syllables, which sets the rhyme for the subsequent stanzas, and a third line which can be repeated totally or phrase or just the final word.
Harrogate, TN    April 2013
Destiny’s games are stranger than
most games invented by man
and Draupadi’s swayamvara is for sure
amongst the strangest tales ever told

A truly blazing beauty is she,
a princess like no other
a rare fiery spirit has she
This daughter of Agni

The drums announce the happy news
today she shall choose
from amongst this gathering of kings
the one who she shall espouse

a prophecy has already foretold
that she is to be Arjuna’s bride
the swayamvara is but a test to tempt
that expert archer out from where he hides

every king from every land
is here to attempt
to win her hand
but no sign of the one she wants

but the contest has been announced
and hence must be begun
a test truly fit to try
the Gods themselves

on the ceiling
a revolving platform
on the platform
a jewel studded fish

on the floor a vat of oil
lying beside a great bow and shafts
the fish is mirrored
in the oil

the the target lies
in the fish’s ruby red eye
but a challenge fit for kings
cannot be so trouble-free!

The eye, itself, must not be looked upon
its reflection in the oil is the map to strike
not an easy feat to accomplish
only the best dare try this

for the failures
there is ridicule and humiliation
for the winner
this beautiful handmaiden

every eye that sees
looks on amazed
at her -a rare jewel
with some secret fire set ablaze

her eyes hot embers
her hair wisps of flame
Krishnaa-the dark skinned
like the fiery coal that is by ashes hid

in every heart she rouses
an uncontrollable passion
stunned, they stand as statues
incapable of any action

the desire to win her
is a great motivator
and while all try
none seems worthy

every king that rises
falls unable to bear
the weight of the bow
let alone string and employ it!

then rises Karna
truly a great archer
surely he will win her
says everyone in their mind

but before he even touches
the bow he is stopped
by the beautiful Draupadi
he is humiliated

“who is this false king
who dares to assume that
the high-born Draupadi will condescend
to marry a low-born sutaputra?”


silenced and insulted
Karna resumes his seat
but a desire for retribution
is in his mind-a tiny seed

the one who rises next
is clothed as a Brahmin
but his proud gait and muscled arms
are that of a Kshatriya

respectfully he picks up the bow
strings it with love
with arms upraised and face turned below
he launches the arrow

it strikes the eye
which falls to the ground
the Brahmin has won!
he is garlanded by Draupadi

their eyes meet
in silent acceptance of
their magnetic attraction
a scorching passion

a stunned silence in the hall
and then hell breaks loose
kings rant and princes protest
how can a princess marry a priest

they rise together
up in arms
and are routed
by the Brahmin and his brothers

with the Brahmins Draupadi goes
to their hut-a humble abode
with folded hands they stand outside
as the eldest calls, “Look mother, see what we’ve got!”

a gentle voice replies from within
“whatever be it, share it
amongst yourselves,
it equally belongs to all of you”


“Mother, what have you said
what a dilemma we are in
you-we have never disobeyed
and yet to obey would be a sin!”


The mother comes out and is aghast
at what she has done
her order once given cannot be revoked
by convention

in the midst of all this
turmoil and confusion
Krishna arrives
with his beatific smile

“Dear aunt, I am your brother’s son
your troubled brow betrays
some confusion
can this child offer you some consolation?”


“God bless you my child
I’ve heard your praise
You are wise, so advise
how this quandary can be resolved


with hasty words
i have told my sons
to share this woman
and doomed her to a life of debauchery”


“Do not worry aunt
this isn’t a problem at all
this woman in her past life
has gained a boon of five husbands


the boon was given
by Mahadeva himself
and besides a mother’s order
is always supreme


let all five of your sons
wed Draupadi
in the karmic logic
it isn’t an iniquity


Dear Draupadi listen
these men are none other
than the valourous Pandava brothers
your hand was won by Arjuna

it is your destiny
to be the spouse of all of them
and do not worry
worldly laws are not here applicable”


Hearing this was
a stealthy listener-
Draupadi’s brother
now both overjoyed and dismayed

in confusion
he approaches his father
and apprises him
of the matter

both father and son are
unsure whether to rejoice
that the Pandavas are alive
or curse their loved one’s predicament

plagued by mixed emotions
they are restless
then Vyaasa comes
to their relief

the kind sage shares his wisdom
that the marriage is inevitable
part of the Grand Plan
mortal laws must not interfere

a woman having
more than one man as spouse
isn’t always an immorality
they may fearlessly proceed

and so it is
that the marriage was celebrated
Draupadi became the
accidental polyandrist!

-Vijayalakshmi Harish
23.09.2012

Copyright © Vijayalakshmi Harish
Swayamvara: literally “self-marriage”. An ancient custom in which princesses chose their husband, usually through some contest.

Agni: The God of fire. Draupadi is said to have been “gifted” to King Drupada by the God of Fire.  Drupada had performed a sacrifice to Agni for a son, who would defeat Drona and a daughter, fit to be the wife of Arjuna.

Sutaputra: Son of a Charioteer.

Kshatriyas: Caste of kings and warriors.

Brahmin : The priestly class

Here I must put in a disclaimer saying that I am not a believer in the caste system, and see all people as equal! The insult against Karna is a part of the story, not my invention!

Though the title says “accidental polyandrist”, Draupadi’s  polyandry might not have been all that accidental. The legend goes that in her previous birth she had asked Lord Shiva to give her a husband who was kind and an upholder of Dharma, strong, brave and courageous, handsome and intelligent. Lord Shiva said that all these qualities can never be found together in a single man, and hence he would give her five!

This incident from the Mahabharata has been a pet peeve for feminists. The incident has been viewed as reeking of male chauvinism and subjugation of women.

I have always wondered about the silence of Draupadi here. Her character, as I understand her, is that of an assertive woman-one who would not have allowed such a thing to happen to her! In many occasions in the Mahabharata, she speaks without reserve when she sees injustice meted out. Even during her swayamvara, she was quick to chide Karna, who she presumed was unworthy of her. In such a scenario can her silence be construed as acceptance?

Others say of course that her protests were edited out. That she must have spoken against this, but she was silenced.

But why silence her only here? Why not on other occasions where she challenges “masculine” pride and chauvinism?

So many questions..no real answer! Would love if you'll could share your views.

Special thanks to Ammukutty who graciously proof-read this and made some suggestions which were taken with many thanks!
Tara Marie Jun 2018
A vat of toxic thought
is stirring in my brain.
Suffocating, paralyzing
and driving me insane.

It's been awhile since doubt has
corroded conscious thought.
Plagued and convoluted,
insightful - yet distraught.

The memories are beautiful,
the skies so blue and pink.
The abstract conversations
without even one drink.

The softness of skin contact,
and the kiss that draws me close,
Adrenaline so constant;
it had my brain engrossed.

But what of all the struggles:
the crying - all the tears?
The boring, simple lifestyle:
the overgrowth of fears?

All the dinners wasted
ignoring everyone around;
while staring at a scrolling screen
and not making a sound.

The arguments to argue,
and to never admit wrong,
the lack of admiration,
and the gazes were all wrong.

The persistent ambiguity..
Absence of determination..
The lack of loving sentiments
and the grand insinuations.

What of all the struggles,
do they outweigh all the skies?
Do they stomp over the memories?
Cut each and every tie?

A vat of toxic thought
is stirring in my brain,
Comparing, captivating,
and driving me insane.

— The End —