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JM Feb 2013
I put the boy to bed
and sat reflecting
for a few minutes
about my blessed
His face lit up
when I told him
that he was Grammas's favorite.
He is everybody's favorite.
My gift.

My salvation.

I looked up the story of Abraham
and much like grade school,
I thought
**** That.

I listened to the new Trent Reznor project,
not bad.
I think of my
little brother whenever I see Trent's name.
I took him
to his first concert ever,
Nine Inch Nails.
Kicked ***.
I thought about my ******, ******* little bro.
I'm going to have to beat his ***, just ***.

I fired up a joint
as I put my
music collection
on shuffle.

Genre: Electronic.

Shuffle: Puscifer.

I sifted through Craigslist
and saw an ad
for being a radio dj
for a grassroots
community based
where you play whatever music you want
as long as it is not top 40 *******.
I could do that.
I could do lots.
Lots more than this, anyway.

Shuffle: Mike and Rich.


I thought of my mother
and how
neither her nor I
are realizing our full potential creatively.
I called Mom
and we are
going to start going
to poetry readings.
She's gonna read my poems
and I'm gonna read hers.  
It's a start.
We are cool like that.
We laugh lots.

Shuffle: Awolnation.

I'm pretty high by now.
Then I read another article on NPR about mix tapes.
I thought about you.


I thought about you
the mix tapes we
used to give each other.

Shuffle: Massive attack.



I put this song on at least five of your mixes.
Even the cover by Sepultura.

The great nothing sighs deep and cold within me.

I started to write a poem.
This poem.
This poem for you.

They are all for you.

I know when I write I purge,
and you just keep coming,
like a
lie covered
being endlessly pulled
from my gaping broken skull.
Will I ever reach the end of you in me?

Shuffle: Lords of Acid.
I rolled another joint.
You used to hate it when I
would pick you up
and have
Show Me Your *****
But then again, you didn't like anything I used to listen to.
You didn't like much about me, did you?
Just that one thing.
It's no wonder though, you ******* hipster.

Shuffle: Moby.

Jesus man how many songs does this guy have?
He's like the ******* Bob Ross of geeked out techno.
That must make aphex twin the evil mad genius.

I made it through shuffling without crying
but I can't listen to the mixtapes.
Cd's, really but who's counting?
You would.
I cannot
wait until
you becomes
and then
becomes a breeze of a memory,
wisping across my cheek
almost indiscernible
only the faintest whispers
of amber and earth.
Soil and Ancient root.  
I can't listen to any of the great CD's baby.
My dearest.
My darkest.
My sickness.
My Love.
O, Fortuna, why?

 Shuffle: Dragonette,Take it like a man.

Ha! Well played, shuffle. Good timing.
I will eventually.
Until then
I will continue to pull your oily tendrils from my open throat.
I will continue to try and forgive both of us.
Myself most of all.

I will continue to write.
I will pull you
out of me
flog my canvas
with your shadows.

*They are all for you, Dearest.
preservationman May 2016
More than moving with a sway
A walk that comes with a plan
Music and dancing being the caravan
A step down the great Broadway stage
The captivation of the audience as they are amazed
Come with me on this journey
It’s the music that was composed by my Great Uncle Eubie Blake
Shuffle Along is up for a TONY AWARD
I am proud of what my Great Uncle accomplished and recognition gained in what he achieved
This makes my heart swirl
However, Shuffle Along was on Broadway several years ago, but at that time, Blacks were not allowed to perform, but that didn’t stop my Great Uncle from composing
But that was history and Fast Forward into the present
Shuffle Along back in the day has no step back today
But today, the music that surrounds “Shuffle Along”, as it is every step with a rhythm beat and establishing a meaning of its own
Dancing with coordinating feet
Rhythm in music that can’t be beat
A time to wake up from that long sleeping yond
Broadway awaits that is something to look upon
It’s a new day, and feel that today in what it has become
The sun is hanging high
Tomorrow not promised, but let’s be honest
Dance as if it is the last
Music that brings joy
Pure excitement and inspiration being oh boy
Stardom down Broadway
My Great Uncle Eubie Blake who is no longer alive
But his music continues to strive
“Shuffle Along” is in no hurry, but dance until when, but with audience applause at the end
Shuffle Along with music that prepares you for the ride
Step out and go with the stride.
Paige Hatcher  Jan 2012
Paige Hatcher Jan 2012
My father once told me,
When all seemed well,
"Keep an eye on the sky
And an ear tuned to hell.”
For the Dealer above
May not find it hard
To throw down the deck
And let the cards
Deal their own hand
And let the Devil play,
With his fire and sulfur
And his drunken demon sway.
If drew from the cards
The man with his guns
And fire in his gaze
The Devil may run.
If the Dealer may wish it,
The Devil may linger
And play a hand of fate
Against a human Gunslinger.
Nadia  Apr 2019
Bathmat Shuffle
Nadia Apr 2019
Do the bathmat shuffle
To the closet in the hall
It's never very graceful
But try not to fall

No towels on the shelf
Must be in the dryer
Do the bathmat shuffle
But now you’ll do it slyer

Shuffle down the hall
And hope no one's about
Or shimmy like you don’t care
Shake, dance, belt out

Do the bathmat shuffle
You’re nearly almost there
Made it to the dryer
But the towels are elsewhere

Do the bathmat stumble
Your quads are feeling tight
Eureka in the living room
The end is now in sight

Do the towel toga boogie
Time to celebrate
You could put the towels away
But maybe you’ll just wait

NCL April 2019
Chicken  Nov 2018
HMP Shuffle
Chicken Nov 2018
C’mon let’s get together
And do the HMP shuffle

You'll go over the wall, and I won’t wait at all

Let’s get together, and do the HMP shuffle.

C’mon let’s have ourselves a dance
And do the HMP shuffle

You'll be ridin’ bird, and I’ll be getin' down with Richard, haven’t you heard... yeah haven’t you heard?

Let’s get together,
Let's do the HMP shuffle.
Prison and dancing in one :]

A rhythm and blues style song, and 1996 style dance, just for fun.

For genre / style examples search youtube for Bunker Hill Red Riding Hood and the Wolf.
I just clicked the "shuffle" button on the main page, for the first time,
Did y'all know that was there?
Honestly,  it saddened me because all the poems I read only had, on average, about two or three likes and most of them were absolutely amazing!
So, I went to these unknown poets pages and got even sadder, hardly any followers either!  
It's a shame that with all the readers,  poets and writers alike that any poet would go unnoticed.

This is my challenge for you...  It's not to write any poems...
Click the shuffle button! Read the poems, like them, share them, add them,  everything!  

Help the new and upcoming poets get the recognition and feedback they deserve for their writing!  

1. Click shuffle
2. Read Poems
3. Like and Comment
4. Repeat Ten Times
This is dedicated to CourageWhispers, the first "unknown poet" I found using shuffle, she's amazing,  please go to and read her poems.
This is also for all the poets on here that get discouraged by their lack of reads and likes, stay optimistic, you'll be discovered soon.
A  Jan 2015
too far gone
A Jan 2015
My heart
Is a happy drunk
A little too open
A little too optimistic
It's over in the corner of the bar
Playing poker
Screaming at the top of it's lungs
When it's never
To this day
Had a winning hand

My heart
Is a sad drunk
A little too lonely
A little too caught up in tears
It's over at the counter
Forcing the bartender to take its keys
Because it would rather not go home
Than go home alone again

My heart
Is a reckless drunk
A little too unbalanced
A little too impaired
It's over by the door
Making everyone nervous
A little too good at scaring people away
A little too far gone

Like you
A little too far gone
Turn your head
Shuffle away and pretend you don't notice
The breakdown of a heart
Too drunk on feelings
To know when to stop
Sid  Jan 2015
Morning Shuffle
Sid Jan 2015
     everyone's        cars in
the morning

before work

is       always


                     ­       struggle .
We wake up every morning, and muster on command
Zombies, thoughtless we submit
There are pleasantries, but no one really cares
We shuffle, shuffle, shuffle on

Everyone reports to their assigned rooms, or else
That punishment is far worse than the normal torture we face
For hours we are bombarded, brainwashed, indoctrinated
Then they see fit to let us eat.
But don’t mistake the cacophonous noise we make for joy
We just don’t know any better.

Afternoons, yard time. At least they give us that freedom,
Let us roam the broader extent of our cage, rather than
Confining us to a sullen corner of the kennel.
But even in this false freedom they make us believe, “Look what we do, for you.”

Sometimes we get visitors, then they make us dance and play
“Look how they dance for us, watch us pull the strings”
For we are well trained, or are now so lost in our own
Hopelessness and nightmarish existence that we no longer care
Don’t care what is real.
It’s easier not to think.

They crack the whip, we cringe. “Jump” they say
So we jump.
At last misery coils, hiding her venomous fangs
And we sleep, not to find true solace
But instead it is what we are told to do.
And we do what we are told to do.
Why? Because it is they who tell us to do it.

Now, the bell chimes
Again, already?
So we shuffle, shuffle, shuffle on our way
Round and round the cage
As the light of will fades.
Azalea Banks Jun 2013

He played his usual game of pretending to consider the palatable array of music which graced his iPod before settling for an Arctic Monkeys song, as always, just in time for the 7AM school bus that revved up the road with a satisfying crunch of gravel. The morning had a deliciously crisp quality to it, with swirls of fog swathing the trees in mild ambiguity while the sun danced a waltz in a rose and custard sky, the colour of cakes sold in Pastéis de Belém, the best patisserie in Lisbon.

He realised he hadn't eaten breakfast just as he boarded the bus.
Ah, well. **** it.

The sun skipped between the spaces in the leaves, playing hopscotch with his imagination as he dazedly looked out the window, lost in his music. Although the people on his bus were nice, he didn't exactly like them. The boys wore low pants and branded caps, the girls caked on makeup and tittered vapidly at everything the boys said. A few others quietly occupied the back seats like him, engrossed in their own world. He felt a stronger connection with these people, although he'd barely spoken to them before.

He lapsed back into his reverie while looking out the bus window, lazily tracing patterns in the cracks of the broken walls of the empty restaurants and hotels that passed by. The economic crisis had rendered hollows of places previously choked with people, now haunted with the after image of busy commerce and make-believe vignettes of scenes occurred in these skeleton remains. They were darkly beautiful, modern bones of the city that held a history too close to his own.

He forcefully snapped out of his running internal monologue just as the bus pulled up the driveway outside school. The distance of a block stood between him and school, a block fraught with danger, for he'd been robbed on a previous occasion (not that his school bag had much else besides lunch money and books). At least they hadn't nicked his iPod. He'd be helpless without it.

Music was his poison. He drank it in like the alcoholics of the night drank scotch. Every drum beat was a ricochet echo of his own heart, every guitar string picked was a twanging of his veins.

And music got him through the day. The last bell had already rung and school was over. The kids rushing out the hall blurred into an exquisite pointillism of neon clothes and benevolent cusses at each other. He picked up his bag and walked to the bus, lost in the sleep deprived haze of his thoughts.

On the ride home, he wondered where he'd be in a few years. He wondered if he'd find a place in the cascading chaos of a society ruled by the anarchy of physics, and the fear of inevitable oblivion. He wondered if he would be remembered, if his footsteps would have an echo.

But for now, he thought, his microcosmic life in Lisbon would do. There were dark alleyways to explore and museums to visit and pastries to eat. Somewhere, a waiter put a tablecloth on a dinner table with a flourish, where two lovers would later dine. Somewhere, a boy ran down some abandoned train tracks with his dog, laughing at the summer sun. Somewhere, a girl with auburn hair picked seashells from a glimmering beach as the waves crashed around her fragile legs.

Somewhere, in his heart, a flicker of nostalgia coursed through his blood.

The next song on his iPod came up.

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

Houses and rooms are full of perfumes, the shelves are crowded with
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is

Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

I believe in you my soul, the other I am must not abase itself to
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and

A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for

I wish I could translate the hints about the dead young men and
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
They do not think whom they ***** with spray.

The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i
between the *******
of *******
Marj lie large
men who praise

Marj’s cleancornered strokable
body      these men’s
fingers toss trunks
shuffle sacks spin kegs they


      the world has
these men’s hands but their
bodies big and boozing
belong to

the greenslim purse of whose
face opens
on a fatgold

hoorah for the large
men who lie

between the *******
of ******* Marj
for the strong men

sleep between the legs of Lil

— The End —