Submit your work, meet writers and drop the ads. Become a member
zebra  Nov 2017
CAFE FIGARO
zebra Nov 2017
i felt like talking that night
reciting poetry to your big blue eyes
and raw pink mouth smiling
high as a wind whipped kite
discussing
art, ontology, and existentialism
sitting like lotus
at the
Cafe Figaro on McDougall st
in the west village
belly of a ghost
lost in a vagrant memory

afterwards
we went to a
little one bedroom flat in the east village
haunted by the vapors of its history
a slight stench of ****
and dingo tongue
dripping toilet
all peeling walls
intimating births, cheer and squalor

after a hot bath
of lathered torsos
we followrd each other naked
winding around a table
into a swaying bed
that beckoned
**** here my darlings

and i licked and drank out of your drenched
rose red blossom for hours
it licking back
I salvaged the loneliness
of my soul between your thighs
like a desolate dog whimpering
thanking God with every graze and ******
of your all supple shifting limbs

your company
your company
your sweet droplets
of company
in moon rise
summer balm

we looked in the mirror
reflecting on my glistening face
all red raspberry
my lips like blood hydras
laughing our ***** off at how artsy we looked
smeared
with your rouge painted thighs

appearing as if half eaten
you growled swallowed and
licked big butter piggy
till your nose ran like the Ganges
gagging
eyes bloodshot pools of fire
cooing and oowing
driving me maniacal
with every ****** of your wild flicking tongue

we poured our selves into each other
viscous creels gushing
coursing like slime silver
radiating

and finally used to the marrow
we found ourselves drooping sails
our eyelids  leaden
the night mist fell upon us  
muttering shadows

and our *** shriveled
like cast-off umbilici
and we fell to sleep
steep steep
buoyant
like two buttermilk clouds
adrift

your company
your company
your sweet droplets
of company
in moon rise
summer balm
*** *** ***  love memory fiction nostalgia
Your ears are like black silk
Your tail is long and proud
Your paws are white as milk
Your fur is as fluffy as a cloud

Right foot, left foot, right
Up and down on my chest
By my side all through the night
Helping me to get my rest

Your nose against my cheeks
Wiping away my tears
Side by side for 512 weeks
Companions for over 10 years

Sniffing your neck is comforting
I don't wanna live without that
Without you I will be suffering
Figaro, my beloved cat
My cat just got diagnosed with an illness. He is my entire world, yes I'm a crazy cat lady, and I am completely heartbroken.
“There was something about that house..” She said,
drifting into moments non-existent.

“That old house, with low, low ceilings.
..The german furniture..”

In the realm of this woman’s memories,
the sky was tinted crimson for the first time.
Rings of smoke embodied the souls of evil men.
Men who knew nothing of death, of the intricate concept of being.

The light engorging in his pupils,
an old man thinks:
“This year will be carved into the marble walls of history.”

The man’s statement echoed in the trees, in the strings of existence.

The woman, now part of the crimson sky that adorned her skin,
remembers the suffering in the way a man remembers a deceased lover’s smile.

Children, creatures and materials burned without color in her eyes.
Their voices muted, the crackling sounds replaced by Mozart,
“The Day of Madness”.

It was the least she could do to be safe in a shattering world;
to dream without the dangerous colors,
to fill a sudden void with familiar sounds,
with fragments of anything she considered to be home.

“I never went back.”
She returns from the pool of memories, dripping in truth and lies.
Her frown decorating her mouth.

“But I know
after the chaos,
the house was just a pile of ash.

A pile of ash and misery.”
Aaron Kerman Jan 2010
We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.
judy smith Apr 2015
fascinating and most amusing parts of fashion week.

And as Mercedes-Benz Fashion Week kicks into gear in Sydney, it’s celebrities, all-important buyers and retailers, editors, stylists and a whole lot of self-anointed fashion bloggers who make the A-row cut.

The posturing and posing that goes on to secure a coveted front row seat at each and every one of the 47 shows can be hilarious.

No matter how high a heel you wear, how big your sunglasses are or how smartypants your designer blazer is, no-one gets seated front row if they can’t, literally, bring something to the style marketing table.

The main front row players are definitely editors. And buyers. Hands down.

But bloggers and digital media players have made their presence known over the last few years — with the better ones considered front row deities when it comes to seating.

Designer Kym Ellery snared the opening night slot of fashion week with the likes of Lindy Klim, Kyly Clarke, Margaret Zhang, Bambi Northwood Blyth and every magazine and style editor that mattered in the front row.

Model Gemma Ward attends the Tome show at Mercedes-Benz Fashion Week Australia 2015 sitti
(Photo:www.marieaustralia.com/formal-dresses)
Meanwhile, Vogue, Harpers Bazaar, marieclaire, Sunday Style and Elle are the main front row magazine players.

“The Ellery front row was an impressive mix of international guests, local fashion media and buyers and Sydney celebrities,” says Vogue Australia editor-in-chief, Edwina McCann.

“It was a well dressed crowd who turned up the following morning to the first show, Tome, looking equally well turned out and ready for business.

“Gone are the days when hangovers were in fashion!”

Yup, late nights, for real fashion workers, just aren’t in fashion.

McCann says not everything that is actually ‘on trend’ ends up in the front row.

“Flat shoes are well and truly in this season, but I didn’t see many front row,” she adds.

“At Mercedes Benz Fashion Week Australia it seems heels are absolutely always on trend.”

One of the world’s leading fashion commentators says he is genuinely knocked out by the improved calibre of dressing on this year’s front row.

Godfrey Deeny from Paris (he writes for Le Figaro) hasn’t attended the Australian event in five years but was overheard commenting that the front row looks better dressed and more sophisticated than his last visit.

As far as seating the front row, there are a solid group of public relations people working with their designer clients to put together each seating plan.

One of these people is Nikki Andrews from the NAC media group, who says seating can be a game of cat and mouse.

“It is like piecing together a big jigsaw puzzle,” says Andrews.

“Each designer has different priorities with key press and key buyers and of course celebrity still the main priorities.

“There is always a juggle on the day and of course a few extras that always insist on front row.

“But it is usually those who request front row who don’t really deserve it,” smiles Andrews.Read more here:www.marieaustralia.com/cocktail-dresses
Mateuš Conrad Jun 2020
.some sort of variation: the written and therefore... read... past and present making case... not so... easily... digested... and / or... marketed... when... encapsulated in a video... format... the written and the... much later... read... almost a colour... a pristine relief to masquerade... some sort of purple in a deepening plum of cherry... and giving it a name: burgundy... then again: that's also inquiring to ***** the "matter" with some plum... since when burgundy arrives... it's no maroon... hell no: concerning... fuchsia... burgundy and maroon are not... colour-statements... less... fluorescence... less... all that... otherwise... bothersome... haze and "jazz"...

i tried to sit through: mozart's magic flute...
being broadcast...
locktown: down down down...
          and somehow not out...
what's the half-terrible song
by falco...

   best known when cited by:
bloodhound gang....

i tried sitting through...
this... when genius meets "genius"...
this... one-time when german
took up... concerns for...
their expression of humour...
  the opera: singspiel... opéra comique...
the gods were somehow...
laughing: then... but fickle as they are...
i don't buy into either the joke
or... that... there's a somehow...
or this being... the classical:
           best kept: ortiface...
               rock me amadeus:
                 - 1782: marries constance...
     - 1784: mozart becomes a freemason
      - 1791: mozart composes the magic flute...

when did mozart compose the marriage of
figaro?                1786...
   the hidden depth of elevating
laughter...
        it's the magic flute... though...
but then... all this...
    verb-with-a-past-participle...
    to speak with a "future-past" presence
of a continuum:
              
  i tried sitting through mozart's magic
flute...
           but knowing the history...
this... wasn't... an ode to... the freemasons?
the magic flute is supposedly
magical than... first come first served...

papageno and the glockenspiel...
don quixote and the arrived at...
conquistador windmills...
                  
   i tried to sit through it...
i had to nip off to the bathroom
to play a game of "chess"
and *******...
because... as one has to...
check one's blood pressure...
check one's blood sugar level...
one just has to... *******...
whether there's a lover to be minded...
or... the taboo of *******...
or: inverted choc burning
the yeast buns via the oven
of ****!
                     this solo project:
this dodo project:
was always going to be...
an... irritating foundation stone
of: this is all modern...
the critique too...
hardly anticipating the norms
to be... antiquated and victorian...

          perhaps i couldn't sit through...
mozart's magic flute...
because... i just couldn't...
sit through... that sort of german best kept
secret: humour...
            
opera and the staging of humour...
i can somehow understand the...
solipsistic... autistic focus for stand-up...
comedy...
        singspiel... whenever that was
important...
           stand-up monologue humour
contra: the swizz cabaret...
        some variation of uncle voltaire...
and opera is her...
              loot...
   and all those... teasing at opera:
within the confines of: the suffix:
the opera-and-the-tics!
              
                kommen (sie) die stunde,
     die tag... die jetzt...
          eine jahreszeit...
                       besser gekleidet...

even when not living up to...
lye-v...
              canned laughter...
it's so vell Under's'tOOd...
          the jokes comes with a zeppelin...
and truance...
irritating sound...
the sound of a shattering of mirrors...
an irritating sound...
the sound of... biting fingernails...
an irritating sound...
    eating a ripe fruit like
it does resound...
performing oral *** on a ******...

            company on a tube...
relic of a journey...
  steppenwolf...
                 hessian bride... my most...
lacklustre improv. of retaining...
privy...
           commentary for...
thoese yet to be woken by...
           the... awaiting lost appetite for...
soap opera...
   clinging toward a kept...
routine... like brushing one's teeth...
which... opera per se...
isn't even... remotely... part of;

high-brow injustices of...
                          how will that make
you: yuppy-up...
leverage... a plateau... once more...
for me?
Gillian Cortez May 2015
At 2 in the morning,

I could’ve been dancing the night away at some club.

I could be drinking all the Stellas

and flirt with other fellas.

After that, I could rest easy at a Figaro

and avoid another hangover

But nope…

Here I am now,

in a house as silent as ever

While the clubs are surely playing loud house music

And instead of playing the party girl I once was

I now reveal myself as a writer as  I have always been

It just seems to come more naturally

The voices, the colors, the vibe in my head

are louder than any party at this time

The downside is…

LONELINESS

It never actually goes away, really

But partying could surely hide it

unlike writing at 2 in the morning

When everything I try to forget

just hits me harder than ever
Julie Grenness Jan 2017
Let's join the crowds and throngs,
We're going to opera to sing along,
We'll sing along with Figaro,
Let's frock up, and off we go!
Feedback welcome. A joke in a poem.
No one wants it
but
everyone gets it.

Tuesday comes and
it will go
sometimes fast
most times slow
but
the older I get
the more I let
it go.

I could terminate at
Willesden
and then what?

This carriage is like the marriage
of Figaro performed in slow motion
or
it could be if they were singing out loud.

the costumes are amazing,
someone's out to get their days work in
before they go out
on the town.

Hi-vis jacket man
wants to be seen
wonder if he terminates
at
Willesden Green.


Moans from her stereo
headphones on autoglow
blue light flash.

More sounds now,
a cough and
some sneezing
we're all being squeezed in

( Do I look fat in this? )

Haha
a schoolboy reads
' the picture of Dorian...
..storm clouds got their eye
on him.

She
opens up the deadlocks on
her waist length *******
dreadlocks
and
shakes her head in joy.

I get off at Bond Street
not to be confused
with
Pond Street
which as you know is at
Hampstead.

Catch you on the flip side
when I take the next ride
which will probably be
on the Jubilee.

— The End —