Murmurings of words
so long unspoken,
now sent out across
the curved expanse
of our spherical home.
Murmurings of all our
voices and languages,
coalesced into one.
Winging out into open
space, like the nimble
murmurations of birds,
never quite touching,
yet deftly creating
virtual shapes,
markings recognizable
only from a distance.
Do birds' own souls
unfurl and unfold in
these undulations?
Starlings find aerial
corridors, travelling
together swiftly, so
to stay warm. Do we?
These murmurings,
our word-murmurations,  
fly out into the space between us,
swiftly curving back, and then back again,
before dipping low, then nesting deeply,
so very deeply, into sweetest sleep.

Dark skies, whirring overlooking
  Illumination light, clear of clouds
Clutching, rising, bird flocks blooming
  Gathering in denuded trees in crowds

A year ago, here I sat watching these
  They came back, and now, leave again
Lifting, scattering, flocking in the breeze
  Gathering, as to fight without bloodstain

Heavens above full of dusty birds in flight
  Whirring, whirling from one shape to another
Nearing winters sun, breaks through bright
  How they flit and play, as if to some conductor

There, so very high above in murmurations
  Never lost from my sight as they dip and sway
Up, down, dancing with their leaving aspirations
  For times span, they’ve swayed dark skies grey

out:
     murmurations and even
     simpler:
     the way grass grows and
     dandelion pollen rubs off on your
     nose
     the motive behind a ******
     of crows in this galaxy of
     peacocks

in:
     bloodskinbone and
     respiration and a
     heart that won’t *******
     quit.

reach up, outwards, touch the frozen sky
marvel at the dancing shadow
birds in deft murmurations;
before they wave goodbye

lost swallows of yesteryear
traced flight and swift souls in
motion, like tiny frozen tears;
serenade the dying sun

gilded and immaculate
silver auburn summer glaze
to brooding blackness of night;
kaleidoscopic

marvel in the majesty, behold
inhale the epic simple beauty
exhale the stress of modernity
seize natures gold

She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.

No laughs and no apologies
The door was left ajar
“You may assist yourself at the mezzanine.”
girls cascade as men pose
strategically
in shark skin suits
like swimming tessellations
corners fit against corners
bait fish schools
Moving in murmurations
No one ever looks up
at the ocean top glass ceiling
Their eyes are aimed downwards
waiting to see a massive shadow rising up
from the sea floor
No one knows what goes on down there
down where the sand is so cold,
where the flesh of the bait fish drift and
the ***** pick at remnants on whale bones.

Snow capped mountain peaks , murmurations in sapphire skies ..Cloud banks seeking the closure of fallen rain , Redwoods at the whim of surging winds , yet we continually seek to disprove the presence of miracles to no end ..

I cannot forget...
אני לא יכול לשכוח

©  STEPHAN PICKERING / חפץ ח"ם בן אברהם
12 Shevet 5778 / 28 January 2018
revised:
3 Iyyar 5758 / 28 April 2018
19 Iyyar 5778 / 4 May 2018
20 Iyyar 5778 / 5 May 2018
21 Iyyar 5778 / 6 May 2018

Shabtai Zisel / 'Bob Dylan' (1964):
'Forget the dead you've left, they
will not follow you'

W.G. Sebald z"l (1966):
'And so, they are ever returning to us,
the dead'

I.

the Path / derekh is silent,
a vacuum,
resonating with the
footsteps of tzaddikim, whose
teachings transcend(ed)
the Kingdom of Night...

where there was no longer
kefitzat ha'derekh
shrinking of the road
jumping the Path
teleportation.

...un die vvelt hot geshivign,
taught Reb Elie Wiesel z"l...
& the world remained silent.

not existing for themselves,
the tzaddikim speak with the
Shekhinah from their throats,
and the mar'ot johanna
visions of johanna
are witnessed by breslover
chavurot on desolation row,
murmurations of starlings
overhead.

listening to them, we survive
to walk / dorekh
the Path, with kabbalists z"l,
R. Chiyya & R. Yose,
the chevraya kadisha
the holy companions,
a derekh through the sea,

away from the energy vampyrism
& relentless phantasmagoric
cyberstalking of
the phantasmagoric Queene,
who engages in quacker
cross-contamination,
while prising her mindfully
plagiarising lips (a mirror image
of a death's-head hawk moth)
for a crucifictionist wafer:

a tax-deductible, copyright charity
deduction for ontological delusions
long after midnight,
clutching her cossetted Yehu'di
hatreds like
a perforated osculatorium,
because, שמח בחלקו.

    ****

Reb Uri Tzvi Greenberg z"l, 1923 [trans.
Michael Weingrad]:
'For so long there has been no water
in the wells. Only curses. ...& suddenly
the icons scream in Yiddish'.

II.

Light is the absence of Darkness,
to acknowledge Rav Rebecca
Newberger Goldstein.
& the holy slow train moves
(when it does)
sideways across flat earths.

consider the post-Auschwitz dilemma for
an opus dei natz'ri  who cannot grasp
the etymology:

prae / before + posterus / coming after
praeposterus / reversed, absurd.

did Shabtai Zisel / 'Bob Dylan' influence the
teachings of R. Yitzhak Luria z"l ?

III.

memories are stalking & ambuscading,
& as you said, Reb David Meltzer z"l,
'the Yehu'di in me is the ghost of me'...

& now the hourglass is invisible...

the windows of perception
to be peered into,
not out of,
as hairline fractures
develop in the retinas of narrow-ruled
yellow writing tablets masquerading
as frenetic mirrors,

never glimpsing tzefiyat ha'yeshu'ah,
the expectation of salvation.

& we are here,  
witnessing cyberian corpses
erecting three-way mirrors to their
obbligato and  mindfulness for girl
children...the mantras of a white
supremacist ****** ****** trained to
effect genocide  at a distance, his
audible hungering  for the  rapture  
of an endloesung in his drive-by
dark carnival, having no
farraginous self to say farewell to.

Lilith, the Midrash teaches, ate the
'bones' of Her enemies, but the
****** uses prayer beads as
majong ***** fired from his cap gun.

IV.

'she' stands on the bamboo porch,
thinking the lotus leaves floating by
are a reflexion of 'her' crumbling
totenkopfverbaende phantasies.

long after midnight, she shrieks to
a cyberian Mytilene, her mind so narrow,
thoughts are forced to crawl through her
fossilised ***** majora, which she identifies

as a personal luchot ha'edot, the glass
**** molded by her proboscis tongue,
as it fabricates yet another delusion
of a 1967 that never happened.

'she' turns, stepping onto an
embroidered nationalsozialist
matt,  'her'eyes a frail ambassador
of demure malice.

it is a moment such as this, when 'her'
desire of wanting to have been an
Auschwitz  Aufseherin, cannot be  
masqued  as a playful Latrodectus mactans.

ephemeral fabrications cling to 'her' --
an unbroken dance of impetuous
mirrors, as 'she' remains on the
porch, clutching 'her' 'we' aliases,

thinking, somehow, they are 'her'
aharon ha'bris...



V.

interlude / הַפסָקָה

Kafka z"l:
'I am divided from all things
by a hollow space'

Shabtai Zisel / 'Bob Dylan':
'I felt that place within, that
hollow place, where martyrs
weep, & angels play with sin'

Rav Yitzhak Luria z"l:
after tzimtzum,
the withdrawal of
'ehyeh 'asher 'ehyeh,
there came to be
halal ha'panui,
'the hollow space'

R. Shabbatai Sheftel ben
Akiva Horowitz z"l, 1719.
Shefa tal [Frankfurt edition]
3.5, 57b [Hebrew]:
'Before the world's bere'****,
'ayin sof withdrew into its essence,
from itself to itself within itself.
It left halal ha'panui within its
essence, in which it emanated
and created' [emended from Reb
Daniel Matt 1995]

VI.

sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn'
(Lublin Chassidim z"l, 1939)...
hear: 'we shall outlive them, outlive them,
outlive them'...

why did R. Moshe Sofer z"l teach
'Chadush aser min ha'toray' / 'What
is new is forbidden in the Torah'?

the trolls here & what they call 'poetry':
collections of letters on a flickering
moon-glow  computer screen behind
a suburban curtain,
letters having no glyphs or sounds,
all encased in Sho'ah denial...

and yet. white supremacist sock monkeys
cannot silence the memories of the
thousands of Yehu'dit children z"l
burned alive on pyres, June-August 1944,
in the holy natz'ri village of Auschwitz,
in october country.

לעולם לא עוד לעולם לא עוד

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
...with thanks to my akhim / brothers & poets,
D.J. Carlile & George Dance & Will Dockery
for reading previous drafts...
...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016
& Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends
& for the 'or from R. Paul Laderman z"l &
R. Meyer Goldberg z"l

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT
לעולם לא אשכח



IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva:
davening in the musematic dark

Rejoice upon the subtle murmurations -
of angelic voices , gaggles of blackbirds performing
within naked hardwoods , Whitetail companions
dwell o'er living , wetted pasture , wintered neighborhoods
Novembers invisible strength racking evergreens ,
cold cover mingles with tall Pine canopies  
Fall turned , brown sugar fields with calling Herefords ,
bound for eventide shelters* ....

early morning thoughts
are blended with
murmurations of dream residue

the hard reality of my wheels on the road
is questioned by
frangible doubts of which is which

the fancies and specters of last night
are still in mind
along with getting-ready logistics
rude reality versus reluctance to focus
subconscious freedoms versus routine rigor

riding my bike too soon from sleep and
I just don't wanna know any more