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grumpy thumb  Oct 2015
Birdhouse
grumpy thumb Oct 2015
Treated the plywood to be weatherproof, jigsawed to size base, sides and roof.
Applied non-toxic wood glue,
clamped pieces 'til sturdy and dry
not forgetting an entry hole through which birds may fly.
Took time with the birdhouse,
hung it snug in a tree.
If it will be used for the winter
I'm waiting to see.
Ariella  Jun 2014
your birdhouse
Ariella Jun 2014
I  used to be your birdhouse.
I could coax you out from your seat in the treetops
from behind the camouflaging greens
and watch you edge out shyly with the wind ruffling your blush feathers.
You'd cling to me when the spring showers started falling
and I could keep you safe and dry, I could always do that.
I'd be there to hear your youthful songs, and I'd whisper back in a language just we knew
and then I'd hug you goodbye and watch you step precariously from my perch,
flapping in the wind, unsure, unaccustomed.
and  I'd be there for you the next day and the next
because I thought you'd still need me.
I never thought I'd see you, the point of a flying V
soaring with your head held high,
not even glancing down at
my tired wooden walls
and faded empty perch.
Rangzeb Hussain May 2010
NOTE: I visited a beautiful country garden with spectacular surroundings. In one area of the vast gardens there was a section with birdcages. The birds were very colourful and beautiful but they looked sad. A group of children took great pleasure in screaming and kicking the birdcages. Across from the cages was an open birdhouse where birds could come and feed. That idea of being imprisoned on one side and free on the other inspired me to write this poem.



Hark! Hark! Hark!

Can you hear our croaking cry? Please stop and don’t lark!

Our beaks now harp the songs of lamentations
From deep within our slumbering souls which are walled up in damnation,
But once there was a time,
Yes, there was an Age of carefree wonder and rhyme,
Oh, how we sped across the milky white cloudy miles,
We small band of caged brothers were kings of the skies,
The waves of wind rippled and sang through our feathers
As we danced amongst the trees and mountain heather,
The morning sun would drip nectar and honeydew,
Our music surged with the dawn chorus and to a crescendo grew,
We were the ships of paradise floating upon the golden light,
We sailed through the oceans of the deep blue skylight,

Yet here we are now...

We birds of paradise confined to these narrow dreadful hell’s cells,
O, my brothers, you who watch and stare and yell,
Your kind dared to ensnare us and everyday in pain we play,
Our glorious pride and colourful lustre plucked away,
Where once we flew freely with our brightly shining feathers
Now we hobble upon the grimy ground like tattered orphaned beggars,
Red, green, white and blue
These are the colours that so impress you,
Our rich and radiant plumage now rusts,
Please help us with your love and trust!

You stand and mimic and mock,
Some of you search for stones and rocks,
Outside these bars you prance and poke,
What would it feel for you to bear this prison’s infernal yoke?

Outside our weeping cage,
There upon a tall pole there sits a palace as white as freedom’s pure page,
It is a painted birdhouse built high upon the hilly *****,
How it glows, this home, this bright beacon of hope!
The windows are without bars or glass panes,
In that lovely house slavery is a shame,
The doorway has no lock nor door,
It is a home open to birds both rich and poor,
Birds breeze in and birds breeze out and move freely about,
They flutter in and flutter out,
They sing here, they sing there, they sing everywhere,
They have the freedom of life in the very air.

Is it true?
Was it you?
How could the one who built our cage
Also create the open birdhouse across the hilltop stage?

Look to me and tell me true,
Hey you! Yes, you who kicks my birdcage and chews!
Please look here and not at yonder black crow,
Can you for real cage the rainbow?



©Rangzeb Hussain
mûre Jul 2012
I write my identity in gluestick and markers
I am a lamb raised by wolves
swaddled pulsing cosmos girl-child
My limbs are rebuilt like a 7 year old birdhouse
with garish colours and bubbling pride
I am pouring glitter onto my future
the kaleidoscope cannot exist inside

In the end I think there would be
no nobler cause than to
have a life worthy of taping on
the refrigerator that I can
swell with ever-young joy to know I
have created with
trial and forgiveness.
robin Mar 2013
her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.

bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.
The Terry Tree  Nov 2014
Birdsong
The Terry Tree Nov 2014
Topaz dreams and fire flowers
Find their way into
Shadows and streams
In the space between
Our hearts and minds
Seams of alchemy
Blowing stars into birds
To touch our courageous
Sunlit beams
Dripping
Kissing
We

Keep
Running from our light
Praying that we’ll stay
Painting colors oh so bright
In the emotions we display
Flying

We are a painting in one another
A brush stroke full of hope
A paradox of intimately curious
Wings that have found a way to cope
Building a birdhouse home
On the backs of each other
Bones and sacred stones
A paradox of intimately curious
Wild tornadoes

Embracing
We walk in dark we walk in day
With footsteps often clumsy
And telepathy is not as easy as
Psychics will convey

Your hair is made of flowers
Or at least it seems that way
Our hearts are painted gold close to
The way the yellow birds that play
Around us when we stand
Glowing in our space
Exclusively
Beneath the tree
We made
Where Amen’s tears
The sun god
Rain

Around our love
Rushing in rushing out
Breathing in breathing out
Hold me close push me away
Both of us praying the other
One will stay
Kneeling
Pray

We are a painting in one another
A brush stroke full of hope
A paradox of intimately curious
Wings that have found a way to cope
Building a birdhouse home
On the backs of each other
Bones and sacred stones
A paradox of intimately curious
Wild tornadoes

This is our butterfly parade

© tHE tERRY tREE
Kate Lion Jan 2013
Because he was the robin, see
I built him a birdhouse made of the fingernails I chipped from every time I was forced to button up my own flannel shirt
It was quite silly and awkward-looking
So it didn't bother me when he didn't want to live there
It would take a lot of fake smiles and wooden blinds to tolerate a habitation such as the one I constructed for him
So it didn't bother me when he didn't want to live there

When he told me he was making a nest I took a paring knife from the kitchen drawer
When he told me he was making a nest I gave him 10 inches of weave to (through) the twigs
When he told me there were lots of split ends and varied shades
I wasn't too hurt because it was true

And I knew he would use twisty ties from bread bags instead
Which were much more practical than 10 inches of lover's hair
I just couldn't understand why he didn't give it back

He misplaced it, he said
How can you misplace something I had (longed) for him
Brandon Conway Jun 2018
For some, poetry comes naturally
But for me its like carpentry

It takes nails, wood, glue, and time
To build these words that hopefully rhyme

In the end I hope these walls survive
So the beauty that lives within will thrive

To grow into ones colorful crest
To inspire fledgling poets building their first nest.
T R S Feb 2018
In line for the new roller coaster
was a group of ex-protestors
in cobbled monogamous flocks.
They squawked and squawked.
She warbled.
He wooed.
She swayed.
He swooned.
And she only had sunscreened her front.
Her back must've stung.
Bright red.
But I bet she reserves her best stories
for unreserved reservations in bed.
Sarina Jul 2013
From the age of seven, I decided it was easier
to throw myself against a wall
than to cause any harm to the stuffed animal under my arm.

I attribute feelings to everything that can be touched
or confirmed by science –
on May 23rd, the wind wanted a companion,
by July, it lived with a birdhouse, in a happy yellow –

and so I fear hurting a chair,
suffocating my hairbrush through tangles, angering some
blankets left unused at the end of our bed.

I do not fear hurt, I fear causing it. I smack my head with a
fist when mother says
that sometimes punching pillows can help ease pain
because I need to stay on their good side.

— The End —