I will contemplate my boredom today, it's terrible,
I must dedicate my actions to something ethical,
So I'll go agitate all the photo chemicals,
It won't automate, it's not a technical miracle,
I will be the chaser of an adventure to set out,
To steal a stack of photo paper someone had left out,
Took it from "The Enticing Taylor", stole his photo clout,
I'm no hater but you better remember to take out,
Your **** when you are done in the dark room...

Please re-read as I will be making changes to this poem over and over

I want to tell you something
I am a man who loves changes

Changes of everything

You will see me suggest
A change in every retrospect

This morning I was re-reading
my own HP site and I was impressed

by my choices and how I ended up
With 3 different reposts of "My Fears"

from 3 different poets
that I reposted without me knowing

It's amazing how I am amazed
of my choices and have read them
like as if I am choosing them again

Now hear out my new suggestion
To HP and if you do like
Please make your voice be heard

It goes as follows:

If you like to relive the poetry
and you like to re-read your choices

and you like to reread the poems
you chose before once more

and get surprised while reading them
as if you did not choose them before

Then, we either need a second love button!  Or

we need to automate the love button
and every time we reread it knows

and the love gets even stronger
and somehow it grows

Another suggestion that hit me in the head while I was re-writing my poem

"The new suggestion is to give a comeback wink
to the previous folks who just read my poem
and ping them of my new important fix
To invite them to re-taste the cake that I just re-cooked

Or the cooking does not get posted
Until I feel its real good

and I press the release button
Before I let it go like I should

And may be we need to check our poem button with people that we trust

Before we embarrass ourselves badly
with a poem that may bust"

The problem with this is honesty
That we don't do it for just the fame

So for this I need your opinion to fix
my suggestion in playing the game

and make HP an even a better place
and enjoy it again and again!

Additional suggestions to HP:

please fix the current suggestions which is still lit even when I fixed my suggested misspellings. .. Call it repair
* a suggestion button to HP in the menu
* a share with others button that can grow .. You can click and see who I shared it with ... it can also be private
* a playback button ... Reads out loud
* a favorite button .. Quickly adds it to your favorites
* a read later button
* by double clicking a word you can ping the poet for a misspelling or a suggestion of a new word or love that word
* a unite with another poet button
* Go Interactive button .. Others can re-write your poetry!
* a challenge button .. Encourage challenge with another poet
* a marry me button .. which starts with an enragement ring ..
*friends .. siblings and brothers and family button ... they have to accept you as a family member!

I don't see kids get excited anymore
Emotions confined to the definition of what's cool.
Conversations limited to replies,
Thier words uncertain, and lack conviction.
Excitement caged behind paraphrases like "oh ok", "cool" and "for real".

I see the light of a childs spark diminished, there beautiful flame extinguished by words like;
"Calm down""Relax" and "Chill out"

I'M TIRED of seeing a childs expression voiced through texts, instead of emotion
I'M TIRED of seeing acronyms convey action and supress expression
I'M TIRED of seeing children automate experience through technology instead of life
I'm saddened.....
I'm saddened to see children trying to play adult, instead of just being children

fidelity, understanding
empathy, caring unconditionally
failing descriptors of life's most sought feeling
reason, felt as purpose for existence—love
time spent seeking, sadness at depriving
either youthful bliss or aged wisdom
emotion's hold unconstrained by seniority
consuming our hopes and dreams
those which drive drawn breath

found true amongst family
in peer only seldom
never a nation, only the few
love guiding all, the
key to a perfect civilization

to create a people of programmed emotion
woven strands
DNA's complex beauty
reduced to binary code's rigidity
heartstring circuit wiring
free will replaced by java script exception
not soul but operating system's disaffection
mechanical allegiance
an imperfect love found in robotic adherence

fealty unfettered
good intention forced subjection
creation resultant a society hollow in perfection
an empty hull of truth
love lacking substance, fictitious in merit
absent the tribulation
the moon by which the sun's effect strengthened

loyalty absolute the greater plan
stalwart and without grievance
love free of expectation
a golden emotion impossible to automate
true love organic by nature
fluid in its implementation
dynamic and unpredictable

to understand the value of light
a man must lose himself in the night
a hard road to learn the better way
by the world's cold we might
know a Kingly castle's warmth
the answer to evil's allowance
free will to choose our citizenship
a nation whose flag represents
the most excellent way
meaningless without choice
left led by our own feeble perception
too oft to misunderstand His intention
a perfect love made perfect by imperfection

THE GULF WAR DID NOT |
THE GULF WAR DID NOT |
THE GULF WAR DID NOT

WHY WE OPPOSE:
Staid quanta of individuality. Phenom asks if they can go. The Big Mouth replies, babble babble. In a fit of rage, Phenom shouts, I’ve had enough of this. They wrench themselves off the dissection table, fetters flying into the air, but a sudden bout of vertigo sets in. They lie back down. The Big Mouth sticks a thermometer into their mouth and begins heating a can of corn soup.

WHY WE OPPOSE:
Professor Kippotkin takes the stage. She coughs into the mic to quiet the audience, but they are caught in sordid *******. She coughs again, managing only to project a trail of spit onto the shoulder of the nearest security guard. He turns immediately, a perfect ninety-degrees spin, automatically signalling the first in command. He has been trained since seventeen for this one task of momentous disciplinary precision. The first in command bellows, Let her speak! a phrase his colleagues repeat in serial down the chain of command.

The crowd soon catches on. An isolated few nod in consternation. Let her speak! they yell from the pits of their lungs, Let her speak!

Thank you, thank you all, Professor Karlpoppins exclaims, cheeks flush with amazement. More and more of the crowd join in. It is a rousing spectacle, a poignant display of human decency. But something is awry. The professor’s gratitude is swallowed into a cacophonous whole. Let her speak! The carnal grip of the big Other’s command unleashes the crowd’s jouissance. United in the master discourse, the crowd fragments into a bewildered totality. Let her speak! they scream at one another, arms jostling, heads tilting back, necks bared to the beating pulse of the earth-sky. LET HER SPEAK! Their combined blows begin to generate an ominous om.

Pl-please, Professor Kibbiezsche sputters, please, everyone! but the crowd have already forgotten her existence. Reams of toilet paper fly through the air. A crashing plane sounds in the distance. Crops burn.

The security team are forced to intervene. They close in from the sides, wielding riot shields and tear gas. HYPOCRITES! one of the members of the crowd screams. OPPRESSORS OF THE WORD! another follows. Footage of security guards flailing on the ground circulate on social media, tagged with the phrase WHO SPEAKS MY SPEAK?

Within twenty four hours, the whole country is ablaze with media coverage. Political scientists gather with literary scholars to speak the unspeakable into commercially-viable forms. Semiotext(e) sign a deal with Hollywood to write a docudrama about Baudrillard’s turbid *** life. Professor Kubblebutts is flown to Hawaii to give a speech on combine harvesters.

WHY WE OPPOSE:
I desire, therefore I am not. Incantation of the other spills through my greasy fingers as I fumble towards the hot sauce, dollop dollop, chicken salt strewn across the nommy wedges. That’ll be $4.50. They have already handed me the note. Our fingers touched for the briefest second, an anointment of the greasy chicken, the wedge fingers, the have a good night mister gurgle bop.

The taxi man sits outside in the cold, back heated by the friction of the smoothie machine, an indefinite spin, western civilisation’s meltdown. The turgid heat breezes past my neck and I sigh, almost in delight, but mostly out of convention and solidarity with the other workers. I hear the pitter pat of my shiftpanion as she scoops hot chips into the fresh night; it is so fresh, there is still so much night, why are you giving me $5 dollars, there is a bug on your face.

I take a break. The cool taxi man glances over just as I put my hands down my pants to shift my boxers into a more comfortable why is it always like this.

Everyone blames Foucault for destroying agency, but agency only arises in the gap between discourses, which is never a gap in power, but rather, the transversal of one power relation into the discursive matrix of another; what appears original is merely the same performance in the wrong site, that’ll be $24 for your **** and condoms.

The crumbled fish is shrinking with each passing day, little gasping body beneath the heat lamp, waffle waffle, waffle waffle, I am suffocating :)

WHY WE OPPOSE:
|||||FEeling BOLD? FeEL BOldbous ;;;; new Paracetamol Jelly and the KINK-CATS tour out the last week—
Thank you for holding. Please note this conversation may be recorded.
To continue, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
and again, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
Please note that this conversation is being recorded for the purposes of confirming your identity.
||"thanks"

WHY WE OPPOSE:
Slowly, slowly, Juniper sinks into the bed frame, the draughty window, the rotting sink. Hibiscus coveted for its prophetic dreams, pale steam smites nostalgia for a vision of the beyond. Streamlined entry into New World, an endless reshelving of family-value Mi Goreng, stormwater through the hollow vessels that twist beneath Juniper’s soles.

Juniper climbs the Garden steps. Pale trace of past motions set to automate at the slightest incline. The cloying rot beneath the pines pulls her closer and closer to the vital cache, the hidden excess. Another hedgehog climbs the mound; it admits its body, it expands in putrefaction.

Exiting onto the street, Juniper is greeted by a sign that reads “Caution. Night Shooting. Stay Out.”

WHY WE OPPOSE:
Steam creeps the mouth of the lid. Pallid flesh of yesterday’s body, settles the kitchen table, the hand, as motes crumple beneath gravity’s well. Mottled refuse, tied with a plastic ribbon, thrown into the street. Keys digging trenches, grandfather, the hollow behind my knee.

Last summer I waited for the rain in the dry concrete channel of the Leith. I was alone with the kayaks and the road cones and the fish, holes festering, showing their ribs in the walls of our flat, legs spread wearing high school sweaters, unable to breathe through cling wrap.

The summer before that, I watched films of myself bashing in the heads of strangers. Every night the ceiling of my mouth would transfigure into a doorway and I’d force my tongue through its serrated edges, waking with a new face. The cassettes would arrive soon after, testimonies of a brute physicality I could not remember enacting.

Earth grins, death strides. Hydraulic incisors pry the dead awake. At the smallest unit of life: phones, condoms, water bottles.