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by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
On voit dans le Musée antique,
Sur un lit de marbre sculpté,
Une statue énigmatique
D'une inquiétante beauté.

Est-ce un jeune homme ? est-ce une femme,
Une déesse, ou bien un dieu ?
L'amour, ayant peur d'être infâme,
Hésite et suspend son aveu.

Dans sa pose malicieuse,
Elle s'étend, le dos tourné
Devant la foule curieuse,
Sur son coussin capitonné.

Pour faire sa beauté maudite,
Chaque sexe apporta son don.
Tout homme dit : C'est Aphrodite !
Toute femme : C'est Cupidon !

Sexe douteux, grâce certaine,
On dirait ce corps indécis
Fondu, dans l'eau de la fontaine,
Sous les baisers de Salmacis.

Chimère ardente, effort suprême
De l'art et de la volupté,
Monstre charmant, comme je t'aime
Avec ta multiple beauté !

Bien qu'on défende ton approche,
Sous la draperie aux plis droits
Dont le bout à ton pied s'accroche,
Mes yeux ont plongé bien des fois.

Rêve de poète et d'artiste,
Tu m'as bien des nuits occupé,
Et mon caprice qui persiste
Ne convient pas qu'il s'est trompé.
Mais seulement il se transpose,
Et, passant de la forme au son,
Trouve dans sa métamorphose
La jeune fille et le garçon.

Que tu me plais, ô timbre étrange !
Son double, homme et femme à la fois,
Contralto, bizarre mélange,
Hermaphrodite de la voix !

C'est Roméo, c'est Juliette,
Chantant avec un seul gosier ;
Le pigeon rauque et la fauvette
Perchés sur le même rosier ;

C'est la châtelaine qui raille
Son beau page parlant d'amour ;
L'amant au pied de la muraille,
La dame au balcon de sa tour ;

Le papillon, blanche étincelle,
Qu'en ses détours et ses ébats
Poursuit un papillon fidèle,
L'un volant haut et l'autre bas ;

L'ange qui descend et qui monte
Sur l'escalier d'or voltigeant ;
La cloche mêlant dans sa fonte
La voix d'airain, la voix d'argent ;

La mélodie et l'harmonie,
Le chant et l'accompagnement ;
A la grâce la force unie,
La maîtresse embrassant l'amant !

Sur le pli de sa jupe assise,
Ce soir, ce sera Cendrillon
Causant prés du feu qu'elle attise
Avec son ami le grillon ;

Demain le valeureux Arsace
A son courroux donnant l'essor,
Ou Tancrède avec sa cuirasse,
Son épée et son casque d'or ;

Desdemona chantant le Saule,
Zerline bernant Mazetto,
Ou Malcolm le plaid sur l'épaule ;
C'est toi que j'aime, ô contralto !

Nature charmante et bizarre
Que Dieu d'un double attrait para,
Toi qui pourrais, comme Gulnare,
Etre le Kaled d'un Lara,

Et dont la voix, dans sa caresse,
Réveillant le coeur endormi,
Mêle aux soupirs de la maîtresse
L'accent plus mâle de l'ami !
Robert Ronnow Aug 2015
blueberries gasoline and prostate gland
breast cancer Wonderbread and pacifier

controlled experiment space travel and honey
peanuts inductive reasoning and electricity

tornadoes torture chamber and biscuits
copyright car radio cantaloupe

golden eagle lunch break tomato
Romanian songbook rhubarb and barbed wire

always hungry nevermind meat loaf
goosefoot mango juice Ipad

mosquito bite city street and broccoli
Chinese cabbage female *** drive water sport

pure contralto goat yogurt new year
black death white light and green tea
www.ronnowpoetry.com
Natasha Teller Dec 2013
the wind whispers to you in furious ways,
ominous notes, like a dusty violin
stenciling finality into the air.

the percussion
of foot-soldiers trembles the grass.

  you have grown, my war-child,
  from the days of ****** tea parties
  to a diva guerrilla,
  terrible and well-rehearsed,
  your bulleted libretto close to your chest--

and as trumpets sound in the offing,
the curtain draws back.

AK-47, pizzicato--
gasoline breeds fire, incinerates woodwinds,
the wine of the coloratura soprano
melts into blood.

  witch, *****, daughter of gunpowder,
  bella contralto, your
  deep and tremulous vibrato is a
  grenade,

and as death crashes to a crescendo,
mortality in the tin frequency of cymbals--

the only armistice
is annihilation.
I

Here’s the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There’s a contralto voice I heard last night,
That lodges with me still in its sweet singing.

   II

Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fuged song of the universe unending.
I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk’s throat
When eve’s brown awning hoods the land.

Some say each songster, tree and mead—
All eloquent of love divine—
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!
I am Amadioha the earth goddess  of Igbos,Ngai wa mugo wa gatheru
who created the nine daughters of mumbi ,and Gikuyu a man,
I am Wele of Dini ya Musambwa,creator of Elijah Masinde
I am  Katonda the creator of Kintu and Namiremeb hills at Makerere
I am eshu the god  of the  Ijimere and Achebe and Soyinka,
behold today  I stand in Egypt,where the sun comes from
where I similarly  stood billion and billion of years ago,
to create all the stars the moon and the universe
not even known to the son of man until today,
this is where i created my first born of  humanity;
dear Africa the generations of Negroes,
the beacon of my eye, i enjoy a look at you  minus blinkers,
i stand here a fresh to correct my creation mistakes
i formerly made, when creating my dearest son in Africa;
Kenneth Binyavanga wa wainaina, who hails at Nakuru hills,
he is the sweetest song to my heart, classical music of my ears
i contrite much , as i were not to create you a blended blood
from an  Omuganda  girl and  an Omugikuyu  boy,
i  was to create you a pure Muganda, like Okot P' Bitek,
or a pure Kenyan , like Francis Davis Imbuga,
i were to control your academic fortune , that you  don't start,
your maiden education  Lena Moi primary school,
an epiphany of a divorced woman,spelling curse of wifelessness,
on those that pass through the very  school , i was wrong.
had i known i could have not  sent Cleophas to work
in your fathers home , for him  to sleep in the horse shed,
cursed is the ******* memory of what he did in that quarter
as you preened  and eavesdropped outside like a hen
listening to the eagle's contralto,
why did i sent Wambui to be your nurse maid ,only to preach
the gospel according to the power of peasant ****** to you,
she tangled her buttocks before your **** eyes,senting
your young heart to sensuous extremities, Wambui ,a she devil,
Wow! Kalenjins are bad neighbour, they are dark and ugly
slow in the brain and sadistically malicious in the heart,
i  know not why i made them to abode with you within the
great valley of kenya, they throng schools and they cannot learn,
but i have now held them captive, i have made them your footstool
for ever and ever my dear son ,as you hold the scepter of power,
i goofed beyond  remedy by all ethereal to send you to Njoro boys school,
for you to meet Sigalla, that extra-masculine Sigalla , the ******* hunter,
i gave you wrong sisters, they made you put on your mothers dress
and her long hair,then you posed to the female public as an Americanness
your romantic number was fwive fwive fwive fwive , fwive at New-york,
i wonder why i did not give you enough power of languages
so that you generate a numberless fantabulousies and Goalies and so forth,
only to borrow from a young woman;Chimamanda Ngozi Adichie
the  yellow sun's slapslap  slapslap slapslap slapslap slapslap   slapslapp!
Mangu Boys School to you was a blessing , had it not my fault,
of giving you a mutton headed faculty full of annentcy,
that went for the persiflagery and aesthetic phantasmagoria,
in the art and theatre prose and poetry; the Bigger Thomas Lawyer,
your only  misplaced  mentor  that gave birth to what i love in you ;
hence i am writting about this place now,this place kenya,
folly of folly is when i goofed to take a natural writter like you,
to commerce class in the land of apartheid, Nadine Gordimer's  front
that sired Brenda Fasie a top Lesbian, the song bird of my times
as you all know we the gods also jealously love,
she only charmed you with her naked ****
swinging like a pendulum on the  musical stage,
after her communique of being a top lesbian,she call it Africa,
o! no,  Africa never came from Lesbians, it comes from simple nature;
mother and father, in natural and collective  heterosexuality,
You only saw and revved in dope culture in the cubbyhole of Victory,
and hoped clubs from Dazzle to the rest , in hunt of  your boyhood,
sadly to be befallen by dark clouds  in victim-hood of optical nutrition,
abiding among the  tall, beautiful, smoking bunch of Lesbians.
My son, from  today and henceforth,  i the Africanus,
the god of African fertility,poetry and art,
humbly chose to recreate you the king of kings and queens,
of African story telling  at global status, to tell all African songs,
beyond sham fallacy that gay and Lesbian literature
are the begotten  apex of modern and Global literature
these are only white lies featuring a death bound imperialism.
DO you know how the dream looms? how if summer misses one of us the two of us miss summer-
Summer when the lungs of the earth take a long breath for the change to low contralto singing mornings when the green corn leaves first break through the black loam-
And another long breath for the silver soprano melody of the moon songs in the light nights when the earth is lighter than a feather, the iron mountains lighter than a goose down-
So I shall look for you in the light nights then, in the laughter of slats of silver under a hill hickory.
In the listening tops of the hickories, in the wind motions of the hickory shingle leaves, in the imitations of slow sea water on the shingle silver in the wind-
  I shall look for you.
ria geneva May 2021
take me to Paris, she said through star-filled eyes
through which she couldn't quite see
and his shadow beckoned her delicate hands into the unknown

and when she touched the Eiffel tower it felt almost as cold as his hands had been
when he picked her up from the grass
but she ignored his ice hands
and instead
hummed to the tune
of his contralto voice
even when it raised with every hoarse breath
as it turned to terrifying storms of thunder

she lay in silk as her artist's muse
soft fabric against skin
chills sweeping up her back
goosebumps against her arms
yet she smiled

but she longed to hold the paintbrush and swim amongst the bright colour

when she traipsed across sunset fields
she felt his grip tighten
but she treasured the security
that he wielded
in his rough hands

and when he hit her
it felt like a kiss
Sethnicity May 2015
The long and tempered draped in threads black and red.
I heard your song before I could hear you sing
So many souls in one voice so many tones of toil
How many nights did they string out your glory cured on black oil?
So Slip the jab when lights flicker fast
you beat them down to the streets
they tried to beat you with the side-speak
It's okay, we got records and you got tender
when the tables turned you dished out what we blendered
Your record was played louder than the rest
our money was your mind ******
Bitter in jest like mothers media mess
cinderElla your dress dismantle moments
That were meant for no one but Frank

I take another listen while my love does crank
A slow grind, it goes well with what I drank  
That autumn wine house is the sugar in my Bowl, Tank!
No substitute for Contralto diction, a heart shank
So I come crawling back to you like pulp fiction
We love our ***** drugs *** and musical afflictions  
I'm sure you were watching when MJ took it all the way,
thinkin' Who cares if I burn out or fade away
Can't be leave you beat me to the punch
27 was my aim but got distracted by the day to day
guess you never got that time
but now you'll get plenty out of mind

Take your time you tall glass of wine
fly away at 33 revolutions per meters per Second
Those Seconds Squared as over time come paired
rest your vibrato on the drums of my ear
and lay your diaphragm on the beat of my heart
I'll give them the finger for questioning your part!
I'll give them a humdinger for the hell of your art!
you beat me to the punch you goddess of clubs
So I live to carry your tune and fade away sweetly to the tomb
We'll never say goodbye with words
***'s your vibrations synchronize my palpitations
Invisible meanings shared between nouns and verbs
We say love is blind... Could it really be that absurd?
This ones for you Amy.

— The End —