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  Nov 2024 Poetoftheway
Nat Lipstadt
~ inspired by, & for Sally~

the modern internal combustion engine
is a series of controlled explosions, a spark
ignites the flammable gasoline, the pistons
moving, dispensing energy to turn our
wheels so we may voyage as a pair, to
there, and to here:

our very hearts, the original model of
this energetic blood disbursement of
oxygen ignited by electric pulsations,

one contemplates
at this late hour, at this late date, when the
moving parts, obedient servants,
collectively concur
that the use-by-date has nearly arrived and
we must soon take a sabbatical to the whereafter

what two, surely not three, digits will complete the right side of our hyphen,
our from~ to, as if that were an achievement,
more than merely, an identifying bracelet

think upon it, thousand of explosions,
millions of sparkings electric, we have been
engineering our reactors to go to over 100%,
until we cry out
how long you gonna run that body down,
and when the answer is ascertained,
we now done and undone,

we
no longer care, that last datum,
we are, of it, unconscious,
the date prior inscribed in flesh,
its mate, its uncomplimentary
complement,
can be only scribed in
Vermont granite,
as a warning
to any passerby
that yet harbors
the illusory that
the future can
be foretold
Nov 19~ Nov
  Nov 2024 Poetoftheway
onlylovepoetry
promised you a new love poem
every day till forever arrives,
for it will until then to
exhaust the crazy no limit ways to communicate
how my love for you consumes my
fragility, uncovering my core of strength,
that is never exposed, but for/to you,

but for/to you

my unidimensional surface
unpierced,
no one sees what you x-ray,
and I fess willingly, with ease of mind,
that my secrets are safe stored best within
the borderless country where our ven
diagrams of souls
intersect with iron & steel & titanium
ribboned lines of inviolate invisible
pure white


here I stop
lest I die of  bursting,
and yet I weep
for us,

for
you,


no longer
read my poetry
music
Train “Marry Me”
Chris Stapleton “Thinl I’m in Love wit You”
Sara Bareilles “Grsvity”
  Nov 2024 Poetoftheway
onlylovepoetry
when you love,
you’re a country,
pierced by daily border
exchanged crossings,
to your closest neighbor
and though,
one rerun~returns home by night,
to your prior defining borderlines,

somehow
the externals of the container has
had its internality's modified

for the lines that prior defined
have altered
by passing the
point of prior,
now by thousands of
tiny holes breaching the
thickened protective lining,
by love punches ‘n kisses of
pinprick punctures
the resistance,
pulverized
<>
you are changed,
new language combos spoken,
embrace another with a
bilingual tonguing,
a real treat
to entreat each other and
that hyphen,
that little tiny
linear
~
punctuation mark is
reflecting your creativity of a
Singular Duality

it is mark that
speaks to a new
U~no individuality,
blended and connected

somehow a duo of
someone’s pulverized lines
forms a single stronger
chord

first a puncture
then a patching
finally
an adhesion pleasuring
and a new working word:

composite

the opposite
of
opposite
12:39AM
11/14-24
  Nov 2024 Poetoftheway
Where Shelter
<•>



for all the Ella's of the world,
who wonder
"what the seagulls talk about all day long. while looking up at the gentle sky mixed with blue and purple, their white feathers glisten from the fiery sun."


<•>


one day when you arrive,
visiting, at my isle,
of Where Shelter,
(with signed parental permission slip),
resting upon weathered worn, Adirondack non-slip covered thrones,
in the official Poetry Nook,
a seashell throw from bay and dock, where the seagulls
thrive and dive, in between pooping, pollinating, and
rest up after day trip visiting the town dump

then,
together we will write a poem about
what the seagulls talk about all day long

having employed them long time as co-conspirators,
editors and a test audience (assayers of my essays),
sadly must report they
occupy themselves in mostly matters culinary,
local gossip of my neighbors and other avian interlopers
(geese and osprey)

hoping this doesn't disappoint,
but know this,
it was the sand, the breeze, the trees,
the moon and setting sun, the waving waters,
animals of all kinds,
that together, taking years,
taught me to write like this:

<•>

the sun 7 o'clock afternoon sky low,
warmths the world, as did its morning glory reciprocal,
a dozen hours earlier,
both a low heat,
a sky stove top
'keep warm' setting,
a desirable global warming temperature

recall that promise not to burden you
with a hundredth scribing of his
lottery luck, this poetry nook and the
idyll of its surround,
but!
its childlike insistence,
while stomping on the greenest sea grass
of this portly world, insistent,

"write of me, attention must be paid!"

the lightest breeze of excellent sufficiency
asks the trees to shake
their compatriot leaves
as if to applaud,
one more time, a lord of the ring serenade,
an evenstar song of
the solstice of perfection

a cloudless night but for
an occasional wispy white blemish,
hinting that the orb's final bow tonight will be
a forever remembered,
standing ovation performance

in an hour, to the dock we'll go,
joining  the congregant gulls
in appreciating the edging lower of
an immaculate inception
of a dying day's deceptive departure conception

my troubles, those that
furrow and till the brow,
105 miles away, as the crow flies,
for now,
suppressed into non-existence,
as we drink to la vie en rose,
our wine glasses, ****** the salmon pink
of suns rays rippling, tippling and reflecting
upon humans, who too reflect,
upon their good fortune,
this single and singular
peeking at the peaking of their perfection,
each wishing this be
their journeys end, their final solstice

to walk into a funnel upon the water,
into the sun and the
horizon in attendance faithful,,
alighting upon the wings of the most glorious of  inviting,
dying rays of setting,
answering the question, at long last,
a finale,

here,
here is shelter!
  ^

<•>

so be quietly patient and never
write in regret,
for you are but sixteen years old,
and could teach to this old grandpa,
(who, by the by, has an Ella-all-his-own that is
of your proximate age,)

how to write
with the simple grace,
and the fresh wisdom,
of being
sixteen years young again
^https://hellopoetry.com/poem/2044967/the-solstice-of-their-perfection/
<•>

https://hellopoetry.com/ellapopov/

f r e e l y.
all alone on the evening beach. able to take in the moment alone.
slowly falling back into the sand. as if I'm trying to sink and hide into it. grabbing the sand in my hands and counting each grain because I have all the time in the world.
  letting the ocean crash unto the shore, slipping me it's deepest secret. making me laugh as the Novembers chilling air plays with my hair, trying to convince me it's secrets are much more scandalous than the waters.
  wondering what the seagulls talk about all day long. while looking up at the gentle sky mixed with blue and purple, their white feathers glisten from the fiery sun.
  I stand back to run freely, away from my daring problems. as I run, the wind whips my face, blowing my hair back. making me feel the need to let my arms back.
Poetoftheway Nov 2024
But time makes you bolder
Even children get older
And I'm gettin' older, too

lyric from “Landslide” by Stevie Nicks

<>
climbing stairs, balancing two breakfasts,
two fill-to-brim-rims warning sloshing,
earbuds in place, always,
lest the news
interrupts and plunges me first thing into
moody murderous disheartened failure,
and Miz Minx Nicks lays me low

this lyric knocks me to rock,
there and then,
consequences be ******, the unstoppable
lyric rocks grinding me to an
immovable halt,
all spills,
don’t care, for the need to scream-
bleed-finally
write to understand why these
a l w a y s words arrest my soul

children
the most costly thing anyone can
create,
the lost, the found
the ones in the grave way too early,
and the ones who were born
knowing better,

children
whose inviolable sense of
totally righteousness
makes forgiveness
disabled, disallowed
for the poor clueless fools
them who naively know~nothings
who chose to raise them

here I am not getting,
no, unsteadily unreadily
too late
am older,
up-to the shaking-head age
so unexpected,
almost ridiculous
untimely unthinkable
‘cept for:

it’s an impossiblity ~
and just
don’t understand this injustice
perpetrated upon this
unsuspecting and in denial,
sorrowful old man


so I weep
on the steps so steep,
Woman comes to see if I'm
fallen,
my wailing at the realization of
my losses all
totally tallied
is heavy much more than
my now empty hands,
but busy them,
attempting to staunch the
flowing
overwhelming regrets that
gush from every pore,
and that no one can
ever be cleansed,
and the permance of
stains

for I am only
getting older too
killing me
way too slowly
  Oct 2024 Poetoftheway
Nat Lipstadt
the plural of grief is grief,

in our lives, we busy ourselves
accumulating various assorted
grief, some physical, most mental,
those stories when retold, first
make you groan out loud,
every-one asks
what’s a matter, no spilling beans,
you shake ‘em away with
a smile and a “just life”
and it gets
dropped


if you’re so young, that you haven't
started a career of serious collecting,
the objects that will decorate every
place, in every state, wherever the
airy transplants, you won’t be
surprised, thinking you “forgot” to
pack them, for they travel light,
though, they weigh more than any
hope chest of unworn garments that
will never be discarded,
even when
hope is so long gone,
it is still an
unrecognizable


And yet,
the plural of grief is grief

and there is a singular story,
a lost love, a guilt for letting
someone get lost, leaving them
unknowing that if you could,
you’d whisper shouts of reconciliation
for days, to cain assuage the years
when they lay unspoke,
brike broke inside a human chest
of petty
grievances

I have one,
midst all my knowns, which
even not even now, even
in my truth serum poetry
that will not be confessed,
lest you’d beg me to
never write again,
move on to parts unknown,
let that gory story abide in your own,
in your windowless palace,
with your
other locked up secret treasures
wrapped
in black
tissue paper

my own chosen grief,

unspoken, unwritten,
and resting restrained upon an
invisible line
that lives on my tongue,
it is fresh, imaged, just
a hasty taste away, when it
resurfaces at its own chosen
speed, its own chosen need
to be rebreathed, when least
desired, least required,
**in other
words,
when it chooses to emerge,
& it chooses you,
at the precise right
always the wrongest
time & place
8:26am sometimes in the early morn,
after first coffee, mine come seeking,
saying, “stay in,”
with a smiling grimace,
“let’s mourn”
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