In English,
we’re learning about
Winston and Julia
in 1984, but
it’s 2017
all I want to study is
you.

I want to study less
about the
control and freedom
Big Brother has
and more about
the calculation of your
moves.

I want to study the way
your knuckles could be an
infant’s home, small
hands reaching out
longing for you
or the way the veins in
your arm makes abstract art,
beautiful enough to be showcased
in any gallery.

I understand now why they say
“as pretty as a painting.” Because
you’re as timeless and
breathtaking as
Mona Lisa.

And your blue iris's,
swirl with dark and light
tones with a slight
a golden glint,
I could stare into them for longer
than any
Starry Night.

Maybe,
I’m just better suited to an art class.
I want to learn the primaries
so I can swirl them all together and
get your dark brown hair.
I want to add the most expensive
white, so I can paint the
faint freckles on your nose and

I want to mix blue and red adding water
until the colour is a perfect match
for the faintest birthmark
on your shoulder.

Instead of the History of Russia,
I want to learn the History
of you.
I want to learn what makes you smile
and what makes you cry.

I want to study you,  
I use each brush stroke to
perfect your skin,
each pen writes down
notes until
I have a whole book
full of each heartbreak,
so I can learn a lesson
in you.

take a girl. take
all of her hurt, all of the nails piercing her hands, all
of the dead flowers taped to her skin. take her hair,
tree branches woven through and choppy bangs,
take her chest, how you can practically see her
heartbeat move the rest of her body. take her rib cage,
cracked open and tacked together, held up with fishing line
and guarded with rose bushes. take a girl who has never
been touched tenderly, who prepared for the storm so
vigorously she erased the calm that anticipates the rain.
take a girl with bugs in her brain, who can't help but
look like she's walked through hell barefoot, who
can't help but retrace her steps, who lusts after the heat
and overlooks the blackened char that coats her figure.
take a girl who runs, bolts at the first manifestation of desertion,
who obliterates the promises that lie in front of her just to
watch how easily they erupt. take a girl and call her "chaos"
because it is what she was birthed into and assembled from,
dark dirt packed into the crevices of her smile. take this girl and
give her to a boy. watch
him touch her gently, so gently it feels like he does not touch her
at all. so gently she wants him to ravage her.
give her to a boy that covers her face with his hands, clean hands
that he has scrubbed raw, clean hands that have learned gentle
through trial and error. give her to a boy that has always
done the leaving, he packs his things in the middle of the night
and only takes what he needs. the rest can stay. he is made
up of "look, don't touch," he is stone like marble with cracks running like stitches up his side. he has scars that cover his
clean hands, his arms, his chest, his back. take a girl and give
her to a boy, and watch her trace her fingers over his flesh gently,
so gently it makes him shiver,
so gently she wants to devastate him.
watch them interact like animals in the wild, people who have
grown with their fists up, people who have started from empty
and have learned what it takes to present entirety. watch them
tear each other apart without moving, eyes fixed on their
reserve, begging to know more without flinching.
watch them pull each other apart and fold the pieces around
in their palms, they stick every moment back into it's place,
gently, so gently that they want to rip what each other has
been wrongly taught into shreds, so gently that they want to
scrub what has stained them until it is clean. take a girl and
give her to a boy, let her kiss him so gently that they
want to do something stupid. so gently that they want to make
a mess of each other, so gently that they want to fall in love.

it is called she, hers, her and it was named after a poem i wrote on april 15th of 2017 after i had gotten my heart broken and i decided to turn it into art because i didn't know what else to do with it. im not great with speaking words, my mother always tells me that prose is not my forte, and i believe her. anyway, i wrote a book of poems, because its the only thing i know how to do. actually, i've written two. you can find the other one on my twitter (@altyrlog) because i feel like im breaking rules by linking things here. sorry, hellopoetry. they are both free to read in PDF form.

she hers her: http://docdro.id/s4EJay8

thank you for sticking by me and giving me the encouragement i need when i throw up words and put them into stanzas and then plaster them all over the place. you make me want to not give up.

in the forefront of the cataclysm that is
begged to be overcome you have
scratched yourself raw and abandoned the blueprints
of your body. deformed
into a vision of someone that is easy to touch,
simpler of mind,
yes please, no thank you,
it's okay, i forgive you, no really,
i forgive you.
and they are foreign words that are spit out
in your own tongue regardless of how they taste
with the intent of contorting yourself into a
girl that is easy to love,
every hand is a shock to the system even
comfort finds a dishonest undertone.
in a last-minute effort to convince him to stay,
you have sewn tragedy into your skin and hidden it
with magic tricks, with makeup, with
yes please, no thank you, i forgive you.
bite the hand that feeds the girl who
puts her entity into edges who
makes herself small and ready to touch who
is glass-eyed, hung like a hunted deer and shelved
like a trophy bite the hand that feeds the girl who is a
bird, circling all day from
one end of a metal trap to another and
the brief delusion of freedom in flight is
just enough to knock the wind
from your lungs, from under your wings, the second
your eyes open and you remember
that no matter which direction you take of from
you are still banging on the bars of a cage

GIRLS LIKE ME
are made up of pieces,
shaky legs and furrowed
eyebrows constant questions and
cutting off sentences we are existing
in every direction we are never quite
exactly one thing we are
everything all at once and we buzz
like a hive of nervous tics and anxious stutters
this energy cannot be created or destroyed
it is transferred from soft songs
to reminding GIRLS LIKE ME that you still
love us when our mouths cannot form words when
we are not entirely existing in the same place as you when
we get scared and write poetry about how GIRLS LIKE ME
fall in love with boys like you and we never really
tell them we wrap our hands around our own throats we
were never taught to be cruel, we were never taught to
be kind we are exactly everything and always nothing and we
never know what to say so we fall in love with boys like you and
we wait and wait and wait and cannot be created or destroyed