i open the front door & a small
man with his shirt buttoned all
the way up asks me if i'd like to
buy a pocket bible, so i can
worship wherever i go. i ask if i
can fit it in a flask & if it's okay
to take with whiskey. his eyelids
shut like a casket as he touches
his forehead, chest, right shoulder
then left shoulder. tells me i'm
going to hell. i crawl back
onto my bar stool and drink from
the ceramic mug you glued back
together the night you saw my face
and pictured a room full of soft
things shattering. i can hear the
sound of a train & it's such a shame
that the nearest railroad is under
construction. it's such a shame that
the floor of my mind is set up like
a child's playroom with plastic
train tracks set in the center & a
younger version of myself is sitting
in front of them playing with a
replica of the train my whole body
was begging to be kissed by.
ugh, kissing. my god. i'm so high.
kiss me in my death spot, the
spot that'll be where my life ends.
replace my train tracks with
a dollhouse. tell the soft things
that i love them. open my front door,
tell the small man to unbutton his
shirt, that not everyone buys
pants with pockets in them.
wake me up when i'm sober &
tell me to write an ending to this.
i cannot think of an ending. please
don't let me become it

there are invisible children hidden behind
miles of above ground swimming pools
and wooden swing sets. they've seen
life sized doll parts scattered across
their front lawns and were taught how to
take their first steps
as though they were being sent off to war;
knees straight. head tall.
don't flinch at the sight of blood.
a few weeks ago i turned on the local news,
the upcoming story took place in the west side of Detroit.
a photo of a young, colored girl wearing
butterfly shaped barrettes in her hair comes up,
the headline at the bottom of the screen reads,
3-YEAR OLD SHOT IN FRONT YARD
the news reporter talks about the situation
as though she's being forced to discuss
the weather in the middle of a heatwave;
it's the same. ****. thing. every. day.
i'll tell you what no one pictures
when they hear about another ******
in the same city that might as well
start building their front doors
like cemetery gates.
picture the mother
trying to sell a cradle so she has the money
to buy a 3-foot long casket. picture her
walking into her daughter's room
to tuck her into bed & remembering that she's
got nothing left but empty hands.
dear america,
tell me why some of us were born
with targets sewn into our backs, tell me if it
disturbs you at all that there are children
who want to chip off their skin, that want to be painted
a new color because they want to see if the light
will hit them in a different way,
& make them less invisible.

I keep telling myself that if I lay here long enough something's gonna swallow me and it's not because my heads been somewhere else lately it's because I sleep on the floor. Even when I don't. I sleep on the floor. The mattress has holes because mattresses get holes sometimes when you don't have blankets to cover them and you're too cold to put the cigarette out on anything other than yourself or what you have to sleep on now. Last year I'd spend every day in bed with a little bag full of drugs and a map to the bathtub just in case I forget what I took two seconds ago because I think it happened yesterday and I take more. And then I'm shaking, not because I'm cold this time. I'm seizing and nobody is home because everybody leaves me for preachers or church or a campfire or someone prettier. This part is foggy. I remember again a bathtub, an empty hotel bathtub and my mother and I say mama did you leave the door open on purpose and she says I went to church. She went to church. She went to church. Bathtub. I sleep there. Even though we are in a hotel I sleep in the bathtub because I like the way my anxiety sounds when it echoes. I like to hear it. Play it back. Memory. Back to the only house I've ever lived in alone.  I'm seizing. I stop. I hear you. I somehow forget that it's 4 in the morning. It's my birthday now, nobody knows but it's my birthday now, teen years behind me but still a teen year drug addiction and you tell me to look out the window so I do. And the sky's on fire. I don't fall asleep again for three days but the sky's on fire. And so am I. And so are you. And I don't want to go back to the place I go to when I see the faces but I put myself here. I push and push and push and then I act surprised when something falls off the edge. I'm alone now. Even when I'm not. I'm alone.

So we know what the world gives us. And after treating your body as something only used to tell time, we find that what makes us human, usually makes us more.
So now, if at it's composition, something is as much of what it can possibly be, there is always a corner in the world that keeps it's opposite.
Even with you and me.
People talk of living as if we do not die every single day, in more ways than one. Some times, it is because of people, some times it is because the lacking of them.
We talk of living as if we do it so well, but we still have no idea why the heart begins to beat.
We learn the most at birth, and the rest of the time we are just practicing how to lose things.
How to be places without leaving them.
And when we become so much of ourselves that we see others as places, then we turn into nothing but tourists to every person we meet, taking home things that help us forget that despite where we are, there is only one place we are ever supposed to be.

"She was carrying a book, and the hand-picked flowers she placed on the bed outweighed even the drag of his dying. We believe it's the silence that's fearful, never the words; and yet whenever she stopped reading to turn the page, he would smile. Perhaps, in that stillness he felt his heart stop searching for instructions on how to live."

Jude ****** - Boys Throwing Baseball

And that is the only thing our heart does without understanding why; it searches.
We are too human to love change, something that is as dangerous as anything we could ever willingly let pass us by, and too human to not look for it anyway.
How some things are so much of themselves that they become their own language, like a bright red silk sliding against the shoulders of a woman, how these things are not made for each other, but made for the moments they are intertwined in.
How silence even weighs from the things that never were, taking from the miracles that were one opened mouth away.
And now, as you remember one specific death the most, you desperately search for the life in everything that passes you by, even the things that you know have nothing to offer.
Even the World, in all It's isolation, gives back to us by pushing us away from It.
Even the small things that we decide to keep for ourselves have come a long way to find us.
A cigarette. A person. A rainfall.
All spend their whole lives waiting to be found.

I commit myself to the homicide
of my thought-flowers.
I indulge in the **** -
Killing my darlings
for the sake of art and sanity.
What a paradox.
I have bloodied my hands
with it even so.

No more love-lite poetry!
No more adolescent chinks of the
pseudo-heart!
No more infantile fork-stabs
at the plate of kid-intellectualism!
No more Wikipedia pages
on thoughts
that can swallow computers
whole!

I'm killing my darlings
for the sake of art,
for the sake of sanity -
what a paradox.
Blood is flowing.

I'm a murderer of ideas tonight -
today I will write
about many of life's very few truths.
Like trees.
Like soil.
These are the only constants in mathematics.
These are the identities.

In my garden, I reach out
to crush an
almost-crimson hibiscus.
Petals squelching with skin and nectar -
no perfume.
The hibiscus roils, unliving.

Red pulpy mess;
heart out of chest.

How strange and violet and giddy
that you are a boy
and I am a girl,
and we sit here, there,
you with Plath and I with her lover,
pretending, pretending,
pretending-
they are not the poets.

It is you, the boy,
and me, the girl,
writing to each other.

You send me a song every Wednesday,

a soul offering; a slice of the strange radioactive
lunatic madness -
love-
growing inside your wonderland.
(It is not a cancerous tumour, please stop calling it that.)
You say it is dark, the Arctic's lover;
I say it is dark, like
velvet punk music and
stained checked shirts and
almost-blood wine (in shared glasses); like
the colour of your skin.

Come on.
We've both been more fascinated by the depths of the ocean
than the blue glass surfaces.
Isn't that why we fell into bottomless black holes and called it
love?
Isn't that why we branded ourselves poets,
seared the red hot poker labels onto our backs,
so that we wouldn't have to say we're just
sad...?

Yes, we are carefully disintegrating;
the world already gave us a head-start
by curling our spines into the snakelike 'S'
It was preparing us
for our careful meandering
into a river mess:
living.

No doubt, in the pool depths of African evenings,
you drink,
*****-tinged cereal or tea,  
the glass Roobios surface reflecting
a lover's face and the boredom of sadness.
No doubt, I drink to you,
coffee or warm milk,
to try and wake myself into
dying without a purpose.
No doubt, we both drink
the night itself.
And let it fester in our veins,
to curdle our blood into that same wine-shade of
darkness.
We drink.

Virginia Woolf had courage,
Sylvia Plath had courage,
Ernest Hemingway had courage,
you and I don't.
We are too fearless to live.
So we drink
and clutch at each other desperately
without reaching out a single finger.
We form shotguns with our hands, make pacts, go
home again.
And drink.

We are helping each other to die
and live
at the same time.
We are helping each other to try fit the day
too
into our arteries.

You send me a song every Wednesday;
this song will save our existence.

We never liked the same music.

We never did
like the same music.
In a sea,
a virtual ocean,
of song recommendations, we
would only find one
or two
that we both
intensely
intensely
intensely
loved. And because of that,
those few, rare songs
became magical
in their significance.
Like small pearls in a tsunami
of grit.

What kind of music do you like now?