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 Nov 2014 Ayesha mehar
sheridan
their cruel words engraved on her skin,
forget about her, it's the evil within.
the evil that haunts her, that makes her afraid
of life and living, as she turns to the blade.
she makes the first incision, she makes the first cut
she feels the blood pour and keeps her eyes shut.
poor little girl, she's dead on the floor
she can't feel pain or anything no more.
she goes to a place so pretty and white
another girl was taken tonight.
we blame ourselves, we blame each other
we apologise one after another
we say say nice words, we say our respects
but why say it now? now that she's dead?
we could of said it before, before she bled.
but we were too blind, too blind to see
that someone is suffering, suffering in silence
living a life of self harm and violence
a life of hurt, a life of pain
but now that she's dead, we start to complain
how society treated her and that society's to blame
but we are products of society itself
we just ignored it and nobody helped
nobody cared, in fact no one knew
that a girl like this could never pull through
the demons they killed her, they made her like this
something that society would always dismiss.
 Nov 2014 Ayesha mehar
unwritten
she was a poet,
and he was her pen.
in him,
she always found words to write,
songs to sing,
thoughts to think.

he'd smile,
and kiss her softly,
and say,
"write me a poem."

and she would.
she'd put poe,
and whitman,
and shakespeare to shame,
and she'd write a poem that made his eyes water.

she'd compare him
to a rose with no thorns,
a book with no end,
a world with no poverty --
the things we all wish for,
but can never attain.

//

he asked her one day,
"what am i?"
and so she picked up her pen,
and began the usual:
you are the shining sun after a hurricane,
with rays that open the eyes of the blind.

but he stopped her after those two lines,
and said that this time,
he didn't want any metaphors,
or similes,
or analogies.
he wanted the truth.

and so on that night,
as he slept,
the poet picked up her pen,
and she wrote.

she wrote,
then thought better of it,
then started over again,
and this cycle continued well into the early hours of the morning,
until suddenly,
she wrote, frantic,
if i can't love you for what you really are,
have i ever really loved you at all?


this, too,
she thought better of,
condemning it to the trash.

the next morning the poet was gone,
her final work a mere two words:

i'm sorry.

(a.m.)
this is more of a story than a poem but i like how it came out so leave thoughts & comments please
 Nov 2014 Ayesha mehar
Rigby
I noticed how short your nails were
and that you tried to brush out the cow licks in your hair
and I noticed how you grind your teeth when you dream
and how you would jump at the slightest sound
and I noticed that your favorite colors were blue and black and green.

but you only noticed how pink my lips were
and you only noticed how soft my knees were
and you only noticed how I would give you anything if you didn't ask
and you only noticed what you wanted to know and not what you wanted to wonder

but i wonder if you felt the scars on my thighs as you slid your hand passed them
and i wonder if you heard the nervous chuckles when i came up for air
and i wonder if you remember that my eyes are blue and green and my heart is black and i wanted to be your favorite because parts of me are broken and i wanted you to wonder why.
 Nov 2014 Ayesha mehar
JP Goss
Stare at the universe for a little while, you’ll see
Something resembling you and me: a quite sobbing vacuity
Draining all pellucid stars of luster and bravery.
I won’t be home for the rest of my life, hard as it is to take in,
Something went missing in what never was
That all the timbers strip away at the passing years
In anger and patience that slapped me in the face
When I said I’d never be happy again. My pockets are full
Of icy penance for crimes distance and apathy revealed.
Shimmer do the walks ways in the missing parts of the night sky
Shaped, somehow, by you and every blazing heart
Is a comet to earth: ******* vibrantly a poorly strung bandage.
And every light to cross the concourse of hopeless prophesy
And my constructs of relative suffering, an oil-light suicide.
History is always-already the behest of malignancy, but it’s sweet
The protection as I’ve weaponized every interaction to be,
We could have been cause-and-effect and danced like
Idols, gods, and fools in the sky of our experience, but
The God of Small Things, I, bear down on dis-eases rejection.
Like surgery, the tiny cells bereft of the cause of blood, the cause
Of complaint, can do nothing but new hearts reject.

— The End —