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 May 2020 Marsha Singh
Kenechukwu
When you hear "Don't keep all your eggs in one basket"
Translation: "Don't put your heart in a casket".
I only have one heart
so I freely impart it.
I don't label it heartbreak,
you can't tape it or mask it.
The heart's the greatest gift
it only breaks if you guard it
and I never question it
I don't care much for asking.

Heartbreak and heartaches
aren't things that your heart makes
it's teetering the scale
of what the heart gives
and heart takes.
There she is:
naked and fickle on
the floor, *******
marrow out of
soup bones; her
*******
busy with
living things.

The muse plays
hide
and seek
like a spoiled
little child, as I s
sit with
sterile white
paper.
I think I see
her from the
corner
of my
eye, but when
I look,
she is gone, like
the last Dodo bird.
I yell, "Are you dead? "
NOTHING.
And then she
appears
dimly through
the glass and
gives
me a hard one,
fierce, right behind
the eyes,
in that still small
place where sullen
shadows
dance to Wagner, while
sparrows burn and
smell of
Spider Mums, and
funerals.

Then, she's gone like
the Cheshire cat.
(the grin remains.)
I get another
drink, hoping to
swallow and consume
her- to become one.
It doesn't work.
I get
frustrated, pace the
worn out
carpet, like a
caged tiger

Writer's block is
hell.
It's worse than
celibacy and
bologna.
Far worse than
constipation, or not
being able to ***.
It's like missing
the vein, or
dying of thirst in the desert.
It's like being
dead, but alive.

And
finally at
last
it's over (she consummates the deal)
and the words and
lines flow like
rain in Seattle in
the springtime.
I can
see the ***** in
the rose.
Taste
the sweet potato sky,
plant flowers in concrete, and
beat Mr. Death in
a game of go fish.
And
strangely,
it all smells like
home,
eternity,
and two-week old
puppies dreaming of
Mother's milk.
This is one of my better ones on writer's block
Serpentine of hard green sheen
Born in hydrothermal’s spleen
Where pressured, metamorphosed plate,
Converged at boundaries’ Vulcan gate
To lay in tumbled disarray
Where octopi and dolphin play.

From olivine and pyroxene
Derived the crystal serpentine
Through Hellfires’ metamorphic fate
Now crystalized to Greenstone state.

There lying in the golden light
Of mountain stream in tumbled sight
Refracting in the morning sun
That glint of green since time begun.

M.
That glint of green, a jade boulder
in the tumbling mirth of a plummeting
mountain stream in New Zealands'
wild Southwest.
Jacksons Bay
Fiordland National Park
June 2017
A explanation delivered to Karinnjinba of the meaning of this poem.

Convergent plate tectonics cause subterranean layers of mineralization to be exposed in the process of mountain formation.
This poem is a celebration of the formation of greenstone through its transitions from from serpentine a glassy green layer situated twixt the continental plate and the mohorovic discontinuity...through exposure to intense heat from nearby magma intrusion and the incredible pressure applied in its upward ****** to the light. The transfer through crystalization, in the heating and cooling of the rock through its passage to its discovery as a water worn boulder in an alpine stream...Greenstone or Jade or Pounamu as the Maori call it....A magnificent, translucent, glassy green rock carved and valued, historically by the maori as cultural taonga and weaponry and valued worldwide as a classic gemstone of metamorphic origin.
M.
Crows caw and cackle
cracking dawn
shattering the secrets
of early morn,
chirp and whistle
adding voice to the song
nature awakens
by the feathery alarm.
Dedicated to Victoria Cutelli Caulfield, a true, lover of life.

In fields of weaving wheat, I sense,
The morning strikes a note
Where Capricorn ascends on high
And buzzing honey bees do float.
There’s a gentle spirit in the air
Of quiet, intriguing light
And the rustle of the golden heads
In rows, pervades as right.

Within the clods, bronze beetles creep,
Small spiders spin their web,
Earthworms writhing deep in soil
Aerating their dank bed.
Grey hares from the stubble rise
To graze on patches, green
Whilst, overhead the goshawk glides
Silently, unseen.

Distant hills of rolling green
In patterned fields of grass
Where cattle graze in unison
And time is slow to pass.
In the dale, the tractor
Murmurs quietly at its job
As the mulboard turns the cleated earth
In even rows of sod.

Above the warming, summer sun
Bathes it all in gold
And the farmer wipes his sweating brow
And smiles, as joy enfolds….
For magnificence in any form
Is hard to quantify,
But the luck of Jobe and good hard work
Calls home, beneath this sky.

M.
Taranaki N.Z.
7 May 2020
This poem is a celebration of life, the realization that wonderment and beauty and true satisfaction can be found at your fingertips, at your workplace, at the warm hearth of your home, in the arms of your woman, at the the tiny, seemingly insignificant things of beauty which arise in the course of your every day.
Be it an allotment tilled,  a backyard lawn, freshly mown or a field of wheat, ripening in the sun, the sudden realisation that herein lies wonder...and the joy of life it engenders in your heart, found right here, right at this moment... Beneath this very sky.
M.
A gauntlet, of sorts...
The proverbial frog in the ***, I was.
The temperature of life went from heaven to hell,
and I boiled and drowned in the hate I thought was love.

Question one: who prepared the broth?
Answer: Me...

Stuck in the endless quackery of bottomless insanity.
Tasting the brutal shenanigans of deviant savagery.
I came upon the realization that *** was a tapestry,
that I've been weaving since I was in nappies and won't give up gladly,
but I obsess over the embroidery and the glistening femininity,
what I now know to be delusions of romance and calamity.

Question two: who proved to be unwilling to love in the end?
Answer: Me...

Last question you knave, you hopeless bumpkin.
You wayward host of tasteless pumpkins.
My tactless whims for stagefright dumplings.
Deflated effigies of, "Oh... sweet nothings."
Darling, you crazy, you an expert on bluffings,
Teetering on the cliff, with your pinstriped stuffing.
I carry my shorts on the inside, on the outside I'm long,
Word play is horse ****, but if you understand me, you're wrong.

Question three: who sold their soul for entertainment in the end?
Answer: We...
It's nice to write another one of my nonsense, satirical poems again.
I gave a slight social-critic edge to it, but in reality I tried to focus on my own failings in life, my own troubles. Yet we do not live in a vacuum.
We all share the same mistakes, troubles, guilts and dreams.
So this poem tries to encapsulate that into the idea of taking an exam at the end of one's life to atone for all the ******* we've put ourselves through in this world.
Taking responsibility for what we do/have done in this world is the first step toward solving our issues, yet imagine only taking responsibility at the end of all things when nothing can be done but pay penance. A sad thing indeed...
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