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 Jan 2019 m daly
Nat Lipstadt
a woman, confident in her cuddling abilities...

that's all any man wants,
a woman, confident in her cuddling abilities,
who knows the when and why of differing
cuddling styles...

a woman, confident in her cuddling abilities,
who knows when to leave a man alone
alone in his man-mourning time,
distance needed,
letting his ex-rage dissipate or
watching his red and blue football
redefine ignominy...

a woman, confident in her cuddling abilities,
that when the man low whistles, eyes adrift,
she heartily agrees and is
reciprocity rewarded regularly
with hunk alerts of
"hey-check-him-out!"

that's all any man wants,
a woman, confident in her cuddling abilities,
a tigress in the bedroom
she asking, try this, I'll love it,
served with a desert demo of awkward afterward,
his less-than-perfect cuddling abilities

a woman, confident in her cuddling abilities,
who doesn't abhor partner silences,
comforting they are, in their own ways,
lying side by side, interrupted only by peccadillo body noises unexpected and
sheepish apologies and loving arm stroking

a woman, confident in her cuddling abilities,
who lets the man roar, top of voice,
when imprisoned in car,  
his voice, un enfant terrible,
performs with Creedence Clearwater
a sing-a-long in traffic, asking
"Have you ever seen the rain"
while amidst Israel-leaving-Egypt
Sunday beach traffic on the L.I.E.

a woman, confident in her cuddling abilities,
when it's pheromones  alternative mode day,
he celebrates Carole King day,
she demonstrates her cuddling abilities,
par excellence, with kisses and tissues

a woman, confident in her cuddling abilities...

a woman, plain confident in her abilities
no matter the situational status,
when confronted by
less-than-crazy-impetuous,
she smiling says "why not,"
when he proposes,
a movie and dinner in a fav haunt?
"plenty excellent enough" her answer,
spoke in a rising voice
full of unfeigned delight

a woman, confident in her cuddling abilities,
accepting the unexpected airport embrace
on a moving sidewalk, unexpected delays
with the aplomb of a well lived life's
long term sustainability perspective

when he kisses her hand for no reason,
while driving 75 miles per hour,
she only winces internally,
the other hand vise-grasping
the other door's handle,
who brushes hair wisps in a dark movie,
celebrating her Bathsheba Everdeen's
duality of strength and tenderness

a woman, confident in her cuddling abilities,
that when on second date he proposes
a non-exclusive relationship,
confident enough to high-five respond,
and laugh about it,
seven years on

a woman, confident in her cuddling abilities,
that when she reads it,
analyzing the oeuvre as
"too **** personal and
as usual
too **** long"



that's all any man wants,
a woman, confident in her
cuddling abilities
in everything...
even a little occasional criticism
Entirely fictional, of course.

L.I.E. is the Lomg Island Expressway, a/k/a, the longest parking lot in the world.
Red and blue football team, the NY Giants.
Bathsheba Everdeen from Hardy's "Far From the Madding Crowd."
Alternate song choice, the Eagkes "Take It Easy."

Inspired by this:
http://www.nytimes.com/2015/05/10/style/modern-love-tinder-swiping-right-but-staying-put.html?rref=collection%2Fcolumn%2Fmodern-love&contentCollection;=style&action;=click&module;=NextInCollection®ion;=Footer&pgtype;=article
 Jan 2019 m daly
kgl
it's becoming easier
to hear your name and feel nothing.
Head and Heart fought a battle that only ended
when the Heart swelled with a Love that hurt to hold,
until the Head's gentle reminder
that this was not Love,
it was Pain.
blinding Pain.
but like all blows to the body and mind
Time crushes Pain into a dull ache, a numbness remaining
long in the Heart after the feeling has gone.
but the Head holds the knowledge that this was not Love.
it was Pain.
blinding Pain.
and it's becoming easier.
 Jan 2019 m daly
Jason Drury
Though, should I
or have I begun?

To feel the tussling
Of blurring bodies.

Transforming and dancing,
Through these very halls.

Where aching is thick,
and a embrace is a release.

Should I begin?
How should I begin?

Swallow the dagger,
stabbing from behind.

Let it sit deep in my stomach.
Push it further, where it can’t cut.

Where will it end?
How will I begin?

Under lock and key,
Just where I left it .

It escapes as it did just now,
conjuring a puncture to bone.

Blood flows,
Rushes out into the world.

Is this a release?
How can I heal?*

Pouring out,
It tastes salty on the cheek

The color is dark,
cold to the touch.

Purging the night,
that stained blood black.

Sifting the chill,
of steel from bone.

Ringing out whats left of gore and fluid,
down the drain.

*I can begin now.
This is the end.
 Jan 2019 m daly
alex
he may be the head-over-heels
this-time-it's-real
what-the-hell-do-i-feel
kind of in love with her;
he may be the lose-his-mind
without-her-shine
create-a-world-within-her-eyes
ki­nd of in love with her;
he may be the always-and-forever
nothing-better, scarlet-letter
kind of in love with her;
or maybe he's not.
who's to say?
discussing a character in a play. i found it relevant and stereotypical, i guess.
 Jan 2019 m daly
Cameron
Untitled
 Jan 2019 m daly
Cameron
My favorite
songs are the ones
that make me forget
what silence sounds like.

— The End —