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  Apr 2014 Kurt Kanawa
The Flipped Word
I can't write like you do
I can't really compose
Grace has always eluded me
In movement and in prose

You write of such big things
But they are still all the same
Me? I can't really toy
With ideas so insane

I'm not a professional wordsmith
My art hasn't been trained
When I write, the words flow easy
Unabashed and Untamed

You and your words are sculpted
Precisely, with finesse
But with a subdued gloss and lack luster
So twisted so suppressed

And now I see my dear self
Finally in a clear way
Not in my movements or in the glass
but on my inked page

So if you ask me, dear self
Which cage do I choose?
I'd choose my dented brass one
Instead of your golden noose.
Kurt Kanawa Apr 2014
i fall into you, backwards,
spinning like a pulsar
in a spiral of ecstasy

i fall into you, my black hole,
and i feel light years tall:
a galactic river of emotion

your gravity pulls me to your mouth
and escape becomes impossible
but it doesn't matter:
escape was never my intention
Down the rabbit hole...of space.
Kurt Kanawa Apr 2014
he reads the bible
over and over again
to see if god
still loves him

as if he chose to be this way
as if he chose to be exiled
and shamed and crucified
for a thing they call sin

and he hides in bathrooms
and eats lunch alone
he lives in a house
but never feels at home

he reads the bible
over and over again
to see if god
still loves him
It gets better.
Kurt Kanawa Apr 2014
i have
a birthmark
shaped like
a cloud
but then again
   everything
  is shaped
     like a
      cloud
My actual birthmark on my left forearm is exactly in the shape of the poem.
Kurt Kanawa Apr 2014
Your eyes are lightning—
piercing, penetrating—
stunning.
with a gaze,
You turn me,
a mere mortal,
into stone.
Your presence is—
electrifying.

Your hair is brazen,
Your skin is gold.
Your body sacred oak.
the grace of a swan,
the heart of a lion,
the eyes of an eagle,
the mind of God—
is all Yours.

the sun has half Your warmth,
the sky a quarter of Your greatness,
and the stars an eighth of Your brilliance.

a huff of Your breath
could blow all the birds from the sky.
a flick of Your finger
could crush all the earth's mountains.
a crack of Your voice—
like thunder—
could make all men fall to their knees.

the world gravitates on Your inhalation
and shies away on Your exhale.
all of nature sings of Your glory,
for around You,
everything revolves.

on my chariot
riding on a bridge of brass,
torches in the air—
in imitation of Your celestial glory—
i wonder
if there be a place for me
on mount olympus—
by Your side.
i) the french call it 'la douleur exquise': the heart-wrenching pain of wanting someone you can never have.

ii) http://en.wikipedia.org/wiki/Salmoneus
  Apr 2014 Kurt Kanawa
Natasha
the problem with
being a poet in love,
is that you savour
& trust each word your lover has
without  question.

we are simply in love
with bare literature,
spoken from the lips of someone we hold
in higher regard
than ourselves sometimes.

when you love a poet
each word you utter,
should be a piece of artwork

each sentence,
a highly thought out structure of awe and beauty to leave us seeping
in the warmth of your voice
caressing such fine words

so when deciding that you love someone,
who writes or reads
fill their souls with beauty, memories & truth especially,
for a poet's heart breaks at ease.
thoughts.
Kurt Kanawa Apr 2014
**** me, ***** beasts!
Ravage my mountains
And drain them
—a million mosquitoes on my skin;

Burn me, wooden hearts!
Watch me as I am consumed
By toxic fire
—a million ashes in my eyes;

Choke me, my children!
Rob me of the air of my lungs
With your stranglehold
—a million claws on my neck;

And when you are done
And tired from your *******
I shall cover you in the darkness of your making
And you—
Like a forgotten dream
—shall perish.
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