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no one tells you
that even after the ending,
you still flinch when someone says
his name
or wears his deodorant
or exists
in the same shape.

i told my friends i’m over it.
and they said
we know you’re not
and i said
but i’m trying.
and they said
no, you’re writing
which is not the same thing.

he said
i’m not ready for something real.
and i said
okay
like it wasn’t
the most offensive thing
anyone has ever said to me.

i’m not mad anymore.
just
liminal.

just
inventorying
the damage
like a girl who survived
the softest
apocalypse.

i keep hoping
someone will touch my face
and say
there you are.
like i’ve been missing.

like
i’m not still
missing
myself.
I stopped listening to songs
with bridges—
they always begged.

I shrunk my appetite
until it fit inside
your gaze.

Then I shrunk
my gaze.

I killed the part of me
that expected softness.

She died
like a deer:
slow,
staring,
unconvinced
until the end.

I buried all of it
in poems
and told myself
that was healing.

But I check
the dirt
sometimes.

And things
move.
My stomach does that thing—
you know, when the ghost
rests a hand there.
Not a hit.
Just a hush,
and fingernails.

Like it never left.
Like I’m the one
who forgot to feed it.

It’s always at dawn.
Or mid-laugh.
Or in line at the dollar store—
buying nail polish I’ll chew off by Tuesday
and an eyelash curler,
just in case he sees me
from across a decade.

Then you paraglide in—
a salesman who knew I’d be home.
And the floor remembers
what I worked so hard to forget.

And I gasp—like I tripped.
But I didn’t.
I remembered.

I remembered
the ghost
you left me to raise alone.

Like:
“Hi. Just passing through.
Don’t stress on my behalf.”

I nod.
And I don’t.
I keep chewing the same nail.
My eyelashes are curled.
My stomach still does that thing.

You know the one.
I wasn’t crying.
I was hydrating my grief
from the inside out.

He said, “You’re not dramatic. Just detailed.”
I said, “You’re not cruel. Just consistent.”
We called that a compromise.
(or else a hostage negotiation.)

There’s glitter in my carpet
from a party I threw
to prove I wasn’t waiting on him.
I wore white.
Not bridal,
but still white enough
to make someone feel guilty.

I lit sparklers like sirens,
toasted survival.
Nobody clapped.

I collect apologies I don’t want,
write scripts for confrontations
that end in standing ovations,
then lose the footage
in a hardware crash
I secretly caused.

I take the stairs two at a time,
just to feel something chase me.
I text “I’m fine :)”
like it’s a safe word—
to keep the spiral
polite.

I rehearse the voicemail
he never left
like it’s Chekhov.
Like if I say it right,
the gun goes off
and I disappear
beautifully.

At the end of the dream,
he’s always wearing my hoodie—
saying something tender,
just slightly
too late.

And I wake up
with eyelashes on my wrists,
thinking—
Maybe I am the problem.
But God—
you should’ve seen the poems.
In 3150 BC, you crowned me with lotus.
Then said I made you look too mortal.

In 2500 BC, you swore to build me a
monument. You did.
Then sealed someone else inside.

In 1200 BC, you blamed the gods.
I blamed you.
You said ‘same thing.’

In 44 BC, I warned you not to go.
You wore your laurels anyway.
When they stabbed you,
you mouthed my name.
But you didn’t say it loud enough
to survive.

In 73 AD, I poured wine into your open mouth
while the city burned behind us.
You said you’d die for me.
You meant later.
Much later.
With someone else watching.

In 245, I don’t talk about what happened.

In 810, we met in a monastery library.
You touched my wrist over a psalm
and whispered heretic.
I thought it meant holy.
You watched them exile me
with your hands folded like praise.

In 1207, we shared a bed during famine.
You bit my shoulder in your sleep
and murmured it was dreaming.
When spring came,
you left with the first ripe fruit.
You didn’t even wake me.

In 1258, you said the library was sacred.
I said ‘So am I.’
We hid manuscripts in clay jars
and told each other we’d survive.
When the city fell,
you were seen fleeing with her.
You left the books behind.
You left me behind.
History lost us both—
but only one of us remembered.

In 1462, you pressed a seashell
to my palm like a vow.
You promised to return before the tide turned.
They said your ship shattered
like a wineglass on coral—
I drank the ocean dry waiting.

In 1500, you said I looked like rain
the year the fields drowned.
We laid together in the lotus marsh
until your father summoned you.
I lit paper boats for every lie you told,
watched them drift toward a place
where girls like me
become folklore.

In 1505, you called me the sun’s daughter.
Then vanished before solstice,
left me to climb the mountain
alone, draped in gold I couldn’t eat.

In 1593, I was the widow with ink on my teeth.
You kissed me behind the theatre,
called me muse like it meant yours,
then left a sonnet in someone else’s corset.
I caught the fever,
but it wasn’t the one that killed me.

In 1619, I whispered your name through a veil
as we rode separate carriages to our arranged marriages.
You blinked once.
I spent the next twenty years
treating silence like a sentence.

In 1806, you said we’d run away to Vienna.
I waited at the station for two days.
You sent your regrets
on someone else’s handwriting.

In 1865, you sent me a letter from the battlefield.
It said keep living.
Then you died
with someone else’s locket in your fist.

In 1915, you wrote: ‘I miss you when it rains.’
I read it under a leaking roof.
They found your body days later
with a picture of me
folded into someone else’s letter.

In 1933, we wrote to each other from opposite cities.
You said the distance was killing you.
Then married someone local
so you'd stop dying.

In 1942, I woke up mid-war
and realized we’ve done this before.
You looked surprised.
I wasn’t.

In 1963, we kissed in the back of a Chevrolet
and you said you felt safe with me.
Then you enlisted.
Then your birthday flashed on the TV in color and static,
and I understood the difference between
missing and gone.

In 2024, you told me I still think about you.
I asked in what way?
You said in the way you remember a dream
you can’t explain.
I laughed.
But not because it was funny.
Because I knew I’d spend three more years
trying to wake up from you.

And still—
I keep loving you.
You keep
reinventing new ways
to leave.
I used to write gently.
Let the metaphor bloom
before I buried the body,
then buried the lede.
Let language unravel
like stolen ribbon—
then strangle the scene
it slipped from.

I used to offer softness
like it wouldn’t run out.
Let your cruelty masquerade
as clumsiness.
softened your edges
with my own skin.

I won’t stitch myself smaller
for men who call me complex
while collapsing under complexes—
then call me poetic,
like that’s the point.

You said,
“That’s not what I meant.”
I said,
“I know.”
And dragged the line
like a corpse
through the ******.

Framed the silence
in gold leaf
and gall.
Made you a myth—
then fed you to it.

You said,
“The right thing is to walk away.”
So I followed you
into the poem
and made sure
you never left.

You wanted a loophole.
I wrote you scripture.
You wanted soft closure.
I carved your apology
into a tombstone—
your smile etched wrong,
your teeth too sharp
even for fiction.

They never looked kind.
They never were.

Don’t ask
why my version hurts more.
Ask why yours
never held up—
until I told it
wrong
on purpose.
I was supposed to be somewhere holy by now.
Twenty-eight, maybe.
Soft-eyed, loose-shouldered,
eating cherries on a porch that faces west,
“I trust the sky not to drop me.”
“I haven’t wished on a coin in months.”
Instead, I’m awake at 3:47 a.m.
Googling “What does it mean to feel inside-out?”

I keep finding pieces of myself
in weird places—
a sandal from eighth grade
in my mom’s basement—
a song I skipped for years
until it wrecked me—
now it’s the only sound I can breathe to.
A fourth grade diary entry
that ends with:
“I think something’s wrong with the air.”

I think something’s wrong with the air.

I was so sure by now I’d
quit making altars out of absence,
retire from bleeding for the line break,
know how to hold still when people love me.

I thought I’d hear God more clearly
and panic less when I don’t.
I thought I’d be done
being undone
by
a read receipt.

/ Then the break. /

And yet.

I flinch at compliments
like they’re coming from behind me.

Sometimes I still check
if my name’s spelled right on things.
I still rehearse
what I’ll say in case I’m asked,
“So, what do you do?”

(I become.
I break and unbreak.
I drink soda in bed and call that healing.
I make it to morning and call that enough.)
I keep living like the soft things won’t leave.

There’s a version of me
who doesn’t bend into a wishbone
for every boy with a god complex—
and a version
who flosses because she thinks she’ll live
long enough
for it to matter.

There’s a version who never had to explain
the scars on her thigh.
A version who didn’t stay
just to see how bad it could get.

I keep dreaming of her.
Not to compete—
just to confess.
Not to ask forgiveness—
to give it.

She sleeps through the night and means it.
She makes plans and keeps them.
She doesn’t exist.

So I just keep writing toward something
I’m not sure I’ll survive.
There’s a version of me
who didn’t touch the red button.
Didn’t ask.
Didn’t hope.
Didn’t write any of this down.
This one’s for the versions of us that didn’t make it,
and the softest parts of us that somehow still do.
Swipe gently. Speak softly. The ghosts are listening.
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