She has two rifles
a shotgun
pistols that pile
like her loose dresses—
a crossbow so silent
so sharp
it splits the air
before it flies

Even her pans—
cast iron more lethal
than the words I swing

And I—
all I have is a spoon
worn thin
from spreading too thick

She slices—
I scrape

She strikes—
I smooth

And somehow
we both meet in the middle
with open palms
taking turns
to see who flinches first

She smiled,
but only barely,
like it was a secret she didn’t want
you to know.

And for a second,
it felt like the world
might not be so bad after all.

…at four in the morning,
the room was sharp and silent
through the stillness of the dark
and yet, I sang those old songs
swaying in the cold wind
with bottle upon my breath
as I dreamt of green birds
and the lonely white lotus
that kept fluttering
into my scratched head
while coming apart at the seams
with tears of sadness
I sat and pondered
where they all went:
those little caramel ladies of brown doom
with novocaine souls and enamel bodies;
you gave me the liveliest moments
even when you brought me
to the brink of death,
you have liberated me during
my most shackled state of mind,
you spilled the truth when you
told me, “I could never be reached.”
and therefore I must come to terms
with the absence of your warmth
as the green birds have flown
into concrete skies
and the white lotus has shriveled
into a curling black mass
I sway with the wind,
rising the bottle
and belting out
those old songs
in a room so
sharp and silent
at four in the morning.

Tar-dark world. The defining color is black, the inky night of her nocturnal hunts and the deep, bottomless dark of her alien retreat.

A watcher of men, she is everything and nothing. She might be too much of something, or too little of something else. Time will sort out the particulars.

There are no simple entry points – she demands engagement, and to be taken as a whole. Her discomfort is over her own allure, her undisturbed surface. It’s more about intuition and gesture than dialogue. They remain as echoes. They’ve made her beautiful in a real way, with hips and blemishes and dimples in her skin.

The imprint of the lives she begins to grapple with as her time on Earth extends, leads her to stop seeing herself as a mere conduit for her mission, and to start developing a sense of subjectivity.

Her life force is overlapping, shaping itself into a pattern of rings that simultaneously suggests a birth canal dilating, the stages of a rocket separating, and a lunar eclipse as seen through a telescope’s lens.

She's a life-form you can’t quite understand, but it’s carrying on relentlessly, like a beehive, moving backward through the constellations at first approach.