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good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
***
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
**** myself or
love myself?
which is the treason?
where's the information
coming from?
books...like broken glass:
I wouldn't wipe my *** with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.)
buy the cow with the biggest
****
buy the cow with the biggest
****.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden **** of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.
from "poems written before jumping out of an 8 story window" - 1966
I met a genius on the train
today
about 6 years old,
he sat beside me
and as the train
ran down along the coast
we came to the ocean
and then he looked at me
and said,
it's not pretty.

it was the first time I'd
realized
that.
little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
 Apr 2014 Emily Williams
Fel
There's still something there
I lied when I had said
Nothing
But nothing
The spark that was there between us
It still exists
It is not dead
The glowing embers
Are slowly coming back to life
As we play War
And laugh at eachother's stories
These glowing embers
Will soon grow to a wildfire
And burn everything in its path
Cause the pull of out hearts
They're stretching again
The rubber bands between us
Are making us snap back together again
Dont break the elastic

Don't break me

And I promise to do the same
Catch me in the act.

Catch me destroying
evidence
on the riverbank.

Evidence of daydreams,
of picnics in the grass.
Grass so green it has
never thirsted
But drank so heavily
when we spilled that 2005 bordeaux.

I promise you:
this is not a poem.

This the red-winged blackbird,
narrating (singing)
as I push you on a swing.
catch me smiling, helplessly,
when you turn around

Catch me because I’ve fallen
not because you pushed me;
I never watch
where I’m going
3 April 2014.
Start 13:01:10
End 13:07:45
Total time elapsed: six minutes, thirty five seconds.

an experiment in improvisation. i wrote this to a lover via text, stopping abruptly when certain conditions were met in my surroundings.

© 2014 by Lorenzo Soldera. All rights reserved.
 Apr 2014 Emily Williams
Dorothy
Poetry.
A form of catharsis used to
Subtly touch
Violently choke
Mentally ****

Words that cut so deep making the heartless feel
Words screaming with emotions leaving you paralyzed
Words gracefully gliding down the side of your cheek forcing you to smile
Captured in whatever trap the poet wants you in; victimized

Feeding into every word of the poet so easily
Thriving off the beauty that is poetry
Until you’re shouting

Take me!
The art of poetry now flows thorough my body
Becoming intertwined in their words
I absolutely LOVE poetry
 Apr 2014 Emily Williams
xoK
Numb
 Apr 2014 Emily Williams
xoK
I threw myself up against the wall
Because I needed to feel something.
I squeezed my eyes shut tight              
                    Because
                      I needed your fingers in my hair,
          The weight of your thighs
                       On mine,
The tip of my minty tongue on your lip.      
The quivering of your core and your breath
                        Tangled with my own
When I speak to you without words
and without sounds.
Because I needed            
*To just feel.
LDR life.
I thought of killing myself because I am only a bricklayer
      and you a woman who loves the man who runs a drug store.

I don't care like I used to; I lay bricks straighter than I
      used to and I sing slower handling the trowel afternoons.

When the sun is in my eyes and the ladders are shaky and the
      mortar boards go wrong, I think of you.
some dogs who sleep ay night
must dream of bones
and I remember your bones
in flesh
and best
in that dark green dress
and those high-heeled bright
black shoes,
you always cursed when you drank,
your hair coimng down you
wanted to explode out of
what was holding you:
rotten memories of a
rotten
past, and
you finally got
out
by dying,
leaving me with the
rotten
present;
you've been dead
28 years
yet I remember you
better than any of
the rest;
you were the only one
who understood
the futility of the
arrangement of
life;
all the others were only
displeased with
trivial segments,
carped
nonsensically about
nonsense;
Jane, you were
killed by
knowing too much.
here's a drink
to your bones
that
this dog
still
dreams about.
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