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  Jun 2024 Dead Rose One
Nat Lipstadt
Seeds could not prosper without the love of your fingers


what I know of soil and seeds,
is less than nothing, the dirt neath
my fingernails is only evidence of a
presence on this Earth, but no rapport
with the cold, damp earthy plains of  
what feeds, colors and gives forth
fruit

and yet,
you send this concretized city fella,
pictures of the seeds on your agenda,
the chosen ones that will in time, birth
healing to the world in natural mystical
ways, for what I see, what  I know is this:  

soil and rain, by themselves can bring forth
both hardy and hardluck weeds that eke out a
living home in a quarter inch of dirt in the
in~between of sidewalk cracks, trod upon,
but yet!
survivors to the
worst kind of human indifference


but when you plant, you fingers enwrap,
send coded message hid in the essential
oils of human love, for that is what only
certain hands can do…


Your hands much practiced in this messaging,
and peculiar kind of kind massaging
for I have seen your gardens, moreover I-know,
that hands such as yours overflow with both  
the take and give, inherent in only certain
specific humans, at a cellular level
not in my
possess


it takes a different kind of life experience, that
marries different kinds of cloth into a single weave,
that stores what is in your fingertips, nutrients of
your life, singular, homemade, that make
your botanicals
fully blossom




Jun 1 2024
12:50pm
in the sunroom
  May 2024 Dead Rose One
Nat Lipstadt
the lovely picture window (always the same, always different)

There are painters who must,
having found the place, must,
repaint it, compelled to repeat it,
each a variant, yet always the same,
always different

I awake to a perspective that is wide,
always differentiated from the prior,
always almost similar, but never with
the same exactitude, differing attitude,
same longitude, identical latitude,
always different

horizon distanced, in all ways a view
encompassing, duality near, far distant,
harmoniously, eyes open, magnetized
to wake before 6am by the suns modesty,
first light, first clarity, a curtain risen, yet,
always different

am I so blessed or thus cursed, for the urge
to disclaim and ode, compose and thus self-
decompose, analyze, reflect, slice apart, needing
the comprehensive understanding this me/place
scripts the raw appreciation, daily differentiated
always the same

this peaceful venue seizures, chest calmly
pounding at the insistence it commands,
the price I must pay for the prize to praise,
to sing, weep, reward restful sleep with lyrics
eked out, pouring, unsustainable yet finished,
always different

a single May Iris, returns, born from a torrential,
thunder, lightning, sky mayhem, rises by a sundial
greets midst a planted clump, upright rises, lavender,
in a majestic solitary, absent but a day prior, yet mine eyes
failed to witness its discernible emerging birthing creation,
always different,
always the same

here, I am Iris too, always the same, a day aged,
but the differences minute but stolid actualized,
this overnight sensation, my body’s restoration,
what I visualize, indivisible, now visible, realized,
miracle of continuity, unchanging chained change,
always different ,
always the same

wonder, am I more blessed, or a s~lightly cursed being,
my breath restored, wet eyes full brimming, changed,
revived but always modified, a newer old man, whose
sum total always a different number, but in sequential,
compelled to confess, no understanding of this miracle,
always the same,
always different,
this daily visionary miracle


6:36 AM
Fri May 24
2024

Silver Beach,
Shelter Island
  May 2024 Dead Rose One
Nat Lipstadt
happened upon an extravaganza of spring’s hallmark,
the cherry blossoms outing their munificence of color,
I happened to position myself direct below a tree,
the thicket
of blossoms so, well, thick, that sky was obliterated ‘cept
for pointillistic spots of blue sun, yellow sky that poked
through the
few de minimus interstitial spaces permitted, and was
struck silent, by-for-before shimmering eyes that uttered the
requisite oohs and ahhs,

and

words came to me weeks later,
when the memory, now fully decanted,
reappears
courtesy of a giant tech company’s code tinkering,
merging and splurging the combined images in the
photographic memory
of my devices,
as if to say:
your life is
points of light and color and scent
as you write now
amidst the hubbub of jackhammers, raucous horns a blaring,
the homeless screaming on the street at god,
the fatalistic headlines of hate and
the pallor of a low level haze of perp~gray
between you and your true elfin self,
and you are not surprised,
but sadly, but not entirely,
bemused
that the photo’s true utility was to
remind weeks later
that all that my eyes utter
is not just
woe, double trouble and toil, toil,
but to Hey Jude and George,
step out and see the park on a Sunday
in its entirety and to glory in
your being
by being
a point in that tapestry spectacular
of ingestion, digestion and final comprehension and
a happy

exhalation
across the course of
May 2024
  May 2024 Dead Rose One
Marshal Gebbie
Calm, the eventide is calling,
Soft, the tendency to  smile,
Knowing well that good friends linger
Knowingly, to share awhile.
Greens and golds, the leaves are falling
Carpeting my path again,
Golden light of sunset calling
Rendering our view, aflame.
Would that we, this moment harbour,
Would that I,  your smile retain,
Radiance in sunbeams falling
Intermingling love's refrain.
Fast, the moment softly dwindles
Shadows interceding light
Swiftly now the curtain falling
Bringing us unknown, and night.

M@Foxglove.Taranaki.NZ
11 May 2024
  Feb 2024 Dead Rose One
Nat Lipstadt
Our Holy Communion of Words

you wrest my words away, with tongue and teeth,
running their sounds out with your soft tonguing,
gentling their enunciated freedom to float airborne,
but not before,
your teeth hone them sharper, wiser, better,
before freeing the letters
for life eternal rebirthing,
swapping, warping words,
into a
a holy communion

then with thy lips closing after them,
wishing them godspeed,
safe travels to yet another’s eye imbibing,
until released once more,
traveling from souls you likely
never to meet, embrace, greet,
but to whom you have formed a
direct intangible tangling,
shared wafered words,
a holy communion*

But

yours,
your words,

gut punch me,
how could you know,
where/\were
you there beside me when in darkened hours
the sun shone brightly, illuminating with bent light
our crevices and our crevasses,
your, words, written,
stun me into crazy, as if
you were within my interior
a cacophony exposed for all to hear,
my grunts & oofs,
visceral, too real, and
my actual tears cascade unfiltered
into the cup of our tangible entangling,
salted & starry*


our holiest communion yet!

~~~~~~~~
Fri Feb 9,
10:00pm~10:30pm
inspired by Audra McDonald,
this poem came in a single short breath i taken,,
and left just as quickly
single, speedy insight
  Nov 2023 Dead Rose One
Nat Lipstadt
an all purpose cleaner response to the

how-ya-doing-question,

as my vibe unmistakable;
the hatred in the world directed at
MY PEOPLE,
is inexplicable, beyond reason,
a hatred raw and pure in the
tiny places we humans hide it, lest
our ancient linkage to an unreasoned,
embarrassing emotion, be revealed

but now revealed it is reveled,
as the freedom to despise is a
valued thing

is an ancient scar, now freshly wounded
and the two thousand year old accumulated, callused,
surrounding wafer thin, layered upon layer of
tissue,
wiped away
in utter disbelief
cleansed,
a different kind of impure clean,
“like” an ethnic cleansing,
traceless, whisked away in a wink of moment,
a goner.

like hope, prior sentient optimism
sentenced to life imprisonment and
this sentence, and this very sentence!
written finally understanding that it is
a punishment
far worse than the quick relief of death.

c’mon, how about a few “fukk you jew”
cri de coeur, heartfelt, genuine, pointless
hate

no, not I, no, not me,
spare me the pithy comments,
the pointless sympathy, glistening
like evaporating water droplets
before disappearing, I ask myself,
not
why they hate, why it persists,
for this I understand and accept
the foulness of what we are capable of is,

beloved,

as a secret pleasure, now secreted in torrents.

no, I ask myself,

why do I write poetry,

for it is as pointless as
the hatred directed at me,
from birth, till death,
and ever after,
the humanity of poetry
just another fraud

another reason
why this man cries in the bathroom,^
not from any shape of shame,

because poetry is pointless
in times of hatred, and now we
know, recognize, it is always
somewhere, nearby, always
present and prescient,
pointless hatred,
itching to be pointed at me,
makes for
pointless poetry.


To whom shall I point my poetry?
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