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  Mar 2018 Dead Rose One
onlylovepoetry
you can’t right the same poem twice

hell, yes I can
in pointy fact,
only got one,
which gets re-righted
morning noon and evening-tide

substitute a variant spelling
wright vs write vs right
and the meaning changes thrice

the only thing i can’t not duplicate is those **** love poems
each unique and writ for the woman specific,
each love one, custom jiggered,
each poem, crafted, to her pulse
each poem, drafted, to her scent
none alike, and that’s why I believe
in the god who commanded "create her"
to make love poems in his way,
gave me millions of veins, an extra ribbing,
of inspiration to pray to...
my heart altered, modified, daily


**** poems
**** love poems
**** love
2/2/2018   10:14pm
  Mar 2018 Dead Rose One
Left Foot Poet
in this crazed business of flighty gods and flitty humans,
this trove of love need,
this two way street for persons blind in one eye
thus they can see you,
the one who loves them
only when they squint real hard,

well it is a far better thing

to be next them,
to be seen and be seeing
than have the
ceiling be your horizon,
a pillow oscar-acting as a long lost love,
cold sheets and space heaters each losing the battle,
for when the moment occurs that

loving usurps loneliness
even for a moment’s moment,

it is a far better thing you do
than you have ever done before

8:41pm
  Mar 2018 Dead Rose One
Smoke Scribe
not exactly high heels and thigh highs
but an invitation is an invitation,
engraved or post-it.

when I one-stroke open your furry bathrobe,
furry slippers thunking-kerplunking
onto the polished wood floor,
poet-puts you laughing, protesting, prone,
on the dining room table, we both shaking,
possibly from laughter?

when I one-stroke open your furry parts
with various soft tissue medical instruments,
to which ****** harm is now "uncovered"
as specially advised by my insurance company,
no more, no matter,
the lady doth protest too much about my methodology, methinks,
no more, no matter
recently recovered some omy smoke scribe lost poems

written January 3, 2014 at 12:27:05 PM EST
Dead Rose One Mar 2018
nobody gets the cancer twice.  
(a blues guitar riff)

blood in the stool
ain’t nobody’s fool,
whent to high school
did not graduate,
but know it wasn’t no thing I ate

scale greets me friendly like,
long lost buddy from yesterday morn,
‘let get right down to it,
let’s see how much less of you borne
leftover alive from the prior day’

spirit spit blood from my gums,
got me a woman, she’s way over town,
woman said I’m brushing with
too hard a brush, alright, alright,
make no fuss, she’s good to me

nobody’s fool whent to school,
though I did not graduate,
a mean riff is better than a
slow moving woman blues cry,
got the strings to do my screaming

doctor is a fan, name is Jimmy,
played music like last time round,
Jimmy-jamming, dancing in the waiting room,
“that cancer got kick, it’s gonna get ya,
think I told ya that about hunner times before”

‘nobody gets the cancer twice,’
an old wives tale for unlucky po’ somofabitches,
do you some tests, tell ya the specifics,
right now, lay, lay down them new tracks,
no quitting time less the good lord comes a-calling’

blues guitar makes a man
cry shiver scream and shake,
progressions licks and tricks,
so you can’t tell what’s making
a grownup man cry and laugh louder

bring me my medicine
bring me my guitar
all I know is how it makes me feel,
oh baby once a night it’s true,
nobody gets the cancer twice
  Mar 2018 Dead Rose One
Smoke Scribe
all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor

a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened


I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced

perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made

perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased

there are no lines or lies in my writings
there are no definitions and
perception is only your truth


Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,

3/13/18
1:09am
Dead Rose One Mar 2018
I am now, I am now...


for reasons you need not concern yourself,
oft disappear for an hour or two,
making an odd combination of
groans and moans,
that she follows like a crumb trail through the forest,
til she finds me and asks if I’m OK,
and answer-true, same-always, when only she inquires,
smile>gritted teeth, laugh line>worry line,

I am now, I am now
  Jan 2018 Dead Rose One
Nat Lipstadt
I Am that I Am (אֶהְיֶה אֲשֶׁר אֶהְיֶה‬ ’ehyeh ’ăšer ’ehyeh)

for Eléa

the requests are assiduous, regularly arrivaling, some shy,  
some heinous demanding and denouncing,
inquisitors inquisiting this revelation,
as if it could be bought in a Five and Dime,
with a childlike whining insistence

just  exactly who are you?

this is not my name above,
but one of seventy the Father gave himself

He named me in a fit of efficacy and whimsy and in and from, a fit of a deep veined mystery

You Raise Me Up

all this on the ****** side of corny, and would not blame you
if you moved on…

so nominated in honor of my mission, to travel with you in
all the travails that ail,
to raise you up to raise me up and thus salve the universe's cracks,
fill the crevices and the ****** scars invisible,
with the precise refreshment that make my life,
a slave to your thankfulness

I am the wetness of a mother’s lips upon
a thin red tear on a child’s skin,
I am the the rock hard father’s shoulders grasped by a child’s arms, the child does yet understand that human is illusion,
human is human, however strong,
it is the allusion of human limitations
that is our magical

I am the present re-borning come with a morning glory,
the time when the Am and the Pm  future merge in a name
without tense,
past present and what I may be is simply what
I am

when the past is but another sky bright star, untouchable,
but winking at you, to you personally

I am the touch of the untouchable,
a messenger commissioned to remind you when
the reminders are too far apart,
or even too close
and thus make a breathing space
in between for the living and the missing

I am the
no difference
between a newborn’s soft skin cells
relentless multiplying,
that offers the same precise sensation of the
grandmother’s delightful wrinkling cells of smiles of her
relentless dying,
for all, one and the same,
the child in her is you, baby

I am the fall before the rise, the first that defines the last,
the standard, once obtained, nevermore unobtainable

I am the first fruit of the summer,
a tongue blossom, a burst of memory, always recalled,
always the same, that begs for forgiveness for there are no
new words to describe the profound finding of the
simple pleasures that sustains the blessing over all things new that
are recurring and truly
renewable (shehechayanu)

I am the crinkle in the eye, the one that hides in the fine lines
and upon the lips,
when you purchase the hope however fleeting of a
$2 Powerball ticket,
the very same hope preserved when you laugh when you lose,
for there is contentment in knowing one may hope spring eternal,
yet again in a finite
three more days for and too another lousy two bucks fantasia

I am the ruse of happy satisfaction of a man
in the dark of alone at home,
staring at his sizeable bank balance
and the happy knowledge that its loss  it will make it greater someday when it  happy converted to memories and photos that  are worth a thousand times its multiplicity
if only,
or when,
he knows how

I am that pain in the left side of your red sea-parted soul that cannot be dismissed but is religiously ignored,
that you alone know of
due to its persistent existence, and because it is just tolerable,
it is a sad but comforting pain,
an acknowledgment that a companion travels with you
and that in someway is ok and you exist

I am the water on the night table that extinguishes the dry throat of recurring visions in eyes that always end badly
and make the bed’s welcome a fearful thing,
which is a fearful thing for in good sleep is the
re-naissance and re-formation and the salvation
that was given to you as a gift inside thy mother’s womb,
and that
it is I,
whispering the hum of easy soft lambs,
soft breathing you
unto welcoming rest

I am the poem that must end because of our
frailties and impatience to live in
the reality of human touch,
that must be put aside for any novocaine of words

I am the one who can only be alive
when he raises you up and
you begin a new poem all your own,
and then exit it too, willingly,
to embrace the raising up of living

and that is the
who I am
that I am
raising us up
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