I stood on the landing
Mouthing words to your friend
When you charged up the stairs
Screaming “Then one of you must be dead!”

I looked at him, at you,
At the pallid wonder in your eyes
When I took that first step
Backward and upward and out
Into the thinning air,
Felt the blank relief of weightlessness.

I floated softly onto the stage
Into a play with trumpets.
Only a rehearsal, the theatre empty.
At a signal from a bald man,
The chorus held its final note.
I had arrived.
They relaxed and the purple curtain fell.

Why do poets and photographers love fleeting things?
Angled shafts of sunlight piercing a mass
of clouds. A rainbow flashing from dragonfly wings.
Water drops beading like shards of glass.

The fluttering shape of a sycamore’s shade.
The sun sinking into its reflection
In a purple bay.  Smoke’s shadow. The rayed
Curve of a finger reaching for perfection.

Whatever churns, bursts, rocks, flies,
Foams, flickers, roils, evades
In pigments of impermanent dyes
We try to fix before it fades

Once I mourned the endless dying  
Of here and now, the present always past
Elegized each moment, sighing
Beauty is loss and can never last.

But now I think I had it wrong.  In fact
(I learned this from an artist’s eye)
Fleeting beauty reappears faster than we react,
At the speed of a daydream flashing by.

All around, light coalesces into form,
Form explodes into light,
And we live lavishly inside this storm
If we can learn to see it right.

Beauty multiplies, tapering, swelling:
Reshaping, reforming, now familiar, now strange.
This gaudy blur in which we’re dwelling
Is the permanence of change.

You can’t really picture the place.  
You don’t recall who was there.

But you remember surprise
That human ashes are not powdery dust,
Apt to disintegrate like snow,
Or soft like bread cast upon the waters.

Dad’s ashes chafed your palms like jagged seeds
As you clutched fistfuls from a plastic purple box
And flung them down a hillside
Somewhere in Little Cottonwood Canyon.

And you remember the feeling of urgency
As you retreated up the hill.
You had motions to go through,
Space to occupy,
A black and white landscape to walk
Among small figures filing along a dirt track
In the airless September heat.

We revel in the artist's gaze.
See us, artist, we say.
Scale us in the geometry of your sight.
Objectify us, break us down
To our vital light,
The zero shade of being,
Our essential black and white.

But what if the figure becomes the ground?
Does the artist’s vision ever come to rest?
Does she halt the eye’s restless turning,
Instead hunger to be seen?  Fathomed?  Expressed
In basic hues, simplified, resolved,
Into the object deconstructed, the mystery solved?

Spotlight and camouflage,
Revelation and disguise:
The chiaroscuro of the artist’s eyes.
Then where does beauty reside?
In our eyes, beholders,
Invited in yet held outside?
Or in the starlight, sunlight,
Lamplight as it plays  
On the seer seen in beauty’s gaze?

The others look at the ground.
They look at the sky.
They watch for a miracle,
Believing that they believe,
Wondering when they will no longer wonder,
Unthinkingly mouthing the New English Bible.

You ignore their designs.
You wait for the moment
When we will forget
The climate in our clothes
And the slaughter on our plates
And the tongues of our elders
And the mystery of what remains
And that light is our order,
Our kingdom is stone
And that love, envy, joy, despair
Are rituals that we cannot unlearn
As we touch and retreat in predictable ways.

The sun burns its vicious circle.
So you lie down to sleep.
You try to go to sleep.
You hope they remember to wake you.
But not too soon.
No, not too soon.

(Villanelle)


It takes patience to wait for the perfect light.
Glance away and the image can disappear.
And sometimes the background isn’t quite right.

The moment missed is like a face out of sight
That against all logic we hope will appear
From around a corner, bathed in perfect light.

Or a pause in the music on a moonlit night
When hesitating lips touch, and love leans near,
But voices whisper that something’s not right.

Technology offers consolation in its sleight
Of hand:  Digitally correct the analog here
And now, counterfeit the perfect light.

Yet we want more than the mastered byte.
We want the flash between the waiting and the souvenir,
The instant when self and spectacle fuse, reality felt right.

And so we hold on to what’s passing out of sight,
The collision between soon and too late, the sheer
Thread connecting to the perfect light
In which the background is precisely right.