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 47m
Bekah Halle
I live at the gates
Of "wine country."

God's celebratory land,
Where He spoke of milk and honey
And produced great fruits of His hand.

I've gone on a tour or two,
Heck, my dad almost part-owned
A slew —

I have memories of sloshing around.
Of swigs, only to spit them out
And of trying it all over again.

Under one of my childhood homes,
There was a cellar full
Of wines —
My father, chest proud,
Would take tours down, underground,
I would sometimes hear
His commentary...I'd shake my head
And roll my eyes —

But now, as I look back,
Over those times
How grateful I am
For those memories:
And the fruits
From those vines.
 8h
Traveler
I stated aging backwards,
my hair is growing back.
My muscles are immaculate,
my ***** are tightly packed.
The wrinkles in my skin
all turning to brown fat.
And once again my libido knows,
it’s good company that I lack.
Running, jumping, lifting heavy weights.
Eating clean food, love that bitter taste!
I think I’ll live forever traveling through out time.
I’ll see you when you’re born again somewhere down the line.
Traveler Tim
 11h
irinia
a woman's passion is a fiction of the sun
a radiance that forms and lingers
it's time burning like a rag in a guttering flame
it flickers, it spits a storm, a moment's certainty
a lifetime's doubt
it is the whisper of the wind in barren trees
a crucible for gravity's fervor
a silence dreaming its imploded sounds
Diakonia's goal is to change unfair political, economic, social and cultural structures that generate poverty, oppression and violence
We were walking, the painter and I,
Across the plain and towards the hill.
The moon had waxed into her glory
Causing the zephyrs to sigh.

We rested awhile at the foot of the rise
Nestled in a comfortable silence.
The night moved on languid feet
Passion hidden under a serene guise.

We took the path on the dark leeward
My golden quill our only light.
The painter promised a spectacle
And anticipation fueled my climb

Cherry Blossoms swirled in the wind,
As we stood on silver bathed ground.
A man stood at the edge of the hill,
His hands on the railing, waiting.

Under the tree he stood.
The flowers hiding the wrinkles
Of his suit and his skin.
His gaze fixed upon the moon.

My friend and I sat against a boulder
And waited with him.
The wind whispered with the flowers
And the Sakura tree sang to the night.

The song was impossible,
Yet hear it we did.
Violins and keys, flutes and harps -
A haunting tune of longing.

And as the song rose,
A woman stood beside the man;
A bride clad in a moonlight gown,
Her veil of starshine trailing behind.

The man took her hand,
And the woman drew closer.
And groom and bride,
They danced among the flowers.

Wrinkles were smoothened
Trembling hands strengthened
Faltering feet trode sure
And wilting heart bloomed anew.

Happiness perfused the air.
Cruelly brief the phenomenon would be -
So the man knew, and chose to forget.
He held on to the past and danced.

We sat there, intruders and fools,
Too ashamed to look on,
Too enthralled to look away,
Until sleep hid them from our eyes.

The melody rains with the petals,
Tears dance with the smiles.
The waltz of the weary hearts
Lasts as long as the moon.
Inspired by the song 'Dearest' by Ayumi Hamasaki
The trees stand, clustered behind the clouds, their trunks and branches forming streets and towers, like a city on a hill.

They part just far enough apart to reveal a hidden story—
Is that Summerland?
Is that reality or is that just a dream?

I keep looking into the distance, hoping to see You coming,
Down from the clouds,
Into the city of trees—
The feelings are back again;
I try but I can't pretend--
Love just happens to be this way.

The pressure released through argument;
It hurts, but we make up again.
Why does it have to be this way.

Temptations once came in many ways.
The cold lingered at times for days.
Only a chill, but it hurt just the same.

Thank God there's jealousy no more;
We washed it out and closed that door--
But other storms rise in our lives.

But when these storms pass us by,
It's then we know the reasons why
Love just happens to be this way;

And why we go through so much pain,
Which cleanses like the pouring rain
When we open up and talk about it.

There's no women who can be
All that you are to me:
Wife of my youth, lover and friend.

We now see a brighter dawn,
Free of strife, many battles won--
As free as we were made to be.

The feelings are back again;
I try but I can't pretend--
Love just happens to be this way.
I long to lie down,
Where all the wild flowers grow;
Their soft embrace makes my sleep sound,
But their vivid colours evoke life within now —
Once there was a man named Jack,
He used to ride his pushie from Holbrook to Albury and back,
Courtin' his lady, the late Marie,
“A ****** good catch!” he would say,
“And that's that.”

He loved to play the saxophone,
It's right there in his room!
He showed me some photos and put a CD on;
We sat back and listened to him croon.
Tears fell gently as memories surfaced;
His feet seemed to shuffle back into the dance of years gone by.

His breathing fell and rose,
And rose and fell again —

Then he shared how he liked to fish - several dozen at a time…
He stared back from the memories;
Hearing the ocean clap against the shore,
He was right there, now, what a catch! Sublime.
He would arrive home aplenty,
Weathered though, from the storm and sunshine galore!

Life has been full with his wife and kids in tow,
Though here now, in this small room,
photos, artefacts, and memories are the wrapping and bow,
Tying it all together when his current, present memory goes.
Pastoral reflection for my supervision about a resident in the Aged Care residence where I work.
Don’t worry, I turned off my heart.
I disconnected its valves and
tapped my foot to its last beat.
I repainted the walls of its chambers
a nice neutral color that would
really brighten up the space.
No trace of love.
No trail of grief.
You wouldn’t even be able to tell
that it belonged to someone else.
I spackled the holes left behind,
plastered its cracks, sanded its nicks.
Refinished the worn floors where
too many games have been played.
With any luck, interested buyers
won’t look too closely.
“This one’s got some good bones,”
they’ll say, and marvel at its potential.
I marvel at its potential.
For now though, I’ll turn it off.
I’ll turn it off, if only for me.
© Bitsy Sanders, September 2025
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