Submit your work, meet writers and drop the ads. Become a member
 Apr 2019
Anonymous Freak
I wanted to write
Something perfect.

But,
“Pobody is nerfect.”

Every sunbaked afternoon,
And rainy day,
Every crunch
Beneath my feet
Of salt and snow,
Every deap breath,
On my way
To an hour of safety.

Did I ever tell you
That I liked to
Stare intently at
The fiber art on the wall
Of the third floor waiting room?
There one that looks like a waterfall,
One that looks like eggs,
And one that looks like
An angry speech bubble.

I remember being young,
And not telling you
The whole truth,
Then growing up,
And shifting uncomfortably
In my chair
While being more honest
Than I knew I could be.

You had a white electric tea ***
On your windowsill,
Kept company
By a stack of colorful mugs,
(The orange one was my favorite.)
I recall sipping tea with you
When I had a cold.

Pobody’s nerfect.
Who is “them”?
Feel your feels.
I am a mountain.

I talk a lot,
And I mean a lot...
I’m sure
You already know that.
But I don’t have the words
For years
Of smiling,
Crying,
And bad words,
Growing up,
Smeared makeup,
My first job,
And learning
To love myself.

I hope you have
A tea ***
In your new office,
And your cat clock.

I hope someone else
Gets to grow up
With your help,
And remembers the things
That I remember.
I’m sure many already have.

Thursday’s were for breathing,
Tuesday’s were for closure.

I’m going to live my life
Carrying your words
Tucked behind my ear,
And I’m going to make you proud.

Thank you,
For the high speed
Emotional
Puberty.

-Layna
 Mar 2019
Mims
And I am holding hands with my depression while it screams into a microphone
It's used to being center stage
The center of attention
Poking, proding
I'll kiss my love on the lips and it'll tug at my shirt whispering
"I'm still here"

It'll grab at me on car rides
Pinch my walking down the street
Make my nose bleed in bookstores
Break my fingers in urban outfitters
"I'm still here"
"I'm still here!"
"I'M STILL HERE!!"
Slowly getting louder as I try to push it down

Sometimes I muffle it
Quiet it
But I can never completely silence it
My hand slips
And a battle cry is released into the night
the duct tape wasn't tight enough
Or maybe my grip

I guess I stopped kicking it eventually
Stopped fighting it
Stop tying it
It was
The thing I kept in my basement but instead of me trying to make it stay and it trying to escape
it fought me to be cemented in my mind
taking all my resources starving me emotionally

Maybe sometimes physically

I accepted that it was a part of me

I let sing to me
Occasionally
After all
We're both in the basement
And we're

bored

It would sing things
Hopeless,
Frantic,
Scary things

They don't like you
There isn't a point in breathing it's mundane, it's uninteresting

You have hurt so many people and been hurt by so many people you're beginning to forget where the line is
And which side you're on


If she knew you now
She'd be disappointed
But she's dead
She died before you tried to let her learn who you grew into


They'll all die

You'll die

We are all just putting off the inevitable
Isolate yourself


You know you're happier alone
You know he doesnt really love you
So stop answering the phone



One night
My depression took out a knife
And slit her thighs
I was asleep but she bled on me all night
And in my dreams

I knew the warmth was from tragedy

Though I never bled with her
I let her keep me red

Keep me angry

"You'll never have a dad!" she yells.

"You'll never go away"
I frown at the shriveled little body of memories and chemical imbalances and tubes and guts and hearts and other dismembered parts
And I think

I've known you for so long
But i've never really looked at you

I am surprised
How different
How separate
We are

You grab me
Poke me
Yell at me
Hold me
Hurt me

But you

Are not

Attached to






                                 Me.
This poem could've gone so many different ways, but this is how it ended up.
 Jan 2019
blackbiird

The beauty of walking in
the rain is that no one sees you cry.
instead, we are just strangers
getting water in our eyes.

 Oct 2018
unholy ghost
plucked
the flowers
from my ribs
whispering,
love me,
love me not.


they left blood
smears across
my skin, left
dead petals
at my feet.

left me the
altar of love
that will never
be mine.
 Sep 2018
Jonathan Witte
I
I stole my brother’s car and drove to Phoenix in the dark. Bluegreen glow of dashboard gauges, the faint scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield like rain. How many miles does it take to turn yourself around, to rise up from ashes? Keep driving. Drive until the sun blooms.

II
Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor. The typographically accurate Declaration of Independence inscribed on my back also confirms this.

III
I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, flirting behind tent ***** with the cute contortionist with strawberry-blonde hair.

IV
I derailed in a dive bar.

V
I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time.
I picked through trash bins. I paid for love with drugstore wine.

VI
I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank.

VII
I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide.

VIII
The moon over my shoulder tightened into focus like a prison spotlight. One night the barking dogs undid me. Goodnight, children. Goodbye, my love. I capitulated to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell clinging to bars the color of a morning dove.

IV
I coveted the house keys of strangers.

X
I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I had just left. Despite all my leaving, I remained.
 May 2018
Sky
your eyes,
waxy and chromatic
seeped through my clothes and
soaked my skin,
bent my bones and
dyed my concrete spine
blue magenta.

forgive me, forgive me
my revolving-door mouth,
my pendulum heart,
my clammy hands.

my religion is jazz but
i swear to God,
I'm Roman Catholic.

and so I brought you some tulips,

cause I can't lose you
to New York.
baby give me a chance
 Apr 2018
Nat Lipstadt
<•>
4/10/18 10:55pm ~ 4/22/18 2:02 am

Introduction

a simpler than plain fact,  
deserving reflection beyond the obvious,
containing obverse emotional mine field sonar arrays
floating on an ocean unhidden,
listening for the ocean's bleeping hid-dens,
before surrendering to its ****-sinking power of time/gravity
the better life elsewhere is always someone’s misery


<•>
confetti is just tomorrow’s garbage

someone stood on lower Broadway at 5am
watching the sanitation men sweeping up the aftermath of a super bowl  victor’s celebration, with broom heads borrowed from giants’ moustaches

passage of a single thought,
that the victorious celebrated on the parade should
a posteriori be required to participate
in this flip-side experience as
‘active cleaner uppers,’
re-enacting the famous Persian Sufi adage,

“this is too shall pass”

someone whispers we have blessed lives,
rich in the experiential, free of the dragging boredom
of the daily draining of making it, head well above of the
humanizing periodic regularizing water dunkin’ reminder
of just
or

“we too shall pass”

so even the confetti honorees must have too someone whose
life to aspire, the top of the heap, in chained food chain world

assaying perfection and the luck thereof,
picture perfect lives cannot withstand tsunamis of
waves eroding their shapes, wearing boundaries down,
do not forget the invisible invitation from the riptide
just beneath the calm surgical surficial surfacing disguises

if you face my book, will find in a later chapter prior
the fine sorry lines, the pierced titanium bulletproof vest,
the divorces of mistakes remade, the haunted envisioning,
the obligatory items that keep you awake, those awesome
responsibilities that take many small bites of a soul’s coverlet
that cannot be removed isolated jailed or desperate destroyed

confetti rained interspersed with droplets of sand grains,
this man of constant tomorrows, hopeful Mondays, bad Fridays,
is a man of constant sorrows,
pictures and poems life celebrating a never allowed to forget
lucky runs out like the string from packages saved
when no more packages arrive

when the packages no longer get delivered
oh that started years ago, when came the bile instead
of the blood’s replacement clotting factors

passing is a sometime thing
sometime is a most imprecisely defined terminus
sometime means that today’s confetti is a day away
as resurrected garbage
but nonetheless,
you are forever responsible for the cleanup


a picture worth a thousand words
but in me lives
tens of ten thousands words,
including

“this is too shall pass”

<•>
https://hellopoetry.com/poem/2467058/writers-block-kick-the-editor-out-of-the-room/
finally finished fin
 Feb 2018
del
do you want to know the truth?
do you want to listen to my whining
constant complaining about minor trivialities
do you want to learn about my thoughts
my selfishness and my secrets
do you really want to dive deep into the
excruciatingly painful rabbit hole with me?

welcome to my home--
misery loves company
now that you're here, feel free to look around
the wretched possessions; the broken furniture
the shattered portrait on the wall
spiderweb-thin cracks in the glass
reflecting a distorted version of a once-happy family
be careful of the broken beer bottles
shards glitter against the floor
dust floats through the air, revealed by the bare amount of sunshine
slivers of warmth filtered through the smallest of cracks

it's dark here
shadows lurk in the darkness, terrifying and menacing
their anonymity and grotesque features off-putting
oh look, you found my emotion box!
there they are, the faded gray things
they are worth nothing
but yet i still hide my apathy
this is the theater corner
i practice my smiles in the vintage mirror
manufacture fake emotions from full-face rubber masks
easily interchangeable and draining to maintain

here are my problems, listed plain as day and stuck up on a corkboard
no use hiding them
some of the paper is crumbling, insignificant problems that don't mean a thing
take note when you find a worn pink paper
edges crinkled and growing yellow with time
enticing childlike handwriting speckled with tear marks and blood
im fond of it
it represents vulnerability and emotions
it represents the end of me

that concludes the tour
will you stay and help clean,
or will you flee in terror?
i wouldn't blame you for doing either
make your decision wisely.
 Dec 2017
Akira Chinen
We sculpt clay into the things
we cannot force our bodies into
we string the alphabet
into stories we are afraid to live
we paint with colors we cannot see
and we ignore the music
inside the beat of our hearts

as we forget what it means to live
we muse on what was
once beautiful about being alive
and forget our thoughts
as we stare emptily to the sky

and the night swallows the day
and the day murders the night
and prayers become graveyards
for dead gods
and our beds become coffins
for dreams

round and round the clay
of the earth spins
and slips through our fingers
as time is something we waste
and our reflection
is a ghost of once was
and what could be

if we could only remember
who we were before
we became prisoners inside
our own minds and found shame
in the shape of our flesh

before we needed the alphabet
to speak of love
and metaphors to hide behind
and fairy tales to mend our wounds

back when the music
inside the beat of our hearts
was all we needed
to know that we were beautiful
Next page