I'm looking at branches
With baby buds
Waiting to bubble open
Above seeded and fertilized lawns,
Growing lush between our toes,
Soft beneath reclining heads
Interpreting whales and camels above.

Moons rise. Suns set.

Our first home
Was a skeleton with skin shingles;
Floors with no sounds;
Rooms with no emotions.
The car, all shiny and new,
Left an oil stain on the asphalt.

Wheels are turning.

My innocent, wide-eyed believers
Now share the same blameless lies
With innocent, wide-eyed believers.

Suns rise. Moons set.

Don't eat that or drink this.
Roll up your sleeve.

Astronauts blasted off for the ISS
Wearing masks.
Before their return,
We will cut, rake, bag and burn.

Snowflake fallen from the sky
unique form crystal
to be captured and dissolved
on our tongues
a thousand storms
a poets song a poets mind.

I floor the car
through the orange traffic light
pass a line of cars
have to cut in
and I m behind a hearse

trapped in the sad procession
traveling
to
some cemetery...somewhere

and on the way
I have time
to contemplate
my demise...

... at the viewing
as I lay in my casket
I want speakers playing
Purple Haze

and a strope light
in my coffin

the scattered
on again off again
flashing

and
it ll look like

I m dancing... dancing



my last dance

if you look
at the
scatter
of stars
in the sky
enough; new
constellations
begin to,
slowly,
materialize.
orion's belt
is suddenly
a man in a
postal hat
buying
croissants
at a bakery;
aquila is
string-lights
on a balcony.
the morning
sun pours in
as you sit,
quietly, at
the table —
warm
matzah,
too fragile
for butter;
words in
your brain
— a tiny
car on the
windiest day.
if you look
at decades-
old photographs
enough; they
start to
morph into
monsters
bigger than
the whole
of you. if
you look at
the monsters
enough; you
are left
with love.
the driveway
is covered
in snow; the
man is wearing
flip-flops at
the park;
the lilacs
are beginning
to grow; the
sunlight in
the afternoon
is turning
the grass
ochre-brown.
you're at
the table;
flatbread
and
depression.
i take you,
by the hand,
to the
smallest
corner of
this house.
stop. look.
if you lay
here,
with me,
and look
at the ceiling
enough; the
paint starts
to become a
night sky,
and there are
constellations.