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 Sep 7
Geof Spavins
To be read after https://hellopoetry.com/poem/4889159/it-broke/

It’s fixed, it’s fixed, the teapot clicked,
And poured with pride upon the tray.
The saucer grinned, the cup was pinned
With golden glue in fine array.
The sugar bowl, now feeling whole,
Did curtsy with a candied cheer.
The spoon held hands with pots and pans,
And whispered, “Peace is finally here.”

The clock chimed one, the mouse had fun,
With cheddar dreams and marmalade.
The cat purred loud, the dog stood proud,
In matching hats they’d tailor-made.
The table bowed, the cookbook vowed
To never leap again in haste.
The chair sat still, the broom with skill
Swept stories into tidy space.

The window gleamed, the curtains dreamed
Of ballrooms filled with swirling light.
The dust took flight, a grand goodnight,
And vanished in the morning bright.
The lamp stood tall, the shadows all
Agreed to dance in softer tones.
The rug held tight, the floor felt right,
With polished pride in every bone.

The doorbell chimed, the toaster rhymed
A sonnet sweet of jam and bread.
The fridge kept cool, the blender’s spool
Spun lullabies to rest your head.
The house exhaled, the hinges hailed
A harmony of gentle grace.
The walls embraced, the chimney laced
Its bricks with warmth and sweet embrace.

It’s fixed, it’s fixed, the teapot clicked,
In a world where mending sings.
And in the hush, the gentle rush
Of joy restored begins to ring.
 Sep 4
Geof Spavins
(aka Axpinet, Diagemet, Glucient, Glucophage, Metabet)

Where glucose charts its peaks and slides,
Metformin steadies from inside.
Not flashy, not loud, no trumpet or drum,
Just quiet resolve in a bloodstream hum.

Axpinet whispers through morning routines,
Diagemet glides past pastry dreams.
Glucient steadies the body's sway,
While Glucophage clears the fog away.

Metabet, too, with its gentle might,
Turns glucose tides from storm to light.
No cure, no crown, no magic spell.
Just a partner where resilience dwells.

It doesn’t boast, it doesn’t bend,
But walks beside us like a friend.
In rituals of breath and bite,
It helps us dance with blood’s delight.

So here’s to the pill with many names,
That plays no tricks, but steadies games.
A quiet hero in the health parade.
Metformin, in all the forms it's made.
~
September 2025
HP Poet: irinia
Age: 47
Country: Romania


Question 1: We warmly welcome you to the HP Spotlight, irinia. Please tell us about your background?

irinia: "I live in a country with a difficult past, I have complicated memories of the XXth century. I studied foreign languages and literatures (English & German), British cultural studies, psychology and psychotherapy. I worked as a cultural journalist for some time, and as an English teacher for a decade. I love working as a psychotherapist, it is a humbling honour to get to know and be with people in a profound way. I am the mother of a spirited teenage daughter whom I am in love with. I am a highly sensitive person which is a blessing and a curse because I am often times moved by life in an intense way. I am from the Balkans so my taste in everything is rather eclectic."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

irinia: "I wrote my first poem as a teenager, and I’ve been writing since then discontinuously, whenever poetry came to me. There were periods of intense writing and also long periods of silence. It was difficult to see myself as a poet until relatively recent. On HP I've been since 2010 or 2011, I am not sure, I have to check my first post. This site and the community supported me to keep writing. I owe to HP the existence of my book of poetry called "Psychic retreat" published by Europe Books last year. Thank you Eliot for keeping HP running and thank you to all of you for keeping HP alive. I witnessed this community changing, growing, descending into chaos sometimes. I enjoy the diversity of styles."


Question 3: What inspires you? (In other words, how does poetry happen for you).

irinia: "I am inspired by everything that moves me, especially people, stories, the natural world, history. Poetry simply happens to me, words and images start pouring down in my mind, so I just write them down as they come. I don’t rewrite or work with conscious intention on any poem because I don’t have time to be a „serious“ writer, who has the discipline and toil of writing. At some point poetry started coming to me in English, perhaps because my readings were mostly in English. I think poetry is a way of containing or transforming my emotional processes as for me poetry happens in the presence of feelings, and I am also observing a tendency to be more reflexive or abstract as if when I write there is a witness inside. I feel more and more that I am interested in writing about politics and society too."


Question 4: What does poetry mean to you?

irinia: "It means a lot, I am afraid it is difficult to capture it into words. The poetry of other people touches me deeply, fascinates me, gives me the feeling of awe. It was my constant companion, it was a mirror, I found out about myself through resonance with other poets. Poetry captures the depth of life, our dreams, struggles, aspirations, our joy and our pain, creates alternative worlds from words. It captures the pulse of inner reality while it also mystifies it. It is a space of freedom and play for me. It is a protest. It is an attempt at destroying and recreating the world captured in normal language and used concepts. It is perhaps a measure of our humanity, vulnerability, resilience."


Question 5: Who are your favorite poets?

irinia: "I will start with William Shakespeare as I love his use of language and wit. I love Japanese haiku poetry, their ineffable simplicity is mesmerizing. There are many poets that I adore: Rumi, Wallace Stevens, Walt Whitman, Pablo Neruda, Charles Bukowski, William Blake, Robert Browning, T.S. Elliot, the English and German Romantic poets, Nichita Stănescu (Romania), Ana Blandiana (Ro), Florin Iaru (Ro), Mircea Cărtărescu (Ro), Ioana Ieronim (Ro), Gellu Naum (Ro), Nora Iuga (Ro), Paul Celan, Mary Oliver, David Whythe, Anne Sexton, Tibor Zalan (Hungary), Jean-Pierre Siméon (a wonderful poet), Baudelaire, Rimbaud, Ana Akhmatova, Viktor Neborak (Ukraine), Marjana Savka (Ukraine), Hrytsko Chubai (Ukraine), John O’Donohue, Rachel Bluwstein, Yehuda Amichai, Nathan Zach, Wislawa Szymborska (Poland), Mahmud Darwish (Palestine), John Donne, Friedrich Hölderlin, Reiner Maria Rilke, Joseph Brodsky, Marina Tzvetaeva, Octavio Paz, Garcia Lorca, Giuseppe Ungaretti, Primo Levi."


Question 6: What other interests do you have?

irinia: "I love art in all forms, it moves me and it bemuses me, it stimulates my creativity. I love photography and taking photos, I attended courses in my youth. I am fascinated by cosmos and cosmology, I love physics. I love stand-up comedy, music, dancing, hiking on the mountains. I am interested in history, I am fascinated by the becoming of the world. I am fascinated by the individual and collective psyche, I think this is something that has left a mark on my poetry."


Carlo C. Gomez: “We would like to thank you irinia, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!”

irinia: "Many thanks to Carlo for this series and to you all for being here!"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know irinia better. We most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #32 in October!

~
 Sep 2
Traveler
Seriously!!
Feel free
Tell 'em these are your words
Read them out loud
Fear not the gathering crowds
My words know how
To logically survive
Come into my thoughts
All you really need to do
Is live my rhymes
Go now you'll blow their simple minds
Make 'em laugh and certainly cry
Perhaps even sing
Like I say
Share my words with your whole team
In the end
(my favorite part)
You'll sound just like me!
Traveler Tim
 Sep 1
Anais Vionet
The day was long and greedily waited,
in near unspoken secret - like a thing
delightfully and enchantingly wicked.

We are reunited - simpatico - my love, lover and I.
We ravish each other and lavish each other
with flattery, endearments and entire pleasure.

We live sweet centuries in those tight hours.

Happiness changes the tenor of things.
Rains of feeling combine in torrents,
like the tinkling notes of a harp make symphony.

Our minutest nerves are instruments of joy.

Mornings start with exquisite excitement and
the dense reel and stagger of intoxication -
because we’re drunk with the fullness of life.

Leaves on trees called chestnut, linden and hazel, stir
gently in the breeze - those faint shoos and rustles, times
nature’s fractal design - blare, in effect, like terrific trumpets.

At night, as we walk together under cooling summer skies,
the stars in the far-flung firmaments, seem to huddle together
and whisper, like sisters, of life and the mysteries of earthy love.

We are the dust of those constellations - are we but spies?
.
.
Songs for this:
Thank You My Angel by Over the Rhine
Perfect Day by Povo
Goodbye Sunday by Everything But the Girl
BLT Merriam Webster word of the day challenge 08/31/25:
Simpatico - two people with shared qualities, desires and interests.

*Med-school orientations start tomorrow
 Sep 1
Kiki Dresden
Infidelity (noun) \ ˌin-fə-ˈdel-ət-ē \
Betrayal of a vow. Or whispered otherwise, the first time Coyote tasted the salt of my wrist, when lightning seemed to have waited to arrive. Grandmother would call it shadow-marriage, the reminder that paper rings and courthouse oaths cannot bind the spirit. It flowers soft and fragrant, sweet as mesquite after rain.

Myth (noun) \ ˈmith \
A traditional story, especially one natural or social phenomena. Or in another tongue, to be called Inanna while pulling my hair back, as if the goddess herself had crawled from shadow to breathe on his neck. I laugh because I’m no goddess- just a woman with cracked nails and unpaid bills. Still, myth enters flesh like fever, and we burn until the walls drip with story.

Body (noun) \ ˈbä-dē \
The physical vessel. Or in broken voice, the altar on which every promise is tested. My body knows what paper cannot: the way desire bruises, the way grief leaves its thumbprint. Flesh remembers long after the mind has lied itself clean.

Eros (noun) \ ˈer-ˌäs \
Passionate love. Or named differently, a hunger that follows, like a stray through desert parking lots, its tongue bright with need. Eros offers scraps, sometimes nothing, and still I remain, hollow with wanting, certain one day I will eat from his palm. He is no child, he comes like a jackal-god- wild, luminous, not easily bound.

Pulchritude (noun) \ ˈpəl-krə-ˌtüd \
Beauty. Or carried on another breath, the ache. I see him sketching a body not mine, tracing hips that could belong to any girl at the bus stop. I know beauty is a weapon sharpened against me. Still, in his eyes I find fragments- cheekbones my father gave me, hair dark as my mother’s shame- briefly holy, before the mirror cuts again.

Unravel (verb) \ ˌən-ˈra-vəl \
To come undone. Or in another telling, the way every thread between us shivers like a web in prairie wind- fragile, trembling, already near to breaking. Spider Grandmother whispers that love weaves and unweaves in the same breath. The art lies in knowing when to let the strands snap, and when to hold fast, even as your hands begin to bleed.
 Aug 30
Agnes de Lods
How can we learn to be together without losing ourselves?
How can we avoid burning up in the heat of assurances
And fading away in the cold of a rainy autumn?
How can we keep our feelings from freezing like glassy ice,
Finding ourselves eagerly waiting for the spring thaw?

We build ourselves piece by piece,
Gathering dried leaves.
No longer you, no longer me,
No longer even us —
Only these branches that want so much
To come alive in late spring,

Longing for the soft kisses of warm wind,
Without violent storms that leave behind
Torn promises of a peaceful future
And thunderous, harsh words that burn into ash
Shaping a bleeding groove from within.

There will be no sweet stability,
Only these pieces of lightly blue,
When, after a long, lonely night
We open our arms shyly, thinking yes —
Even if only for a minute,
Endlessly repeated.
 Aug 30
Geof Spavins
They say the body weeps in salt
when the soul cannot speak.
And so it was
tears fell,
not just from eyes
but from every seam
that once held me together.

She had been the thread.
Forty years of quiet stitching,
laughter tucked into hems,
arguments patched with time,
a life quilted in shared breath.
Then came the rip.
Not sudden,
but final.
Joy, her name,
and the irony of it
cut deeper than the silence she left behind.

I did not cry at first. I tore.
The world split,
in calendars, in cupboards,
in the way the bed
no longer made sense.
Grief was not a visitor.
It was a blade.
And I, a fabric unravelling.

Tears came later.
Not as weakness,
but as water finding its way
through the fault lines.
They were not just drops.
They were declarations:

“I am broken.”

“I am still here.”

“I remember.”

Each tear a stitch,
not to mend the rip,
but to honour it.
To trace its edges
with trembling fingers
and say –
this is where love lived.
This is where it tore me open.
This is where healing begins.
 Aug 30
Nat Lipstadt
postscript
~~~
creativity,
tho sometimes fast, even easy,
is never
cheap,
always come at a cost
<>
 Aug 28
onlylovepoetry
a draper is someone who creates garments or patterns by draping fabric directly onto a dress form (Wikipedia)
~~~~
I am a draper,
by trade, by nature, by instinct;
a fling of one arm across her body,
while she dreams and sleeps, rambles, mumbles,
and even convulses,
to hold her tight with two, with both,
soon grows discomforting as the blood ceases to flow,
the heat breeds unsweetened sweat,
and the snuggling impact,
is too fast subsumed by the pins and needles
numbing, deadening,
and ironical attenuation

this is my pattern,
how I address her,
how I dress her,
draping my contiguous,
drawing five fingers
upon her form,
reshaping her in her sleep,
the arm flung, there, and then
there,
to be hung,
at varied places across her body,
higher lower, above below,
but her face,
free and clear,
so not to interfere
with her sensory preceptors

and as I draw my pattern upon her skin,
her body whole,
listening her to indeterminate utterances,
to determine
which
pitter patter pattern
to which.
she feels best suited,

then,
I prepare my
invoice
for her,
for services rendered,
to present upon awakening,
demanding
in voice,
by her voice,
payment in words,
of her own chosen
amuse-bouche,

mmmm, will it be?

good morning my love?
hello you!
or just an indiscriminate
but yet,
a discriminating
sound of
having been pleasured
by unknown forces
in her deeper sleep, using her lips
to say, to hum, to sing,
a genteel unspecific
but, and yet, a
terrific,
deep from within
guttural remittance,
the sound of a delicious,

mmmmmming
greeting
a new equinoxal gale
of a refreshing fresh
birthing, fulsome
already satisfying
draping of the
day
I will take you to the slate.
Blaenau Ffestiniog,
Tanygrisiau,
Cwm Orthin lost and gone.
It lays all around, littered
sliding, sparkling with rain.

grey and ugly they say
but have they sat a while,
storage heaters and thrones,
they are, the slates
perfumed moss and earth.

we will wander up the rise
where mothers push the buggies,
and boys off road from Croesor
mud and slate chips, scattering
splattering.

we may pass the lake
where the sheep bathe
and we shall bathe too
pooled in water
slated, lilied, green

i shall walk you
to the fences, slate fences,
drawn with names
from the past, graffiti
men’s names, welsh names,
proud.

we shall sit by the chapel
listening for the voices
murmuring, singing
welsh voices,
and we will join in the song
with our hearts

let us visit the old homes,
scattered stone, and windows blind,
wind hunting hair to lift,
doors to rattle,
all gone, all gone
down to the valley,
and away.

time stands still
and i will watch you.
take photographs
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