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 Jan 2015
epictails
Mother,
Tell me why people
Hurt each other
Why father tears you apart
Yet you smile in pain

Mother,
Remember the time
When a homeless man
Was a filth
In a woman's eyes?
A curse even in his helplessness?

Mother,
Why do the kids in school
Despise a color?
Is black all that bad?
I happen to like that boy,
why can't they?

Mother,
Why did cousin die
Just because
She wore the wrong clothes
Acted funny
When she was having fun by herself?

Mother,
Why do people hurt each other?
Make me understand
Please,please
My chest feels weird
When I see tears and black and blue
And scars, too
I hate seeing people sad
Don't you hate it too?
Tried to think of this poem as something that my inquisitive seven year old sister will say. And I think when I was young I asked something similar to someone ( cant remember who)
 Jan 2015
John Stevens
The Canvas
(c)08-25-2012

A canvas sets on the edge of greatness and beauty, blank, waiting for the touch of the master’s hand. She takes charge of what is to be. Gentle strokes, broad strokes, strokes that caress the canvas… leaving the marks of imagination, transforming nothing into beauty. The image emerges revealing the thoughts and desires and power of the canvas. It is breath-taking to the beholder. She understands the difference between OK and great. Nothing will do but great. It must emulate the original. It must be the original! So it is with our canvas of life.

We start life as a blank canvas. Brush strokes are made by those around us as we begin to grow. Made by mom, dad, friend and strangers alike. All try to add their image to our canvas. An image of who they think we are. As we grow into the artist we strive to be, we accept or reject the strokes of others and create a portrait we strive to become.

Some strokes by others can leave an off color, covering who we really strive to be. A brush stroke that is not us can be covered by our touch, our color, our imagination of who we are, adding integrity to the texture and hue. Revealing an inner beauty as the artist of our life takes control, guiding our hand, adding the touches that transform the canvas from OK to great.

The Artist chooses the colors, the brushes from which she wants to define her life. The decisions are hers to make as she selects the shades of color, or even black and white, that will define her life. She paints a portrait of peace and joy, of self-less love for family and friends.. All else is unimportant. The things of past are covered. Today and tomorrow are forming a painting that will be great.

Letting the Master’s Hand guide our hand, we find freedom flowing freely onto and into our canvas. In doing His will in our life, we are set free. A freedom indescribable at times as we are lost to the distractions of the past. Caught up in the hope and love of today.

The Master guides our hand, willingly or even unwillingly at times in our artistic endeavor. As we learn to relax and give Him control of our hands, He reveals the beauty that is within us. It is great.

I have heard being an artist and painting described as being easy but living life as being difficult and unsure. Life can be described as a series of brush strokes, choices. Some can destroy the beauty intended for our canvas. Some strokes can create breath-taking beauty which radiates outward, inspiring the ones observing our portrait.

This was inspired by a young friend of mine, she left a few brush strokes on my life. They will not be painted over. They will be treasured, remembered for a long time to come.

When I look into a mirror, I want to see Jesus, the Creator of my portrait.
Amazing young lady.  Her paintings are truly works of art.
http://www.capturedmomentsartwork.com/
 Jan 2015
Kevin Eli
When I was 16, I slept-drove in my car.

Walking outside half-naked, I pulled my keys from my underwear like it was a jean pocket.

Entering my 2001 white Pontiac, I put the keys in the ignition and drove two miles before I merged onto the 101 S FWY.

I woke up terrified and behind the wheel, not knowing where I was until I was in the next city over. I drove back immediately.

Needless to say, I would have had no explanation if my parents or the authorities had found me...
Little baby polar bear, lost and alone

Mother vanished, he is on his own

Scared he is beginning to cry

Mothers gone, why oh why



He was following on the ice

Behind her it was so nice

But in the water she went

To go with her he was meant



But the water is too cold

Now wishes he did what he was told

Little polar bear is scared

When up pops a head



But now all is all right

It's mother, to his delight

He is so happy as can be

She has brought fish for tea
copyright Chris Smith 2007
 Jan 2015
Jon Shierling
I.
Quid Nomen Est?
Thus spake skeleton eyes to we upon the forest path,
the long woe of you and me and we upon that gravel path
with those tired trees baring their naked selves to us
in dead questions all the crooked way.
Lo the **** shall crow thrice indeed on the morrow morn
but for now we who have not yet forgotten
must needs cleave to the bidding at hand,
must make do with cobwebs in our eyes
and the ashes of the Archbishop in our mouths.

II.
"Torches, torches! Have we none, for long
grows the hallowed eve and our task not yet done?"
Indeed no light have we, and our destination lying
still somewhat far off among the ancient oaks.
Haven't forgotten have you, those skittering stories
from bedtimes long ago, warnings to travelers by night
through ragged copse and brooding glen?
Yes, those whispers old of those gone further into
twilight never to be seen again by mortal eyes.
Quid Nomen Est?

III.
Up sprung the pale lights all about us,
yes the torches of those unaging.
"My name, my name, you shall not have it
for given by others to me it was!"
Silence greeted us with open arms and a
light snowfall as we, trembling and withered
continued toward our loathsome errand.
They did not try and delay us nor lead us into sorrow,
merely followed with us unto an open hollow.

IV
There the stones, the faery ring standing older
than the memory of a time when the world
was young and beast and man lived as one.
Not a dead leaf stirring, nor cold wind blowing
as we and our silent companions tread upon the sacred earth.
At last our destination reached, though the journey not yet done.
One thing left to us before the peace of sleep.
No longer cold, no longer withered and old
but become again the man who loved you once.
We lie down together there between the sky and the earth,
with none to bear witness save the standing stones,
the silent torches and always the naked questioning trees.

V*
To the din of Thunder and Battle I awoke,
still within the ring of iron grey stones.
There above the wailing trees the Huntsmen and
Hounds rode reckless, beckoning me as expected
to join the Wild Hunt forever away from Love.
I held up my hand and at once they stormed toward we,
a curse riding forth, fierce and fell till the end of time.
Lo before they caught my upturned hand for me to join forevermore,
I searched one last time for your face among the faery mound,
and found no memory of you in the bones scattered upon the ground.
The Burial of Loves Long Dead
 Jan 2015
Poetic T
Farmer Tom,* fell on times hard,
Needing to feed the animals because
Scrawny
Emaciated
Anorexic
Animals wouldn't get much.
So on the black market, cheap feed
"Not For Human Consumption"
That was good enough
For farmer Tom.
He thought he would try it on the
Chickens first,
"Buck, Buck, Buck"
Scratching of fifty little feet,
Breakfast,
Lunch,
Dinner
They looked as before
"Plucky little egg laying machines"
Still hungry
Wait till morning my feathered friends.
Night set upon the surroundings
Farmer Tom
Woke,
Startled,
Confused
What the?? Slippers, dressing gown,
Shotgun loaded,
"Tip toe, tip toe tip toe"
"Bang"
"Mary mother of joseph"
"That dam dog and his toys"
"Ok safety on"
The yard was silent, except for
a noise faint but heard
"Buck, buck Aahhhhh"
Farmer tom curious of this noise
Listening with ears Focused
Came to a sight of horror
Chickens pecking
The eyes out of blue bell
Mooooooooooo,
Then cluck
Mooooooooooooooo,
Then cluck, Aahhhhhhhh,
Then misfortune,
"SNAP, CRUNCH"
As 42 feet turned,
Eyes red as crimson
Feathers matted, and that smell
Decaying cow as bell got up
"Moooooooooooo, Aahhhhhhhh, cluck,"
"Father Jims tunic"
As Bell swayed towards *farmer tom,

Little feet carried in the hole in bells gut,
"MOooooooooo"
"Cluck"
Mooooooooooo
"Cluck"
Fa­rmer Tom ran for his dear life,
Past the chicken coop
Where blood soaked remains
Of those unlucky chickens, parts rancid
As the head of a chicken looks up as I run past,
Doors locked, windows too,
What the hell is that noise??
As a rancid chicken comes though the dogs door
"Kentucky this mother cluck, cluck err"  
The last thing it did before I sent it too hell
Laid an egg,  green and sour,
"What the hell was in that feed"
Out the back he ran, bag in hand
Zombie
Meat
Danger
Incineration is required,
"Zombie meat?? what the blue blazes"
As he runs to the house
Whoosh, above his head
As the house once home, erupts a fiery death ,
Tom see's Bell surrounded
By gents in suits
Moooo, Aahhhh, Cluck,
"Excuse me sirs"
"What the frigging heck is going on"
They fry bell on the spot, Mmm burger
"Snap out of it man"
As the chickens peck upon a suit
As he screams fallen to the ground
Pecked to death, but death just woke up.
Tom runs in slippers as they set upon the pecked man
"Tom keeps on running"
"Tom  keeps on jogging"
"Tom keeps thinking I'm too old for this"
He hides in the old barn five miles away
Waits there for days too scared to come out
Then on the fifth day he treads carefully not to be seen
He sees a house, see's a coop and chickens
Cluck,
Cluck,
Mooooooo
All around is heard, as he runs a round
Bell is that you, you got more spots
"Interesting"
The house as it was beter some how.
Too this day Farmer
Tom tells tales,
To those who listen,
"The Night of the dead Cow and The Zombie Chickens"
And how the government blew his house up
And then built him a better one, hell I wouldn't moan now.
 Jan 2015
Hinata
There's music in my soul,
Only you can make it whole.
Your saxophone calloused fingers,
Tap me inside and out until I sing.
Oh baby, I can feel the notes threatening to pierce me,
Never have I felt so free.
Place your lips upon me like your saxophone,
I can feel it in my soul.
You love is so sweet,
I can feel you play me into a melody.
Hold me like your saxophone,
Hold me that close.
Even when we're fighting,
We make perfect harmony.
Move your fingers on me,
Play me.
Move me to your music, my love,
Take me to all the notes below and above.
You have my love, saxophone player,
You're the only one that can take me there.
Use your music on my soul,
And play me like your saxophone.
Thinking about making this a saga for different instruments, thoughts?
 Jan 2015
Hinata
Coughing until there is no air left in my lungs,
So terrible, it stung.
My nose is clogged,
My vision is fogged.
The smell of hospital lingers,
I feeling pins and needles in my fingers.
Close to death,
I am doomed to rest in bed.
The IVs are inserted through my skin,
Quite a situation I got myself in.
It's cold,
When did I get so old?
Nurses are running about,
My voice is so weak, I can't even shout.
Who am I?
Where am I?
I cough again,
Feeling blood run down my chin.
It's so empty here,
Can't anybody hear?
The light is so bright,
My vision sees only white.
Why do I cling so desperately to life?
How is death easier than life?
My body is trembling,
I can hear my ears ringing.
I close my eyes,
And wait as the remaining parts of me slowly die.
It's failing now, the system is crashing,
Listen to my heart in it's desperate thrashing.
Memories are whirling around in my skull,
I breathe my last breath, listening to death's call.
 Jan 2015
Theara Steglaidias
Life flew by in the blink of an eye
That is, my life with you
4 months or 4 seconds
I can no longer tell the difference

Tick tock

1 Mississippi
I'm entranced by your eyes
Writing poems of melted chocolate
Does my name fit with yours
How perfect our life will be

Tick tock

2 Mississippi
I've never felt the way I feel
When you look at me that way
Like I'm a fish, on a rod that you reel
I could never leave your side
And you could never leave mine
But I'm afraid
Scared to death
Of what the future will bring
You say to trust you but I just don't know how, but I'm ready to open to you

Tick tock

3 Mississippi
You get better everyday
It's all down hill from the first kiss they say
But to me that was a bold faced lie
You're arms wrap around me
Filling a gap I never knew was there
No longer do I fear
You are me
And I am you

Tick tock

4 Mississippi
We are getting so close
Ready to be soul mates
But as the milliseconds tick by
It's starts to open my eye
When you say this
I say that
Maybe we aren't that right
Suddenly
You hugging me
Doesn't feel the way that
It should be
And as the clock strikes four seconds
Our life is over
Because I cut it, ended it
And wether it be our life or yours
It seems all the same
Since I feel like I'm standing now
Over the body of the boy I killed

Tick tock
Goes the broken clock

5 Mississippi
The rest of the world
Counts on
As I lay
Broken
Haunted by your endless echo
Why?
Yet deep down
I know one things true
We were never a five second thing
Please comment I would love to hear interpretations or any comments you have in general.
 Jan 2015
Mikaila
This year has been... So hard. It's been so ******* hard. There were times when I didn't know if I would make it. Times when I didn't think I had it in me to keep going and going after what I want and what I need, when they're always such long shots. Such dreams. Such ambitious dreams... I wanted to quit so many times. When **** left, I wanted to quit. I wanted to crawl under the blankets and stop being. I spent 3 days on Angela's couch after that night. I can never sleep in my own bed when I am truly broken down. I lose my home when I am raw inside. Couches, empty rooms, it doesn't matter where I hide but it can't be where I live. I wonder why that is. She couldn't have picked a worse time to tell me she loved me as much as I loved her and that it didn't matter. And then you... you were off in another world, off in another country finding yourself and your footing and everyone but me. You stopped answering my How Are You's. You didn't tell me happy birthday. Neither did ****. That was the first time I realized why holidays are the hardest for people who are sad. If you love someone and you are waiting for them to forgive you for being who you are, birthdays, Christmases, every holiday becomes a ticking clock: She has to say something. Will she say something? Will she really ignore me TODAY? Today, when the person who hated me most in high school said "Happy Birthday!! :D" on my wall on facebook? Today, when even my neighbor who grumbles about us being too loud grumbled a Merry Christmas? It becomes an agony when you realize that the answer is yes long before the day is over. Then you have to watch the hours tick by, trying not to hope, and by the end of it you just want it to be over, you don't even care anymore- you just want her not to have a reason to speak to you again, so that it won't mean QUITE so much that she is silent.
I had a lot of special days like that this year.
I wanted to quit when they told me I was small. When they told me I was quiet and bland, like vanilla icecream. The beast that lives behind my ribcage shook the bars that day and howled. (I spent a lot of time with it this year. We still hate each other, but we have uneasily realized that we are all we have.) That was the day I truly broke. **** was gone. You were gone. And the only thing I had to truly count on was suddenly in question. It was now or never, it was be better than your best, and I was barely hanging on. It was be a hundred and ten percent, when the past few months had whittled me down to a shadow of a person who barely remembered what it was to be fifty. It was push harder than you've ever pushed at the moment you are about to collapse and you thought you were going to be able to rest.
Those days made me. I hate that they made me. I hate that the biggest parts of me come from the days that eviscerated me, but they do.
I wanted to quit when **** came back and saw what I'd become. "You're wearing fake eyelashes?" she said, because she always did notice any weakness. She didn't say she saw my sunken cheeks, and the fire behind my eyes that meant I was afraid to die. "PROMISE ME you'll stay this time." I said, and I grabbed her shoulders. "But only if you mean it."
"I promise." she said.
She didn't mean it.
I knew, though. Somehow I knew that the girl I loved had left her behind, a changeling, a stranger. I tried to believe, but when she left the shock was only surface: I was too tired to be rocked to the core.
Then came the days when I truly didn't have a plan. I spent a few weeks on the couch. Anyone who reads this will not have seen me with ***** hair, in week old clothes, skinny and sleeping all the time. I make sure they never see. But for a few weeks, I had no one to pretend for and no reason to pretend and no reason to live. I only knew I WANTED to. Even then, from the couch, with my show babbling in the background, I thought, "There's gotta be something. A reason will come. I just have to wait." And a reason did come. It wasn't a very good reason, but it didn't have to be: Reasons to live are not really the reasons we live. The truth is that if you want to live, you will FIND a reason, every time. You will create one. My reason didn't mean a thing in the details. All it meant was that I was ready to rejoin the world, and live again.
I spent a lot of the in between months living on the surface of myself, just getting my feet wet. I went to work. They didn't know me there. Didn't ask. I liked that, it was simple. I waited tables, I cleaned up, and if I quietly did what I did, nobody bothered me. The biggest thing I could **** up was somebody's lunch. It was comforting. I chatted with customers as if I wasn't who I was. I was their smiling waitress with her hand on her hip, a hot *** of coffee, and a clever quip. That was a part of learning to live again, too. It was hard to stand there all day and listen to the radio. Memories would hit me and I would be unable to run away from them the way I could elsewhere. I learned to breathe through the pain, and discovered that it became muscle memory to endure it. It was almost easy by the end. The only deep thing I did with this time was to read Girl, Interrupted. As with most life changing books, I hadn't thought much of picking it up. I hadn't expected it to change me. But reading it, I could have wrote it myself. I knew how she felt, every moment, and the things she said stuck with me, stuck to me- the raw wounds that were still healing  inside me scarred around her words.
Then came the reckless stage. I was waking up. I began to listen to music again. I began to drive without knowing where I was going. I began to make choices just to see if they'd jar me enough to snap me back to my old self. They didn't. I didn't find myself again until just before school started.
Poor Giles (my car, the car that saved my life) was the cost of it. A rainy night, a loud song, and too much grief. Things really do slow down when you crash, you know. I thought they just did that in movies to be dramatic, but they don't, it's real. When I went off the road I knew I'd lost control. My mind was way ahead of me. My body wasn't in the place I thought it should be, and I remember distinctly but calmly wondering why it wouldn't listen to me and do what I wanted (it was, in fact, being thrown around by the force of the crash, and the signals from my brain saying "Move your arm!" couldn't compete with whiplash.) I woke up with the car crunched against a tree, on the driver's side, and the frame 6 inches from my face.
I didn't feel anything.
My body cried and shook as they strapped me to a stretcher, but inside I wasn't in control. I was sitting back quizzically. The moment they got me out of the car I knew I was unhurt. They cut off my clothes. My favorite bra was another casualty of that day. Cut right in half- the leopard bra I wore in the first scene I ever did in front of the UConn faculty for midterms last year. While they were wheeling me from test to test, I wondered if that was somehow symbolic. Flash forward to being in bed in a tiny room, a doctor giving me back my bellybutton ring, me asking where the pentagram necklace that **** gave me the night we met was, getting it back, putting it on. The IV in my arm was cold. I hate IVs. My mom cried, and I cried, but I still wasn't scared or sad. I cried because tears came out. It was a surreal experience, crying like that.
I didn't wake up fully from my brokenness until the nurse came in and said, "I'm so sorry, but we need your room. I'm going to have to put you in the hall." I shrugged, and they stuck me in the hall just outside. I watched them wheel a bedraggled looking man in. He was muttering. He reminded me of my uncle, the alcoholic, the one who had died the previous fall. I had a hunch that they probably had a lot in common. Interest piqued, I eavesdropped as they bustled around and talked to him. He had tried to **** himself.
That was when I woke up. I didn't really know it, but that was the moment. It was the first moment in months that I remembered my real reason. I asked my mother for a piece of paper to draw on, and she dug in her purse to find it. Ten minutes later I faked having to go to the bathroom so they'd unhook me from my tubes. I had a feeling my mother would think it improper if I told the truth. Before she could object, I slipped into his room, and handed him the paper. I said, "I made this for you. I hope you feel better." I wish I remembered exactly what I'd written. It was a simple little note and a doodle of a rose, and it said that he mattered, and that I cared about him. I got back in bed, sheepish, and my mom was as nervous about my infringement on someone else's life as I'd guessed she'd be. Five minutes later, though, the nurse came over with a piece of torn paper. He had written back to me. His handwriting was shaky and simple, like a child. I have that note hung up in my bedroom at home. He said, "You have touched my heart. Thank you! I will keep your rose in my heart. This is a life changing moment for me... Thank you!" I wondered if there was a plan, then. I wondered if all of that, the sadness, the crash, everything, had led me to be in that hospital and say something to that man that changed his life. And maybe it didn't change at all, I don't know. But I know that that moment changed me.
Back at school, I had a few blissful moments with you. A few nights of hand holding, a few beautiful kisses. I slowly taught myself not to run from you when I felt the gravity of my love separate me by the molecule. I found that I did have the courage it took to be in your arms, and that is when you lost the courage to hold me. Still, I'd take all of my grief and more for one moment with you, and I'll keep you in my heart till the day I die, whether or not you stick around.
In class, I was the first to break. To cry. Over months, I cracked open and a lot of the tears that fell were very old, and scalding. I hadn't known I was suffering until the cracks in me were widened and focused on. One day after a particularly raw moment, I walked across the street to the tattoo parlor. I didn't stop, I didn't think, and I got a tattoo that very moment. My butterfly, on my shoulder, to remind me that changing hurts, growing hurts. I loved how much it hurt. (Nobody said I was recovered fully.)
Suddenly then there was a choice before me. An opportunity and a challenge. Do something to make them remember why they chose you. Fight. Win. I dug deep. I thought, what can I say that I mutter to myself in the shower when I am not thinking about anything? What words have stuck to me? I dug, and I found Susanna Kaysen again. At 3 in the morning I sat in a chair, in the dark, in the center of the bare rehearsal studio and tore myself open.
I found the girl who, this past summer, in the thick of everything, had called McClean and tried to get a bed. Who for a week had begged to be somebody else's problem. I called a hotline. I wasn't suicidal, but only because I don't have it in me, no matter how bad I feel. I called and got a voicemail. Desperate, I called UMASS Memorial. I remember they told me that if I wasn't a physical danger to myself or others they couldn't help me, and I remember this phrase tumbling out of my mouth before I could filter it, "Should I just go slit my wrists and call you right back, then?"
I had asked for help, and the answer, resoundingly, was no. And so I spent those weeks on the couch, and then I got up and dealt with the fallout. There was no other way.
I found her and I invited her to say something. And what came out was... The biggest ******* to the things that had beaten me down those past months. I kept the lights off. I put on Bleed Like Me and danced without looking where I was going. I held myself to the chair and tried to escape. I screamed into a pillow until no sound came out. And I found Susanna Kaysen. And I freed the part of me that wanted to talk with all those wiser than thou gods who toyed with the thread of my fate, teasing it with blades- I found **** this. **** being hurt. **** being broken. **** being judged. **** anyone who looked at me and thought they knew what was inside, because Susanna was inside, no, someone different, even, than her- someone, something, angry and wild and powerful and dangerous, and she laughed, and I laughed, and we began to plan just how to say "**** this."
I spent a night with you, during that time. You held my hands. You said they were beautiful. You told me about yourself. You kissed me. You wrote, "Galaxies" on my thumb. I didn't write it on my ribs until I was sure that I'd want it there whether or not I was mad at you. I didn't have long to wait- you ran away again, and I tried to love you anyway, and I succeeded. I still try. I still succeed. It's not getting much easier, but if I know one thing it's that if I
Just
Don't
Give
Up
SOMETHING will happen. Something will come to me. If I know one thing it's that I can keep going even when I have no reason to, even when I have no fuel, even when I am utterly empty. If I just take the next step, and the next, one by one, I will end up SOMEWHERE new, and I will find SOMETHING to love. That is what I learned this year. By all accounts.... this year kind of ******. Although I had scattered moments of utter joy, I had long, smudged months of misery. But having gone through it, I am almost nostalgic. Because it proved to me, even more, that I am not fragile. I'm emotional, I'm intense, I'm unstable, but ******, I am NOT fragile. Like iron being smited, I went through the fire, I was hit over and over in my weakest places, but... in the end I have emerged, and I am not gone. And I am not fragile. Welcome, 2015.
This is technically more of a short story than a poem, but oh well.
 Jan 2015
David Lewis Paget
‘There are giants out in the hinterland,
There are monsters, horrible frogs,
There are birds of prey out there all day
There are streets of savage dogs.
There are bakers, making their ****** pies
From the girls found out on the street,
I think you’d better stay home and play
For you don’t know what you’ll meet.’

Janelle sat curled in the corner, with
Her eyes as wide as the moon,
She’d always led such a sheltered life
In a house, as dark as the tomb.
She’d never questioned her father, nor
The dreadful things that he taught,
He told her he was protecting her
For life out there was fraught.

She’d peer on out of the windows, see
The trees that waved in the breeze,
‘The sap on the lower branches will
Reach out, and capture your knees.’
She’d hear the wind in its savage bursts
That waited to take her breath,
And wondered why she would have to die
But the world outside was death.

She barely remembered her mother
Who had gone by the age of three,
A wistful smile for a fretful child,
He said she was drowned at sea.
But he often sat by a garden plot
When he said it was safe that day,
And planted a bed of forget-me-nots
To keep grave diggers away.

He’d only leave for a weekly shop
And he’d wear a coat and hat,
Dodging over some fences to
Avoid the giant rat,
The snakes were fierce in the supermart
And he said, ‘I do declare,
Don’t ever let me forget my hat
Or the bats will get in my hair.’

Janelle would sit by a mirror, and
Despair at her pale, white face,
She rarely got any sun on it
And her body was starting to waste,
Her legs were thin and her arms were skin
And bone, her ******* were small,
Her ribs would show in the mirror’s glow
She hadn’t much weight at all.

Whenever he’d leave her on her own
He’d be sure to lock the door,
‘We don’t want the zombies creeping in
And dragging you through the floor!’
He said they lived right under the house
But only came out at night,
And that’s when the cats would shriek and yowl,
They put up an awesome fight!

One day he went and forgot to lock,
He must have misplaced the key,
Janelle stood still by the open door
As the wind blew fitfully,
She took a breath, and it wasn’t death
But the sweetest of perfume,
The air was laden with scent that day
With the roses in full bloom.

She ventured into the garden, felt
The grass, so soft on her feet,
While the preying birds sat up in the trees,
But all that they did was tweet,
There were no bats, nor a giant rat,
Though a dog came wagging its tail,
And she saw a man in a crimson van
Pull up, delivering mail.

She finally flung her arms up high
In a moment then, and cried,
‘The world is wonderful, he was wrong,
He lied,’ she said, ‘He lied!’
By the time he arrived back home again
Janelle was gone with the wind,
But a policeman stood in his lounge and said,
‘At last! Well, do come in!’

David Lewis Paget
 Jan 2015
Edward Coles
Glass eyes fit over waxed, jaundice skin.
“I love you,” he whispers to his darling,
Careful not to break her celery fingers;
“just remember that,” he says,
As he kisses her forehead goodnight.
“And if you don’t see me in the morning,
It’s only because I’m finding my way home.”


Her eyes bake briefly in the ceiling light
Before he flicks the switch, and takes
To the carpeted stairs. The house is filled
With photo-frames and still-life happiness.
It causes memories to filter out the reality
Of some former life,
Some weekend spent in the Masif Central.

They say the eyes are windows to the soul,
But Helena’s closed behind Roman blinds long ago.
Black dwarfs are pupils,
Set in the salmonella grey of irises,
That once were stained
In streaks of bottle green and ginger ale.

In death, this was not Helena.
It was a vinegar haze and deflowered carcass,
Preserved within her husband's arms.
As always he tended to her living,
As always he would fall to
violent acts of grateful lust.

The police stormed in
as he was putting on her makeup,
as he dressed in drag
and started howling at the moon.
c
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