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 Aug 2018 Alyssa Gaul
daniela
i read somewhere that every face
we see in our dreams is just the face of someone
we’ve seen before, remixed and regurgitated
to fit seamlessly into a new background.
our bodies cannot conjure anything
that doesn’t already exist somewhere.
they don’t know how to.
when i dream about you, all i see is hands.
i don’t know what that means.
when i think of love, we are both sleeping.
i don’t know that means, either.
sometimes i fall asleep in the valleys of your body,
in the juncture between your neck and your shoulder,
and you let me stay there until i wake up
and i get greedy on borrowed things.
if i hadn’t been there, i would think that some part of me
invented the sound of your heartbeat under my ears.
it’s funny what you remember, what your brain holds on to.
we forget 90% of our dreams, within five minutes
of waking they’ve already evaporated.
i remember every time you’ve held my hand
and it’s funny because i’ve spent so much
of my life afraid of forgetting things,
my grandfather’s voice and my grandmother’s eyes
and all the times i’ve felt truly happy
and last summer when we were the only car
driving down the street to my house late at night
and our voices were fighting against the radio.
i’ve spent half of my life afraid of forgetting the things i love
and now i can’t forget anything about you.
when you talk sometimes i write around
the cracks and pauses in your speech,
i build whole worlds that don’t belong to us
in the in betweens of your sentences.
i try to turn your words into confessions
and then pick them apart into promises.
when i call you baby it gets stuck
in my mouth, caught under my tongue.
when you tell me you love me, i memorize the way
the words curve in your mouth and i dream about it.
i dream about your hands in my hair.
i don’t know what you want from me
and sometimes i don’t even know what i want from you.
what do i know about love anyways?
i want to keep it in my bedside table
and only pull it out when it suits me.
i want to swallow it whole and i want it to leave me alone.
my mother thinks we’re in love. so do a lot of our friends.
i think we are in love, sometimes.
if i read us like a script, i would think we’re in love.
it makes sense from a bird eye’s view, but it’s hard to see
with your eyelashes so close to mine.
you told me that you had a dream about me once.
you told me in the dream you got in your car, the old one,
the one where the speakers didn’t work
so you stuck a portable one in the passenger seat
and we just had to scream the lyrics extra loud,
the one we parked in the mud that one june
and had to take to the carwash,
the one that we sat in when you were supposed to be
driving me home and i just kept hanging on to the door
in the driveway, telling you one more thing
and one more thing and one more thing.
you told me in the dream you got in your car
and started driving and driving until you got to me.
you told me you hugged me and you held on
and you held on and then you woke up empty-handed.
so please, don’t tell me that you didn’t love me.
i was there too. i know what i felt.
i know what the quiet of my driveway sounded like.
i know what inside of the palm of your hand felt like
in the dark of a movie theatre or in the sunlight of july,
what your arms felt like across the my shoulders,
the way your breathing evened out under my cheek.
i don’t know i could have made that up.
i don’t know how i could’ve conjured that.
i can’t imagine something that wasn’t already there.
i can’t dream about something i didn’t already have for a minute.
hi i keep writing the same poem about the same person but it never comes out right so this is all i have
I know why the caged bird sings.

It's not because his song
is as vibrant
as his feathers, that he plucks away
each day because he doesn't
feel beautiful.

It's not because of the majesty
that exist in the freedom
of being able to spread his wings
though he knows
he'll never rise to the occasion.

He sings because he believes
that this cage
was made for a king
because he has never tasted
freedom with a side order of skies.

He's never flown past the sun
on a cool morning
or hung with the moon
on a warm night.

He's only ever known
the comfort of a prison
that his thoughts have
become accustomed
to calling home.

He would never venture
beyond the "welcome" mat
because what's beyond the threshold
holds no promise
the way these bars and metal locks do.

He sings because he knows
that no one is listening
so if he makes a mistake
he doesn't have to live with the regret
or embarrassment of knowing that he missed his note.

The caged bird
never believes that he's caged
because behind these walls
he's safe
and he prefers it this way.

I know why the caged bird sings.
A twist on a title by one of my favorite authors...
 Apr 2018 Alyssa Gaul
Kim
We're almost touching.
we were walking side by side,
you're talking about cabs in your hometown.
I can feel the gravity of your hand, calling my fingers
whispering "it's alright."

We're touching but not quite.
you held my shoulder to protect me from the passing cars.
and for the first time in a long while, I felt so fragile.
In this world where I find it hard even to breathe,
you believed me.

I almost said it.
All I need is one ounce of strength to tell you every single thing that I have ever felt about you.

I want to find home in your collarbones.
Would you be kind enough to let a stranger in?
I want to seep in your being because I'm cold.
The world is harsh and my cracks are aching.

Almost.
Please don't ever become a stranger,
whose laugh I can recognize anywhere.
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
I have done it again.
One year in every ten
I manage it----

A sort of walking miracle, my skin
Bright as a **** lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
0 my enemy.
Do I terrify?----

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else,
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart----
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash ---
You poke and stir.
Flesh, bone, there is nothing there----

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.
 Apr 2017 Alyssa Gaul
daniela
dear five year old daniela,
querida.
with matilda bangs and a crooked smile,
you are caught somewhere between precious and precocious.
you chatter endlessly or you’re silent like a closed mouth
and you always feel like too much.
and i’m sorry, baby, but you don’t quite grow out of this.
see, even now, my mother calls me intimidating,
tells me all the boys are afraid of me.
you will spend far too long thinking that people don’t love you
because you don’t make it easy enough to,
don’t sand yourself down to fit into them.
there is not always a correlation between input and output,
you can give someone everything
and they can take it all and give nothing back.
you can give something your all and still come up short, with nothing.
you are complicated, and you are difficult,
and you don’t apologize for things that aren’t your fault anymore.
someday, the things about you that never seem to fit
will be the parts of yourself that you’re proudest of.
and i know it doesn’t feel like it now,
but you will grow up to stop crying,
to live your life as a clogged faucet, and you will grow to scoff
at the things that once made you so afraid
like the monsters under your bed were always just dust bunnies.
you will learn that crying is not weakness
and i’m sorry is not it’s okay
and letting go is not always giving up.
you will learn crying only means that you’re breathing, gasping for air
but now you are still young enough to think that your father never cries,
that he is the sole proprietor of storytime
and the architect of space ships, infallible.
you’ll be forced to learn better that, live to see the people in your life
who have always seemed rock solid begin to crack and quake.
baby, you will, too.  
and when your mother tells you that sometimes,
in times like these, it’s better to pretend to not be latino if you can,
to disappear and hide like you’re ashamed of something.
do not get angry at her. you love her.
but there are some things that she will never understand about you,
like how taking who you are off is never a real option.
accept that. it is what it is.
do not pack away your heritage into your closest
at the first sign of the thunderstorm,
your father raised you proud, even when it hurts,
even when it’s pouring.
you don’t know this now,
but from stonewall to seneca falls to the streets of rio de janeiro,
you hail from warriors.
you are made of steel and cyanide, of diamonds and satin.
there is nothing in the world that’s stronger than your own two hands.
and you will learn that some people will only love you
when you are half of yourself.
don’t cut yourself into pieces for them even when it feels like
that is only way you’ll ever fit into anyone else.
so if sometimes you wanna be the princess in the tower
and sometimes you wanna be the hero saving her,
that’s okay. that doesn’t change.
when you’re my age, you’ll find people whose hearts beat like yours.
know what you believe in, but keep an open mind.
learn how to argue and learn how to listen.
remember it’s important to fight the good fight, even when you lose.
especially when you lose.
and you’re gonna lose, a lot. i should tell you that now.
you’re not always gonna right the first time. or the second time.
or the third time.
never forget that the world you live in now is better
than the one you left behind yesterday,
the moment you stop believing that
is the day you stop believing in progress.
your heart will always feel too exposed on your sleeve,
but never be ashamed of that.
empathy will always be a strength, not a weakness.
baby, you’re gonna be fine.
you’re gonna be just fine.
I saw forever in your eyes. . .


                Then you closed them.
Wrote this when I found out my husband was in love with another woman.
 Jan 2017 Alyssa Gaul
daniela
january found me breaking my resolutions like breathing,
like you always do, no one ever does it like they meant to.
january found me trying to tie to heart myself to somebody else
like body to a brick, sinking, always sinking.
you only ever liked my mouth closed, you only like me smiling.
silent. teeth gritted into a grin.

february never found me.
salvation does not come from bottles or books or other people.
trust me, i’ve tried.

march found me writing, bleeding.
did you know that there is a word for “soul” in almost every language?
correlation does not equal causation, i know this,
but i like to think this means our hearts all beat in the same tempo.
i like to think that we can all build our compassion on common ground.
i have always found poetry to be a good way of slowing life down
into understandable pieces.
this is why we write about tragedy, i think, to make it easier to swallow.
so cities have become synonymous with gunshots.
we pray for paris and orlando and dallas and turkey;
we pray until our mouths go dry.

april found me burying my childhood in the backyard,
a pretending it didn’t ******* burn.
my mother plays purple rain until the vinyl warps,
until it echoes around our house like a catacomb.
her record collection is beginning to look sort of like a graveyard.
my mom says that older you get a lot of things begin to look like graveyards.
when prince died, he was younger than my father was,
but i don’t like to think about that.

may found me rewiring my nervous system
around my systemic nervousness
because i don’t call it anxiety because then if did, i might have anxiety
and *******, it’s only funny after the fact.
may found me trying, bleeding, failing at scrubbing myself
out of my own skin.

june found me sitting at the dining room table
in the pale afternoon light, trying fit my mouth around
the word “tumor” without choking.
my dad keeps saying, “it’s benign”
sipping holy water and brushing his hair down onto his forehead
like he’s hiding, all my life he’s never ever gone into hiding.
even when it was easier not to be himself,
he stood tall.
i always thought all my friend’s parents were so young,
but now i focus in on my father’s grey hair,
think about how in twenty years he might not be there.

july found me having reincarnations of this conversation
with myself on repeat.
i spent summer 2016 drowning, 900 ft above sea level,
because i couldn’t get my head on straight
and no one noticed mostly because i didn’t want them to
and when i blinked it was me and my thoughts in room
and it was suffocating.
june swallowed me up and spit me back out,
july played a symphony of my ribcage
and let the blood soak into the earth.

august found me saying goodbye
until my tongue sticks to the roof of my mouth,
i’m told next year will taste the same.
we carry each other inside ourselves, like time capsules and russian dolls.
we are the reflection of the people we love most and the people we hate most.
we don’t grow up we just get lost and found.

september found me eighteen, but also somehow eighteen and eighty.
september found me hiding under my bed and dragged me out
even though i’d made friends
with all the monsters who lived there.
even though i knew all the demons by name.
september found me wanna-be fearless
and trying.

october found me eating my heart out.
truth is my heart is restless, breathless, willing to get tangled up
in anyone who seems willing.
see, i realized last april bleeding into may
that i could argue with you for the rest of my life and be so ******* happy.
see, i decided last june that that didn’t mean ****.
see, last october i didn’t even know you like i know you.
see, last october my heart was like this, too, indecisive,
see, see, see,

november found me waking up to a country
that no longer felt like it could belong to me.
november found my body an apology, my skin a statement,
and my family tree a liability.
november found me every morning waking up in a country that hates me
and sitting down across the table for thanksgiving with people
who voted for a man who makes unsafe in my own skin,
bigotry growing between the hedges and yard signs of my own neighborhood
like i’m looking at my neighbors and wondering which one of them
thinks that this country isn’t mine like it’s theirs.
breaking bread and the american promise,
breaking bones.

december found me drinking white wine out of plastic cups
in someone’s basement and trying to pretend
that you don’t make my skin spark,
make my heart feel like the fourth of july.
and sometimes i still find i am looking for you in everyone else.
looking back at 2016
 Apr 2016 Alyssa Gaul
Cup Noodles
I think by now
I have already written more words
On a thin piece of paper
Than I have spoken to you
Ever since November
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