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  Aug 2018 Ashley Chapman
Tanaya
Survival isn't necessarily poetic,
Like the words of this poem,
it can be exhilarating,
exhausting,
enigmatic,
and yet not be poetic.
It can have rhyme schemes,
daydreams,
lazy hymns,
light beams,
internal screams,
like the ones entwined in this poem,
and yet not be poetic.
Survival doesn't need battle scars,
history of wars,
a trigger,
anything bigger.
All it needs is a flash of trust,
a burst of hope,
and a bunch of acceptance
to get past all that-
the state of denial,
the snake around your neck,
and the bags under your eyes.
Your very own battle cries.
So take this poetry
as your beam of light,
as an escape from the bland
wordings of survival,
and climb up and up
and out of sight
of the rock bottom
that you're planning to hit,
before you start healing.
Start breathing
Before you can't anymore.
..but this Poem is my Survival
  Aug 2018 Ashley Chapman
Courtney O
Strolling down Móstoles - I am
Going to meet my man.
The world is an omen right now
schizotypal delights
of *** - over anything else
but they are plain delights
today
The omen of joy itself
The world is perfectly untidy
The world (or me?) needs nothing but loving

Men are looking to me
and they mean nothing
but they mean everything
as I'm close to you and me
**** omens, in the street
everything is the way it should be
Perfectly in time, every beat
As I stroll around with me
in my poppy and short skirt

I am eager to meet you
and this is the prelude to us
We, that set the sky in flames
with the whispering of our names
  Aug 2018 Ashley Chapman
Nat Lipstadt
a woman, confident in her cuddling abilities...

that's all any man wants,
a woman, confident in her cuddling abilities,
who knows the when and why of differing
cuddling styles...

a woman, confident in her cuddling abilities,
who knows when to leave a man alone
alone in his man-mourning time,
distance needed,
letting his ex-rage dissipate or
watching his red and blue football
redefine ignominy...

a woman, confident in her cuddling abilities,
that when the man low whistles, eyes adrift,
she heartily agrees and is
reciprocity rewarded regularly
with hunk alerts of
"hey-check-him-out!"

that's all any man wants,
a woman, confident in her cuddling abilities,
a tigress in the bedroom
she asking, try this, I'll love it,
served with a desert demo of awkward afterward,
his less-than-perfect cuddling abilities

a woman, confident in her cuddling abilities,
who doesn't abhor partner silences,
comforting they are, in their own ways,
lying side by side, interrupted only by peccadillo body noises unexpected and
sheepish apologies and loving arm stroking

a woman, confident in her cuddling abilities,
who lets the man roar, top of voice,
when imprisoned in car,  
his voice, un enfant terrible,
performs with Creedence Clearwater
a sing-a-long in traffic, asking
"Have you ever seen the rain"
while amidst Israel-leaving-Egypt
Sunday beach traffic on the L.I.E.

a woman, confident in her cuddling abilities,
when it's pheromones  alternative mode day,
he celebrates Carole King day,
she demonstrates her cuddling abilities,
par excellence, with kisses and tissues

a woman, confident in her cuddling abilities...

a woman, plain confident in her abilities
no matter the situational status,
when confronted by
less-than-crazy-impetuous,
she smiling says "why not,"
when he proposes,
a movie and dinner in a fav haunt?
"plenty excellent enough" her answer,
spoke in a rising voice
full of unfeigned delight

a woman, confident in her cuddling abilities,
accepting the unexpected airport embrace
on a moving sidewalk, unexpected delays
with the aplomb of a well lived life's
long term sustainability perspective

when he kisses her hand for no reason,
while driving 75 miles per hour,
she only winces internally,
the other hand vise-grasping
the other door's handle,
who brushes hair wisps in a dark movie,
celebrating her Bathsheba Everdeen's
duality of strength and tenderness

a woman, confident in her cuddling abilities,
that when on second date he proposes
a non-exclusive relationship,
confident enough to high-five respond,
and laugh about it,
seven years on

a woman, confident in her cuddling abilities,
that when she reads it,
analyzing the oeuvre as
"too **** personal and
as usual
too **** long"



that's all any man wants,
a woman, confident in her
cuddling abilities
in everything...
even a little occasional criticism
Entirely fictional, of course.

L.I.E. is the Lomg Island Expressway, a/k/a, the longest parking lot in the world.
Red and blue football team, the NY Giants.
Bathsheba Everdeen from Hardy's "Far From the Madding Crowd."
Alternate song choice, the Eagkes "Take It Easy."

Inspired by this:
http://www.nytimes.com/2015/05/10/style/modern-love-tinder-swiping-right-but-staying-put.html?rref=collection%2Fcolumn%2Fmodern-love&contentCollection;=style&action;=click&module;=NextInCollection®ion;=Footer&pgtype;=article
  Aug 2018 Ashley Chapman
Nathaniel
Raise your hands now that the king is dead
Bring the poor out the streets the meek are fed
Bring sugar, milk, wine, and bread
Please lower your hands for the king is dead

May the ****** please come and feast with us
No need to starve like rats on crumbs and crust
We can show you peace, love, and trust
Oh please, the ******, come and feast with us

May the women who roam the night please come forth
We admire you because we all come from your birth
All humans, no lesser, from all east and north
May the dear woman from the night please come forth

Now that we have gathered I want to tell you all
What love and triumph serves to call
How we all rise with sun and sleep at fall
Please love yourself I’ve gathered tell you all
  Aug 2018 Ashley Chapman
Iskra
How oddly comforting it is to live in a place where we’re never alone,
Where a friend to talk to,
Or perhaps a long-since past captured moment
All live inside the screen of a phone.

Where we seek momentarily vibrant entertainment,
A single click away from any form of instant gratification,
Thirty seconds of an advertisement are too long a wait
To listen to an empty, hollow song.
There is no more journey, only destination.

Teased for anything that makes one stand out,
Young boys and girls are taught to be vain.
Flooded with images of perfection
Who needs uniqueness when we can all be the same?

Neon signs, boastful words, glimmering lights,
“Progress”, we call it,
Conceal the smoke and grime,
The poisoned seas and wheezing forests.
Yet we never take the hint,
Even when it’s plastered around, a collection of signs
Pushing our problems on the next generation to solve,
We’ve made it this far, so we’ll never die…
Right?

Society is split,
And it was greedy hands that cut the cake,
Making it look like a chart,
Of the pie variety,
One of the ones that has one vast, delicious chunk,
And the rest is so small
That the figures are written off to the side.
Just crumbs left to eat for the frightening numbers of those
Born below that line
Such twisted irony:
For the one of the cheapest foods in the store
Is flour.

No happiness for the ones at the bottom
Except for patriotic half-truths.
“All men are created equal.”
So are bricks I suppose.
Except that in a pyramid, most are destined to lay
Close to the ground,
Worn, chipped, and dust-covered,
And but a few gleam in the golden rays of the sun,
The few on top, bathed in wealth.
But without its base, the system will crumble.
At least that’s what they say.

So we let ourselves be told how to think,
Never looking outside our bottles and bubbles for the source of reasoning.
“She’s a sinner, he’s just lazy.”
Such cruel things about unfortunate souls
The crowd can say.
But why?
“Because they chose to be that way.”
It’s simple of course, when only the individual
Can be to blame.

Society’s sentencing
Replacing the need for a God in a way,
Chains of morality, while amorphous through time
Have always been and will always stay.

And we judge without stopping to think,
Who told us that this is the way to think,
To think about why it is that we think
In this way.

Floating inside our bubbles and bottles,
Too steeped in others’ thoughts and words
To lift our chins,
Look around
And think of our own.

We’re ever marching forward,
To-morrow and to-morrow and to-morrow
Effectively staying in place.
Though the landscape around us ebbs and flows
In our nature,
Essentially we never changed.
Inspired by Aldous Huxley’s Brave New World
Ashley Chapman Aug 2018
Here in the morning gloaming
burning
my skin flaming
as I imagine red kisses
from smouldering lips!

How easily
in anticipation
you make me whimper
before with pleasure
making me simper -
each kiss
another hot coal
placed on my rawness
with searing softness.
Ashley Chapman Aug 2018
(A peculiar dream this
where outside in
I cannot unlock the secret of my soul
but must in Love with a Stranger
turn myself inside out!)
This comes from the view of Lawrence Durrell, an English writer who, amongst many others, has argued that love is really a self-contained delusion. What you feel is never really what the 'other' feels, simply what you are feeling, personified. We poets love our feelings, live in their expression, but also know how entranced we are by their music. Durrell believed that ultimately we make all this music for its own sake, the sake of making music, not actually because another human being truly ever knows us, or shares in our ecstacy as they are entirely caught up in their own.
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