Her lips are like
wet orchids, dressed in
the spring rain,
waiting to be
kissed and
caressed.

Sometimes, on rainy days I stare out the
windows; the shadows play
tricks.
I see happier times,
when we were decent to each other.
Yellow flowers, blue skies,  I blink
and then the rain
looks like tear drops on a glass pipe,
or dragons rising in the bowl.

Back in my bone crushing
poverty ridden days,
I collected cans for nickels;
enough cans meant ***** and
smokes for the day.
one morning I came across
an empty can of beer, it said,
Dead Irish Poet Beer.
i thought, how odd is this?
Just then, a car blew by blaring
a Van Morrison song.
I thought, ah yes, but he's alive.
I didn't take the can for the nickel.
I left it to its green garbage
can grave.

I need to straighten
my dreams out,
they got crooked along the way.
In my frozen castle,
in this grueling winter of life,
lies in me an invincible summer
that longs to be free;
scabbed up knees and
grass stains on my soul,
it just itches to run, and
swim the rivers,
and lie long in the sun.

There's a little
boy that hides in
the dark corners of
my soul.
He doesn't want to
be hurt anymore.
I spent eight years
with Beth.
For the most part,
it was hell and
constant pain.
She made nightmares
look good.
I heard the
little boy cry
late into the
silky night,
while snails got
smashed on the streets
of Ventura.

When I drank, which was often,
the little boy seemed
at peace for awhile,
while swans were
murdered in Venice,
and I tasted the ashes
of Neruda.
Years flew by
like seagulls;
up
down
and darting.
The little boy
continued to
hide in the
dark corners of my soul.

He wanted to
come out and be loved.
He was thirsty for it,
but there wasn't
any around.
It was dry, like the
deserts in hell.
It's too late for
sorries, here comes
the plow.

He began to see
the pattern of life.
There are monsters
that walk in the light.
Vulnerability equals pain.
The little boy got mean.
And now he carries
a knife.

It's hard to understand, unless
you've been there.
There is a pull to the streets.
I can't count how many dead
end jobs I've held—how many roach
infested rooms I've
crashed in.
The inevitable day comes when
I tell the boss, "*******, I don't need this ****! "
I walk out into the misty
afternoon—I look left, then right.
I drowned out thoughts of the future with
a cheap pint of *****.

I see one eye George on my travails,
he's half lit—living in the woods.
"Don't let the ******* get you down." He says, as he
stumbles by bent, and taking a standing eight count.
Mickey the ****** stops me a
block from my flop-house.
"Tommy boy, I'm sick…gotta couple of bucks so
an old drunk can get well? "
I slip him a five.
He says with a tear in his eye,
"God bless you Tommy—you know I
had it all, I'm afraid the
streets own me now."
"Keep your chin up" I say as
I plummet down the
street, pretending
tomorrow is a decade away.

I climb the three flights of
stairs to my room,
slip the key in the lock,
turn the ****—it opens.
"I love these little miracles" I say under
my breadth.
My three legged cat Walter saunters up to
me—he's white with marmalade splotches.
He does his best to rub up against
my leg—I pet his matted fur.

I passed out in an alley one
night, and woke up to Walter lying next to me.
I think something crawled into
my ear and made a home,
it's been there ever since.

I crash down on my chair,
and watch Walter scratch at
the door with his one front leg.
He hasn't been neutered—he gets the
pull of the streets.
I let him out and take a long swig of
the *****—the potion does its magic.
Life doesn't look so bad,
there will be other jobs, and I still have
two weeks left in this
dump of a room.
A writer needs four walls—yet there is
always

the pull of the streets.

I was feeling
down
depressed
and dark.
I put
some
rocks in my
cup
to uplift my
spirits,
to climb
out of the hole.

I want to
run on
the clouds
and
touch the sun;
go 180 around
the third turn.
Feel nothing but
the wind;
go out like
Earnhardt Sr.
in
a blaze of
glory.
Last lap
last run.