When I think of you,
I hear a marimba in my head.
I'm lost like a stray cat.
Baby, I swear I'll hop a train
and head west, to roll away
from the memory of you.
This mad hatter moon lights
my way, and I'm done
holding on.  I'm getting a
bottle of whiskey, and drinking
it until you become a
blurry memory.
Then I'm jumping that train.

What difference does it make?
I'm already condemned.
There isn't a person in
this God-forsaken town
that hasn't tried me in
their mind and found me guilty.
Step mothers aren't real
mothers anyway.
My mother died when I was little.
Daddy remarried and couldn't have
cared less about me and Emma,
my dear sister, and the ax sharpener.
I was acquitted, and who can
judge me now?
By the way, the weapon was never
found, it's buried by my feeble
attempt at poetry.

I used to have a friend from
New York that was a lawyer, she once
dated a famous NBA star.
We drank ***** together.
She was a bit smug, but smart and
funny—a dangerous combination.

One evening, we decided to
go to a neighborhood grocer that
sold spirits and wine.
She had a black schipperke named
Bruno.
One drunken night I dubbed
him the Senator, after Ted Kennedy,
another smart and funny drunk.

We called a cab to get
more *****. I put Anna’s
Dolce and Gabbana sunglasses
on; I grabbed a broom handle and
hooked the Senator
up to his leash.
I said, “Look, look, I’m blind and Teddy is
my seeing eye dog.”
Anna laughed and said,
“Oh we must bring him along.”
She used the word, “must” a lot.
The cab pulled up and the
act began.

I worked the cane, and the dog out the
door, with those big white
sunglasses covering my eyes.
We piled in the cab,
and
tore off into
the sweltering July night.
We pulled into the
grocery store parking lot
Anna told the cabbie to wait.
She was beat red and big tears of
joy flowed freely down her face.
I grabbed her arm and said,
“Quit laughing, or they’ll think it’s a joke;
I’m ******* blind; it isn’t supposed to be funny.”
She laughed harder.

We walk through the sliding doors,
I’m waving the broom handle back and forth on
the floor.
The Senator immediately proceeds to
**** on a display case of crackers.
Anna cackles,
we walk on like we didn’t just see Ted’s
indiscretions. We headed for
the *****.
Anna yells, “Did you see what the
Senator did back there?”
I say, “Of course I didn’t see it honey,
I’m blind, what did he do.”
She screamed, “He ****** all over that display case.”
"I know, I know—let’s get the
***** and get the hell out of
here before they kick us out.”
Just then, the Senator slipped out
of his collar and began to
run up and down the aisles.
I chased him, he dodged me.
Anna tripped and fell, she laughed until
she wet herself.
That ******* dog had
more moves than an NFL running back.
I finally cornered him by the
milk and butter section; I reached down to
grab him, and the little
******* bit me.
I smacked his nose and said,
“Bad Dog—Bad, Bad Dog.”
He bit me again.
I finally had him in my arms;
by then, those ridiculous looking
sunglasses were on top of
my head.
I lost the broomstick, and dragged the leash and
collar behind me.
We made it to Anna’s and drank into the
night. Most poets wouldn’t know how to end
a poem like this
but I do,
bow wow.

I fraternize with chicks
half my age because I
want to get laid and
feel young.

I've said it before,
I'll say it again.
Writing is *******
It's like coming.
When I haven't written anything for
awhile, it's like going
without *****.
I need it, I have to have it.
And when I'm writing a
poem, it's like ***.
Depending on the
piece, sometimes it's hard
and rough--*******
in sweat drenched bliss;
toes curling at the
point of ******.

With other poems
it's softer, easier.
It's her on top;
deep long kisses
caressing each other's cheeks,
looking into her eyes;
her long hair dancing on
my face to a slow  waltz.
Or something by Bach or Beethoven;
candles lit, incense burning

But more often than not,
it's me on top
pounding it in;
scratch marks on my back,
guttural moans, then
finally
******!
Sit back, smoke the
lonely cigarette
and wait for
the next ******* session.