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Echos from the distant past
Hide out in dusty stations
Waiting for the Midnight train to Georgia.

Feet ******* with burning cramps
Stumble through the buttercups
That always used to turn chins yellow.

But my-oh-my there’s cherry pie
Baking in the oven
That used to cook on Douglas Street.

Good grief never did exist,
I’m sorry Charlie Brown-
You need to find a new phrase.

The Ferris wheel goes up and down
Without a sound except for all
The children screaming as they fall.

Why did my Daddy **** his hand off of my leg
When Mom walked past the bedroom door.
Why can’t I manage to forget

That I have nothing to remember.
            ljm
Have you ever thought there could be something in your past you should remember but you just can't and maybe it's on purpose.
 Dec 8 Evan Stephens
Emma
They run,
through streets that scream of bomb smoke and shattered bone,
their shadows swallowed by the black of hijabs,
a mother swaddles her babe, her heartbeat louder than the guns.

Blood whispers its story
on trembling hands—whose hands?
Hers, his, the boy too small to carry grief,
but already has it, pressed like a kiss on his brow.

How long?
How long before the dream of faces turns to ash?
Before names become nothing more than echoes
sung to the fleeing, like lullabies of loss?

The gun is no longer an object;
it is an extension of them, fused to flesh,
its weight the weight of survival,
its promise another lie whispered to the children.

They run,
but the streets do not let go.
The ruins hold their breath,
cradle them in decay,
and ask, "How much longer?"

The answer—
silent, like the graves they leave behind.
Through the dark years

For better or worse
ignorant, trusting
It was the kind of thing
that happened
to other people
not us
Our bond was strong
a lasting love

He tried to hide
His mistress

Betrayed, how brazen
Right under my nose
WHY did he give her
His soul ?

Sneaking out
to get a taste of her
laughing in delight
She gave her all

The smell of her
lingers on his lips
fooling no one
except himself

Lying  eyes
standard denial
finally

I found them together
as he was
just finishing her

Caught in the act
I had to see  
who stole my man

Face to Face
stunned, disbelief
I could never compete
measure up
now,
I knew her name
*****
1985 It was the first year of my marriage my husband said he didn’t drink anymore and he was sneaking alcohol I thought it was going crazy I smelled him he said I was paranoid and then I found him and called him in the act and I wrote this poem
yes, it is real, as real as daylight
how history recycles itself
darkness is falling with the speed of thoughts
of certainties, of pathos, of a wounded hope
I feel like screaming, I feel like weeping and
this can change nothing, and I can't find a better metaphor
we hurt each other unwittingly if we stop thinking together
if we stop talking, stop listening to each other
how vulnerable we can be, how deceptive
how potent the unhealed wounds
they write history books

an abstract darkness is near, a concrete darkness
division and such pain in the depth of the living
a darkness without perfume but blind screaming
disguised in a blinding light,
so old that it keeps reinventing
the destruction of saturated worlds
the social body can not survive without a heart
without a multiple mind
 Nov 29 Evan Stephens
Emma
during my cigarette break
i met a perfect stranger
(his hands smelled of bleach,
mine manicured and adorned)
he a cleaner
i a teacher's assistant

we spilled words like loose coins,
quickly, easily
about pasts
that refused to stay buried.
how mental illness
gnawed quietly at the edges
of our days,
how Christmas was
a fistful of broken promises,
how parents became
ghosts of voices
we no longer called.

we confessed
to the solitude of crying
when the walls were thick enough
to keep secrets,
and i saw in his eyes
something frighteningly familiar—
the weight
of almost,
of never quite enough.

him a cleaner,
i a teacher's assistant,
yet between us,
no distance,
only the soft unraveling of
what it means to be human.

I shook his hand
with utmost respect,
the kind reserved for warriors
who fight wars no one sees,
and I asked for his name—
(it hung in the air
like a fragile bird).

he told me softly,
as if ashamed of his own syllables,
as if names could erase
the years of invisible labor
or the silent rooms
he scrubbed clean of other people’s messes.

and in that moment,
he was no stranger,
no cleaner, no shadow—
just a man
whose story brushed against mine,
soft as shared breath,
sharp as shared pain.

when I walked away,
the smoke of my cigarette
curled into his absence,
and I wondered
how many lives
we pass without touching,
how many names
we never think to ask.
Co-writes seem to of vanished from here. Years past they popped up a lot on here. Two poets combining to create one piece.

What do you think?
Should we restart the trend?

I'm up for it
Someone told me
"love looks at decent
ones "

I nodded, sighed, and smirked
but love
made me
like
this

Unleashed my curls
broke my walls
shattered
my people-pleasing
sharpened my poetry
silenced my loud voice
widened my eyes
encouraged my heart
undressed my façade
made me dance naked
in the face of judgement,
sing the songs of truth
and fall in love with
all things wrong
right, left, ugly, beautiful
and gave strength
to the choice that
always stood in the back
but now takes center stage

"Love left me right",
"Love leaving, made me write"
I replied
*Right, write!
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