Letters not sent
Words untouched by hands,
There is no softer gaze,
Opening radiant ways
With rapid pulse of breaths,
In spoken sentences.
The invisible margin of lost attention.

I saw unsettling light,
The sun glinting on the window,
An ordinary building across the street
And an elusive, surreal reflection
Of a blurred sphere, not giving warmth.

I stare at this distorted image,
Wanting to endure it directly,
Longer than I could bear,
In a motionless pause
The side effects of this manifestation.

My eyes were slightly closed
To hug the contours of an unclear shape.
The luminosity from a distance
Safely stays at a fragile layer,
So as not to freeze and not to burn
Before the piercing, conclusive truth.

Being for so long and perfectly alone.
So many hours punished by the silence,
The long days in tamed anger,
Waiting for relief,
All those good wishes in letters were never sent.

The gleams turned in the blunt, painful light.
Just two living spheres and a clear, cold glass
In the ocean of rigid duties,
A star’s slow implosion,
Reshaped colorful memories, grasping at remains.

The vivid balloon with the air gone—
No longer flying above our heads.
Nothing else, just indifference that forgot
How it used to cry.

I was putting on jeans.
My dog was smiling.
Sun was coming in the window behind us.
We were there
reflected in the screen
of the old tv I had fixed myself.
A second sun
was reflected there with us.

I was young.
My dog was alive.
We would watch "The Adding Machine"
on the old tv that afternoon.
I was getting sober.
The room was small.
It was years ago
and I didn't know
that I would remember that morning
forever.

She first noticed Antonio when he stepped out of a mob,
holding roses for her;
a bloom for every head in the rabble.

She took him on--
her personal little rooster.
He made love to her as if in timelapse--
an ardent insect skittering adoringly along her body.
She could have kept him in a jar, or a desk drawer.

The war came, then.
The sun went off-kilter, tilting drunkenly into the further reaches of the canals.
What use, anymore, for filmmakers
or their gaudy chattering treasures wearing ridiculous gowns,
smiling automatically at the invading armies?

Her last film was a dark comedy
released with subtitles and smuggled to the West
only to languish in a storage locker,
unwatched,
as round and unheeded as the lessons of history
in its circular tin container.

Her rooster was never meant for difficult times,
and he became tubercular--
within a month, he drifted through the bedroom curtains like a ghost,
and took to living with a flock of crows
as their underling,
but yet, he was flying, wasn't he?

She missed Antonio
and the competition of auditions and readings.
Feeling ****** and out of sorts, she joined the underground.
Wearing berets and trench coats, they taught her to handle a rifle
and to shoot fat-faced officials through the heart.
It was her ingenue days all over again.

Antonio and the now-faded diva met again after the war,
on a single occasion,
at a hotel in Suwanee, Georgia.
She ordered gin through a heavy accent,
and he flipped his good wing, tiredly.
After a silence, they both spoke at once--
"Do you remember..." they began, and then laughed.

It was, by then, the only thing to say,
and it was enough.
_

She left Reno
in a satin slip
the color of hot coins
pouring from slots,
wearing chewed-up tennis shoes,
mirrors multiplying her,
the marquee burning out
letter by letter,
a hush pressed between her teeth
as if saving the last note.

I followed,
a gangly shadow,
mother’s voice in my ear:
life is not a freeway exit.
But she was the exit.
She drove west
through a glittering throat.

In Tonopah she was a waitress
with red stains on her wrists,
the sleeves tugged low,
coffee pouring thin as blood.
In Barstow she was a sun-bleached Madonna,
halo blistered, mouth lit in stained glass.
At a gas station in Needles
she shimmered into a coyote’s shadow
and slipped behind the pumps.
Everywhere,
a new disguise,
a flicker at the edge of vision.
Not the whole leap,
just rehearsal.

Casinos blinked like electric relics.
Truckers called her sugar,
greedy hands counting her ribs
as if she were a paycheck
sweating in their fist,
but she slipped away each time,
her silhouette already moulting-
a serpent skin, a smoke-trail,
a saint’s shadow burning off the wall.

By Malibu the night
had softened to velvet.
The pier at Zuma
leaned into the Pacific
like a broken rib.

She sang once-
low, cracked, unfinished-
and the slip fell from her
like the last lie.
Her body cut into the dark tide,
this time there was no disguise.

I waded in after her,
ankles bruised by rock.
The sea lit with jellyfish,
not lanterns but wires,
each pulse a warning,
each glow a wound.

Standing at the highway’s end-
no exit left,
just the Pacific’s mouth
closing around her.

Lies looking for girls to tell them
gather in groups--
little ions looking for a charge.

Girls grow up greedy to spout the wildest stuff
about each other
or boys
or you.

Girls spend hours in front of mirrors
telling lie upon lie.
I'm ugly/ I'm pretty/ that's enough/ never enough.

Girls grow and haul a whole hope chest stuffed with lies
behind them to college,
to the altar,
to the nursery.

Lies looking for girls to tell them are never lonely for long.
Diogenes ran a girls' school until he lost his mind.
The students lied and said he went sailing.

Sit with me. Talk.
Our mothers did the best they could.
We'll always be like sisters.
This tea is good.

Lies looking for girls to tell them
don't stop when friends go home.
They circle when you're
anxious
afraid
alone.

At sunset I shake all my gathered lies from my apron to the sky,
and when they work together,
oh my
how the feathers fly.

My voice slipped out as I slept,
taking the path between rows of white narcissus
to the upturned boat, just port side and starboard side,
no deck, no keel, with the world below and beyond.

It had normally slept in the blanket of my throat,
silent, cupped in a chrysalis.
Now it went up and down upon the earth
filterless, making many enemies, there when I awoke.

I hid my voice inside a bell, but it was only louder.
I stuffed it in the pages of a newspaper, but caged birds repeated everything.
I set it in the hands of my lover, and my lover left, cursing.
I hid it in the sound hole of a guitar and it spoke in every language.

I taught it manners and it died of boredom.
I taught it doublespeak and it ran for high office.
I taught it sanctimony and it attracted a congregation.
I taught it flattery and it was beloved.

Desperate, I taught it poetry and it lay down again in my throat
where my bones fell in love with it.
A doctor diagnosed the shaking as palsy
and prescribed a pilgrimage to Branson or Las Vegas.

I didn't win the pageant
because those ******* wouldn't know beauty if it beat them over their 'do's with a porch plank.

My Mediterranean sultriness was not what they were looking for;
them with their politeness and their narrow-lipped smiles holding back the churning reflux that their hearts produce.

They are not human.

As a baby, I was different.
I spoke within minutes, asking for a mirror before milk,
and sharing Portuguese brandy with my father in the library before the month was out.

Let others become checkers at Target.
Let others slave in the shamba under a broiling sun.
They do not have my sculptured cheekbones,
and so must scramble and struggle while I laze under an awning in a cafe,
accepting the dazzled worship of waiters named Jean-Guy.

But look, it hasn't been all roses and honey, just the same.
I stayed barefoot until I was twelve, by choice.
I whipped all the local boys,
and was the terror of the American compound.

I first considered pageants when I was caught siphoning gas from a diplomat's car.
The diplomat took me inside and stood with his back to me,gazing through his wife's sheer curtains at the stucco buildings across the street, and said,

"There are other things
you could be doing."

Soon I was shivering,
my arm dangling boneless over the edge of the dining room table,
smiling at the patterned copper ceiling.
I had still been in command of myself when he lost all his polish and said things to me that were not diplomatic, but rather,
the shouts of a drowning man finding shore.

So anyway,
these ******* looked at me critically, as if I were a steer at auction,
each of them a little complacent fat cask of petty.
I knew I couldn't win,
and my mind turned, as it always has,
toward ways to rain down destruction on my enemies' heads.

I have a little French cahier
that I write down my dreams and plans in.
If the gendarmes ever find it, I'm so ******.

But never mind.
The world of pageants plateaus early--
you're done at twenty, turned loose in the streets to blink big-eyed
at the onrushing autobus that will flatten you dead.
Does this sound like me?
Does it?

I am a girl without an umbrella,
because it never dares to rain on my perfect creamy shoulders.
I own no pearls,
but I have six different divining decks,
one for each day of the week, and then I go to Mass on Sunday.

I didn't win the pageant,
but I escaped to Algiers and met a man.
In the morning, we start out together for Kilimanjaro--
I shall be barefoot, in my element once more,
and Macomber will have some sort of accident and leave everything to me.

Heft those trunks, bush guides,
I forgot my mirror and am keen to retrieve it
so that I may kiss my image as one would Cerberus,
if he were female
and as pretty as me.
___

Love has gone mad, like you my dear
and keeps night in a wine press like a caged bird.
I will save it, says Love, turning the handle
to birth a morning with broken wings of red curd.

Everyone here keeps their mouths in jars
to prevent you influencing their palates, dear.
Anyone with any sense has placed locks on every vine--
all that grows down the rows is the silent brooding volunteer.

Morning whispers madness through your skin,
and wears a crimson cloak made of feathers and strange paste.
I will marry it, says Love, hand in hand with Oblivion
serving wine heavy with grape skins and an odd metallic taste.

I cannot love you anymore.
I cannot argue, not another word.
Love has gone mad, like you my dear--
enjoy together your strange vintage
of dark mornings,
heavy tannins
and Love's dead, wide-eyed bird.