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rayma Aug 2020
I started to write something
that wasn’t quite as nice as it could have been,
and I thought about you reading it.
I could waste my words venting about
every bad thing that you’ve said to me,
But instead I started to think about
what I would want you to read.

I miss you.
The person you say you are now,
She isn’t you. And I hope someday
you’ll realize that.

I agree that you’ve changed,
but I don’t think it’s in the ways
you would have liked. Maybe,
Maybe in the ways you think were right,
in the moment, to suit your needs.
But I think you’ve changed in the ways
that let you build more walls
and sever more connections.

I wish that things were different.
I wish we could go back to being everything
we were before, with the exceptions of time.
We were the dream team, you and I,
And there was no one I wanted to spend time with
more than you.

You let me down.
I stood by you and did my best,
Even while my life was barely holding it together.
I understood why you did the things you did,
because you had to. And I wish you could understand
that I did what I had to do too.

You want me to
“work on getting to know the new you,”
But I wish you could see this “new you”
from my perspective.
She isn’t who you think,
the badass who beat depression.
She’s mean, and she’s pretentious.
And I hope she hasn’t burned all her bridges
when the time comes
for reality to set in.
I wrote this for the direct address prompt in my creative writing class Sophomore year. It was written about someone specific, but as time has passed this poem has grown to encompass many more people.
rayma Aug 2020
people say what’s lost isn’t coming back,
but I don’t believe that’s true.
                                                           ­  if they can search for the holy grail,
                                                          ­                     then I can search for you.
Another very old, repurposed one from 2015. I'm rather pleased with how it turned out, considering I've since made a folder for very old, very bad poems that are beyond repair, haha.
rayma Aug 2020
with dreams of you upon my lips,
i slept like the world was mine to keep.
rayma Mar 2020
I looked up at you and thought
"wow, there is something to behold."
I poured libations of sweet milk and honey,
Listened with glowing eyes as you sang your words,
And I made my sacrifices by shining embers.

I smiled for Truth.
I smiled for good-heartedness.
I smiled in reverence for the idol before me.

The clever thing about faith
Is that it is whatever you need it to be.
When those shining embers crumbled into ash, I didn't cling to their fading warmth.
No - I realized the faith that I had been missing all along.

And when that idol came back to me
looking for sweet milk and honey,
I smiled,
For he will get no more sacrifice from me.
No - I alone will coat my lips in honey,
And I alone will hear my song.

And the idol, bespoiled of his worship, cried out.
"You cannot disobey me,"
He roared,
stripped of his dazzling charm.
I happened across this poem from around this time last year - I had forgotten about it. I wrote it while very clearly in the throws of the Ancient Greek section of my literature class.
rayma Sep 2019
Devilish days do well to waste,
with blackout curtains and ink-stained hands,
waiting for sunset when time’s erased.

Those feeble floorboards you often paced,
will creak and moan ‘til you understand;
devilish days do well to waste.

Fight for the feelings that have been replaced,
fight to keep hold of those waning strands,
waiting for sunset when time’s erased.

The sun will set on all you’ve faced,
an eclipse which you cannot withstand;
devilish days do well to waste.

And *****-laced tear tracks chased
by broken glass that pours out sand,
waiting for sunset when time’s erased.

When your thoughts have been misplaced,
I’ll be there to take your hand.
Devilish days do well to waste,
waiting for sunset when time's erased.
written for the fifth Creative Writing prompt - any form! We discussed villanelles in class, and although I wanted to try something I hadn't heard of, my heart led me back here. I always tend for free form, so writing within very specific rules was different, fun, and super frustrating. I love the structure of a villanelle, but I ended up with three words for which it was super hard to find applicable rhymes, but I was determined to keep my opening stanza. It was like some crazy puzzle with words!
rayma Sep 2019
I
It took me ages to learn how to separate we from I
and to finally see the person I suppose
Everyone else saw; the “I”
presented in peals of laughter and a love
too intense for either of us to bear. My
love, a hurricane, beautiful from a distance but riddled with scars.

I do it because
everyone needs a taste of unconditional. They
blister and spiral because they have
yet to learn…to know how it feels to have stayed.

It’s something that you learn to live with,
to always have a piece of “Me”
left behind, initials in a heart that no longer
knows that letter of the alphabet. I am missing more than
I should, but I have retained what is most
important. In a sea of capsized people,
There is one letter I will always have.
    - I
from Scars by Nikita Gill. Written for my fourth Creative Writing prompt - a golden shovel. This one was fun because you're forced to stay in these parameters of what the poem down the side will let you do. It was weird and awkward, but I'm pretty pleased with the outcome. It was cool discovering the golden shovel form. Read the last word of each line and you have Scars by Nikita Gill :)
rayma Sep 2019
I can’t help but think that I’m not the only one,
But wonder it so.
We can all wish for something we cannot have.
We can all chase our dreams,
in the dark,
grasping blindly at shooting stars and wishing wells.

I like to think that wishes on stars
really do come true.
I like to think that,
one day,
things will be different,
And I will find my way back to you.
written for my third Creative Writing prompt - an exquisite corpse made in class, where we had to keep at least two consecutive lines. The first three lines are from the original.
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