Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine
Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.

Sandwiched in layers of liquid crystal display,
Encased in vats of plastic,
                          
                            we
Voyaging in data-spheres, plumes of digital play.

Mindless,
         In the soup of silicone,
                            
                            all
Myt­h-makers,
         Pouring over electro-spawned
         networks,
                            
                            fall
Workers,
          In the buzz of bits and bytes, of
          megabytes and terabytes,
                            
                            down
Everyone
          Far from the wood, the brine, the
          mud that caked us,
          In tighter and tighter
          digitised  projections,
                            
                            click!
‘Like me’,
‘Share me’,
‘Leave your comments.’

Messages smoothed out in polymers,
Beyond reproductions of ourselves,

                           enter:

Deeper, delving in the mire of dream-conscious,

Now a waking voice,
          Hardened, digitised, recorded in
          bubbles, in drives, in clouds:
                        
Numb numbers of numbers numb,
                          mirror.

          A platform slotted home:
The motherboard!
          To record the echo in the hollow
          of our Being.

(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.

The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love:  it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun,—
It shall be, I said, for eternity
‘Twixt you and me!
Dear friend, those times are over and done;
Love’s web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy,—
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the ******* of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty,—you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.

I feel like I'm just watching life,
Like an ocean trapped within a picture frame.
Then, there are those sometimes
When the sea breaks free of its frame
And swallows me whole.

I cried upon my hawaiian departure
not tears of sorrow but tears of former and future joy
my tears trailed down my cheek like the Paheehee stream
before landing upon the ground like a soft hawaiian rain in spring
when my tears evaporated they formed a long flat cloud
in the shape of surfboard voyaging westward bound.
the cloud upon reaching the sea,
shape-shifted into a large volcano, vengful and menacing  
with the torential downpour a sign of the volcanoe's erupting    
The storm began to thicken The volcano spinning around it's core
like that of a fire dancers stick, scattering the tears evermore  
when the storm cleared eight tears washed upon each hawaiian shore
wiating for me to surf upon my tears

But as the sun was rising from the fair sea into the firmament of
heaven to shed Blight on mortals and immortals, they reached Pylos the
city of Neleus. Now the people of Pylos were gathered on the sea shore
to offer sacrifice of black bulls to Neptune lord of the Earthquake.
There were nine guilds with five hundred men in each, and there were
nine bulls to each guild. As they were eating the inward meats and
burning the thigh bones [on the embers] in the name of Neptune,
Telemachus and his crew arrived, furled their sails, brought their
ship to anchor, and went ashore.
  Minerva led the way and Telemachus followed her. Presently she said,
“Telemachus, you must not be in the least shy or nervous; you have
taken this voyage to try and find out where your father is buried
and how he came by his end; so go straight up to Nestor that we may
see what he has got to tell us. Beg of him to speak the truth, and
he will tell no lies, for he is an excellent person.”
  “But how, Mentor,” replied Telemachus, “dare I go up to Nestor,
and how am I to address him? I have never yet been used to holding
long conversations with people, and am ashamed to begin questioning
one who is so much older than myself.”
  “Some things, Telemachus,” answered Minerva, “will be suggested to
you by your own instinct, and heaven will prompt you further; for I am
assured that the gods have been with you from the time of your birth
until now.”
  She then went quickly on, and Telemachus followed in her steps
till they reached the place where the guilds of the Pylian people were
assembled. There they found Nestor sitting with his sons, while his
company round him were busy getting dinner ready, and putting pieces
of meat on to the spits while other pieces were cooking. When they saw
the strangers they crowded round them, took them by the hand and
bade them take their places. Nestor’s son Pisistratus at once
offered his hand to each of them, and seated them on some soft
sheepskins that were lying on the sands near his father and his
brother Thrasymedes. Then he gave them their portions of the inward
meats and poured wine for them into a golden cup, handing it to
Minerva first, and saluting her at the same time.
  “Offer a prayer, sir,” said he, “to King Neptune, for it is his
feast that you are joining; when you have duly prayed and made your
drink-offering, pass the cup to your friend that he may do so also.
I doubt not that he too lifts his hands in prayer, for man cannot live
without God in the world. Still he is younger than you are, and is
much of an age with myself, so I he handed I will give you the
precedence.”
  As he spoke he handed her the cup. Minerva thought it very right and
proper of him to have given it to herself first; she accordingly began
praying heartily to Neptune. “O thou,” she cried, “that encirclest the
earth, vouchsafe to grant the prayers of thy servants that call upon
thee. More especially we pray thee send down thy grace on Nestor and
on his sons; thereafter also make the rest of the Pylian people some
handsome return for the goodly hecatomb they are offering you. Lastly,
grant Telemachus and myself a happy issue, in respect of the matter
that has brought us in our to Pylos.”
  When she had thus made an end of praying, she handed the cup to
Telemachus and he prayed likewise. By and by, when the outer meats
were roasted and had been taken off the spits, the carvers gave
every man his portion and they all made an excellent dinner. As soon
as they had had enough to eat and drink, Nestor, knight of Gerene,
began to speak.
  “Now,” said he, “that our guests have done their dinner, it will
be best to ask them who they are. Who, then, sir strangers, are you,
and from what port have you sailed? Are you traders? or do you sail
the seas as rovers with your hand against every man, and every man’s
hand against you?”
  Telemachus answered boldly, for Minerva had given him courage to ask
about his father and get himself a good name.
  “Nestor,” said he, “son of Neleus, honour to the Achaean name, you
ask whence we come, and I will tell you. We come from Ithaca under
Neritum, and the matter about which I would speak is of private not
public import. I seek news of my unhappy father Ulysses, who is said
to have sacked the town of Troy in company with yourself. We know what
fate befell each one of the other heroes who fought at Troy, but as
regards Ulysses heaven has hidden from us the knowledge even that he
is dead at all, for no one can certify us in what place he perished,
nor say whether he fell in battle on the mainland, or was lost at
sea amid the waves of Amphitrite. Therefore I am suppliant at your
knees, if haply you may be pleased to tell me of his melancholy end,
whether you saw it with your own eyes, or heard it from some other
traveller, for he was a man born to trouble. Do not soften things
out of any pity for me, but tell me in all plainness exactly what
you saw. If my brave father Ulysses ever did you loyal service, either
by word or deed, when you Achaeans were harassed among the Trojans,
bear it in mind now as in my favour and tell me truly all.”
  “My friend,” answered Nestor, “you recall a time of much sorrow to
my mind, for the brave Achaeans suffered much both at sea, while
privateering under Achilles, and when fighting before the great city
of king Priam. Our best men all of them fell there—Ajax, Achilles,
Patroclus peer of gods in counsel, and my own dear son Antilochus, a
man singularly fleet of foot and in fight valiant. But we suffered
much more than this; what mortal tongue indeed could tell the whole
story? Though you were to stay here and question me for five years, or
even six, I could not tell you all that the Achaeans suffered, and you
would turn homeward weary of my tale before it ended. Nine long
years did we try every kind of stratagem, but the hand of heaven was
against us; during all this time there was no one who could compare
with your father in subtlety—if indeed you are his son—I can
hardly believe my eyes—and you talk just like him too—no one would
say that people of such different ages could speak so much alike. He
and I never had any kind of difference from first to last neither in
camp nor council, but in singleness of heart and purpose we advised
the Argives how all might be ordered for the best.
  “When however, we had sacked the city of Priam, and were setting
sail in our ships as heaven had dispersed us, then Jove saw fit to vex
the Argives on their homeward voyage; for they had Not all been either
wise or understanding, and hence many came to a bad end through the
displeasure of Jove’s daughter Minerva, who brought about a quarrel
between the two sons of Atreus.
  “The sons of Atreus called a meeting which was not as it should
be, for it was sunset and the Achaeans were heavy with wine. When they
explained why they had called—the people together, it seemed that
Menelaus was for sailing homeward at once, and this displeased
Agamemnon, who thought that we should wait till we had offered
hecatombs to appease the anger of Minerva. Fool that he was, he
might have known that he would not prevail with her, for when the gods
have made up their minds they do not change them lightly. So the two
stood bandying hard words, whereon the Achaeans sprang to their feet
with a cry that rent the air, and were of two minds as to what they
should do.
  “That night we rested and nursed our anger, for Jove was hatching
mischief against us. But in the morning some of us drew our ships into
the water and put our goods with our women on board, while the rest,
about half in number, stayed behind with Agamemnon. We—the other
half—embarked and sailed; and the ships went well, for heaven had
smoothed the sea. When we reached Tenedos we offered sacrifices to the
gods, for we were longing to get home; cruel Jove, however, did not
yet mean that we should do so, and raised a second quarrel in the
course of which some among us turned their ships back again, and
sailed away under Ulysses to make their peace with Agamemnon; but I,
and all the ships that were with me pressed forward, for I saw that
mischief was brewing. The son of Tydeus went on also with me, and
his crews with him. Later on Menelaus joined us at ******, and found
us making up our minds about our course—for we did not know whether
to go outside Chios by the island of Psyra, keeping this to our
left, or inside Chios, over against the stormy headland of Mimas. So
we asked heaven for a sign, and were shown one to the effect that we
should be soonest out of danger if we headed our ships across the open
sea to Euboea. This we therefore did, and a fair wind sprang up
which gave us a quick passage during the night to Geraestus, where
we offered many sacrifices to Neptune for having helped us so far on
our way. Four days later Diomed and his men stationed their ships in
Argos, but I held on for Pylos, and the wind never fell light from the
day when heaven first made it fair for me.
  “Therefore, my dear young friend, I returned without hearing
anything about the others. I know neither who got home safely nor
who were lost but, as in duty bound, I will give you without reserve
the reports that have reached me since I have been here in my own
house. They say the Myrmidons returned home safely under Achilles’ son
Neoptolemus; so also did the valiant son of Poias, Philoctetes.
Idomeneus, again, lost no men at sea, and all his followers who
escaped death in the field got safe home with him to Crete. No
matter how far out of the world you live, you will have heard of
Agamemnon and the bad end he came to at the hands of Aegisthus—and
a fearful reckoning did Aegisthus presently pay. See what a good thing
it is for a man to leave a son behind him to do as Orestes did, who
killed false Aegisthus the murderer of his noble father. You too,
then—for you are a tall, smart-looking fellow—show your mettle and
make yourself a name in story.”
  “Nestor son of Neleus,” answered Telemachus, “honour to the
Achaean name, the Achaeans applaud Orestes and his name will live
through all time for he has avenged his father nobly. Would that
heaven might grant me to do like vengeance on the insolence of the
wicked suitors, who are ill treating me and plotting my ruin; but
the gods have no such happiness in store for me and for my father,
so we must bear it as best we may.”
  “My friend,” said Nestor, “now that you remind me, I remember to
have heard that your mother has many suitors, who are ill disposed
towards you and are making havoc of your estate. Do you submit to this
tamely, or are public feeling and the voice of heaven against you? Who
knows but what Ulysses may come back after all, and pay these
scoundrels in full, either single-handed or with a force of Achaeans
behind him? If Minerva were to take as great a liking to you as she
did to Ulysses when we were fighting before Troy (for I never yet
saw the gods so openly fond of any one as Minerva then was of your
father), if she would take as good care of you as she did of him,
these wooers would soon some of them him, forget their wooing.”
  Telemachus answered, “I can expect nothing of the kind; it would
be far too much to hope for. I dare not let myself think of it. Even
though the gods themselves willed it no such good fortune could befall
me.”
  On this Minerva said, “Telemachus, what are you talking about?
Heaven has a long arm if it is minded to save a man; and if it were
me, I should not care how much I suffered before getting home,
provided I could be safe when I was once there. I would rather this,
than get home quickly, and then be killed in my own house as Agamemnon
was by the treachery of Aegisthus and his wife. Still, death is
certain, and when a man’s hour is come, not even the gods can save
him, no matter how fond they are of him.”
  “Mentor,” answered Telemachus, “do not let us talk about it any
more. There is no chance of my father’s ever coming back; the gods
have long since counselled his destruction. There is something else,
however, about which I should like to ask Nestor, for he knows much
more than any one else does. They say he has reigned for three
generations so that it is like talking to an immortal. Tell me,
therefore, Nestor, and tell me true; how did Agamemnon come to die
in that way? What was Menelaus doing? And how came false Aegisthus
to **** so far better a man than himself? Was Menelaus away from
Achaean Argos, voyaging elsewhither among mankind, that Aegisthus took
heart and killed Agamemnon?”
  “I will tell you truly,” answered Nestor, “and indeed you have
yourself divined how it all happened. If Menelaus when he got back
from Troy had found Aegisthus still alive in his house, there would
have been no barrow heaped up for him, not even when he was dead,
but he would have been thrown outside the city to dogs and vultures,
and not a woman would have mourned him, for he had done a deed of
great wickedness; but we were over there, fighting hard at Troy, and
Aegisthus who was taking his ease quietly in the heart of Argos,
cajoled Agamemnon’s wife Clytemnestra with incessant flattery.
  “At first she would have nothing to do with his wicked scheme, for
she was of a good natural disposition; moreover there was a bard
with her, to whom Agamemnon had given strict orders on setting out for
Troy, that he was to keep guard over his wife; but when heaven had
counselled her destruction, Aegisthus thus this bard off to a desert
island and left him there for crows and seagulls to batten upon—after
which she went willingly enough to the house of Aegisthus. Then he
offered many burnt sacrifices to the gods, and decorated many
temples with tapestries and gilding, for he had succeeded far beyond
his expectations.
  “Meanwhile Menelaus and I were on our way home from Troy, on good
terms with one another. When we got to Sunium, which is the point of
Athens, Apollo with his painless shafts killed Phrontis the
steersman of Menelaus’ ship (and never man knew better how to handle a
vessel in rough weather) so that he died then and there with the
helm in his hand, and Menelaus, though very anxious to press
forward, had to wait in order to bury his comrade and give him his due
funeral rites. Presently, when he too could put to sea again, and
had sailed on as far as the Malean heads, Jove counselled evil against
him and made it it blow hard till the waves ran mountains high. Here
he divided his fleet and took the one half towards Crete where the
Cydonians dwell round about the waters of the river Iardanus. There is
a high headland hereabouts stretching out into the sea from a place
called Gortyn, and all along this part of the coast as far as Phaestus
the sea runs high when there is a south wind blowing, but arter
Phaestus the coast is more protected, for a small headland can make
a great shelter. Here this part of the fleet was driven on to the
rocks and wrecked; but the crews just managed to save themselves. As
for the other five ships, they were taken by winds and seas to
Egypt, where Menelaus gathered much gold and substance among people of
an alien speech. Meanwhile Aegisthus here at home plotted his evil
deed. For seven years after he had killed Agamemnon he ruled in
Mycene, and the people were obedient under him, but in the eighth year
Orestes came back from Athens to be his bane, and killed the
murderer of his father. Then he celebrated the funeral rites of his
mother and of false Aegisthus by a banquet to the people of Argos, and
on that very day Menelaus came home, with as much treasure as his
ships could carry.
  “Take my advice then, and do not go travelling about for long so far
from home, nor leave your property with such dangerous people in
your house; they will eat up everything you have among them, and you
will have been on a fool’s errand. Still, I should advise you by all
means to go and visit Menelaus, who has lately come off a voyage among
such distant peoples as no man could ever hope to get back from,
when the winds had once carried him so far out of his reckoning;
even birds cannot fly the distance in a twelvemonth, so vast and

I’m wondering and I’m sitting
In this uncomfortable desk
Seeing the torrents of rain
Wash out every thought.

And a feeling of emptiness
Roars up to consume my soul
When I see all of the happiness
Overpowering the hallways.

Smiles hold unbroken promises
With my shattered heart beating
My spirit is continually drowned
By the stubborn unwillingness.

The tears slowly begin to swell
With the rising disappointment
I am unaware of my future
Lost in depths of expectations.

And suddenly I am sobbing
Into an ocean of the unknown
Now I’m the only captain
Of this fragile sailing vessel.

The strong wind is stinging
Pulling me into the depths
And the raging seven seas
Are burning into my heart.

It is difficult for me to navigate
My thoughts and my words
Through the unending sea
Of all the crashing saltwater.

Claire Bryan

Countless series of melancholic oceans
Hitting through waves of adversity
Only to be repulsed by provocations
Disjointed affections falls effortlessly

With no such contemporary feelings
Choked amongst the walls of solitary
Praying silently for a better ending
A hopeless romantic it seems evidently

Voyaging away from the sufferings
Patching holes of memories
Rekindling fire from breathing
Dreams torn away in fantasies

Sober desires creates a lustful reality
Shone away ignoring a truthful beginning
Nothing can hold us against this treachery
Forsaken our love has left me begging

©2014 Maman Screams

I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and ******,
The neck of the nostril,
Under the mask and the ether, they making ******
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A ****-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-****, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.

The book of moonlight is not written yet
Nor half begun, but, when it is, leave room
For Crispin, ***** in the lunar fire,
Who, in the hubbub of his pilgrimage
Through sweating changes, never could forget
That wakefulness or meditating sleep,
In which the sulky strophes willingly
Bore up, in time, the somnolent, deep songs.
Leave room, therefore, in that unwritten book
For the legendary moonlight that once burned
In Crispin's mind above a continent.
America was always north to him,
A northern west or western north, but north,
And thereby polar, polar-purple, chilled
And lank, rising and slumping from a sea
Of hardy foam, receding flatly, spread
In endless ledges, glittering, submerged
And cold in a boreal mistiness of the moon.
The spring came there in clinking pannicles
Of half-dissolving frost, the summer came,
If ever, whisked and wet, not ripening,
Before the winter's vacancy returned.
The myrtle, if the myrtle ever bloomed,
Was like a glacial pink upon the air.
The green palmettoes in crepuscular ice
Clipped frigidly blue-black meridians,
Morose chiaroscuro, gauntly drawn.

How many poems he denied himself
In his observant progress, lesser things
Than the relentless contact he desired;
How many sea-masks he ignored; what sounds
He shut out from his tempering ear; what thoughts,
Like jades affecting the sequestered bride;
And what descants, he sent to banishment!
Perhaps the Arctic moonlight really gave
The liaison, the blissful liaison,
Between himself and his environment,
Which was, and is, chief motive, first delight,
For him, and not for him alone. It seemed
Elusive, faint, more mist than moon, perverse,
Wrong as a divagation to Peking,
To him that postulated as his theme
The ******, as his theme and hymn and flight,
A passionately niggling nightingale.
Moonlight was an evasion, or, if not,
A minor meeting, facile, delicate.

Thus he conceived his voyaging to be
An up and down between two elements,
A fluctuating between sun and moon,
A sally into gold and crimson forms,
As on this voyage, out of goblinry,
And then retirement like a turning back
And sinking down to the indulgences
That in the moonlight have their habitude.
But let these backward lapses, if they would,
Grind their seductions on him, Crispin knew
It was a flourishing tropic he required
For his refreshment, an abundant zone,
Prickly and obdurate, dense, harmonious
Yet with a harmony not rarefied
Nor fined for the inhibited instruments
Of over-civil stops. And thus he tossed
Between a Carolina of old time,
A little juvenile, an ancient whim,
And the visible, circumspect presentment drawn
From what he saw across his vessel's prow.

He came. The poetic hero without palms
Or jugglery, without regalia.
And as he came he saw that it was spring,
A time abhorrent to the nihilist
Or searcher for the fecund minimum.
The moonlight fiction disappeared. The spring,
Although contending featly in its veils,
Irised in dew and early fragrancies,
Was gemmy marionette to him that sought
A sinewy nakedness. A river bore
The vessel inward. Tilting up his nose,
He inhaled the rancid rosin, burly smells
Of dampened lumber, emanations blown
From warehouse doors, the gustiness of ropes,
Decays of sacks, and all the arrant stinks
That helped him round his rude aesthetic out.
He savored rankness like a sensualist.
He marked the marshy ground around the dock,
The crawling railroad spur, the rotten fence,
Curriculum for the marvellous sophomore.
It purified. It made him see how much
Of what he saw he never saw at all.
He gripped more closely the essential prose
As being, in a world so falsified,
The one integrity for him, the one
Discovery still possible to make,
To which all poems were incident, unless
That prose should wear a poem's guise at last.

going down this long lost road
traveling under the waning moon
thinking upon memories of old
I feel my impending doom
we are pilgrims in the age of fire
we are gods.. truth we aspire
voyaging deserted corridors
painted in cast iron blood
a great spectacle of gore
like nothing you could think of
elaborate scheme between hunter and pray
scrambling the mind and left in disarray

A child was seen in the water, bathing joyfully
So was Ophelia - drowning; insane
A ship voyaging vast sea
Or a galleon scatter'd
by the raging waves of dark storm

Who can indulge into a pleasure of tranquility?
As the wind blows
The feeling of exotic treasures
Told by a sailor's myth
Voyaging across the salty sea
Adventure at hand
Surrounded by seagulls
Feeding on crusty bread
Waiting for that special day
Each ship moors into the bay
While I seek a vessel
To call home
Her keel must be strong
As for her crew
Being the finest of all
To the horizon
I'll look beyond

Nestled in a pencil case
And snuggled up in fluff
There snoozed a tiny pirate man
Of legendary stuff
He'd spied the hidden secrets
And trod the haunted shore
Blu-tack Beard the buccaneer
Scourge of the open floor

He stole a shoe-box galleon
And sailed the carpet blue
With pencil mast and paper sails
And crayons as his crew
They forayed on the crooked tiles
And crested every ridge
Blu-tack Beard the scallywag
The raider of the fridge

When moored up in the kitchen
With all his crew around
The captain showed to one and all
A treasure map he'd found
It bore a chart of distant parts
And quite a course it plot
It pointed to the bathroom lands
And tip-ex marked the spot

They crammed the hold with cornflakes
To feed them on their trip
They pulled ******* the piece of string
And weighed the paperclip
The crew they dragged their boat aloft
On neatly woven hairs
Blu-tack Beard the privateer
Surmounter of the stairs

They heaved their vessel restlessly
Atop the final brow
The crayon pirates caught their breath
And leaned against her bow
Then scaled tiny ladders
And each took to their post
Blu-tack Beard was at the helm
And watched the foreign coast

Through countless minutes voyaging
There loomed the bathroom door
They slacked the sail and went below
And each took to an oar
They pulled a mighty rhythm
Till their waxy arms were numb
And Blu-tack Beard the plunderer
Was beater of the drum

But though they pried in every nook
And each last inch of grout
They skirted round the skirting board
They tapped each silver spout
Illusive was their bounty
And they grew ever the crueller
They took their skipper angrily
And made him walk the ruler

He landed glum and ruefully
Amid the ***** socks
He heard the merry spiteful sound
Of laughing, taunting mocks
And saw the sight of mutiny
With waxen little smiles
Blu-tack Beard the cast-away
Alone among the tiles

He commandeered a washing cloth
And weaved himself a rope
He scaled the dreaded washstand
And stole a bar of soap
He carved himself a coracle
And set his sights on home
Blu-tack Beard the wanderer
Awash amid the foam

He slithered down the stairwell
And landed with a plan
For warmer climes and restfulness
A cocktail and a tan
And so he met his final port
Right then did he retire
Blu-tack Beard the pensioner
Of the warm spot near the fire

Love belongs in the back seat of a convertible,
Parked somewhere in the summer night's dark.
Lips interlocked and cheeks flushing vertigo
The ignition to her transmission is
Push to start.
He shifts into drive.
Limbs, like open roads, quickly spreading apart
His eyes mesmerized along the highway of her thighs...
Love doesn't always exist in the heart.
It exists
Behind the steering wheel of his ****.
The roadmap of her love canal is truly a work of art...
Voyaging between thighs so thick...
Parked somewhere, in the summer night's dark.

Selah

~~~

is a word used seventy-four times in the bible.  The meaning of the word is not known, though various interpretations are given below.  It is probably an instruction on the reading of the text, something like *"stop and listen."  The Amplified Bible translates selah as "pause, and think of that." Alternatively, selah may mean "forever," as it does in some places in the liturgy.  Another interpretation claims that selah comes from the primary Hebrew root word salah, meaning "to hang," and by implication, as in weighing, "to measure"

for Sethnicity
~~~

what trifle these
modern words,
hurled, expelled from the
no country for an old body,
without passport or
earnestness of purpose

the yeah yeah yeah filler
of day tourists who
leave~refuse,
leave their refuse,
never mark-making,
nor even  a mark of
minor distinctions

what mystery valued then in these
olden words,
of which,
there are the fewer than
precious few,
possessing
ineffable, multifarious meanings,
never wasted or with dispassion disgraced

Selah

as a young boy
parentally captive
was POW forced-marched
to synagogue daily,
then weekly,
and now,
free at last,
Oh Lord
free at last,

to go
never

now wanting immunity
for my sins
but asking only from myself
my own forgiveness,
still and well recall the
puzzlingly feeling of

Selah

"forever"
explained the perpetually tired,
older father-man,
"it means forever,"
he who was wearily forever tired from voyaging
and living in a new, stressful,
inhospitable world

carrying in a single suitcase(1)
centuries of the continental drift of
global dispersal diaspora prior,
that cannot be well remembered,
only honored in the
forever recalling

but I disdain the explanation,
as if
"forever"
would satisfy
a ne're satisfied,
irreverent, teenage curiosity

here I am
decades on,
remembering the mysterious

Selah

embracing its many personalities,
endearing now by its revealing opportunities,
and its suitability
in this,
in the the hour of
now me as the
elder father-grandfather

weary-leery,
of a man's age of aging,
the approaching visible runway,
upon which you only land
and never takeoff,
during the phasing out period

and so I reconsider

Selah

and all its variants,
seventy four times

all those elders know too well,
there was never a

forever

so you
stop and listen,
but not to your own heartbeats,
but to tue

poetic lapsing pauses,

the in betweens,
thinking on that
hope for next one Nat

taking your own measure,
the hanging up,
the weighing up
of the always imbalanced
credits and deficits,
accepting the net net
sum of
the totaling up

yet once more,
despite all,
the poet rises,
stands up,
stops to listen,
to give blessing to
you the reader

all poet's
welcomed progeny and prodigy,
hearing your crying hearts,
youngest wishes
and grinding familia of
familiar fears,
expressed so clear
in all your scripts,
pronouncing
over them,
over you

Amen ~ Selah

once again ,
one last time
telling it to God,
or anyone who'll listen,
with fervor

smiling inward
believing even more now
in the olden
specialized mysterious,
powers
of a word
that means
exactly what you meant it
to mean,
when  your say

Selah*

Oct 2, 2015

Voyaging for grass green
And fortune to a foreign
Land, at sea many met--
The migrants--their death.

they rarely get it spot on,
the side effects of anti-psychotics makes you
**** your bed after going against
the prescription allowances of being sober,
and with regards to a cognitive illness: suddenly
thinking is an illness walking sensibly down
the street with a beer -
the whole inherited aspect of it? like it runs in the family?
well... my great-grandmother almost thought
she was losing it - but she was on the front line of
world war ii, giving my grandmother opiates
to hush her so the werhmacht wouldn’t find them in hiding,
she was from a large family, as was usual at the time,
and most of them didn’t make it -
but then my grandfather’s orientation in this realm
of “illness” probably started when he still remembers
asking two blackshirt ss-men for some sweets and getting them,
then becoming a communist and seeing communism “fail”
thanks to john paul ii.
my take on “thinking is an illness, all thinking is an illness
in the hands of psychiatrists?”
dating a tsarina, being poisoned to near death
by a best fwend - and probably dropping a baby into her lap -
now the question is... how well informed i am
given the condition: everyone’s permitted a personal life,
a private life, a life a third party knows nothing about -
patchwork jigsaw and crosswords all in one go -
which suits the fact that drinking as the time passes
makes all my director’s cut scenarios of the same corner of my life
seem more entertaining - well i could add that
the best chemistry experiment i ever did was at school:
two clear liquids, clearly not mixing like fruit juice concentrate and water,
so they’re sitting there, one on top of the other,
and then... magic! using forceps you pull at the event horizon,
and what you pull out are strands of polyester (polyethylene terephthalate).
so i’m not buying into this psychiatry school of thought
that attempts to cure the colonial white man of repressed anger
and lost self-esteem voyaging to kingston and shanghai
pulverising guilt with oxfam adverts just to employ charity workers
and not sending money to the needy,
but being interrogated by about 10 different sick doctors
you learn their thinking: almost all want you to talk
about your childhood, because there is an inherent need to use
the psychiatric scalpel (i.e. the id) to cut with and find your
ego, attired in diapers, talking about your parents (the superego),
but oddly enough not the supra-ego (i.e. your grandparents) -
considering the fact that the major part of my development is
due to joseph “stalin” and helen, and my great grandmother mary...
but enough about that... i relish on saying this word:
******-synthesis, because such is the primitive nature of psychoanalysis
originating in the upper tiers of the marxist pyramid:
they're synthesising is to be as soulless as
their analysis allows drilling as far in as the faculty of dreaming.
but i guess we all become “complicated” human beings
after european industry becomes exported to china,
drop the hammer and the steel, learn to write learn to
read, become sensibly sympathetic and curiously
sensitive and bam: you're a qualified patient!
and added to the fact that the existential parting with god
only precipitated a complication of the individual man, purposively:
god became infinitely simple (i.e. seized to exist)
and thus man entered the glorious existential domain
of scrutinising and itemising every misery, every pleasure,
every thought, every feeling,
then adding to the sheer outburst of the populations,
he soon too realised - well i don’t really exist either, unless i’m
constantly striving for some sort of recognition other than my own,
hence the solipsistic debasement in existentialism? or
the antidote: solipsistic dignity in the realm of post-existentialism?
i know the answer - how? i’m already using it and the two
questions are meaningless to me - as i already testified inventing
a god: solipsus - purposively; the liberated / pardoned sisyphus
from the toils of the stone, by the wise zeus.

Looking at her from a distance
She drinks her tea
As she gazes through the window
Admiring the botanical gardening
Which blossom every spring
She awaits
For my return from sea
Voyaging across the ocean
I'm terrified
By my conditions
A disfigurement of fatality
I was once a handsome man
Writing her many letters of love
Now
Remoteness is my only friend
How can she love a bewildered creature?
Hidden in my heart
Is a love
To this woman
Who sips with a soul of hope?

Once a Seafarer
I was thinking of my life as a seafarer endless
voyaging like a gipsy of the seas.
It was the best of times because I was young
but was also the worst of times being without
a woman for months on end.
I was a lousy ****** really didn't blend in
Preferred reading in my cabin and got a higher
education without trying or knowing it, yes
I'm grateful to so many writers they gave my life
a meaning on the ocean of colossal ennui.
I came alive when the ship docked, and I could go
ashore, cold lone star beer in Houston and
dance with a cowgirl or a midnight swim with
a woman in Honduras.

As I got older little could assuage my boredom
the drink became both friend and enemy, washed up
on the shore of Portugal, here I got up  drank a cold
beer built my house on solid earth and dreams.

Neptune's call

Hot is the Caribbean night
with added stars and the moon big as a Swiss cheese
on a velvety theatrical curtail.
I stood on deck leaning on its railing
dreaming of Jamaica as the ship slowly ploughed
white crested black water aside.
The ocean sang to me I listened intently and before
I knew it the sea had tried to drown me.
Had I fallen among sharks and see the fading lantern,
would anyone but Neptune have heard my screams?
I lit a cigarette, thought about my endless voyaging
from port to port jaded I was Neptune had read my thought.
This had to end before I got lost in hollowed eyed boredom
there is no place to pole-dance on as hip

greatness once stood here
drinking the spilled blood
of the winos and dope fiends
as they crashed
wings useless
from voyaging too close
to Apollo's fury
this vast wasteland
endless concrete
and stores which stay in business
for months
before being replaced
with the next Mongolian themed restaurant
the streetlights flicker
before burning out
like the candles of so many
extinguished too soon
this wasteland is all encompassing
be wary of the passer-by
they have a grin where their mouth should be
and a purse with a hole in the bottom
they salivate greed
and scream
at anybody who will listen
These are my beliefs,
they may not be right,
but **** it you'd better follow them
the wolves are hungry
out to get you in every drunken
way too high dark alley
that runs rank with beer ****
the elders feed on the young
spiders on their world wide web
******* the life out of the youth
until they themselves
are free of this
free of anger and drive
determination
but best of all
free from the endless torment
of untouched dreams
lock your mind, heart, and soul
in a cage made of razor blades
and swallow they key
because times are hard
in the wasteland
and if you want to make it
you're in for a hell of a journey

"where night is...the integrity
of the voyaging star..."


will flowers blossom soon in this
nearby petal-edged spring? the day

is full of buds, the night carries its ghosts,
the night-lily singing of magnolia and cloud.


in the sweet-breathed sky
the silver stars are like tiny pins,

my love is carved in their reflections,
i see his face in their waters,


our love still lasts, scented like the spring,
promising each other the ghosts of forever,

i could never let him go and now he says
he wants to die by the sea, in my arms,


and we create a new dream, out of night's
shadows, a new beginning before the new end

for all our love and all our hate.
i lie numbed or over-joyed seeking


his tenderness in every crevis waiting
for the kind word, the gentle kiss.

sometimes he gives me love, sometimes his hate -
how tired the world, its hidden ghosts


soaking in the rain, the clouds subdued,
the poem built of the night's sweet edge

enamel-glazed, hypnotic like the stars.
how tired the world- how empty-


and how the poetry spins like a top, full
of the dark sky, the sad farewell,

the pretty ghost.

I am anchored to thoughts of Brugge.
My gastronomical panache is set.
Walking in a medieval town is like
voyaging  to the summits,
the stillness of the morning air
comes with a sense of belief.
Rossie our  tour guide
quilts you with the  knowledge
and a  knowing boon.
Nowhere else provides such testimony.

Tales of riches in sequins
Like a lavish cloak of red
Swirling around to catch
The soft touch of raw skin

Each begins far away
A swarm of bees you can hear
But cannot see
And draws closer
Capturing your mind
And holding it
In an oscillating state
Between trance and attention

You see the rubies
Wish to steal them yourself
From the merchant
You wish to seek council
From the Grand-Visir
Thwart the wicked Sultan
And trick the Genius

The tales weave from one to another
They are a stream
Dispersing in a delta
But following each small stream
Meeting back at the source
In an unending circle
Of stories large or small

Stories of old men passing by
Of brother princes splitting land
Of merchants voyaging to trade
Of cunning daughters plotting

No corner of the world to far
No event not to be believed
No action too kind
No punishment too severe
No journey too long
No treasure too hidden

These tales are the life within human blood
The life that has no boundaries
And looks only for the sun

Your name is a whisper
the slow serpentine hush
the almost sound of breath
like breezes or brushes
ocean breakers gushing
in a rush of water
flushing in the dry sands

it rumours in the air
like sudden awareness
or lovers unwinding
in glimmering moon-glow
their silver bodies spent

I have nothing to bring
only the dress of stars
from the far velvet night.
A moment’s blistered flare
A glimpsed winking sky
Between the curtains’ folds

I breathe these few slight words
dance on the rim of dawn
to make a stuttered prayer
in my trembling fingers

Now I wait in seconds
in slumbering minutes
on the day’s bright harbour
counting the rosary
of your voyaging sleep

Dear nobody in particular;

Summer is rolling in, slowly. Ever so slowly. And I think I've watched the sky long enough now to see each black cell in the night be burnt away by the furnacing light of the sun. It's funny how all around me there's such bright, Earthly promise and bloom, but inside of me, there's nothing remotely reflective of that. I don't choose to feel this way, I suppose it's something in my brain.

Depression is sometimes genetic. Sometimes, and more commonly, it's caused by some kind of trauma, bereavement or follow-up effects from a different illness. Sometimes it numbs you, sometimes it stabs every nerve in your whole body, and sometimes it strangles you to the point that you turn a loathsome fusion of purple and blue. I can't tell if I've felt any of these emotions or none at all. I'd quite like to feel something though, it would make a nice change from whatever in-between state I'm usually voyaging in.

I'm not quite sure how to describe it to you, except comparing it to when I'm peering into the myriad of darkness I feel a great deal of frustration that I can't see all of the stars all at once. One of the things keeping me here is the stars. It's curious how to me they are united in loneliness, at least it seems that way. I mostly see singularity in everything, and it keeps things pure and important. But as I said, the stars are keeping me here. I'd miss them fondly, like a friend of some kind. But I can't help but feel the infinite voyage of death would bring me closer to whatever cosmic genealogy I feel up there. Before Carl Sagan died, he told his daughter ''we are star stuff.'' We are, we really are. All elements are derived from stars, our bodies possess the astral ashes of those stars, crushed from their bones and placed into ours.

'So when I look up at the night sky, and I know that yes, we are part of this Universe, we are in this Universe, but perhaps more important than both of those facts, is that the Universe is in us.'

And I suppose that is why I feel such a strong association with the sky, or indeed the world as a whole. I love it too much. I feel too much empathy for everyone inside it, for everything inside it. And I don't think I was ever supposed to be walking amongst it, rather existing within it. I'm probably failing to convey how I feel through this piece as most people don't understand the depersonalization involved with a need for death.

I don't really think this a need for an end, particularly. It's not a desperate want for a termination of emotion, as I never really felt any emotion to begin with. Nor is it a hopeless goodbye, a shrill-laced cry or the voice in my head telling me to 'just ******* die.'

It's peaceful.

Nothing ever really comes to an end. Even if someone is buried, something buds from the ground in which they lie. And the ashes of a person go on to exist elsewhere. Lives go on living with the Earth, I suppose I just want to go on living in that sense. And so the bright, Earthly promises and bloom that I see but don't really feel can go on without me too, everything can. The world keeps spinning around. The stars won't collapse all at once. Everything just keeps on existing. And *'La tristesse durera toujours.'

cannot find true rest,
all the tumult in this world,
writ both large and small,
saps my upraised arms
alternate
flexing angry fists eager to strike hard
my revived new **** enemies,
and gods inexcusable and conspicuous absence in
Barcelona, Finland and my own
Charlottesville,
and
to quiet comfort commiserating, and storing
all the pain of individual souls I've acquired willingly

and the sunset comes quiet,
trying to sooth by adding
a gentling cream of cooling breeze,
the squirrels eye me suspiciously,
sensing the amiss within,
and all perfect sailboats voyaging past,
yet none stopping at the dock
to offer condolences or solaces

my watch ticks louder

each tick,
a worrisome cursed reminder
this real life seems to be endless struggle
interrupted by small comforts of little voices and
promises that escape is inevitable

each tock,
a fresh notification
the week's approach will contain
another visit from
Hamlet's ghost,
warning of warring factions
battlefield clashing
in a chesterfield plain
between two of mine shoulder blades

constantly reminded how lucky I am,
makes me grow quiet and put pen to one side,
and try to balance accounts, using this time,
pencil and erasure

I need a break and some glue
I need reparations and a battle plan
or happily learn to surrender
and accept being a
dumb terminal,
a slave,
that doesn't ask for
peace of mind
and knock off this poet of the
no way

there are few angels that sing

the last time i saw you
you rested my head on your shoulder
stomach churning like sea foam
our kissing touch in this
homesickness for wrestling in your eyes
missing a heaven i'm not sure we had
trying to get somewhere in the density
in the dark of that embrace
but you are never going there
you wouldn't touch me
and i knew to leave as quickly as i could
i'll become a gone face
fallen, like embers,
voyaging away
like the waning pitch
of a siren
in the nighttime

you ride on rolling waves
always at sea
voyaging across cultures
weaving colorful words into a pattern
beneath my eyelids
i don't think anyone
understands a soul
   flickering
back and forth
between worlds.
when your hands can reach before your poems
and i can feel
  it all
contentment would flow
between us

“Caught a glance in your eyes
       And fell through the skies”
                          -- Alex Chilton



I shut my eyelids and
Before I knew it, we were climbing into a basket swing,
Pulling down the bar to our waists, and
Voyaging higher and higher into the sky—
I gazed up at the balloon carrying us
Then peaked down to see villages turn to squares,
Everything vanished swiftly with the wind
Carrying him and me to our final destination.
Visions of chestnut, scarlet rooftops, avocado treetops.
Spiraled together into one;
Streamed through my pupils and punched my retinas.
Smiling, I inhaled the miasmatic mixture of the air.
The boy beside me grabbed my hand,
Gazed in my eyes
And