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Austin Day Aug 2012
I swear these days the kids think they can rap
With their #swag and their #yolo and snapback caps.

But I'd like to show them what RAP means in this country
I'll spell it out: RHYTHMIC AMERICAN POETRY.

Without your stanzas and word composition
you're just another rapper with an arrogant disposition.

Without a positive message and a humble demeanor
you've got negativity causing the children to get meaner.

You blast the bass and you spit your rhymes
you claim that the haters, "they be lying."

But you fail to see that at the heart of it all
you're more like Lil' Wayne than Biggie Smalls.

I'm truly sorry if you get offended by this rant,
but first thing's first;

Pull up your pants...
Linguistic Play Aug 2015
live in the 'C' section of dictionary
rated 'R' for too much intimacy
a coil of contradictions
a casual act of snapbacks and lingerie
a date with coffee and ***** martinis
it's the nothing good after two a.m.
but the same that will take a good man
you'd get lost in those pages too
if you knew the feeling of the craving
trouble loves a rainy sky
for it provokes the feelings of a darkened night
the moon always has taken hold of our emotions
ebbing and flowing like the breath filling your lust
a tide is just as powerful by any other name
Isaiah Herpes Aug 2013
Snapbacks.
V-necks, low pants.
Bad grades.
Drugs.
Rude *******
This is the definition of swag.
So why would you brag?
Because it really sounds like a drag.
Vincent JFA Dec 2013
Like you were a first trip to NYC,
or a perfect view of the cosmos
from that clearing on Sylvan Avenue,
I was agape and fawning while you sauntered
out from your double doors, to the end of your driveway,
to where I rocked on my heels eagerly
on Allen Dr. at 6:23

Come 7:15, we bedecked your body
with stripped and frayed Armani
in tribute to the Walkers we've seen;
cool-white fluorescence drew emphasis
on the harmony between your ivory simper
and each cobalt marble that rolled
and flicked beneath your tuckered eyelids
by some sort of beatnik artistry.

Frankly, my chest swelled with fever
when I noted the scrunch of your nose
askance to liquid-latex applications,
or the way black cherry sap wept
from the corners of your mouth
while dislodging the blood-capsule
in-between your molars
and your stately, hollow cheek at 7:50

And I noticed around 8:00,
when I had slowed you to a halt
near the crosswalk on Montauk
between Coastal and Le Soir
to fix the scar-tissue on your chin,
that if I ever knew there to be one,
you made a most stunning zombie
with my Tom & Jerry cap lining your scalp;

Which made the stain left by the makeup
worth the trade of my hat
in exchange for your company,
as we picked up a twelve-pack
at the 7-11 just down the street
before we returned to the party.
Thank you so much for taking the time to check "Zombies in Snapbacks" out! This is the first poem I've written (and completed) since high school.

"Zombies in Snapbacks" reflects a moment of eagerness and the secret realization of fondness I have for this friend of mine before a Halloween party in October when him & I went on a stroll for beer.

I love ZiS enough to want to make revisions where it can make the most of them, so I am always open to constructive feedback! Thanks again, I hope you enjoyed "Zombies in Snapbacks!"

Note: Disregard any capitalization/punctuation errors, they are intentional.

Two revisions have been made:
1. Added to first stanza.
2. Two stanzas added between the first stanza and (now) fourth stanza.
c Mar 2018
The only other girl at the party
is ranting about feminism.
The audience: a sea of **** jokes and snapbacks
and styrofoam cups and me.
They gawk at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?

These boys…
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am ashamed
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or woman studies classes.
There are days I want people to like me
more than I want to change the world.
Once I forgave a predator because
I was afraid to start drama in our friend group
two weeks later he assaulted someone else.
I’m still carrying the guilt in my purse.

There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
and lipstick shaped mace and underwear designed to prevent ****.

Once a man behind me at an escalator
shoved his hand up my skirt
from behind and no one around me
said anything,
so I didn’t say anything.
Because I didn’t wanna make a scene.

Once an adult man made a necklace
out of his hands for me and
I still wake up in hot sweats
haunted with images of the hurt
of girls he assaulted after I didn’t report,
all younger than me.

How am I to forgive myself for doing
nothing in the mouth of trauma?
Is silence not an active violence too?

Once, I told a boy I was powerful
and he told me to mind my own business.

Once, a boy accused me of practicing
misandry. “You think you can take
over the world?” And I said “No,
I just want to see it. I just need
to know it is there for someone.”

Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another component of being a girl.
We text each other when we get home
safe and it does not occur to us that
not all of our guy friends have to do the same.
You could literally saw a woman in half
and it would still be called a magic trick.
Wouldn’t it?
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies that
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
Credits to Blythe Baird.

Blythe Baird is an affluent, rising young slam/spoken word poet from Minnesota. She has a book out already, "Give Me A God I Can Relate To" and is making gains in the world of poetry. Regularly performs with Button Poetry. You can find the performance of "Pocket-Sized Feminism" on Youtube. Inspiring and firey on the mic! Check this one out.
Man I swear she's just like tons of girls, she expects the free drinks
I go to your room every weekend
It's been this way for
As long as I can remember
And we hang out
And play drinking games
And I play "beertender"
For the both of us
Pulling almost cold Natty's
Out of your alphabet patterned fridge
And I fall more in love with you
And I think you fall more in love with me
And we take another sip
Drinking whiskey, she likes ***** strong
And your girlfriend hates me
With you
When you put your arm on my waist
Or you pull me so close
And then let one hand linger
On my *** when you pull away
Or rapping in each others' faces
Or stealing your snapback
Just to make you
Steal it again
And she can't stand when you push my hair
Behind my ear
To whisper song lyrics to me
My clothing's on, we both did wrong, I gotta go that's what I told her*
And none of the
Three of us
Ever do anything
To stop it
Please go fix things with her. She comes first.
cat marie Aug 2018
i always find you in the strangest places.
i find you in song lyrics, dog toys, and timber old spice.
i find you in chicken flavored ramen noodles, every shade of blue and purple, and horror movies.
i find you in rainbow coloring books, permanent markers, and colored pencils.
i find you in the grass at memorial park, folded slips of paper in my back pocket, and gourmet lollipops.
i find you in hot fudge sundaes, too-big tshirts, and icp snapbacks.
i find you in chik-fil-a receipts, gumball machines, and arcade games.
i find you in white roses, blue ribbons, animal crackers, and sour gummy worms.
i always find you in the strangest places.
but these strange places are everywhere.
Robyn Mar 2014
One of these days
There's going to be a snapback
That says
"Be different"
It will become the most popular snapback ever
In the history of *******
Snapback sales will skyrocket
And every single boy
In Marysville, Washington
Worth his spit
Will be wearing a snapback that says
"Be different"
And no one will think twice
But the one boy
Who doesn't wear snapbacks
Or Nike
Or Adidas
Or Obey
But who dresses
Different
Than anyone else
Will get beaten
And teased and shunned
By boys wearing snapbacks that say
"Be different"
Clutching lies in their ****** fists
KRB Apr 2014
I must look like a train-wreck to everyone at this party. Emaciated-chic melting into the couch with shaky hands and sweaty palms has never looked good on anyone. I can’t tell if the bass pounding from the stereo has seeped through my skin or if my heart has turned into a battering ram, using all of its power to break through my sternum. You think I would have learned after all these years-- benzos and ***** are never a good combination. But I still have at least fifty bucks to make at this party off of over-privileged, toxin-craving youth. Besides, it’s a bearable feeling, and I can just sleep it off on the couch here tonight.
       I survey the room, attempting to remember where the stairs to the basement were located. After forcing my drooping eyelids to stay open, I watch a parade of lax bros make their way up the stairs and into the kitchen. They are a mess of scrawny limbs floating in pinnies and their air-filled heads are capped off with snapbacks. Their smugness is laughable and mostly, if not entirely, induced by massive amounts of *******. Please. The only reason people show up to this dump is because of the free ***** and the always-entertaining fight that is guaranteed to happen by the end of the party. Even then, the crowd is mostly freshmen, and they just don’t know any better.
       A booming yooooo crashes down the staircase and stumbles towards me. I refrain from rolling my eyes.
       “Hey, you!” I have no idea who this is.
       “Whatchyew got tonight?” asks the greasy manchild with a few scraggly hairs bursting out of his chin.
       “Depends on what you’re looking for,” I respond, wishing I had worn something other than an oversized sweater and leggings. You shouldn’t hide everything in your cleavage.
       “How much you want for the zannies?”
       Hoping to never see this scumbag again, I figure it wouldn’t hurt to scare him off by jumping the price to seven bucks a bar. But before I can even grab the plastic bag out of my bra, I’m momentarily blinded by piercing red and blue LEDs out the window.
       “Aw, shiiiit,” he says as he races toward the back door.
       I struggle out of the crevice in the couch and calmly follow the manchild, pushing my way through the crowd by the door. My car is waiting patiently for me in the cul de sac, and once I get past the herd of screaming freshmen, I’ll be in the clear. Anyone will move if you start throwing elbows directly into their ribs. It’s a nice party trick to use when the cops show up.
       I’m able to make it onto the back porch, but I can’t seem to find the strength that is located in my legs. My strong limbs have been replaced by jellyfish tentacles. I grab onto the railing of the steps, but I learn quickly that it’s not going to help. I trip over my feet, the stairs, the air, everything, until I am able to lean heavily on the driver’s side of my car.
       The booming yooooo reappears.
       ******* it. I can’t deal with this kid right now.
       “I just gotta text that the cops are on their way back here. Better get out.”
       ****. I face the car and begin to fumble with my keys. While I attempt to find the one that will open this machine, I listen to the wail of sirens a few streets down. I finally retrieve it, but I realize by the time I start the car and head towards home, the cops will be here, and I can’t ruin my spotless record. The knee-high hedges lining the circle would never be able to completely cover me, and every other house on this street looks unfamiliar. I press a small, blue button and hear a pop in the back. Normally at this time, my common sense would **** in and tell me that the trunk of a car isn’t exactly a good place to hide, but I’m starting to feel the cold through the numbness. And the last thing I want to deal with is explaining to my parents how their angel has taken herself off of her meds to make some extra cash.  Better get comfortable, I guess.
       I lumber into the trunk, thankful that there are at least some blankets left over from the last time I went camping with my family. Breathing heavily, I pull the lid behind me. From here, several familiar voices grow frantic and demanding: Dump that **** now... Get rid of it... I don’t care how much you spent, I’m not getting caught with it... I roll gently onto my side, careful not to shake the car, only to rediscover the plastic bag filled with Xanax.
       I freeze when I hear cars pull up nearby. The crash of heavy metal doors boom through the hectic sounds of the people trying their hardest to get out of the way. I listen to the rough growl of a sturdy boot as it kicks aside pieces of broken glass and plastic cups.
       “You think that after the fourth time we’ve busted this house, they would get the hint,” says a stern officer. I imagine him as they type with a faded buzz cut, bulging muscles, and aviator sunglasses even though it’s well past midnight.
       “Well, kids will be kids,” says a more seasoned member of the law. He sounds like my grandfather and has probably seen more terrifying images than an underage girl in skimpy clothing puking in a nearby flowerbed. It seems as though the stern officer is herding the party-goers towards the back of the patrol car.
       “That’s no excuse,” says Stern Cop.
       “So you’re telling me that you never went to a party or had a beer before you turned 21?”
       “Well, that’s different. I was in control.”
       Hearing your rights sounds much less dramatic in real life than it does on TV. For these underage drinkers, it’s a sped-up process that is muffled by their own sobs. The metallic clink of handcuffs echoes through the air and immediately hushes everyone. Soft Cop chuckles and gently closes the door, attempting not to startle the shaken-up criminals.
       I am finally able to exhale as a car drives away, but I don’t feel as if I’ve gotten away with anything. I shift onto my back and look up at the roof of the trunk, illuminated by the blue-green light of my cell phone. Glancing down at the screen, I see the time: 1:47 a.m. I’m going to have to venture out into the world eventually.
       As I gather my strength and roll towards the trunk release, I feel my keys in my pocket along with a tiny click. Immediately, my car begins to scream. I scramble for my keys, hoping that no one is here to witness the embarrassing mess I’ve made of myself. Once I finally get the car to calm down, I hear an intoxicating mix of chuckles and mild profanities strung together. It’s Soft Cop. He knows.
       “Is everything alright in there?” asks Soft Cop as he knocks on the trunk.
       What am I supposed to say? Yeah, everything’s fine. Just chillin’ out here. No worries.
       “Uh... yes, sir. Just give me a moment.”
       I unlock the trunk and start push it upwards, but Soft Cop has managed to get to it first. He is a tall, thick man with a glorious salt-and-pepper colored mustache. His soft eyes look tired like a basset hound’s. I see his name-tag–– G. Lewis. He looks like a Gary.
       “Didjya get a little stuck?” he asks.
       “Yeah.” I smile and try not to let my nervous laugh creep through.
       Gary looks around the cul de sac and back into the trunk, reaching his chubby fingers towards me. As he helps me out, I notice that he’s a lot stronger than he looks.
       “Sorry for breaking up the party tonight. Have fun?” he asks, tilting his head towards me, eyes curious and comforting.
       “For a little. I didn’t get to stay very long.”
       He nods his head towards my car. “If you don’t mind me asking,” he chuckles, “how’d you wind up in there?”
“I guess I just got scared. I didn’t want to get in trouble for being here.”
       Gary finds this amusing and swears that by now, every other cop has left the area. He explains that he’s been left to make sure nothing starts back up. He shoves his hands in his pockets and kicks around an empty Miller Lite can.
       “Listen, I can tell you’ve been drinking.” His voice has changed. I know this tone. This is the tone of Your Mother and I both love you very much, and we’re not mad. We’re just disappointed. He looks me straight in the eyes, concern written all over his face. “Correct?”
       There’s no point lying to him, but who wants to be the one throw themselves under the bus? I’m trying to put the words together, but all I can manage is incoherent babbling.
       “Don’t worry. You’re not in trouble,” he insists. “I just don’t want you driving away in this state. You seemed to have a hard time finding the steering wheel.” A smirk emerges on his face, eventually growing in size to a radiating smile. He’s proud of that one.
       “Yeah, I guess I could take a nap in the backseat.”
       “How about I just drop you off at your house. You can pick up your car in the morning. Sound like a plan?”
       “Yes, sir.”
       We look at each other for a second. No thank you is needed. No more words are necessary. I relax my shoulders and look up at the clear sky. I feel the wind blow, and I don’t seem to mind the biting December wind.
       “Didn’t bring a coat?” asks Gary.
       “Didn’t match my outfit.”
       “You sound just like my granddaughter.” He laughs. “You even have the same blonde hair and big green eyes. It’s uncanny.”
       He then stops and looks down on the ground, eyes growing wide and serious. I know what he’s looking at. I was hoping he wouldn’t see my stash that is now laying on the street: eight white pills in a plastic sandwich bag, sweaty from making a quick escape from under my sweater.
       Gary sighs and lets his lips purse, still looking at the bag. The salt-and-pepper mustache takes over his mouth. He gathers his hands on his hips, shoulders hunching forward. He stays like this as I avoid the opportunity to make eye contact. After drawing some air into his lungs, he finally has the courage to look up with sullen and wet eyes.
       “Well,” he says as he regains his composure. He kicks the bag into a nearby storm grate. “Let’s get you home.”
written for a fiction course i'm taking currently
MyIner Agony May 2017
Being weird is important to me. I find it's a gift because it means that you are different than everyone else. I know I am weird because not very many 9th girls have my hairstyle. I say weird things. Instead of saying, what's up, I say "wasabi". I tell corny jokes. I'm weird because I like hugs and not very many teenagers like hugs. I'm weird because I eat olives and sunflower seeds, for snack. I'm weird because I believe in fairy tales characters like mermaids, fairies and unicorns though people tell me that they're not real. I'm weird because I'd rather read a good book than watch T.V. I'm weird because I have at least 20 nerd glasses and 5 snap backs. There are so many ways to be weird. I'm the weirdest person I know so I'll use myself as an example.
I know I'm weird because not very many girls have dreads at 14 years old. I also say weird things. Instead of "what's up? "I saying "wasabi". I also tell corny jokes that I know aren't funny like, what did the penguin say when his friend asked "why did you slap me? ! " He said, ¨I didn't slap you, I high fived your face." It's not all that funny is it ….Thats why its weird to say it.
I'm weird because I like to give hugs to show someone I care, but others only do that with boyfriends and girlfriends. A ****** like me might have a fairytale land of their own, where fairies, mermaids and unicorns live. I have a fairytale land of my own, full of candy canes and gumdrops, fairies, mermaids and unicorns. I have a black unicorn with a green and neon yellow horn, green tail, and a neon yellow mane. His name is Lucky. His favorite snack is Skittles and, his favorite food is graham crackers. His favorite drink is strawberry milk. We have dinner under my tree full of hearts. I'm weird because all that I just said is childish, but I don't care.
A ****** like me might rather read a good book than watch television. A ****** like me might have twenty pair of nerd glasses and five snapbacks. A ****** like me might not wear dresses, skirts, or shorts. A ****** like me might write books and poems.A ****** like me might fall on purpose to make someone laugh. A ****** like me might like school. A ****** like me might stare into space without noticing. I do this five times a week for at least two minutes; weird right. A ****** like me may dance, sing, or look up at the sky randomly without knowing. I'm me and you're you. I'm not you and you're not me. So, please don't judge ******'s for being who they are because they're gonna be them and you're gonna be you because that's how its suppose to be. So how weird are you? I bet it is not weirder than me.
Joshua Haines Jul 2016
Somedays I don't feel like writing
and it worries me because
'Writers write everday --
real ones, at least.'
I fear being ordinary,
which is tasteless because
maybe being ordinary
is what I need.

The appeal of snapbacks
and hipster haircuts
is starting to make more sense.
Blending into a crowd
might suit me better;
to be invisible but
to no longer be insecure.

Rap lyrics make more sense,
even though I can't relate;
these words are my sedation,
these clothes aren't armor
but marketable camouflage.
My words have been said before,
but that might be okay because
I'd hate to torment myself
wondering about my relevance.

So, to move on, I write,
and I write, and I write
to pander and to conform.
Substituting thought for
appealing diction and
strong imagery, afraid
to show myself because
maybe you're too much
like me, which, surely,
would eat me alive.
Tainted the dreams,
once had, realizing
how they grew in toxic.
Jenny Jul 2018
windows up
walls down
in the backseat of her toyota
staring at the green fluorescent car clock
9:37
he looks over his shoulder in the passenger seat,
the boy who could breathe without inhaling
a mere party trick.
i had always wondered what it felt like to be a teen
stupid as is seems
i was sheltered once,
hidden from night rides
obscured from midnight hikes
asleep instead of the early morning mcdonald trips
my friends were more persistent on making me to eat with them
than making me exhale dancing fumes with them.
i only know the double chin grins on our snapchat stories
the rude jokes, the black ripped jeans, and snapbacks
the lime green socks that matched the stair railings
and pink sliders never looked better.
the “6:30” movies (5:30, shhh, my mom can’t know)
and the crinkling of empty water bottles in the backseat
i felt alive tonight,
even through the tough,
sushi stores and reclining movie theaters never felt more like home.
and boba stores that stay open late with neon open signs
welcome us
9:37
the “oH mY gOsH iTs a DoG” screams
the photoshoots with random men wearing fake Coach hats
the posing by wooden desks
the lights that lounge effortlessly above
encaptures our spirits and brighten them
i don’t drink, but they smoke
but tonight, beer can’t buzz us more than boba
and childish giggles escape from my wide smile.
so this is what the lullabies were about
this is what katy perry sang about
this is what i had been waiting for
to experience moments of pure awe and affection for those around me
to see them smile in slow motion when they understand a joke
or react to something
our collective experiences are understood
no words need to be ushered to empathize
as we dress like the night,
we transform into it
the stars flicker for us
the moon gives us her blessing
and the sleeping sun gives us our space
9:37
was meant for us
the clock stops
and time stretches its arms to infinity and beyond
i could live in the frozen frame of this evening
bomber jackets, jean jackets, and tattooed planets
the inside jokes, the enjoyed hoax, our future hopes
they live inside the car clock that reads, in green, 9:37
a wonderful night
yo, Listen to the story ima tell way back wen i saw this bad chick and she casted a spell right, I was chillen with the crew yeah u now my ****** we were rocking some snapbacks and the clippers I was checking her out I saw her face yeah u now lovey lovey dovey all up in my space my boys was sayin she's a seven she a nine in my mind i thought she's a dime so i was checking her out straight up and down i notice her just noticeing me she was rocking some J's with a short mini skirt she had the Jordan symbol on a v cut shirt i pulled up right next to her we was chitin chattin for a lil bit exchange numbers told to call me in a lil bit the relationship was in full gear i just told her all that she wanted hear like she pretty and like your  hair i don't wanna come across as thirst i just wanna **** and wanted to be her first wen she ask me if already had it i lied and told her yes try to look in her eys so she won't notice i was staring at her chest every time we kiss i take a deep breath she is feeling high cause I now what to do i bite her lips i kiss her neck grab her hips her body tight tying to set that mood right u now what I'm a do tonight started from the top worked my way down took her ******* off so i can see that view told I'm a do u right and eat it to told her I'm going make her feel brand new she said take it easy you now I'm new told her me too when I do what I'm a do when i get on top of you I'm a test your vocals out and you singing ooooooooh! girl you now it's nothing baby girl I'm not fronting was not lying when i said you are my first.
Aya Baker Sep 2013
it is a rainy day

and the pavement slick with water

and her heels go down clicking

click click click

and they are red and she tries

to show that she is powerful

and important

and that she matters

in this city of people who are all the same

blonde and asian and street

snapbacks and briefcases and tattoos

coffee and tea and mineral waters

but she isn’t

and she is still just

insignificant.
One of my older poems. Hard to escape from writing yourself into your works, isn't it?
Amelia Apr 2013
this isn't my type of party
20 people lost in the lobby.
girl got a cute face,
her friends got her own body
it isn't a commodity.

you're taking me down the alley.
this definitely is not the valley.
and I follow your stride,
nervous to be meeting your kind.

These big grey ocean eyes,
milky complexion, taller in size.
entering the fence, homes confined
The East Side, so many places to hide.

up the steps, entering in the back door.
cousins room, the stench of cologne.
Boom and Bass, torn down wallpaper
snapbacks, tied laces,  young children?

This isn't my type of party.
20 pathetic men in the backyard
my boys got a smart mind, kind face
this is such a waste.

Smoking, drinking, faded.
this isn't me, almost sedated.
take me to the air mattress
warm me, let me rest.

this isn't my type of party.
I don't fit in here, sorry.
get me out of this lobby.
my version of  " my type of party" by dom kennedy.
if greyhounds could talk,
tales buried in beats, braids and snapbacks
would be told;

lines blurred by the plight
of indifference
would unfold,
connecting souls waiting to die
on straits unforgiving,
to souls willing to try...

and the book of humanity
wouldn't be so
blue...

~ P
(#soblue)
8/1/2015
My little birdie, let's call her Donnie, didn’t die with me. She was the sky, the ocean, the air; always there; before there was me; before there was Lily and the schizophrenics she so dearly loved. She chose me through three miscarriages; clung to my slimy wet shoulder from birth in an old British town, and after my heart said, “**** it. I’m done.”

Donnie, who knew me well; whose laser eye cut through my survival shield. Who was there with the ******* and the priest in his long white gown, red, sputtering scooter, and bifocals that saw me before I slid under black sage bushes on Bleak Street. “We must learn to forgive,” he preached, as if he’d previewed the ****** fantasy with the teenage butcher and 12-inch blade; who dreamed of severed jugular veins; who knew their precise anatomical position from Biology 101; who raged through life buoyed by his noble struggle to overachieve, kick poverty in the *** and please his mother. She wanted him to be a shrink who performed lobotomies and lived in a mansion on the hill. But instead, he peddled anti-psychotics and sildenafil.

Donnie, who nixed my flirtation with cremation with her thesis on Casper’s Law. Who waxed poetic on the cycle of life and the critical role of clostridia in butyric fermentation. Who stoked my angst of guns and God; and the Talmud’s curse that justified subjugation of blacks for five hundred years, and gave us Jesus, blond and white with sky blue eyes, and prosperity preachers with a penchant for private jets, Bentleys and pews packed with faithful followers seeking salvation and eternal life but fearing death and the neighbor’s son with sagging jeans, snapbacks and kicks by Kanye West.

Donnie, who worshipped only supreme reality. Who scoffed at the devout deacons and their elegies of compassion after protracted nights of drunken bliss and fornication at the bordello. Who challenged me to read and think independently; and unlearn the trappings of blind faith in a deity unseen that failed to intervene when Baba and Phoebe were yoked, *****, chained, stripped of name, culture and natural identity; made to slog like two-legged mules in a land far, far away; for missionary masters who ****** black men in public for dissent, and threw black babies, naked, screaming, into giant, snapping jaws of bull gators for fun.

Donnie, who inspired me to explore the theory of applied nothingness; that nothing is something and everything is something and nothing; that nothing is the silence from which a baby’s scream emerges and to which it returns; that singular forces of expansion and compression move the universe to an inevitable state of oneness. That the world is the laboratory of the independent thinker who knows the only constant is change; whose mind is constantly moving and learning new tricks, not stuck in the static biblical paradigm of many interpretations, including that curse of Ham, that seismic slight of hand that shifted and redefined tectonic geopolitical plates of master and slave by race.

Donnie, who knew the moving mass of maggots feasting on my rotting flesh were merely spokes in the cycle of life and death. Who knew heaven was a myth like the devil; that both lived in me, on Earth, a duality that made me love and hate and share and steal that shiny red apple from the Korean grocery store on Utica Avenue, just for the thrill of it. Nonetheless, a part of me wanted to confess, just in case that nothingness theory was just applied ******* and John 3:16 was real. Just in case, mother, who prayed five times a day, and sent four-figure checks to Benny Hinn whom she’d never met, and gave me a black bible to help me find the Lord, was right all along. But a few Berettas and bump stocks intervened.

Donnie knew I was dead when the bullet split my head in two back in 2032 at Times Square. There would be no 2033; no ‘Happy New Year’ toast, no kisses, no cheer. Just rat-a-tat-tat, screams and mayhem on 42 Street. There were 175 dead at the scene when the giant ball completed its 60-second drop; New York City’s second worst mass killing in modern history. Children missing limbs; gaping holes in the chest of men that held beating hearts at 11:58 pm; chunks of brains, eyeballs and other human remains swimming in blood near headless victims. The three white terrorists did not discriminate. Every race felt the deadly force of guns meant for war but fiercely defended by Second Amendment zealots and the NRA.

I should have migrated to Tokyo back in ’85.

Donnie disagreed. She’d stayed connected to my departed, restless soul in the after-life. Together, we observed the protracted decomposition of my earthly shell in a loosely-sealed casket somewhere under the red clays of Georgia. Donnie, who knew I needed therapy after that morbidly brutal exit from the physical realm of palpable matter; back to the golden eternity of nothingness from whence I came. Who reminded me that my brief sojourn among the living was not inconsequential; that I’d left an indelible mark in my sphere of influence, real and virtual; that I’d found and used my gift of write for the greater good of preserving naked truths of humanity; that my ancestors were pleased, including my deceased mother, whose long position on pious options had filled the coffers of Benny Hinn and other preaching predators like pastor Mike at the Bootleg Church of Brooklyn; yet yielded nothing which is something as hitherto explained.

“Your mortal life unfolded exactly as nature intended,” Donnie counseled, in her infinite wisdom, adding, “even the biologically immortal pine will die when struck by lightning or swept by a tsunami or snapped like a toothpick by a giant tornado.”

“And those pines produce oxygen to support life on the red clays of Georgia, now uniformly enriched by your final contribution to the world.”
Experimental piece; post-mortem stream of consciousness.
Jackie Apr 2014
The past is the past for a reason
Difference in seasons
Lock me up for treason
My on going thoughts leave me heavily breathing
I cannot believe what I am seeing
We are all addicted to something
I'm addicted to the need to capture things
Like your heart
I'm addicted to this art
It pulls me apart
Just to put me back together
I am a rubber band
Don't stretch me too far
I don't continuously expand
I get pulled then slowly snap back
I don't wear snapbacks
They mess up my hair
My mind is a mess
Constantly moving and excluding
You can't sit here
What if I just disappeared
Into thin air
Magic is everywhere
Just look at us all here
That's pretty magical
Like Cinderella and the ball gown
Haters go straight down
You'll find them all there
Along with my fears
When people stare
I must be doing something right
I take flight
Go beyond air
Makes me feel alright
I don't do well with goodbyes
It means the end
I'm not good with see ya later either
Later is never promised
Do I just end things
Or pray that I make it to later
I would never date her
She's to stuck up for me
Stuck in a tree
Of high expectations
And I'm afraid of heights
Like continuously falling
Without reaching the end
Does time really end
Or do we just give up
It's a funny story
Actually it's pretty tragic
My love for you is like the Lost City of Atlantis
I believe in it
But you will never see it
My heart opens just to snap
Like a mouse trap
Don't get trapped
Unless you are able to adapt
The endings of poems are always the hardest
Is this a good place to rest my subconscious
****, why not
It's my poem
Huh I flex chrome metals street annoynmous general polished black macks exposin' ya brain mineral no sentimentals
Wear twisted back hats no snapbacks
But crack backs like a master snaps
Whiplash leave an unhealible **** all about my maths
No subtractions only additions
Or divisions lone ranger invokiñ' danger
Out of a broken manger thirty first round in the chamber
Fully clips unload mute y'all lips sink ships
Casket closed no sweat on my nose
Once I seen the body froze then back
My ***** goes and grows inside ya girls pussyhole
Stay swole
Breakin' her urge ****** it's homocidal
Tryna step to a dangerous crew drinkin' brews
Intoxicated off of rhymes makin' dimes
On pennies feelin' like Hill Benny
Anoint my mind state with the stickiest joints
All bullets point at me but can't harm me
Ricochet all day either way I'm still gone slay
With the verbal AKs splittin' toupees these days
Haters follow make ya headless sleepy hallow
None could borrow lyrics flow like water
Prepared for slaughter from the tidal waves
Made brave weak hearts I crave and save
Brailled faith like Jesus to Judas watch shootaz
Waiting in corner to put me in the coroners
But **** that I refuse to be a spiritual foreigner



Raindrops from the clouds it's mother nature's cry
Opening her thighs ******* all over the skies
See the sin that hides over the masses my mind crashes and clashes
With stupidity of humanity I'll be **** G
If i can't blast away these evilness that trys to stay
Know to many homies buried by the Glocks
Caught up in the ticks and tocks of deaths clock
Onto the afterworlds spirits locked
And will they be able to knock
on heavens or hells door check carcasses blood all over the floor
Makes the grass grow see how the winds blows
It's another spiritual signing but real folks ain't finding
The ways of Ecclesiastes Lord left us tactics
Follow Elijah's commandmants got **** it can't stand it
Madness dancing around thoughts drowned
In the water tryna stay afloat on top of things
My mind rings but it's hard since evil and good are rival siblings
They stay firing forever will be hiring
The next dummies to exchange
There souls over riches for temporary gains
Ables turn Cain once greed spreads in their membrane
Consciously unspoken cuz they broken
By false apperance happinesses cloakin'
Watched for hataz and spiteful tokens
Sit back relax before ya body be drenched by bullets in red soakin

— The End —