There's a yellow green gas,
You can't see in your glass.
Sometimes you can tell,
It's there by the smell.
It does a great job removing bacteria,
Like Diphtheria,
Or even Listeria.

But what do you think,
Happens to the chlorine in your drink?
I don't want to alarm,
But there's a chance it might harm.
It protects at a price,
Attacking our bacteria that are nice,
And I'm sure it excels,
At killing your own cells,
Forcing new ones to grow,
When a mistake could cause woe.
Some studies have found it an enhancer,
Of bladder and bowel cancer.

Whether old or young,
Do you want it in your lung?
You have the power,
To remove it from your shower.
It's rather grim,
To have to breathe it when you swim.
You're more likely to wheeze,
Or sneeze.

Do you think it will please,
Your inflammatory bowel disease?
Perhaps it's the key,
To why there's Crohns and UC.
Do you think that your skin,
Might become a little thin,
And be filled with dread,
As it starts to turn red.
Can you not feel,
How it's harder to heal?
It makes our tissues grow old,
From what I've been told.
Our cells can only divide,
A few times before they're stupified.

With asthma and chlorine on a map,
You can see they overlap.
Sadly in the West,
Not everyone has guessed,
That there may be a link,
With the gas in our drink.

“But!”, I hear you cry,
“Without it people will die.”
Let go of your dread,
We can use something instead.
The answer is well known,
It's called 'ozone'.
Made from pure water,
It's gone when it reaches my daughter,
Unlike chlorine it's life is brief,
What a relief.

There's many a city,
That make it with electricity,
Splitting water into hydrogen,
And best of all, oxygen!
For ozone is made from O2,
Yes, it's true!
Imagine if you had,
Water with nothing they add.
Already there's Paris and Nice in France,
Where people can dance.
San Diego and Los Angeles in the USA,
Have water that's ok.
And Osaka in Japan,
Now use this plan.
But you don't have to be rich,
To make the switch.
Ask a clever committee,
To stop chlorine in your city.
See if you can arrange,
To have your water change.

I hear you shout,
“Can 'I' get this chlorine out?”
If you leave water in a jug overnight,
What's left will be slight.
Boiling will send it away in the air,
So there's no need to despair.
You can also remove it with a filter,
Or a water distiller.

To learn more have a look,
At 'Question Chlorine' on facebook.

Near Execution in Osaka

One day I was marching with other prisoners through the streets of Osaka, returning form that day's work. It was bitterly cold and my hands became numb. I placed my lifeless hands into the pockets of my ragged pants. As I entered the camp gates, I noticed a Japanese guard pointing his finger at me, calling me to the attention of another guard. Later, in formation along with the other American POWs, I noticed the same guard pointing at me and walking in my direction. He instructed me to follow him. I really didn't think much about this at first.

I followed the guard into the camp commander's office with the interpreter walking beside me. I was ordered to come to attention and bow to the major,  who was sitting at this desk. A few moments later, the interpreter came over to me and said, "You were marching down the road with your hands in your pockets, and that is not permitted for Japanese soldiers."

I replied, "I'm not a Japanese soldier. I'm a prisoner of war!" After hearing the major shout in Japanese to the interpreter, I was told in English by the interpreter, "The same rules apply to all POWs!" "I didn't know that," I answered. In a faint voice I told the interpreter, "Why don't they tell us their rules?" To myself I thought, if I knew al the rules I wouldn't break them.

The major screamed at the interpreter, who translated; "You are an American soldier and you do not march with hands in pockets!" I responded bluntly, "Let me know the regulations, and I will obey." The interpreter translated my answer for the major. With a shocked look on his face the major jumped out of his chair and whacked his clenched fist on top of the desk. I know now that I had really provoked him. By the manner in which he spoke to the translator, I could tell he wasn't thrilled by my attitude. He arose again quickly from his seat and walked toward me, and the guard made me bow once more.

The interpreter said, "The commander does not like your attitudes!" At that point, the major pulled his sword out and nicked my throat. I felt the blood streaming down my neck.

"Prisoner can be executed for disobeying orders!" the interpreter continued. All I could do was stand still with thoughts of terror running through my mind. I stared into the major's hateful eyes. I never took my eyes off him, not for a moment.

All of this, for just walking with my hands in my pockets. A strange feeling came over me, and I suddenly knew this was a very serious matter. The major yelled at the guard, "Take him outside! I do not want blood all over my floor!" I began walking out of the office, with the rifle point of the guard behind me pressing into my back.

He then ordered me to stop. I came to a complete halt, as instructed. I stood there waiting at attention for the next command, when I began thinking of and seeing myself buried in Japanese soil. My mind raced and I felt an imminent fear, but somehow I felt I had a fighting chance.

I heard the commander and interpreter coming out adjacent to where I was standing. As they were speaking back and forth in Japanese, all I could do was stand still. I was then ordered by the guard to bow one more time to the major.

"The major is going to execute you, so all of the men will know that breaking regulations won't be tolerated!" the interpreter announced. The major walked in front of me and pulled his sword out again and put it to my throat. They expected me to beg for mercy. The interpreter asked, "Do you have anything to say?"

"I guess," I told the interpreter, as I looked into the major's eyes. And then these words came to me, and to this day I have no idea where they came from.

"He can **** me, " I replied, "but he will not **** my spirit, and my spirit will lodge inside him and haunt him for the rest of his life!" I was asked by the translator to repeat what I had uttered. A terrifying feeling came over me instantly, and my blood flushed over my entire body, making me absolutely burn with horror.

I said, still staring into the major's eyes, "He can **** me but he will not **** my spirit and my spirit will lodge in his flesh for his entire life! The Americans are coming and any Japanese who kills an American without just cause will have their spirit haunt them forever!"

I did not grasp at first what I had actually said. I was prepared to dodge the sword if the major made  a move to swing it at me. I watched his every move, never taking my eyes off of him. All of a sudden, a mysterious expression appeared on the major's face. Then, to my amazement, the major made three steps back and lowered his sword. I gazed up to the sky and said, "Thank you , Lord." This was the first time I had seen a Japanese soldier back off from an execution.

The major then ordered the guard to take me to the pit in the earth that was used for solitary confinement. The guard, with his weapon shoved into my back, ****** me towards the 5'x5'x5' hole in the ground. As the Japanese guard lifted the cover to the hole, I wasn't sure that this ordeal was finished. He motioned for me to get down inside. Looking down into the depths of that dark place, I tried to get in. I landed head first, face down, after being pushed or kicked by the guard. My face and neck were hurting badly as I wiped the tears  from my eyes.

Homecoming and Nightmares

It was great being home, but everything that had happened to me was still roiling around inside me. It was like two people came home. One of them was the boy I had been and the one my family saw when hugged me and talked to me. The other was the man I had become, full of memories and feelings that I could not deal with. Things had happened so fast, and I had not been able to overcome the fear, the suffering, and the rage and pure hatred that I had inside me. When the war with Japan ended on September 2, 1945, I was a Japanese prisoner of war in a slave labor camp on the western coast of Japan about 500 miles by train from Tokyo.

That was just a few weeks ago. Now I was supposed to try to adjust to a life that for four years I never thought I would never live again. To my family and friends I was plain old Glenn Dowling Frazier, the soldier that was home again. But I knew I was no longer that person. My thoughts were often full, not of the freedom and love that surrounded me, but of the Bataan Death March, of the times that my body was so badly beaten and sick that I feared I would not live another night...

The horrors of the war were with me every day and night for the next twenty-nine to thirty years. At times, I wished I had never come home. I imagined how peaceful it would be to lie down in a quiet place and find the peace that only comes with death...

At times I would resort to drinking to try to forget my problem. It became impossible to tell anyone that my experiences in a war over 30 years ago were still haunting me. My body was telling me that something had to be done to end my problem, but when thoughts of resolving it came into my mind, I found it so strongly embedded in my beliefs that it was impossible to do anything about it. I was reaching the end of the rope.

Early one morning, about 2 a.m., I awoke from sleep, and before I really knew what was happening, I was kneeling by my bed praying to God. It was like an uncontrollable force working inside me, even giving me the words to say. In that prayer, I asked God to help me shake the curse that was controlling me.

I had asked my preacher at times about ways to get help and solve my problem, only to be told that I must forgive the Japanese. I said, "Oh no, I can't do that. They have never apologized to all of us, how can I do that?" And I continued to suffer.

But the force within me this night brought the tears. I cried my eyes out. Every thought that passed through my mind was like a voice inside me saying, "You must forgive everyone and everything that has hurt you. You must forgive the Japanese and forgive yourself for harboring this hate for so long. "

It is rare that, outside Japan, you hear anything positive about the lot of women in the Japanese workplace. Well-meaning rankings and anecdotal articles frequently do little more than reinforce tired stereotypes. Still, change is afoot and there are many voices in the Japanese corporate world that have a nuanced story to tell—even some who dare to assert that there might be something that Japanese working women have to teach the world.

One important factor preventing progress in how women are viewed in the Japanese workplace is the ongoing prevalence of highly gendered uniforms. This is true both in the literal sense and in what is implied—from strictly structured dress codes that govern post-graduation job hunts right through to the president’s chair. These remain highly gendered for both men and women, a visual reminder of the very different roles played by the “salarymen” and “office ladies” of years gone by, but a stumbling block now, considering how much has changed.

Representative of this change is fashion brand Kay Me, from entrepreneur Junko Kemi. Not just an oddity in the Japanese fashion world, Kemi is an unassuming revolutionary who has dispensed with the establishment path to the racks by forgoing trade shows and industry-only runways. Instead, she builds on her own experience in the Japanese corporate world to fashion the clothes she would wear to the office. In the process, she has managed to chalk up a Ginza flagship store, key retail positions at Japan’s top department stores—including Odakyu in Shinjuku, Mitsukoshi in Nihombashi, Breeze Breeze Umeda in Osaka, and Isetan at Haneda International Airport — and even a presence in London. She’s accomplished this in just over five years — less time than it takes the average brand that plays by the fashion industry’s rules to get their first round of scattered stockists.

Kemi sat down with The Journal to talk about why she moved from marketing to fashion, how she sees women in the workplace, and what she aims to achieve with her designs.

Japanese fashion is a notoriously saturated field. With no background in fashion, why did you choose to enter it?

My background is in marketing and consulting, but I was always aware that, at the root of all market analysis, is the Japanese phrase ishokuju, meaning the necessities of life: food, clothing, and shelter. When you look at Tokyo, there may be a lot of fashion, but that is the way it should be. It is as important and necessary as food and shelter. After the Lehman shock and the March 11 earthquake, this idea of necessity came to have greater meaning for me. I wanted to make something that was really required by people in their lives.

Of course, my background in marketing helped, and I knew that the bigger companies would be scared to compete with me if I chose a niche that wasn’t a proven quantity yet. That niche was professional women; women with the drive to go beyond what society expects of them and who want to express themselves on their own terms in the workplace. There is also part of me that likes to be the rebel, and to a certain extent I just wanted to prove people wrong when they said the market was oversaturated.

One of the most important Japanese fashion designers of our time, Yohji Yamamoto, famously started his eponymous brand in rejection of Japanese “office lady” attire and how working women, as a whole, dressed. Is this a shared source of inspiration?

Perhaps. Although, ironically, given that Yohji Yamamoto mainly uses black, I feel that women’s clothes are too dark! Fundamentally, I feel that historically it made sense that for women to enter the male-dominated workplace they first started dressing like men; but that can’t be where it ends. Far more interesting is for women to be unapologetically feminine and be accepted for it. Women should not have to cast off their own culture to enter the workplace, nor deny their own nature between 9:00 and 5:00. Why shouldn’t there be flowers in an office? In that sense, I am the opposite of Yohji Yamamoto — he wanted his clothes to protect women from men, but I don’t think women need protecting.

My real inspiration is surprisingly conventional. My grandmother ran a kimono shop, so I am always attracted to traditional themes in my work. The Japanese motifs I use, in particular, have been key to reaching people abroad. It is not necessarily targeted like “Cool Japan,” just a lucky coincidence. For Japanese customers, they are a way of building elements of kimono into their working wardrobe instead of wearing full kimono, which is hard in daily life—never mind the workplace.

As an entrepreneur, what do you look for in your employees? Do you actively create a female-friendly work environment?

I have been all around the world meeting entrepreneurs — especially in the UK and East Asian countries — and I am frequently the only Japanese person, and nearly always the only Japanese female entrepreneur. Therefore, similarly minded people with an international mindset are my key assets. With that comes an ability to communicate in English, and the confidence that your ideas will resonate not only in your own country but globally. That is rarer than you think, and a big issue over the course of a career is that only high-ranking members of Japanese companies ever go abroad on business. That locks women out of having experience abroad and stops them thinking more globally.

In terms of workplace, I would like a 50-50 split in my workforce; but right now we are still at the early stage of growing, so it has been vital that everyone understands the shared goal. As I am dressing working women, I have far more women than men working for me for now; unfortunate, but it will change. Also, I insist on flexible working hours for my staff with children. It creates some small issues with timing group meetings, but it is easy to work through and worth it for the talent they bring.

What could institutions like the Japanese government and universities do to change the status quo?

Universities are taking the lead in thinking globally, but that is only half the battle — they need to create more competition among students — female in particular — so they have confidence to go abroad. That needs to be the spark that starts a movement.

As for the government, there are lots of programs out there to support companies like mine, but to be honest we just don’t have the time to apply for them — they require so much documentation. So far, the programs feel like lip service from an older generation who doesn’t understand mine; time will change that.

In the meantime, I am focused on thinking globally. We haven’t targeted the inbound phenomenon as such because they are not necessarily our customers. Instead, I am focused on online expansion and taking my brand to Europe, and hopefully to America via New York in the near future. Of course, I want quick expansion; but ultimately we have been quality- and service-driven in Japan, so we can’t forget that as we look abroad.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

A young Japanese boy
No older than 4
Fell behind his father,
Stumbling over the escalator leading
To our train.

First kid in a long time
To return my glance
With a wide-eyed grin.

He even stopped for a while,

Much unlike the ****** trains.

this ain't no art, man,
this is just a careless whisper
this is just George Michael
singing in your stereo
this is just your bourgeois-blues
this is merely a bewilderment
this is not the art, you know it,
you ******
you ****
you chronic masturbator
you who dare to write on the internet
dancing with yo papa' shoes
and in yo mama' lingerie
ah, look at yourself, a human miracle
Angel of a foreign Harlem,
you who wasted all away,
speaking in foreign tongues
inside the thighs of a british stripper,
you idiot
you *****.

and when i'm done i'll come for you,
like a ****
like a dog
sniffin' and slidin' in your park
in your ***** trailer park
there with your fat-****-husband
stalkin' yo every move
you *****
you ****
and when i'm done i'll look for you,
simple as that
simple as an Einstein formula
served to you on exotic dishes
by Norma from Twin Peaks,
cars for the missus and furs for the mistress
and when you'll die you'll ****
between all your champagne wishes
and it'll be ******* ridiculous.

But that's life, babe.
Get down on thursday,
drains you in May.
You *****.

so be-my-babe
i say be-my-babe
in black and white
like the Ramones
or the Ronettes or
the Rolling Stone
- i still want to know
how your insides look like,
- i still want to save
your capitalist nature
in my mother's fridge,
- i still want to fly
high on a jet plane with you,
alone,
with or without needs,
crashing on our bridge.

I love you-
love me!

I put my gun in your hands.
I push it. I shovel it.
My bones are broken
bound by all the words
i never dared to say
- and here, my love, right here,
i put IT in my mouth,
i feel the cold steel in my tongue,
-- how much blood from
such a tiny hole, Lizaveta!--
and this, and so much more.

but please, i say please,
would you feed me?
would you need me?
i'm a little angel drowning in candies
who's eating his heart out and ******* his candy
ah, would you say this? Would you?
Just because it ain't cool?


Well if i'm not cool i'll drive my kite all night
and take my lunchbox and
shoot Panama down and
shoot Mexico down and
shoot a *** smoker down
and shoot a crack dealer down
and shoot a beer dealer down and
shoot Mexico down
shoot Osaka down
Kabrula kaysay Brula Amal
amala senda Kumahn Brendhaa!
Kabrula kaysay Brula Amal
amala senda Kumahn Brendhaa!
my love will gun down all your school
Look at me - i say, look at me!
Kabrula kaysay Brula Amal
amala senda Kumahn Brendhaa!
Kabrula kaysay Brula Amal
amala senda Kumahn Brendhaa!
and don't you forget to say my name,
as i'll

****

YOUR

SKULL

I spent two days crying over a boy
who couldn’t even admit that I was ever something to him.

Two nights crying my tears into a river
in a city that didn’t give two ***** about me.

A boy that wouldn’t hold me and couldn’t let go of me.

I was a flower, wilting and dying under his touch
because he just couldn’t bear to ******* cut me off.

i believe that a glass is half empty
or half full
depending on which way
the liquid is going
if you fill it halfway
it is half full
if you dump out half
it is half empty

i feel like half of me
has been dumped out
and i can't manage to care
about him or you
all i want to do is hurt myself
"because i probably
have it coming anyway"
and i'm sorry

i know it's a lie
i do care
i care a lot
but i feel so numb
i don't feel care right now
and i'm sorry

and all i want to do
is be drunk
and be touched
and be loved
and i don't know
if it's a good idea
because you are broken and so am i
and i am sorry

and in less than four hours
you will know
exactly how
broken
i am
and i am sorry

She probably shouldn't talk about him ever again,
Since she is the one who left him without a trace.
She probably should leave him alone,
and stop regretting things that happened because of her own fault.

But today, please let her ramble about him.
For the very last time.

When she met The Taurian that Summer,
She thought nothing would ever happen.
A little chit-chat here and there,
Laughing for some high school memories,
life update, and lastly, a few selfies won't hurt anybody.

Before he left her at the MRT Station, he said that,
He would go to Japan. For 6 months.
She nodded.
She didn't notice,
that he will be the one that haunts her mind for a good 3 years.

They texted like crazy.
He never dates anybody before,
She might be the first gal that showered with his attention.

It was all making her so happy.
Well, she thought she fell for him.

That one night, She received a postcard from him
the one that she puts on her bible.
& other night, He sent her a Merry Christmas note with a big Christmas tree in Osaka, Japan.

But then, she left him.
She left him;
She thought, she loved him.
She thought everything that she ever asked for is that Taurian.

But he isn't.

He is indeed haunting her mind.
He is indeed making her sorry.

But maybe it's too late.

When we were making out
In the moonlight
All was great
Until you muttered
Something strange in tibetan
I was creeped out and
Ask what you said
You said that you
Were a Buddha
I freaked out some more
Until you said that
My moonlit beauty
Made you achieve enlightenment
I took it as a compliment
We continued to couple
But in the morning
While we made love
You said that you were going to announce your
Achievement to everyone
It only got worse
Soon I missed my period
I wasn’t stupid
And I got afraid
So I had to leave
For the sake of the child
So I run away back to the us
Before you came back to me.
I had a woman sneak me to the nearest airport
And I left but ended up in Japan
In the city of Osaka.
Because I need medical attention
To see how many kids I had
multiples were confirmed
As I was leaving
I heard a familiar rough voice
Call out my name
I turned around
It was yuan Matsumoto
He asked me to come with him
After he was looked over
When we were both discharged
yuan took me to his high end
Appartment
There my old sensei and I talked
I said that I was in Tibet
But he did not get angry
“Let me see, that twirp dragged you?”
I said yes and he gave me a hug
And we made out
Soon we made love
As if you never knew.
I just had one question
That he wasn’t going to cut my heart out
Yuan Matsumoto gently kissed me
Reassuring me that he was only jealous
At the time
I wanted him.
He gave me his mother’s ring
And said that
He was in love with me and wanted me for life.
My yakuza and I kissed deeply.

Do you know what heaven would do
if they found their angel missing?
They would search the rest of the Earth
only to fund us reminiscing.

Talking, touching, kissing and loving.
These are the things angels will find us doing.
It is a love so vast, it ventures to the unknown
and is so mysterious, it needs its own rosetta stone.

I can only hope heaven doesn't intervene.
Although a search party is likely underway
from Osaka Bay to San Jose.
They'll desperately want back my angel queen.

Just as the Osaka Sun must leave the sky from the Tokyo moon,
us who once were Lovers In Japan must depart,
no I shall not See You Soon,
for even the thought of seeing you breaks my heart…
For we were young and The World Turned Upside Down,
I sat, I crawled, and I walked…
Now I run from the thought of you I cannot turn around,
For soon I shall fly through this Rainy Day’s sky
and memories of U&I; shall past me by…

( Girl  Ghost dude Normal-Both )

The weather's unstable,  Papapa~
First it was raining, then the sun shows up,  Shining~
And into my boring, normal days,
This crazy totally unbelievable guy shows up!!!

Osaka’s the new world of the South.
Wearing a thin kimono to Tengan,
Stuffing his cheeks with skewered fried pork,
Even if I play the straight man, he still looks like an idiot!
Indirect kiss!!

Oh great Father, hear me!!
Who the hell is this guy!?
Why does he have to,
Follow me everywhere?

Hey, wait a minute!  Oh yeah!
This feels just like high sense nonsense!
This isn't a rom-com!?
I don't smell weird but he's still floating around me!

Everywhere on Earth, to hell and then back,
This ****** trots at full speed!!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you, are you a spirit!?

Nights I suffer from sleep paralysis,
With you always beside me,
"We'll always be together won't we?"  You bet!
What a seriously messed up guy!

He creeps slowly behind me...
And steals my lunch before running off!
That's the kind of childish guy he is!
Offering my prayers to the deities, seriously this guy...

Oh great Father, hear me!!
Who the hell is this guy!?
Why is he still sticking around!?

Excitement always leads to a sunny day,
Before a storm comes blazing through.
And when I' with you,
Why does my heart flutter away!?

Blasting off at the speed of light,
Don't get the wrong idea wise guy! Buzz off already!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you...

He's always, always such a pain,
Despicable, sly, goofy,
And kinda see-through
But, sometimes I can see,
His kindness show through...
Aaah! Come on!

Hey, wait a minute!  Oh yeah!
This feels just like high sense nonsense!
This isn't a rom-com!?
I don't smell weird but he's still floating around me!

Everywhere on Earth, to hell and then back,
This ****** trots at full speed!!
Oh my God! God!! GOD!!!
Hey you, hey you, yes you, are you a spirit!?

The moment you appeared,
This world grew light years brighter!
My flushed cheeks in everyday...
Oh yeah! Oh ye-ah!
*Under Japan's blue skies, my heart is thumping...
Surely, the reason for this is... Aaah!!!
I don't wanna say it, but... Could this be!?
Could this be...

Love in disguise!?

I sit at my desk
and look around at my walls
and see eight pieces of art,
all bar two from artists I knew
who were friends in my early days in manhattan,
the city where we were all poor
and came from different places,
miguel from buenos aires in argentina who spoke only spanish
a political refugee who feared being disappeared
and now had a tiny bed in a tiny loft and painted on canvas
I have two of his works
a cactus plant with beautiful plum sized multicolored flowers
and the other entitled the thirsty horse that looks like a demented snarling dog with slanted eyes and teeth to spare but benign enough to be loved by my daughter when aged three,
horsy horsy was her good friend.
katsu from osaka in japan who waited table in a sushi bar
and painted his vision on board,
the desert with flowering saguaro cacti with three tiny men in three tiny cars driving anywhere and nowhere
with three stuck-on labels -
namely: the baby of kangaroo - levi 501 - pronunciation
all significant to him no doubt and guiding us through his vision of pale blue wash with applique.
john from Cleveland, his work the prodigal son with father limned in profile, dull white, dull ochre and matt black
with a mid ground horizontal bar of pinky red for reference,
strongly emotive without shouting.
next is jennifer now in arizona, her work a **** with a weird perspective very red embouchure lips and red ******* and a red scarf with a walled city behind. I love it and can’t say why;
behind an abstract my parents bought at my pleading from a hungry american now mine to ponder and wonder if it is a crucifixion california style,
maybe jesus on acid, I never did find out exactly.
in front a huge print the laughing frogs by karel appel, I bought it from a friend dying of aids, it had no future in his life  and I liked it a lot especially when oncoming death priced it down
and here the odd one out, a big silkscreen print with colour
at my right hand, eye line high and bought in paris france with teenager money, all I had,
a very old woman dressed to the nines, hat with flowers and a little veil,
fox stole, big jet earrings and a steady gaze eyes front, sitting in a café with her right hand near her glass of dark red framboise, enigmatic smile forever; I have never been able to read the signature.
and the last from andrew of chicago a big bold watercolor entitled dusk nyc, company art sold when the company went bankrupt and I was happy to buy it, a painting of the canyon streets of manhattan with cars and cabs and people all like chess knights jumping for position with no check in sight.
These are all my long time favorites,
my go-to works when I am tired and need solace. they never fail to please.

it can almost be funny, waking up one day, and not knowing what day it is.

so they call it the cardinal division, of days, 7 of them...

then they have the months
in the year

and in those months they
have the numbers of days

days are lated divided into
hours, minutes, moods...

then there are the 4 popes,
known as seasons,
and those are a basis to explain
the "odd" moods -

then there's the cohort known
as year, the three-hundred-and-sixty-five
spartans...

and this is the world we live in...
but i still don't know what day it is...

   for the past hour spent perched on
a windowsill, smoking cigarettes
and drinking ***** sharpshooters
that might allow me to stop coughing
and puking (the milk didn't help)
  i read five book reviews
from a saturday edition of *the times...

1. irresistable -
      well, that's how i say it, i'm bored
with writing irresistible,
             does the vowel variation matter? -
irresistible: why we can't stop
checking, scrolling, clicking and watching
by adam alter, review by janice turner...

2. the catholics, by roy hattersley,
review by gerrard degroot

3. the raqqa diaries, by samer, review by
   anthony loyd

4. on tyranny, by timothy snyder,
review by michael gove...

and lastly

5. from bacteria to bach and back,
by daniel dennett, review by oliver moody...

huh?
        that's basically gender studies in a nut-shell,
only 1 woman among the 5 reviewers...
        and what's currently bothering woman...
  i could just watch a cliche of some sort,
somewhere just as well...

what day is it?!
            oh i'm not going to jump on the bandwagon
and check the digital keepers of time,
   there's a saturday newspaper in my hand,
the clock on my computer is showing the time to be
21:31... but given it's windows programme is
set to a reality of: being in poland...
  
        i'm starting to suspect it's sunday...
   well, i don't have a smartphone so here's to me
getting twitchy about checking it...
    so 20th century, for me the internet isn't
even mobile... it's stationary, anchored by a laptop
in a room, and nowhere else...

     i don't know how many book reviews i read
and not the actual books,
         i'd say a few... hundred...
     and then how many books i've read
that are not reviewed...
  some because they're "boring",
some because they're hard,
  some because so many people have read
them over the years there's this feeling
of letting them go...
       like that imaginary friend in inside out...
like don quixote...

        it has to be a new thing, having to stop
reading the actual books, and rather the reviews
of the books, as a way to catch up?
    i probably won't want to remember them
anyway...
    
                i'just the sheer perplexity,
how the japanese mastered the haiku,
   and lo! behold! the grant poet of osaka,
who produced 20 haikus in 20 years...
      getting ******, watching the moon...
what discipline... what discipline to inquire into
not boring someone...
     but as they say in the west:
                 be a miserable **** and they'll keep
coming back, due to the principle
of schadenfreude...
        that's the main point about poetry in the west,
and how it can spiral out of control
   when otherwise japanese poetry can't...
  i call that discipline... and this? lack of it...
equivalent to eating a hamburger.

           you want a modern poem?
my history of playing video games and then
suddenly stopping?
                    modern... right now...
never went beyond PS 1...
                        
                            that's modern, isn't it?

then i did a nacht der langen messer
                                elsewhere on "social" media...
from over 300 contacts... to 13 random preferences...
            just seeing peoples lives and having known
them, and then seeing their biographical techniques
started to annoy me...
                
   and yes, review no. 4 does refer to a
reductio ad hitlerium... so the nacht... -
                    but it just bothered me how they did this
psychology experiment on the obvious website and
didn't tell me i could experience certain vectors working
into my psyche...
         i guess i just had to reverse the experiment...
keep everything public... but reduce the size of contacts
from over 300, to 13...
   and then take to creating an anonymous
    profile elsewhere, without even trying to be anonymous...

since that's how writing gets done;

      so it is sunday?

Being black in Japan
means you have more white spaces
on the day-night trains.

The darkness of U.S.
allows yellow jaundice to
shine its rising sun.

Empty seats allow
black thoughts to make room for small
breezes of knowledge.

That Ainu minstrels
shouldn’t be doing Doo-***
on Nippon TV.

That the jet blackness
of Naomi Osaka
not be a shade light.

That the Shogun kept
no black slaves be an excuse
for all other ones.

That racist white face
teaching black black face hatred
is not a shoeshine.

That racism is a
presumption and is not a
a very good gene.

singing
oriental songs that
capture
popular imagination.

Drinking cocoa along
the Yodo and
Osaka is far away.

The bullet train is real
it's the pain you feel
that may not be.

He’s a tall live wire,
in a small blue pool
of my sweet subtle charities.
Picking sacred cherries
near the goals we
once made together.

How does Mount Fuji
keep her fire beneath?
Green satan kimono
lace, and overlined lips.
He’s got soft knuckles
but red palms.

If you plant a shot
you may shoot
my bowing deer.
Osaka’s shrines
sing of the blue eyed
souls they keep hidden too.

Finders of lost artifacts
lost in battles of the heart.
I haven’t cared in
a retrograde.
But I wish I could blow too,
like Fuji at a whistle.