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I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
Lux
Those who were marginalized by the braids and serpentine lights, devotions were made in San Juan allowing electromagnetic discharges from the imperceptible space-time of Vernarth's parapsychological quantum; alluding to clarities that achieved everything by having Patmia in the material and incorporeal from the start of the stained glass windows and archetypes by Transfer Quantum that burned the chins of hominids who believed to be immortal as if they were looking in this position for the direction between the eyebrows and the chin , for the Euclidean incidence crossing all the pools that are between quantum means of transfer of ions and cations. The oscillations of the sparkling field of consciousness of the containers were of ethical variables that became perpendicular to the space of draft or levitation of the designations that originated with accelerated electric charges on Patmos, developing albiceleste skylights over the harmonic equations as they elongated in proportions of quanta that They argued greater than those that circulated elliptically from Grikos to Skalá, and then to Profitis with assiduous progenitors of long-wave quanta. The magnificence of the halo became rectilinear up to the high altar that was atomized from the unskillful penumbra to reabsorb the inclinations of physical life in the Macedonians and the Achaemenides when they were trapped by the loss on the propagation of the Lux, which was imposed in hemicycles where they were they reclined to relax in the lux of rest of the path of the reasoning that made pederasty in the links with the minuscule obtuse lights, reeling from the clothing and its finite speed of what measures the ability to be undetermined in the margins of error of the antagonists when originating flow rates, greater in his dermis to regenerate towards any other that could be clothing of greater speed.

Thus was the scenario of dimensional magnitude between the powers that did not have contact, but their dimensionless energies on a surface that reached absorbent to the one that rectifies the concretive of the error that partially abused them. Their legacies would pass to a supplementary electromagnetic plane, separating their masses and retaking orientation from where they returned, where if the ideal of the final rational was refracted where everything would be vivid darkness. The obstacles classified them in the closure of the average height and the average surface, to then redirect to the maximum height and maximum surface propagating in irregularities of the Ego "Believing that they were never overcome in the diffuse perception of the metal mirror." The incident rays of the Lux would go to meet the multi-incident plane of the Mashiach, the wave angles were refracted throughout the sinuous law as radiosity passed over the greater mass that was normalized from the tangent that was projected 180 meters above the eyebrow. and Vernarth's chin, along with the recharged electromagnetic strengths of Alexander the Great's reactivation bezels, which at times seemed to levitate over the Lux's high frequencies and vary independently with its crowded functionalities, among scattered restraints that it presented to both weightless behind. from the decayed marble sawdust, separating from its phosphorescence that bounced between the rigging of solid surfaces and semi-solid ones, when realizing that the sea and the silica were confessed to the Pronoia of Delphi. Inducing Vernarth for the first time into a Pronoia versology on the Athena of Delphi, prompting them to separate from the world and it's holistic to divide into three portions of the dissociation of consciousness from the end of the Lux of Parapsychology, which had hosted them for centuries and centuries. . The Pronoia conspiracy systematized the reaction that would reunite them after this oracular parapsychology, making the adversaries believe that they were discrepancies of clinical parapsychology, equating warlike causes in the containment of Delphic neuroscience. From this quantification, the predominance of Vernarth's Lux de Pronoia was announced, linking peculiar segmentation of submit logical historicity in this work as a starting thesis, which speculates the same for those who have to make an analysis of historical dogmatic imperialism as a justification for mythological normality. The Lux thesis aimed to show that the dimensions of the mythology and the submitology, when exposed in physical quanta, made a tendency of irresolution in the abode of spiritual Tractatus reasoning and not in the instinctual one, which watches over recitals where history and its collective memory indicate outbursts of moderation. The role of the submithology  is to pretend that this normality is made close to the instruction after yours temporary for causes of your deep patrimonial, that makes them captives from the social complexity, with the disambiguation of certain criteria by maximizing the hidden truth of the ascending opposition forces that they have generated great conflagrations, intuition being the unreflective pseudo-reality with historical formalities that stumble into the terrified directionality of the myth that was to be reality. The tiny spaces of the verve left by the silent mechanics of the Persians became defensive when they saw their emissaries incoherently in the verticality of Allah when they saw that the confusing world with anxiety exaggerated predictions and failures invulnerability of a lineage that always had. been condemned to the desert.

Everything conspired with a Pronoia of siege, before the exegesis that sought purification and that was how they headed and misdirected their mistakes in the active train of the recess of their abstracted retreat, in a universe that also abandoned them after the subsequent train of Aurion waking them in their illusions with swords, and stealthy spears in dreams that specified safe rest. The ferocities of the proto-souls of assault carried away the translucent bodies of the Persians, and the Hellenes in acts of honor made such congenital paths of the understandable vocabulary that he did not speak. The prism was located in the cautious measure of its contractile dispersion with white separations of mantles, earth, and water scalded by dynamics that formed colorful activations with their withdrawal phenomena in the immaculate albino Lux that dissolved all of the facet optics that it made. Lux's great brain in the instant that the Thuellai airs transfigured the nuances of the Atros monastery, with objects that refused to be absorbed by the black hue, generating mechanical waves of equivalence in their identical interference that caused two opposing forces to distill the coherent differential that had to be overexposed in the category of historical Submitology. The two inverted waves separated, the Hellenes moaned and hiccupped for having to become identical when separating from their immaterial bodies, doing wonders that would house additional souls that would complement a transitory becoming towards the garden of the angels that provided them with identical beams of light, interfering in what animated the lights of pageantry, with the antithesis of interference where they resided in constancy knowing that they felt possessed of benefits of the eternal length of existence, but with pressures of mutable in some involuntary constancy and amplitude of having parallel directions with Saint John the Apostle and the Siblis. The phenomenon of polarization of both empires was denatured in a transverse way in all the electric fields after this feat, inciting unique fields of the pure and selective ascending ecosystem, which generated polaroid substances at the angle of ninety degrees above the browbones and chin of Vernarth, to approach the Pronoia of concatenation with Alexander the Great refracting unscathed hyper-vital and transcendent faces of infinity. Like any other phenomenon, the Lux crossed both bodies like two Xiphos swords that processed the electromagnetic valve, by iridium that converted with all the coarse Lux that crossed the succumbed immateriality and stopped the shaft and the nail that hang in the typology of electromagnetic radiation from the Hellenic world between them, making an ominous redemptive fire that was regimented to leave them both in the middle of a farm where there were farmyard animals, stockpiled pastures and a house that absorbed them as parents who would love them as beings of Lux. Thus, this primary parapsychological quantum network penetrated the level of the archangels that made them be together in planes of manumission, and that does not admit bi-quantum personality or bi-parapsychology that can cancel out the portent of the helmets and the lineage that does not dazzle if they are not made of iron.

The life of the other world began to be encompassed in all the Subtraigus beings that would correspond to the astral plane that was confirmed after the Kalidona Romantics deduced the Unicorn Uilef or Uilef Monókeros after Pronoia. Kalidona being an uninhabited island and the Uilef sleeps in between copulating with Spinalonga and Kolokythas along with other smaller islets, plus two hundred that will make up six islands of the twenty-six tetragram of Alef. Here Drestnia went with her consort of Etréstles from the Koumeterium of Messolonghi to find fateful encounters of Pantheism based on the majestic copulation of beauty, among twenty-six numbers that prevailed in virtuosos who took refuge in Kalydon or Kalidona, preparing for their rampage with grafted grotesque derived bodies of the Falangist Hellenes who were arranged of their musculature, so that they directed the finesse of the civility of Hesiod, Terpando, Archiloco, Baquílides, tragic like Etréstles, Aeschylus Sophocles, Euripides and comedian like Aristophanes.
Lux
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
The assembly now broke up and the people went their ways each to his
own ship. There they made ready their supper, and then bethought
them of the blessed boon of sleep; but Achilles still wept for
thinking of his dear comrade, and sleep, before whom all things bow,
could take no hold upon him. This way and that did he turn as he
yearned after the might and manfulness of Patroclus; he thought of all
they had done together, and all they had gone through both on the
field of battle and on the waves of the weary sea. As he dwelt on
these things he wept bitterly and lay now on his side, now on his
back, and now face downwards, till at last he rose and went out as one
distraught to wander upon the seashore. Then, when he saw dawn
breaking over beach and sea, he yoked his horses to his chariot, and
bound the body of Hector behind it that he might drag it about. Thrice
did he drag it round the tomb of the son of Menoetius, and then went
back into his tent, leaving the body on the ground full length and
with its face downwards. But Apollo would not suffer it to be
disfigured, for he pitied the man, dead though he now was; therefore
he shielded him with his golden aegis continually, that he might
take no hurt while Achilles was dragging him.
  Thus shamefully did Achilles in his fury dishonour Hector; but the
blessed gods looked down in pity from heaven, and urged Mercury,
slayer of Argus, to steal the body. All were of this mind save only
Juno, Neptune, and Jove’s grey-eyed daughter, who persisted in the
hate which they had ever borne towards Ilius with Priam and his
people; for they forgave not the wrong done them by Alexandrus in
disdaining the goddesses who came to him when he was in his
sheepyards, and preferring her who had offered him a wanton to his
ruin.
  When, therefore, the morning of the twelfth day had now come,
Phoebus Apollo spoke among the immortals saying, “You gods ought to be
ashamed of yourselves; you are cruel and hard-hearted. Did not
Hector burn you thigh-bones of heifers and of unblemished goats? And
now dare you not rescue even his dead body, for his wife to look upon,
with his mother and child, his father Priam, and his people, who would
forthwith commit him to the flames, and give him his due funeral
rites? So, then, you would all be on the side of mad Achilles, who
knows neither right nor ruth? He is like some savage lion that in
the pride of his great strength and daring springs upon men’s flocks
and gorges on them. Even so has Achilles flung aside all pity, and all
that conscience which at once so greatly banes yet greatly boons him
that will heed it. man may lose one far dearer than Achilles has lost-
a son, it may be, or a brother born from his own mother’s womb; yet
when he has mourned him and wept over him he will let him bide, for it
takes much sorrow to **** a man; whereas Achilles, now that he has
slain noble Hector, drags him behind his chariot round the tomb of his
comrade. It were better of him, and for him, that he should not do so,
for brave though he be we gods may take it ill that he should vent his
fury upon dead clay.”
  Juno spoke up in a rage. “This were well,” she cried, “O lord of the
silver bow, if you would give like honour to Hector and to Achilles;
but Hector was mortal and suckled at a woman’s breast, whereas
Achilles is the offspring of a goddess whom I myself reared and
brought up. I married her to Peleus, who is above measure dear to
the immortals; you gods came all of you to her wedding; you feasted
along with them yourself and brought your lyre—false, and fond of low
company, that you have ever been.”
  Then said Jove, “Juno, be not so bitter. Their honour shall not be
equal, but of all that dwell in Ilius, Hector was dearest to the gods,
as also to myself, for his offerings never failed me. Never was my
altar stinted of its dues, nor of the drink-offerings and savour of
sacrifice which we claim of right. I shall therefore permit the body
of mighty Hector to be stolen; and yet this may hardly be without
Achilles coming to know it, for his mother keeps night and day
beside him. Let some one of you, therefore, send Thetis to me, and I
will impart my counsel to her, namely that Achilles is to accept a
ransom from Priam, and give up the body.”
  On this Iris fleet as the wind went forth to carry his message. Down
she plunged into the dark sea midway between Samos and rocky Imbrus;
the waters hissed as they closed over her, and she sank into the
bottom as the lead at the end of an ox-horn, that is sped to carry
death to fishes. She found Thetis sitting in a great cave with the
other sea-goddesses gathered round her; there she sat in the midst
of them weeping for her noble son who was to fall far from his own
land, on the rich plains of Troy. Iris went up to her and said,
“Rise Thetis; Jove, whose counsels fail not, bids you come to him.”
And Thetis answered, “Why does the mighty god so bid me? I am in great
grief, and shrink from going in and out among the immortals. Still,
I will go, and the word that he may speak shall not be spoken in
vain.”
  The goddess took her dark veil, than which there can be no robe more
sombre, and went forth with fleet Iris leading the way before her. The
waves of the sea opened them a path, and when they reached the shore
they flew up into the heavens, where they found the all-seeing son
of Saturn with the blessed gods that live for ever assembled near him.
Minerva gave up her seat to her, and she sat down by the side of
father Jove. Juno then placed a fair golden cup in her hand, and spoke
to her in words of comfort, whereon Thetis drank and gave her back the
cup; and the sire of gods and men was the first to speak.
  “So, goddess,” said he, “for all your sorrow, and the grief that I
well know reigns ever in your heart, you have come hither to
Olympus, and I will tell you why I have sent for you. This nine days
past the immortals have been quarrelling about Achilles waster of
cities and the body of Hector. The gods would have Mercury slayer of
Argus steal the body, but in furtherance of our peace and amity
henceforward, I will concede such honour to your son as I will now
tell you. Go, then, to the host and lay these commands upon him; say
that the gods are angry with him, and that I am myself more angry than
them all, in that he keeps Hector at the ships and will not give him
up. He may thus fear me and let the body go. At the same time I will
send Iris to great Priam to bid him go to the ships of the Achaeans,
and ransom his son, taking with him such gifts for Achilles as may
give him satisfaction.
  Silver-footed Thetis did as the god had told her, and forthwith down
she darted from the topmost summits of Olympus. She went to her
son’s tents where she found him grieving bitterly, while his trusty
comrades round him were busy preparing their morning meal, for which
they had killed a great woolly sheep. His mother sat down beside him
and caressed him with her hand saying, “My son, how long will you keep
on thus grieving and making moan? You are gnawing at your own heart,
and think neither of food nor of woman’s embraces; and yet these too
were well, for you have no long time to live, and death with the
strong hand of fate are already close beside you. Now, therefore, heed
what I say, for I come as a messenger from Jove; he says that the gods
are angry with you, and himself more angry than them all, in that
you keep Hector at the ships and will not give him up. Therefore let
him go, and accept a ransom for his body.”
  And Achilles answered, “So be it. If Olympian Jove of his own motion
thus commands me, let him that brings the ransom bear the body away.”
  Thus did mother and son talk together at the ships in long discourse
with one another. Meanwhile the son of Saturn sent Iris to the
strong city of Ilius. “Go,” said he, “fleet Iris, from the mansions of
Olympus, and tell King Priam in Ilius, that he is to go to the ships
of the Achaeans and free the body of his dear son. He is to take
such gifts with him as shall give satisfaction to Achilles, and he
is to go alone, with no other Trojan, save only some honoured
servant who may drive his mules and waggon, and bring back the body of
him whom noble Achilles has slain. Let him have no thought nor fear of
death in his heart, for we will send the slayer of Argus to escort
him, and bring him within the tent of Achilles. Achilles will not ****
him nor let another do so, for he will take heed to his ways and sin
not, and he will entreat a suppliant with all honourable courtesy.”
  On this Iris, fleet as the wind, sped forth to deliver her
message. She went to Priam’s house, and found weeping and
lamentation therein. His sons were seated round their father in the
outer courtyard, and their raiment was wet with tears: the old man sat
in the midst of them with his mantle wrapped close about his body, and
his head and neck all covered with the filth which he had clutched
as he lay grovelling in the mire. His daughters and his sons’ wives
went wailing about the house, as they thought of the many and brave
men who lay dead, slain by the Argives. The messenger of Jove stood by
Priam and spoke softly to him, but fear fell upon him as she did so.
“Take heart,” she said, “Priam offspring of Dardanus, take heart and
fear not. I bring no evil tidings, but am minded well towards you. I
come as a messenger from Jove, who though he be not near, takes
thought for you and pities you. The lord of Olympus bids you go and
ransom noble Hector, and take with you such gifts as shall give
satisfaction to Achilles. You are to go alone, with no Trojan, save
only some honoured servant who may drive your mules and waggon, and
bring back to the city the body of him whom noble Achilles has
slain. You are to have no thought, nor fear of death, for Jove will
send the slayer of Argus to escort you. When he has brought you within
Achilles’ tent, Achilles will not **** you nor let another do so,
for he will take heed to his ways and sin not, and he will entreat a
suppliant with all honourable courtesy.”
  Iris went her way when she had thus spoken, and Priam told his
sons to get a mule-waggon ready, and to make the body of the waggon
fast upon the top of its bed. Then he went down into his fragrant
store-room, high-vaulted, and made of cedar-wood, where his many
treasures were kept, and he called Hecuba his wife. “Wife,” said he,
“a messenger has come to me from Olympus, and has told me to go to the
ships of the Achaeans to ransom my dear son, taking with me such gifts
as shall give satisfaction to Achilles. What think you of this matter?
for my own part I am greatly moved to pass through the of the Achaeans
and go to their ships.”
  His wife cried aloud as she heard him, and said, “Alas, what has
become of that judgement for which you have been ever famous both
among strangers and your own people? How can you venture alone to
the ships of the Achaeans, and look into the face of him who has slain
so many of your brave sons? You must have iron courage, for if the
cruel savage sees you and lays hold on you, he will know neither
respect nor pity. Let us then weep Hector from afar here in our own
house, for when I gave him birth the threads of overruling fate were
spun for him that dogs should eat his flesh far from his parents, in
the house of that terrible man on whose liver I would fain fasten
and devour it. Thus would I avenge my son, who showed no cowardice
when Achilles slew him, and thought neither of Right nor of avoiding
battle as he stood in defence of Trojan men and Trojan women.”
  Then Priam said, “I would go, do not therefore stay me nor be as a
bird of ill omen in my house, for you will not move me. Had it been
some mortal man who had sent me some prophet or priest who divines
from sacrifice—I should have deemed him false and have given him no
heed; but now I have heard the goddess and seen her face to face,
therefore I will go and her saying shall not be in vain. If it be my
fate to die at the ships of the Achaeans even so would I have it;
let Achilles slay me, if I may but first have taken my son in my
arms and mourned him to my heart’s comforting.”
  So saying he lifted the lids of his chests, and took out twelve
goodly vestments. He took also twelve cloaks of single fold, twelve
rugs, twelve fair mantles, and an equal number of shirts. He weighed
out ten talents of gold, and brought moreover two burnished tripods,
four cauldrons, and a very beautiful cup which the Thracians had given
him when he had gone to them on an embassy; it was very precious,
but he grudged not even this, so eager was he to ransom the body of
his son. Then he chased all the Trojans from the court and rebuked
them with words of anger. “Out,” he cried, “shame and disgrace to me
that you are. Have you no grief in your own homes that you are come to
plague me here? Is it a small thing, think you, that the son of Saturn
has sent this sorrow upon me, to lose the bravest of my sons? Nay, you
shall prove it in person, for now he is gone the Achaeans will have
easier work in killing you. As for me, let me go down within the house
of Hades, ere mine eyes behold the sacking and wasting of the city.”
  He drove the men away with his staff, and they went forth as the old
man sped them. Then he called to his sons, upbraiding Helenus,
Paris, noble Agathon, Pammon, Antiphonus, Polites of the loud
battle-cry, Deiphobus, Hippothous, and Dius. These nine did the old
man call near him. “Come to me at once,” he cried, “worthless sons who
do me shame; would that you had all been killed at the ships rather
than Hector. Miserable man that I am, I have had the bravest sons in
all Troy—noble Nestor, Troilus the dauntless charioteer, and Hector
who was a god among men, so that one would have thought he was son
to an immortal—yet there is not one of them left. Mars has slain them
and those of whom I am ashamed are alone left me. Liars, and light
of foot, heroes of the dance, robbers of lambs and kids from your
own people, why do you not get a waggon ready for me at once, and
put all these things upon it that I may set out on my way?”
  Thus did he speak, and they feared the rebuke of their father.
They brought out a strong mule-waggon, newly made, and set the body of
the waggon fast on its bed. They took the mule-yoke from the peg on
which it hung, a yoke of boxwood with a **** on the top of it and
rings for the reins to go through. Then they brought a yoke-band
eleven cubits long, to bind the yoke to the pole; they bound it on
at the far end of the pole, and put the ring over the upright pin
making it fast with three turns of the band on either side the ****,
and bending the thong of the yoke beneath it. This done, they
brought from the store-chamber the rich ransom that was to purchase
the body of Hector, and they set it all orderly on the waggon; then
they yoked the strong harness-mules which the Mysians had on a time
given as a goodly present to Priam; but for Priam himself they yoked
horses which the old king had bred, and kept for own use.
  Thus heedfully did Priam and his servant see to the yolking of their
cars at the palace. Then Hecuba came to them all sorrowful, with a
golden goblet of wine in her right hand, that they might make a
drink-offering before they set out. She stood in front of the horses
and said, “Take this, make a drink-offering to father Jove, and
since you are minded to go to the ships in spite of me, pray that
you may come safely back from the hands of your enemies. Pray to the
son of Saturn lord of the whirlwind, who sits on Ida and looks down
over all Troy, pray him to send his swift messenger on your right
hand, the bird of omen which is strongest and most dear to him of
all birds, that you may see it with your own eyes and trust it as
you go forth to the ships of the Danaans. If all-seeing Jove will
not send you this messenger, however set upon it you may be, I would
not have you go to the ships of the Argives.”
  And Priam answered, “Wife, I will do as you desire me; it is well to
lift hands in prayer to Jove, if so be he may have mercy upon me.”
  With this the old man bade the serving-woman
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.
Ear of Dyonisius
Then Mercury of Cyllene summoned the ghosts of the suitors, and in
his hand he held the fair golden wand with which he seals men’s eyes
in sleep or wakes them just as he pleases; with this he roused the
ghosts and led them, while they followed whining and gibbering
behind him. As bats fly squealing in the hollow of some great cave,
when one of them has fallen out of the cluster in which they hang,
even so did the ghosts whine and squeal as Mercury the healer of
sorrow led them down into the dark abode of death. When they had
passed the waters of Oceanus and the rock Leucas, they came to the
gates of the sun and the land of dreams, whereon they reached the
meadow of asphodel where dwell the souls and shadows of them that
can labour no more.
  Here they found the ghost of Achilles son of Peleus, with those of
Patroclus, Antilochus, and Ajax, who was the finest and handsomest man
of all the Danaans after the son of Peleus himself.
  They gathered round the ghost of the son of Peleus, and the ghost of
Agamemnon joined them, sorrowing bitterly. Round him were gathered
also the ghosts of those who had perished with him in the house of
Aeisthus; and the ghost of Achilles spoke first.
  “Son of Atreus,” it said, “we used to say that Jove had loved you
better from first to last than any other hero, for you were captain
over many and brave men, when we were all fighting together before
Troy; yet the hand of death, which no mortal can escape, was laid upon
you all too early. Better for you had you fallen at Troy in the
hey-day of your renown, for the Achaeans would have built a mound over
your ashes, and your son would have been heir to your good name,
whereas it has now been your lot to come to a most miserable end.”
  “Happy son of Peleus,” answered the ghost of Agamemnon, “for
having died at Troy far from Argos, while the bravest of the Trojans
and the Achaeans fell round you fighting for your body. There you
lay in the whirling clouds of dust, all huge and hugely, heedless
now of your chivalry. We fought the whole of the livelong day, nor
should we ever have left off if Jove had not sent a hurricane to
stay us. Then, when we had borne you to the ships out of the fray,
we laid you on your bed and cleansed your fair skin with warm water
and with ointments. The Danaans tore their hair and wept bitterly
round about you. Your mother, when she heard, came with her immortal
nymphs from out of the sea, and the sound of a great wailing went
forth over the waters so that the Achaeans quaked for fear. They would
have fled panic-stricken to their ships had not wise old Nestor
whose counsel was ever truest checked them saying, ‘Hold, Argives, fly
not sons of the Achaeans, this is his mother coming from the sea
with her immortal nymphs to view the body of her son.’
  “Thus he spoke, and the Achaeans feared no more. The daughters of
the old man of the sea stood round you weeping bitterly, and clothed
you in immortal raiment. The nine muses also came and lifted up
their sweet voices in lament—calling and answering one another; there
was not an Argive but wept for pity of the dirge they chaunted. Days
and nights seven and ten we mourned you, mortals and immortals, but on
the eighteenth day we gave you to the flames, and many a fat sheep
with many an ox did we slay in sacrifice around you. You were burnt in
raiment of the gods, with rich resins and with honey, while heroes,
horse and foot, clashed their armour round the pile as you were
burning, with the ***** as of a great multitude. But when the flames
of heaven had done their work, we gathered your white bones at
daybreak and laid them in ointments and in pure wine. Your mother
brought us a golden vase to hold them—gift of Bacchus, and work of
Vulcan himself; in this we mingled your bleached bones with those of
Patroclus who had gone before you, and separate we enclosed also those
of Antilochus, who had been closer to you than any other of your
comrades now that Patroclus was no more.
  “Over these the host of the Argives built a noble tomb, on a point
jutting out over the open Hellespont, that it might be seen from far
out upon the sea by those now living and by them that shall be born
hereafter. Your mother begged prizes from the gods, and offered them
to be contended for by the noblest of the Achaeans. You must have been
present at the funeral of many a hero, when the young men gird
themselves and make ready to contend for prizes on the death of some
great chieftain, but you never saw such prizes as silver-footed Thetis
offered in your honour; for the gods loved you well. Thus even in
death your fame, Achilles, has not been lost, and your name lives
evermore among all mankind. But as for me, what solace had I when
the days of my fighting were done? For Jove willed my destruction on
my return, by the hands of Aegisthus and those of my wicked wife.”
  Thus did they converse, and presently Mercury came up to them with
the ghosts of the suitors who had been killed by Ulysses. The ghosts
of Agamemnon and Achilles were astonished at seeing them, and went
up to them at once. The ghost of Agamemnon recognized Amphimedon son
of Melaneus, who lived in Ithaca and had been his host, so it began to
talk to him.
  “Amphimedon,” it said, “what has happened to all you fine young men-
all of an age too—that you are come down here under the ground? One
could pick no finer body of men from any city. Did Neptune raise his
winds and waves against you when you were at sea, or did your
enemies make an end of you on the mainland when you were
cattle-lifting or sheep-stealing, or while fighting in defence of
their wives and city? Answer my question, for I have been your
guest. Do you not remember how I came to your house with Menelaus,
to persuade Ulysses to join us with his ships against Troy? It was a
whole month ere we could resume our voyage, for we had hard work to
persuade Ulysses to come with us.”
  And the ghost of Amphimedon answered, “Agamemnon, son of Atreus,
king of men, I remember everything that you have said, and will tell
you fully and accurately about the way in which our end was brought
about. Ulysses had been long gone, and we were courting his wife,
who did not say point blank that she would not marry, nor yet bring
matters to an end, for she meant to compass our destruction: this,
then, was the trick she played us. She set up a great tambour frame in
her room and began to work on an enormous piece of fine needlework.
‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not
press me to marry again immediately; wait—for I would not have my
skill in needlework perish unrecorded—till I have completed a pall
for the hero Laertes, against the time when death shall take him. He
is very rich, and the women of the place will talk if he is laid out
without a pall.’ This is what she said, and we assented; whereupon
we could see her working upon her great web all day long, but at night
she would unpick the stitches again by torchlight. She fooled us in
this way for three years without our finding it out, but as time
wore on and she was now in her fourth year, in the waning of moons and
many days had been accomplished, one of her maids who knew what she
was doing told us, and we caught her in the act of undoing her work,
so she had to finish it whether she would or no; and when she showed
us the robe she had made, after she had had it washed, its splendour
was as that of the sun or moon.
  “Then some malicious god conveyed Ulysses to the upland farm where
his swineherd lives. Thither presently came also his son, returning
from a voyage to Pylos, and the two came to the town when they had
hatched their plot for our destruction. Telemachus came first, and
then after him, accompanied by the swineherd, came Ulysses, clad in
rags and leaning on a staff as though he were some miserable old
beggar. He came so unexpectedly that none of us knew him, not even the
older ones among us, and we reviled him and threw things at him. He
endured both being struck and insulted without a word, though he was
in his own house; but when the will of Aegis-bearing Jove inspired
him, he and Telemachus took the armour and hid it in an inner chamber,
bolting the doors behind them. Then he cunningly made his wife offer
his bow and a quantity of iron to be contended for by us ill-fated
suitors; and this was the beginning of our end, for not one of us
could string the bow—nor nearly do so. When it was about to reach the
hands of Ulysses, we all of us shouted out that it should not be given
him, no matter what he might say, but Telemachus insisted on his
having it. When he had got it in his hands he strung it with ease
and sent his arrow through the iron. Then he stood on the floor of the
cloister and poured his arrows on the ground, glaring fiercely about
him. First he killed Antinous, and then, aiming straight before him,
he let fly his deadly darts and they fell thick on one another. It was
plain that some one of the gods was helping them, for they fell upon
us with might and main throughout the cloisters, and there was a
hideous sound of groaning as our brains were being battered in, and
the ground seethed with our blood. This, Agamemnon, is how we came
by our end, and our bodies are lying still un-cared for in the house
of Ulysses, for our friends at home do not yet know what has happened,
so that they cannot lay us out and wash the black blood from our
wounds, making moan over us according to the offices due to the
departed.”
  “Happy Ulysses, son of Laertes,” replied the ghost of Agamemnon,
“you are indeed blessed in the possession of a wife endowed with
such rare excellence of understanding, and so faithful to her wedded
lord as Penelope the daughter of Icarius. The fame, therefore, of
her virtue shall never die, and the immortals shall compose a song
that shall be welcome to all mankind in honour of the constancy of
Penelope. How far otherwise was the wickedness of the daughter of
Tyndareus who killed her lawful husband; her song shall be hateful
among men, for she has brought disgrace on all womankind even on the
good ones.”
  Thus did they converse in the house of Hades deep down within the
bowels of the earth. Meanwhile Ulysses and the others passed out of
the town and soon reached the fair and well-tilled farm of Laertes,
which he had reclaimed with infinite labour. Here was his house,
with a lean-to running all round it, where the slaves who worked for
him slept and sat and ate, while inside the house there was an old
Sicel woman, who looked after him in this his country-farm. When
Ulysses got there, he said to his son and to the other two:
  “Go to the house, and **** the best pig that you can find for
dinner. Meanwhile I want to see whether my father will know me, or
fail to recognize me after so long an absence.”
  He then took off his armour and gave it to Eumaeus and Philoetius,
who went straight on to the house, while he turned off into the
vineyard to make trial of his father. As he went down into the great
orchard, he did not see Dolius, nor any of his sons nor of the other
bondsmen, for they were all gathering thorns to make a fence for the
vineyard, at the place where the old man had told them; he therefore
found his father alone, hoeing a vine. He had on a ***** old shirt,
patched and very shabby; his legs were bound round with thongs of
oxhide to save him from the brambles, and he also wore sleeves of
leather; he had a goat skin cap on his head, and was looking very
woe-begone. When Ulysses saw him so worn, so old and full of sorrow,
he stood still under a tall pear tree and began to weep. He doubted
whether to embrace him, kiss him, and tell him all about his having
come home, or whether he should first question him and see what he
would say. In the end he deemed it best to be crafty with him, so in
this mind he went up to his father, who was bending down and digging
about a plant.
  “I see, sir,” said Ulysses, “that you are an excellent gardener-
what pains you take with it, to be sure. There is not a single
plant, not a fig tree, vine, olive, pear, nor flower bed, but bears
the trace of your attention. I trust, however, that you will not be
offended if I say that you take better care of your garden than of
yourself. You are old, unsavoury, and very meanly clad. It cannot be
because you are idle that your master takes such poor care of you,
indeed your face and figure have nothing of the slave about them,
and proclaim you of noble birth. I should have said that you were
one of those who should wash well, eat well, and lie soft at night
as old men have a right to do; but tell me, and tell me true, whose
bondman are you, and in whose garden are you working? Tell me also
about another matter. Is this place that I have come to really Ithaca?
I met a man just now who said so, but he was a dull fellow, and had
not the patience to hear my story out when I was asking him about an
old friend of mine, whether he was still living, or was already dead
and in the house of Hades. Believe me when I tell you that this man
came to my house once when I was in my own country and never yet did
any stranger come to me whom I liked better. He said that his family
came from Ithaca and that his father was Laertes, son of Arceisius.
I received him hospitably, making him welcome to all the abundance
of my house, and when he went away I gave him all customary
presents. I gave him seven talents of fine gold, and a cup of solid
silver with flowers chased upon it. I gave him twelve light cloaks,
and as many pieces of tapestry; I also gave him twelve cloaks of
single fold, twelve rugs, twelve fair mantles, and an equal number
of shirts. To all this I added four good looking women skilled in
all useful arts, and I let him take his choice.”
  His father shed tears and answered, “Sir, you have indeed come to
the country that you have named, but it is fallen into the hands of
wicked people. All this wealth of presents has been given to no
purpose. If you could have found your friend here alive in Ithaca,
he would have entertained you hospitably and would have required
your presents amply when you left him—as would have been only right
considering what you have already given him. But tell me, and tell
me true, how many years is it since you entertained this guest—my
unhappy son, as ever was? Alas! He has perished far from his own
country; the fishes of the sea have eaten him, or he has fallen a prey
to the birds and wild beasts of some continent. Neither his mother,
nor I his father, who were his parents, could throw our arms about him
and wrap him in his shroud, nor could his excellent and richly dowered
wife Penelope bewail her husband as was natural upon his death bed,
and close his eyes according to the offices due to the departed. But
now, tell me truly for I want to know. Who and whence are you—tell me
of your town and parents? Where is the ship lying that has brought you
and your men to Ithaca? Or were you a passenger on some other man’s
ship, and those who brought you here have gone on their way and left
you?”
  “I will tell you everything,” answered Ulysses, “quite truly. I come
from Alybas, where I have a fine house. I am son of king Apheidas, who
is the son of Polypemon. My own name is Eperitus; heaven drove me
off my course as I was leaving Sicania, and I have been carried here
against my will. As for my ship it is lying over yonder, off the
open country outside the town, and this is the fifth year since
Ulysses left my country. Poor fellow, yet the omens were good for
him when he left me. The birds all flew on our right hands, and both
he and I rejoiced to see them as we parted, for we had every hope that
we should have another friendly meeting and exchange presents.”
  A dark cloud of sorrow fell upon Laertes as he listened. He filled
both hands with the dust from off the ground and poured it over his
grey head, groaning heavily as he did so. The heart of Ulysses was
touched, and his nostrils quivered as he looked upon his father;
then he sprang towards him, flung his arms about him and kissed him,
saying, “I am he, father, about whom you are asking—I have returned
after having been away for twe
--I. M. Edward John Henley (1861-1898)

Where are the passions they essayed,
And where the tears they made to flow?
Where the wild humours they portrayed
For laughing worlds to see and know?
Othello's wrath and Juliet's woe?
Sir Peter's whims and Timon's gall?
And Millamant and Romeo?
Into the night go one and all.

Where are the braveries, fresh or frayed?
The plumes, the armours--friend and foe?
The cloth of gold, the rare brocade,
The mantles glittering to and fro?
The pomp, the pride, the royal show?
The cries of war and festival?
The youth, the grace, the charm, the glow?
Into the night go one and all.

The curtain falls, the play is played:
The Beggar packs beside the Beau;
The Monarch troops, and troops the Maid;
The Thunder huddles with the Snow.
Where are the revellers high and low?
The clashing swords?  The lover's call?
The dancers gleaming row on row?
Into the night go one and all.

Envoy

Prince, in one common overthrow
The Hero tumbles with the Thrall:
As dust that drives, as straws that blow,
Into the night go one and all.
Dear BECHER, you tell me to mix with mankind;
  I cannot deny such a precept is wise;
But retirement accords with the tone of my mind:
  I will not descend to a world I despise.

Did the Senate or Camp my exertions require,
  Ambition might prompt me, at once, to go forth;
When Infancy’s years of probation expire,
  Perchance, I may strive to distinguish my birth.

The fire, in the cavern of Etna, conceal’d,
  Still mantles unseen in its secret recess;
At length, in a volume terrific, reveal’d,
  No torrent can quench it, no bounds can repress.

Oh! thus, the desire, in my *****, for fame
  Bids me live, but to hope for Posterity’s praise.
Could I soar with the Phoenix on pinions of flame,
  With him I would wish to expire in the blaze.

For the life of a Fox, of a Chatham the death,
  What censure, what danger, what woe would I brave!
Their lives did not end, when they yielded their breath,
  Their glory illumines the gloom of their grave.

Yet why should I mingle in Fashion’s full herd?
  Why crouch to her leaders, or cringe to her rules?
Why bend to the proud, or applaud the absurd?
  Why search for delight, in the friendship of fools?

I have tasted the sweets, and the bitters, of love,
  In friendship I early was taught to believe;
My passion the matrons of prudence reprove,
  I have found that a friend may profess, yet deceive.

To me what is wealth?—it may pass in an hour,
  If Tyrants prevail, or if Fortune should frown:
To me what is title?—the phantom of power;
  To me what is fashion?—I seek but renown.

Deceit is a stranger, as yet, to my soul;
  I, still, am unpractised to varnish the truth:
Then, why should I live in a hateful controul?
  Why waste, upon folly, the days of my youth?
It harassed free fall, it was affected by the friction force in the absence of the tefillah, the walls became more taxed and accelerated with gravity that exceeded the acceleration of time, gravity triggered the rest that was in the outside walls and made different kilometers apart, with the free fall at more than 9.8 km per second. Beneath the ground the dimension was made lower than the intake embankment, creating placements in revealing swaps in the solar position, for anyone trying to level the force of fall and its acceleration versus gravity around bodies that were moving accelerated and scattered. The earth constantly hurried its mass to preponderate and go where something or someone could rescue it, the air was inked with an offer in the cases of the imprisoned airs, which from the graves adjoining the valley of Kedron kidnapped its areas of lavender physiognomies to link it to the mantles of the Tallit, which in some cases arose with thousands of souls from their graves, to receive the cushioned rubble between which they were electro-magnetized with the blankets, and the wiring they generated, conceiving that they would gather them in the naive and demiurgical plates, for the holistic retransmission of the tract to Patmos, starting from the Cyclades all the way to the Dodecanese.

The sensitive ex-karst plates of Patmos trembled through the passageways of the Cyclades, which permeated in a ratio of the first reflection in the distance vision that approached between both physical episodes, but the second axis of reflection was made aware in an unknown perspective close to the underwater elevation of the Profitis Ilias, close to the entrance sinkhole, between the variables of the inter plates that were assigned to the reflective tapes of the Beit Hamikdash that mutated to the Megaron Áullos Kósmos. Here the omega will resume a minimum of constant forces, emphasizing the friction that bellowed by the hands of the pro-zealots who had left those sarcophagi in the Kidron Valley, in the average anchor values of the great leaks of the friction with the falling water by millions from the inexorable wind that aided the indivisible objects in the Kidron valley ratio, as a reflection of free fall hitting the friction between the Bern Olives, with torrential rains that were made periodic for an esplanade near Mount Scopus. This seat suffered from the force of friction in the fall of the wall, appreciating the burials that were and will be the reactionary phases of the Hellenistic degree. Objects faded to the state of rest and gravity that cavorted through the valleys, replicating distances more than periods of Elijah in the Judah desert itself and in the Dead Sea. From the depth of the valley, aqueous elements emerged with the proportional speed of the falls of the material and immaterial bodies, outlining the second Newtonian law, as the holy water submerged into the flow of the super-atomized savory, which was reconverted into the same Beit Hamikdash, to materialize in the submerged and hidden effects of the pagan force, hinting at the analogy of the equinoctial of the Dyticá that pushed the wave of the Kaitelka whale, in the constant of speed, tensing the force of the rocks that never stopped moving until his body igneous was quintupled in the fifth dimension beyond the consciousness of those who do not understand immaterial physical abstraction, in fractional microseconds.

The density of the rain filter that had been volumized from the submerged interstices, created the gravity of the horizontal movement that subdued the equation in kinetics that gave the differential in the unresolved expectation of the cessation of movement. Where the amount of reaction is more than what would go to Patmos, disproportionate to the macro pulleys that oscillated in the meridians, speed, and acceleration. Prior to the decoupling of the forces of fall in the already submerged bodies that were counterbalanced to give rise to the volume cords that detached from the largest chamber of the wall, to record the final sequence of wear generated by the reconversion and balance points of their masses, then the starting pedestal accumulates and is reconnected with this phenomenon of the Invisible Eclectic Portal of Patmos, being aware that they would have to enter the cavern, after having ceased their work for this mass retransmission of the reinverted wall to propel the Megaron uprising. Within three months after the Hellenistic Full Moon, the colors of the Tefilah will become mathematical, fascinating the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the reef of Patmos. The sanctity will count the astragali in front of the cyclamen for the delicate advances, wearing the blue-green of the quadrinomial that represented geodesy in its points of order and of its evangelist faction. Confusions were overwhelmed not to stop the movements of splendor in the effusions of the storms in sacred prayers in the room, which takes refuge from Kímolos bringing the souls of Helenikká, for the offices that made the trend of Katapausis after the subsequent full moon. Discounting the three months that never elapsed since Vernarth arrived on the Eurydice.


Kaitelka and the judgment of her abode would determine the corpus and the psyche of the irascible necromances of Borker and Leiak, subordinated to Zefian so that the torrential rains on Patmos are perceived by the colder of condensed water of Cassandra that Beit Hamikdash had been bringing with two anthropomorphic shadows that had been supporting him, that of a Cohen, Levita and a Samaritan, they were the guardians that came from Jerusalem to Patmos to assimilate the enthronement spectrum of free fall converted into free ascent were the fourth arrow that spectrum for the first column to be erected. The breath of all of them became more entropic each time that would be concentrated in a certain haze that was released by its titanic whale snout; Rather, I say of her presence that she was raised by some larvae, which came from certain Zeus dresses that he had expelled to free the larvae that were from her immortal garb, looking like bait for those who stalked him with necromancy. . But this time he would be very contemplative for the construction of the Megaron de Vernarth, because amphitheater was a cause of low politics for his Olympic spectrum. The energy or Evegeia, was primed for objects that took forms of papyri covered with invisible enzymes tried from Qumram, but the cause of Mortis revived the larvae making the oblivion of the era that continued after the Mortis of all legions multiplied by the phrases that were sinister from the true matter of physical remanence.
Helleniká Souls
harlon rivers Oct 2019
Waning  dappled  moonlight mantles
the margin at the wild-wood edge
Stiff tufts of summer dried grass spears
sporadically sway — raking against
the  scarlet  poison  oak  leaves
gently sweeping away the moonlit silence
airing the sounds of velvet antlers rubbing
barkless mountain willow trunks bare

Subtle nuances constantly animate
twilights rhythm;  heaven flickers
upon a dark umbrage of forest pillars
softly as a candlelight’s  fluttering  glow
evanescing  half way  across  the  sky;
the  sparse  illumined  clouds  stream through
the lambent halo around the rutting moon
fleeting in the blink  of  sleepless eyes

and like the silent touch of a talisman,
transfixed eyes are entranced by all
the  restless  night  disrobes,
captured and cocooned by the seeker’s
awakened senses

An erratic,  familiar feral bark peals haughtily;
a pack of maturing spring pups yip, bellow and shriek
in youthful pursuit;  the howling report back,
ignited by the scent of a rabbit's paling squeal,
aroused by the pulse of brother wolf
rippling deeply through their blood

The dried grass game-trail crackles towards the ridge top:
an aging full moon is not enough skylight
to see beyond a seeker’s stirring silent reverie
the coyote choir’s sudden reveling echoes rekindling
an extraordinary sheltering intimacy within;

bending slithers of moonlight into a dull moonlight mantle
but I can feel its weight breaking me ,... forlorn I can't physically
reach out to touch them in an absolving moment  —
understanding love was always the purpose of being ,...

futilely repining — I  can't  face  myself  alone  again


            harlon rivers ... October  2019                                                  

.
Notes: a coyote moon

3am — eyes wide open — embraced by a presence that robes the night
gazing at the ecstasy of feeling nature's deep roots in my soul

Thanks for reading ... rivers
Among the more irritating minor ideas
Of Mr. Homburg during his visits home
To Concord, at the edge of things, was this:

To think away the grass, the trees, the clouds,
Not to transform them into other things,
Is only what the sun does every day,

Until we say to ourselves that there may be
A pensive nature, a mechanical
And slightly detestable operandum, free

From man's ghost, larger and yet a little like,
Without his literature and without his gods . . .
No doubt we live beyond ourselves in air,

In an element that does not do for us,
so well, that which we do for ourselves, too big,
A thing not planned for imagery or belief,

Not one of the masculine myths we used to make,
A transparency through which the swallow weaves,
Without any form or any sense of form,

What we know in what we see, what we feel in what
We hear, what we are, beyond mystic disputation,
In the tumult of integrations out of the sky,

And what we think, a breathing like the wind,
A moving part of a motion, a discovery
Part of a discovery, a change part of a change,

A sharing of color and being part of it.
The afternoon is visibly a source,
Too wide, too irised, to be more than calm,

Too much like thinking to be less than thought,
Obscurest parent, obscurest patriarch,
A daily majesty of meditation,

That comes and goes in silences of its own.
We think, then as the sun shines or does not.
We think as wind skitters on a pond in a field

Or we put mantles on our words because
The same wind, rising and rising, makes a sound
Like the last muting of winter as it ends.

A new scholar replacing an older one reflects
A moment on this fantasia. He seeks
For a human that can be accounted for.

The spirit comes from the body of the world,
Or so Mr. Homburg thought: the body of a world
Whose blunt laws make an affectation of mind,

The mannerism of nature caught in a glass
And there become a spirit's mannerism,
A glass aswarm with things going as far as they can.
When I rov’d a young Highlander o’er the dark heath,
  And climb’d thy steep summit, oh Morven of snow!
To gaze on the torrent that thunder’d beneath,
  Or the mist of the tempest that gather’d below;
Untutor’d by science, a stranger to fear,
  And rude as the rocks, where my infancy grew,
No feeling, save one, to my ***** was dear;
  Need I say, my sweet Mary, ’twas centred in you?

Yet it could not be Love, for I knew not the name,—
  What passion can dwell in the heart of a child?
But, still, I perceive an emotion the same
  As I felt, when a boy, on the crag-cover’d wild:
One image, alone, on my ***** impress’d,
  I lov’d my bleak regions, nor panted for new;
And few were my wants, for my wishes were bless’d,
  And pure were my thoughts, for my soul was with you.

I arose with the dawn, with my dog as my guide,
  From mountain to mountain I bounded along;
I breasted the billows of Dee’s rushing tide,
  And heard at a distance the Highlander’s song:
At eve, on my heath-cover’d couch of repose.
  No dreams, save of Mary, were spread to my view;
And warm to the skies my devotions arose,
  For the first of my prayers was a blessing on you.

I left my bleak home, and my visions are gone;
  The mountains are vanish’d, my youth is no more;
As the last of my race, I must wither alone,
  And delight but in days, I have witness’d before:
Ah! splendour has rais’d, but embitter’d my lot;
  More dear were the scenes which my infancy knew:
Though my hopes may have fail’d, yet they are not
  forgot,
Though cold is my heart, still it lingers with you.

When I see some dark hill point its crest to the sky,
  I think of the rocks that o’ershadow Colbleen;
When I see the soft blue of a love-speaking eye,
  I think of those eyes that endear’d the rude scene;
When, haply, some light-waving locks I behold,
  That faintly resemble my Mary’s in hue,
I think on the long flowing ringlets of gold,
  The locks that were sacred to beauty, and you.

Yet the day may arrive, when the mountains once more
  Shall rise to my sight, in their mantles of snow;
But while these soar above me, unchang’d as before,
  Will Mary be there to receive me?—ah, no!
Adieu, then, ye hills, where my childhood was bred!
  Thou sweet flowing Dee, to thy waters adieu!
No home in the forest shall shelter my head,—
  Ah! Mary, what home could be mine, but with you?
Savannah Varney Apr 2012
Brown flakes chipped from the mantles, fall
Outside chaos sweeps, shattered bird calls
Paths and trails invade, disrupting the norm
Arbor day stuck mid-waist, smothered once more
There's catastrophe in the canopy
Silence of defeat deafens the forestry
Help me, help you, I tip my ranger hat
Lets emancipate the earth from man's wicked combat
The world's confused, so liberate and understand
Clear your mind from this innate, tradition of can't
Ignore heavy mists blinding your eyes
Demand a deep breath, stand for your rights
The damage must come to an end
The world's in your hands
Unite nature, beast and man
Together as friends
Marshal Gebbie Feb 2011
It’s taken you’re fed up
With politicized debate
And the fools who do brinkmanship’s
Scared world of hate.
And the ghouls who eat babies
As pawns in their game
In their scrawny white *****’s
Sad quest for fame.

Where the sick sabre rattlers
Cavort with their ploys
Of destroying old satellites
To show off their toys.
To drape flags of challenge
With threat weave inbound
Across mantles of aspirants
Desirous to be crowned.

Intimidating tactics
From they with the gun
Against all the challengers
Emerging at run.
From China to terrorist
The gauntlet’s thrown,
You cross our line
There's no mercy shown.

And we little guys sit
In our quiet, timid way,
Whilst the gigantic ego's
Jostling holds sway.
Whilst the arrogant right
Profess to have God,
And the rest of us cower
In fear, like a dog.

And the sun comes up
With a glorious show
And the nuclear dust
In the air is aglow,
And the rich and the famous
Are dead in their beds
And the ***** and the cockroaches
Nibble their heads.

It’s all such a waste
In a terrible way
When the General’s pushed buttons
And had such a day....


Marshalg
Victoria Park Tunnel
10 February 2011
Charlie Prince Dec 2012
When we first met,

a balloon inflated in my chest,
squeezing the air from my lungs
and pressing all my innards
against my ribcage so hard that

I thought I might burst.
And I don't know why.

When we first kissed,

static shot through nervous nerves.
Even my hairs were so shocked
that every last one leapt away
from my skin and my brain
had to reboot. But in that moment,
when I came back, I found
my lips had only brushed yours
and when we touched a second time,

I died all over again.
And I still don't know why.

When we are apart,

I feel a hundred million stings
tingling through my endless maze of veins.
My thoughts get lost in the meandering streams
of consciousness and dreams that
keep sleep from sharing my pillow.
And as I wander through my wonder,
I am amazed that your face has been placed
on the mantles of my mind where I feel most safe.

I discover you where I least expect to.
And I may never know why.

I guess one can never really see this kind of thing coming.
Is there such a thing as an expected surprise?
That being said, before you begin to to dread
that our future conversations now have expectations,
I've seen that the less I look ahead, the better.
Still,
maybe I
can discover why
my life is being painted with colors
I had completely forgotten.
But,
I mean,
Anjuli,
I only really want to
if you want to.
And if I may,
I'd love to say:

I want you.
L Gardener Sep 2013
"Did you count our hours?
Tally up tick-tocks?"

No.
The tick-tocks ticked me off.
I cracked.
I cracked glass faces.
Keeping track of mantles, walls, and wrists.
Time is so human it's creepy.
Watches watch you.
Hands move wiser.
That ******* glass face again
and this giant thing
looming in the corner is not
anybodies grandfather.
Trying to seem friendly while
it all slowly steals your life away.
Losing trick-track of our hours,
over and over.
Daniello Mar 2012
If only I had heard the words themselves
expelled unmistakably in blades from
a swirling voice, prismatic in black,
and      simply      inescapable permanence
through me, saying
you are condemned, I would have nodded, nodded

Unmistakable, too, though, is my thought
and it lashes      simply      through me
more than a burden      on a via dolorosa
asking what sound the ground would make,
were my shoulder to dip, it to fall, were I, in bareness,
to run towards a break in the confluence

My shoulder throbs critically certain moments,
possibly, the way water when it mantles
under itself, when its skin just about
feels      itself      out
Though solitude, it could be made of wood
to splint or splinter and, further, throbbing is just

blood, in as would be out, so      quickly do my
bones straighten, wait for swirls to slow,
silence to recede back towards
sussurating laodicean voices, again, speaking
only to me, too      too clearly      a calloused truth,  
and for the confluence to nod, nod      then close the break.
Sam Ciel Jan 2017
If a frame is worth a thousand words,
And still by all accounts,
A thousand words is all it takes
To make a second count.

Except a picture doesn't move
until there's twenty four
So for every thousand words too few
I'll write a thousand more

At least that's what I'd like to say
That I have two billion words.
That's eighteen years turned into frames
To heal a world of hurt

And it's not that I'm not willing
But rather, I'm not able
So I'll use freeze frame magic
To tell this hero's fable.

To reiterate; twenty four frames per second
Creates the illusion of motion
That's twenty four thousand words per second
To recreate this fluid notion.

And illusion isn't a word I like.
It implies he isn't real.
But the movement inspired in all alike
Has a kinesthetic feel,
And acts as a concrete testament to his existence.

His grin was always worn a little bit off kilter
As if it couldn't hold all of the joy it filtered,
And was tipping into the surrounding space
A contagious smile that slowly spread across his love ones' faces.

His eyes glowed without compare, immersed in umber flame.
The questioned who you were and asked you without shame,
"How can I help?"
They burnt away the paper mache masks we so often wear,
Mantles and guises with incendiary tears
Would fall to the ground, replaced by genuine care
And glimmering hope.

His eyebrows. I could talk for hours and still not touch the length of those majestic caterpillars. And no, there's no poetry here. They're eyebrows. Just looking at them, at him, you knew he would make you laugh.

And he did. He carried a profound simplicity for his youth,
And understanding hidden unkempt and uncouth
Behind messy tufts of shaggy hair
Aloof behavior, suggesting "I don't care"
When really, that's all he did.

He walked with a loose sensibility and a tenacious
Comprehension for life that many of us still grasp at tentatively.
He loved to live.
He lived to love.

If only life were so simple as kissing the pain away.
Which brings me to what I'd like to say today.

Sometimes, actions aren't enough to take away the pain.
Sometimes words cannot will the past to live again.
Sometimes what we feel seems wrong
And what we know is wrong feels right
Sometimes we don't have the answers
And sometimes that's alright.

Our hero lived a wondrous life,
And left so much love behind
His legend isn't simply his
But his and yours and mine,

A legacy lived on through us
And countless stories told
Frozen movie frames
We'll remember 'til we're old.

Snapshot stories played on repeat
Forever in our minds
To make up for the things not done
And words we'll never find.

I'd like to close on the last few words
I spoke to my dear friend.
"I won't say goodbye for now,
but *'til we meet again."
I wanted to genuinely write a thousand words for you.
And while I was writing, I realized something.
I'd want to write a thousand more.
And a thousand more.
And a thousand more.

And I don't think that feeling will ever go away.

So instead, I'm going to trust that you'll live on in all of us.

To my dearest brother.

1998-2017.

As always, keep writing.
Autumn Briarhart Mar 2016
Emphatic yes.
Mechanical gestures attempt to arrest form,
Bind in possession a moment no longer.
A willful lash,
Resistance necessary,
Violent response to denied consent.
Constant memories.
Accountability never lost,
Never assumed initially.
Mantles are places,
For trophies,......



Remember to buy flame retardant.
Dylan Mar 2023
Early morning, adorned
in a cloak of cerise and viridian,
roams the dark of a seashore
through waves of obsidian.
Summer in pearly decorum,
the harbor blazed with multicolored sails.

Noontide aloft on sundrops
of saffron luminance,
traces the rows of begonia
and shading cumulus.
Summer in amethyst mantles,
the meadow doused with flower-laden trails.

Evening, abliss in the cape
of sunning indigo,
wades in crystalline waters
as the plazas overflow.
Summer in sienna streetlights,
the taverns filled with sentimental tales.
winter sakuras Mar 2017
i don't have to
make you love me

and i'll say three words,
not the ones everyone expects.

stay with me

i don't need you
to kiss me

or run your hands
through my hair,

i just want
to look at you,

to burn the image of your smile
into the back of my mind

so that whenever
i close my eyes,
i only see you

stay with me

i don't need for you
to give me your love

i can keep going,
one foot after the other

when you hold her hand
and give her
your heart,

but i just want
the parts of you that last,

the parts
that go beyond
heart shaped chocolate and red valentines

the parts
that go beyond
perfectly polished fireplace mantles
and neatly trimmed hedges,

the parts
that go beyond
good times and good time friends
and never letting go,

i just want the parts
that are
the raindrops,
of your soul

stay with me

i don't need you to say
those three words
everyone expects you to,

i don't even need
to hold your hand,

i only need to feel you,

i only need to know you,

i only need for you
to be
the parts of me,

the parts that last,

and,

i only need for you to

*stay with me
and she will
be loved
This troublesome beauty
Lines the walls of my temple,
Dangles crystals and candlesticks along its mantles.
My thoughts pray at her altar,
They clench their fingers together in pure fascination, yearning
For a couple minutes more
Of that spiraling reality -
The sparks at the edge of my eyes draw
Me to peek behind the curtain of my essence.
I fall like powdered snow and gliding petals off
Their enchanted tower, having been
Plucked from the certainty of their being into
A tonic, gelid air.
My body contains a formless wonder
Made of mellowing spirit -
I unwind and differentiate
Into many limbs of being.
Alex McQuate Jun 2023
Come to me,
Oh look and see,
Please tell me that I don't belong.

To this place,
O' to this world,
To this situation I hath rote.

But negative,
Nay I say,
Tis a situation so grand,
That it can be only sung out in the tongue of yore,
For it is only the most noble of mantles,
Of Fatherhood's door I adorn.

It shall be I,
I be armed with simple tools,
A fresh ***** or bottle,
To assuage my young liege lord's woes,
For betwixt the soggy ure or rancid scitan,
I dread knowing such knowledge,
But my sacred duties of ****** I shan't ignore.

So for now,
Oh humble bards and wanderers,
Listen to this tale no more,
Create such joy and celebration,
For upon this day,
My Firstborn son is born.
Threw a frickin' thesaurus at this one.
Helen Raymond Feb 2014
Swift little flickers, frostbitten butterflies seek cause for silent tickers.
Errant thoughts muzzled, fearful to fly, forever puzzled.
Every place wrestling for resemblance: filigreed and brimming with brilliance
Kept their dizzy daydreams quite upright, poured over their faceted faces in hours twilight.
Inken sketches, florid smudges later you will find the carnage.
Nearly melted, beat those frosted wings, keep your wits about you, pretty things.
Go, flick and fleet: their flight; fly, fly always towards the light.

Soft whispers give way to angry hisses
Ever less goodness, evermore thoughtless.
Restless sounds of puncture wounds, outpouring of broken tunes.
Earth trodden ashes of the unforgiven writings call to halt the lashings.
No one hearing, none recalling the precious dress of lacing.
Intellect sparked, soon be doused; any voice of inspiration, oust.
Theft of name, take them to another unmarked grave, twisted game.
Young remember as their elders told in fright, 'fly, fly; always towards the light.'

Taste the soot on your tongue, the burn in your lungs, the breath of change this way comes.
Here they hunt thieves in the mist, starving fireflies on a mad tryst.
Run, fast and far they did, into the wastes they wade: anxious of judgment to be paid.
On the precipice you balance, guided by the insurgent cadence...
Under the needle all the more urgent it becomes, you fight with fists and tongues, pens, curses and drums!
Grow to regret their callosity for all your darling thought by the fervor with which you fought!
Hear the chorus of the masses screaming with all their might, their battle cry, "Fly, fly; always towards the light!"

Snowflakes listen in chaste wonderment of the divine's grand design.
Mutiny of the very worst kind, slaughter and smother your peace and mind.
Ostentatious trimmings traded for ember dress to set light to falsifiers'  fortress.
Keen intellects, driven mad with hunger, retract their reticent mantles to reveal peerless sentinels.
Eternally seeking serenity through smoke, as in ancient rite they fly, fly; always towards the light.
-an attempt at refining acrostic-
If you've made it this far you've realized that this isn't about smoking cigars (sorry to disappoint if that's what you were after). This is a poem about war and beauty, and their repetitive dance.
Michelle Garcia Jun 2016
Home is here,

within the safety of arms that hold me tightly so that emptiness can no longer climb into my bones. You are the roof when it storms in my mind and the buckets overflowing with tears that seep through the cracks in the ceiling on the nights my skin forgets how to shelter. Your words exist in the whistling kettle on the stove steaming with gentle whispers that remind me that I must pour my doubt into a porcelain cup and swallow.

Sometimes the taste is worth the burnt tongue.

I adore you in the way you never think twice about parting your curtains to let the shy sunlight kiss my cheek on the mornings I worry that I'll only ever know the feeling of lonely shadows creeping down dusty mantles and floral wallpaper, tiptoeing down the ridges of my spine like something that has never dreamed of being loved.

Because now, there is no need to keep the television buzzing in the background to drown out the voices from under the sofa shouting for me to store my beating heart in the attic. Instead, the room is silent except for the melody of laughter echoing down the walls and in the pictures of us hanging upon them. There is only music left playing as your footsteps flutter down the stairs in a hurry to dance barefoot with me in the kitchen. The only voice left to hear is yours, lulling me to sleep better than counting reasons to stay alive ever could. Tomorrow, there will be no more numbers left to reach.
Jon Tobias Aug 2011
All is dark in the house of dust
All is cold
All is breath and breaking bone
And skin that has shed making the dust

And the souls that enter flow like a river
And the names are not called
Peter left a long time ago

God and Gods
Demons and Devils
Abandoned the safety of the house where the souls must go

And dirt deep we rest
Rest enough to feel our bodies turn into dust
Because our souls have nowhere to go

My body is the house of dust
And it is dark inside
Save for the flicker
A spark just strong enough for a pyre
That I will never get to see

At least ash might be scattered in the daylight
Not brushed off of mantles
Or shaken from the feet of the righteous
Every time they turn their backs on me

The earth above me rattles when it rains
And I settle deeper into the dark
Where the dust mixes with the earth
And tries desperately to belong

I do not belong there
These bones are too dense
My heart is too dense

My soul weighs more than the rock marking my place
I am fine with that
Fine with the idea of forever
And the place I will be left in

The house of dust
The house of bone and breath

At least I will not be alone
My soul
will stay with me
Padan Fain Dec 2017
I am winter's shadow across the desert
wandering in the back alleys and ravines
where the tumbleweeds go when the Monarch slumbers
to drink the last of the hiding frost

I am winter's shadow across the desert
a funeral-gaze across the Pit
to the titans that clutch the edge of my world
where, this year, Father draped no mantles

I am winter's shadow across the desert
greeted in silence by a broken landscape
whose children watch with clandestine eyes
awaiting my death in the spring

I am winter's shadow across the desert
the last grain of sand in the hourglass
the last muffled roar of Limantour
the last ray of moonlight on the horizon


the last of my kind.
eleanor prince Dec 2019
In solitary spaces
I find parts noise hid
screaming simulacrum
in broken cobwebs

a life pending
in crevices
sensing
chill

broken
concepts
mantles for
ruptured elements
their soft core exposed

casualties of bloodied past
salvaged fragments
society's furnace
discarded

singing
synths
waiting
Isaac Bahn May 2014
Breathe.
Just breathe
As if it were the very last breath
Like the very last time I'll ever inhale in my life,
I fill up my lungs, to the point where they'll burst.
On the verge of self-implosion,
I'll breathe until it hurts.

I let the air flow right through me
Let it comfort me.
Wrap me up in a chillingly warm embrace
Kind of like grandma's hugs.

It'll pierce me right to the bone.
Break me right in half, and cut this heart of stone.
And with a swift breeze it picks me right back up.
It mantles all my misplaced pieces,
and cradles me.

Inhale,
in through the nose
Exhale,
Out through the mouth.

There is no need for haste, my love.
We can let it flow with the wind.
Stay or go, like the autumn leaves we shall be swept away.
But it's okay.
I am at peace
Surrounded by it.
Flow Jul 2023
Please listen to this youtube video as you read it, it was intended for that:

Interstellar | Melancholic Melody, 1 Hour Magical Journey, Sleep Aid, Ambient Music

https://www.youtube.com/watch?v=p2zMXSXhZ9M&ab_channel=SoothingSonata


The I miss you again feeling, but we never met.
I always think to myself, why we never met.
Maybe I met her already…
But I never forget.
I always felt like I have a soulmate, but it isn’t true,
I though life was a journey, blues clue.

I saw her pace away, a sad journey that seems like everything is fading away.
I thought I would never share this, but it seems like today is the day. (pause)
A mass depicture, my mind is a movie that never aired, a motion picture.
I had to write this over again so many times, a re-written scripture.
How come I keep looking for love when it’s all the same
I hate the feeling, it’s all a game.
It feels like I haven’t eaten in years,    Hunger games.
I hate that I love people who aren’t great. (pause)
Life is a mystery, I can’t escape.
(fast) I see a whole world in my head that I can’t replace.
A constant fight with your mind, but its hard to believe.
It’s honestly hard to live in reality, when all you see is a dream.

I’m trapped in a wall in me.
I hate how they all can see, (pause)
I wish I could vanish, but would they all believe?
Everyone can find better so can anyone really be good enough?
So selfish it seems, so many people are helpless it seems.
My mind is blank I don’t understand,
If it’s a demon that trapped me, I’ll learn economics to know its demand.
I’m trapped here and I don’t understand.
Sometimes I think to myself, there’s nothing new, I know how this story ends,
Like it’s the same meal that I already chewed.
Like It’s the same song from 2002
I feel like love is something that happens when you surrender yourself to your mind.
We all have a dialog, but I honestly hate mine.
It’s so easy for me to fall in love, I’m scared to say,
because it’s so easy for someone to find better and only meet you halfway.
I’m tired of trying to make it work, shooting my shot but it seems like it’s only gunplay.
I love too easily. But it’s hard to stop, my heart hits the dashboard every time I have to drop them off.

I want to live a life that saves the day,
saves a person from feeling this way.

Idk what I have to offer because I’m scared to say.
I don’t want to be myself, it’s a bit odd in a way.
I feel odd in a way.
I thought that people could love me the same.

A conscious aim, a person that couldn’t destroy me, a small grenade.
A small cascade of every rejection
it starts to fade.
Writing a poem in a different way when you have an aim. (pause)
A First aid-that comes in to save the day.
This was a sad poem, but it doesn’t deserve a downgrade.
I wrote this when I felt love again and had to release,
all of these fake stories of love that were trapped inside me.
You don’t need to understand this poem, I promise.
I love someone I’ve never met and I’m just being honest.
I want to find the love of my life, I’m faithful I promise.
But why would I stay.
when every time I do. It wasn’t the smartest,
Life feels broken, when your faced with the harshness,
a bright future but my mind feels the darkness.
So many people can slip, my minds in a pit,
so many love stories that I just can’t handle it.

I feel bare, dark stare alone in a room like we are meeting the world for the first time.
A small climb to realize, this reality wasn’t mine, a corrosive world, that could only be designed.

I created a love story in my head that wasn’t mine.
A crazy wild surprise when I realized this happens a hundred times.
So insane to realize my imagination is an emotional expression of what I wish to be.
A thousand love letters, that I never mean.
Only to capture something I never need.
A demon invested soul, an endless toll that can catch up to me when I’m old.
Every love story told could be written down, that I can never hold.
I’m a love teller that could never fold.
I couldn’t tell you where this started, there was no replay button to control.
I created love stories in my head that I didn’t mean.
I felt love that was behind the scenes.
Behind the screen was all the actors, because I always dream.
It seems like I’m organized, the same routine.
It feels like a movie, like someone cut to a scene.

Was anything ever platonic?
Are we all living in our fantasies?
If its true,
can anyone even handle me?
It feels like a mantle, steam comes out and mantles me.
My mind doesn’t feel real.
Dismantle my heart and scramble the parts, I don’t wanna lose the whole thing.
A lost cause, a winner with no ring.
A losing battle, with nothing.

Nothing but the future to rethink.
I’m scared to use my mind, a thousand love stories, but I wish I could erase mine.
I’m in love with her and I don’t know why.
Help me for a hundredth time.
I write for the hundredth time; I tell you I love you for the hundredth time.
I tell you I made it up with a couple of rhymes.
I’m just looking for love, but it’s hard to find.

The past keeps creeping, but it passed the line.
I want to connect her words into a poem, a sweet divine.
I’m making this up, can’t you see the tie?
I’m writing to you, but it seems like lies.
I’m scared as ****; I can’t even deny.
Thank you for hearing this poem.
And thank you for your time,

Final line:
“I wonder if love is a disaster, or something plastered, an art piece that represents disaster, and maybe that’s what everyone’s after.” Thank you.
My mother spelled my name with a storm -
made the first syllable
lightning
second syllable of
wind and rain
third syllable of
thunder's distant roar.

My mother made my name tectonic.
Each syllable cacophonous -
the subsequent more than the former -
slamming continental tongues
into the mantles of teeth.

My mother made my name as immutable as the laws of gravity -
catches hold of your ear
and refuses to let go
unless acted on by an
equal
and opposite force.

My mother spelled my name with power -
bound it to the core of my being
with love -
marched me into the World and
with all the power left in her
declared,
"This is my son in whom I am well pleased".
Slur pee May 2017
Mantles mimic maternal movements,
Moving meticulously, meshing
Mobile muscle material and minerals.
Merely mocking mothers;
Methodically milking maintenance
Mapped to membranes of man.
Mildly moaning musical magic,
Melting mutual matter.

-SLuR

— The End —