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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Valora Brave Aug 2015
There was a runner, a fisherman and a photographer
and they all dreamt of seeing the Northern Lights
when they got there
the fisherman ran,
the runner stopped to take a photo
and the photographer sat and stared

There was a poet, a carpenter, and a lunatic
and they all dreamt of fame.
It was all about timing
and when the season came,
the carpenter built a guitar,
the lunatic wrote a memoir,
and the poet only wrote masterpieces after countless hours in a bar.

There was a student, an architect, and an engineer
and they all dreamt of freedom
from the chains of class, work, or the past
They were not unique in their envy
and were assigned to design a levy
that would hold water for the town
enough to quench rich thirst
and enough to drown

The architect sent the design first,
The engineer built a key like a curse
to unlock the levy upon request
the student observed, but imprisoned by impatience, could not rest
thought there was freedom in approval
so pridefully, he pulled
he stood on a hill ready for renewal
had studied the design of the levy and all of its features
had built a key, better than his teacher's
unlocked the levy and washed out the town
but absorbed in his plan, he forgot to warn the (one) man
and watched how even ideas drown
As I stand before the mountain of confidence called hope, I see a clear path up, not too steep, not too straight, but this path is embodied with rewards to the top.

At the top, there is a magnificent tree made of gold, silver leaves and Copper roots. Hope mountain held a perfect prize awaiting me, a Tree called Faith.
This sight to behold was everything I wanted, everything before me was so clear, but at the bottom where I was, there was a River.

This River was called Shame.
This river was filthy, the water was calm where I was, but looking downstream I could see the rapids of rage, the ripples of conditioning before the raging rapids were inviting.

The dreary stonewalling fortification on the banks allowed no light through, downstream was scary and looked impossible, why would I go that way? why even look?
I looked upstream and saw a blinding light, what could this be? I was so curious, so I waited, a true gentleman always waits.

Two days later the light took shape, as it came closer I could finally see, I could see a lifeboat with a caring nurturing beautiful woman.

As this beautiful woman came closer, I could see the river was being supplied by this woman, I could see she was the source.

The river of Shame was being fed by this woman, this filth in front of me was coming from her, but the beauty was something I've never seen, this beauty had me curious.

This beauty made me forget of the supply to the river.
  What I saw wasn't real all the sudden, what I believed was now real.
She came close enough for my heart to be heard, since she had no heart she was envious, she hated what others admired.

She wanted my wholesome heart, so she used her falsehood love bombing to create one, dreamingly admiring the mountain, we were planning different paths right then.
As I stared at the golden Tree of Faith glowing upon Hope mountain, I didn't notice the river was rising, as the numbing waters were rising it covered my feet, I didn't notice she also took a piece of my heart to claim as her own.

She used toxic gas and light to create a projection that this heart was hers to give back to me.

I didn't know any better so I accepted this ambient abused heart, this unfelt abuse gave me amnesia, this hidden poison of my cognitive dissonance gave her all of me.

Since she had nothing and that's what she craves, I had everything so she wanted to enslave.
I forget about the mountain with the tree even being there. I forgot I was here.

Her lifeboat was awkward, it was shaky,
it has imperfections, it has holes,
   her lifeboat is sinking,
     her heart is missing.
my knightly kind hearted empathy,
   my buffering and nurturing sympathy         pick this beautiful woman up
      I pick this gem up because of her idealization of me.
I can clean this insidious gem because she makes me believe, but through the veil I cannot see.
I throw her over my shoulder to carry all her weight, it's hard to move, hard to breathe, building a new boat was extremely hard, carrying her pain was extremely hard.

Everyone thought it was impossible to do it, my shear will power to commit ****** one foot in front of the other, I just didn't know that going downstream was impossible.

What about the mountain?

I couldn't remember from the amnesia, the dark night blinded my sight of the mountain, the drug in me was you and it consumed, i fell in love with misery and misery loves it's companies.

I stared the snake behind the veil in the eyes, standing tall on her pedastool made of spackle it breaks, I fall onto piercing confusion, I pull out shrapnel's of dissolution, I'm covered in her blood of invalidation.

I'm already floating in the boat with her, this wasn't my plan, this wasn't my reality.
I gaze upon this woman, sun shining behind her, no clouds in the sky.
floating downstream she tells me it's faster, that we'll end up behind the mountain higher.

I'm not worried now, I'm now contempt with shame.
I already forgot reality, I already forgot i'm going downstream, I forgot the searing pain, I forgot what I believe.

I'm relaxed, I'm tired, I'm still happy in love with this spellbound misery.

As we drift slowly through the stonewalls, no light shines through, I ask her for assurance, it's getting dark, I'm getting scared.

That's when the veil comes off, that's when the unnatural beauty grows quiet, that's when my voice screams silently within these stone walls.

This isn't her, this isn't real,
I know there's love I can feel, that was our bond, that was our deal, not to steal.

I fall over board and the water is cold, there's leaches, the debris is so random, the shameful water is moving faster, the all consuming cold confusion, random gaslighting and triangulations moving in around me faster.

I immediately can't bear it. My heart pulsates hard, my mind misfires my flight mode, i cannot intake the overbearingly unowned toxic Shame, her coldness activated my fawn mode, I froze, I start to doze.

luckily she had my leg, luckily she knew excessive admiration CPR, just as my body went limp in the agonizing River of Shame, she pulls me out. luckily she got me just in time, luckily she saved my life.

I awoke away from the stonewalls, it's sunny and safe again, we're together through impossible odds, we built this boat and she saved my life.

The abuse amnesia made me forget, the cognitive dissonance was real, I am not.

The mountain was now farther away, I was worried, I grew fearful, what I wanted looked farther away, that's when everything became gloomy, my goal was no longer there, but she didn't care, she knew where the river went, I believed her, I still do.

The ambient abuse made me anxious, the atmosphere was maddening of fear, it carried anxiety, I couldn't see it, but I was breathing it in.

Her eyes were so incapacitating, her heart disorienting, her soul captivating, she had a better plan, for us to press on and build another boat, to add another life, to believe in her, to not stare at the knife.

We build another boat, were out of the shame waters finally, she's helping me, were soon to be a real family, but the only thing real here was me.

Everything is better on the land, were dry, it's sunny, it's better to feel the nirvanic sand. It's here we bring our new seed, to be sprouted downstream.

I now believe in this new mountain downstream, I don't even remember the mountain I seen, were pressing on downstream past a levy, were now in the River of Grief, we're off to the end of make believe.

This river is really turbulent with rapids of devaluation, the splashes make me irrelevant, the dinigrating actions around make me small, I feel lost and confused, nothing makes sense anymore at all.

At the mouth of the River of Grief it opens up into a valley. She jumped onto a rock of vanity and pushed the tree of disloyalty upon the boat.

This throws me out head first, but luckily I have our seed safe and sound, luckily I learned how to drown.

I turn around falling and see her at the top staring down, she smirked and throws enormously heavy anvils of bereavement to make me fall harder, to keep me down longer.

Evil is real, but only if you believe, I crave the flattery of illusionary love, I still had amnesia, I love misery, the feeling reminds me I can feel, I love my slow death so I say I'll find you, I have the seed, I'll wait for you.

As I fall the thorns of numbing premeditation pierce, the pain is searing, as I fall i'm locked on her, my falsehood of love is still enduring, I don't feel the discard, I ignore the distaste.

I land in a field of hopium still protecting the seed, my amnesia is now worse, I can't remember her smirk, I can't remember the weighted anvils of bereavement, I can't remember the tree of disloyalty, I still can't remember the mountain.

My movement is heavy like concrete, my heart sits down at my feet, my mind is nowhere to be found, my spirit is fading on this ground.

I gather everyone from a nearby village to find her, it's impossible, they can't see her, she never existed, my amnesia was now delusional, the hopium mixed realities, nothing was real, there was nothing I could truly feel because everything was wrong, but I believe misery needs me and I yearned.

I say she's at the top, we have to throw her a rope,
they say it won't reach what isn't there,
I say we need a ladder to throw the rope, they say the ladder isn't safe that high.
  
I say everyone can hold the ladder while I climb perilously to the top, they say it will never work, but since they can see me, since they see a part of me is still real, everyone holds the ladder for me.
      
While I acend with my broken dignity, I acend with a fatigued heart, I acend to find what I believe, no matter how hard I try, I will be taking my destined decent.

The top of the ladder is shaky, I spent forever getting there, it's scary, the heights bring great fear over me, more than I've ever felt, but my knighthood makes me overcome anything.

I suppress, the seed is safe down below, I'm here to impress, I can see her now, only much less.

Her snake skin is peeling, the sun scorched blistering skin shows immense pain, witnessing this releases empathy, the caring knighthood in me naturally wanted to save her again.

So I wrap what's left of my discarded soul upon my broken fatigued heart and I use my trauma bonded mind as bait.

I throw her the rope,
she catches the rope,
I tell her to tie off the rope,
she ties a noose with the rope,
her neck is now wrapped with this rope.

If she falls I can't stop the tightening of the rope, if she falls I already know I'll jump for her and release from her neck this rope.

We jump together and I release the rope around her neck, I see the ground coming fast, but I love this snake, I'll die for this snake because I believe, false beauty inside is all I see.

I grab her and turn her away from the rushing ground, I fell once, I can take the fall again.

She is already hurt, immense pain, she will not feel no more pain, because I'm not hurting for I'm with misery again, I believe I can take all the pain for her, the hopium was numbing everything I consumed.

I awoke to a distressed angel, flawed personality, beautiful nightmare, mirroring the devil, but what I saw was a veil over the snake eyes, what I saw was what I believed before.

What I had wasn't real, who I am is no longer there, for I had ambience amnesia, nothing around me fit, nothing around me was grounded, nothing around me was divine.

The eyes that gazed upon me were captivating, spriling, time froze and only she was moving, the feeling was there, a drug within me, the drug was her and I longed for the misery, I yearned for the pain to remember what was real, I needed the intermittent reinforcement, I wanted my all bets in investment back and I risked a short sale.

We faded into the black, into a new boat, she made this boat, she had plugs in  holes of the boat I couldn't see, I believed it was perfect, I didn't know what awaited was a life long anguish.

I still didn't know what was downstream is impossible, I didn't know this new River of Anguish has piranhas of triangulation, I didn't know the rapids were of oppression, I didn't know the rocks causing these rapids she already put in place, I didn't know it was so black around me in this place, I didn't know my seed would become two, I didn't know I would have to choose.

I didn't know true love was in front of me in my hands and not behind the veil, I thought it was her, all the villagers knew, but as I drew closer to the snake the darkness only grew and the seeds too.

The feeling of my lingering mortality reverberates, she built me a coffin and chained it to my ankles, with this immense weight, I carry it with me just in case.

We floated very fast down this River of Anguish, everything seemed fine to all others including me, the darkened skies covered the evil, the cold waters made my body numb, the seeds were held up high to be be safe from the tormenting waters.

As I held them up high, I didn't realize she was still holding the schraded butcher knife in the water, I didn't believe she would hurt me, I didn't conceive the possibility that knife I didn't see was there all along for me.

The waters of Anguish smothered me, the triangulating piranhas slowly nibbled on my feet in the water, the rapids of oppression kept me gazing in the water, the rocks of malice in the water tried to tip me over, but my balance was true and the seeds were safe from harm, but I am not safe, I'm dying inside.

I don't know why, but after every agonizing stab from this knife when I'm not looking, it hurts, but the numbing knife only helped me when it was pulled out, it has holes in the knife so she could pull it out without me knowing.

I always turned around and cleaned the knife covered in my blood, I always gave it back to her, but every wipe upon this blade made it grow, and every wipe made the label on the handle more clear.

I find out in the end this knife is called narcissistic rage, the brand of this knife is called gaslighting and my blood is the supply.

I didn't know any of this until it was too late to save myself, my reality wasn't real, my dreams are gone, my nightmare is all consuming and existent, my seeds are still safe, but I am not.

When I start to notice the knife exists, I forgive her, the conditioning made the skies darker, I wipe the blood off and give it back, the knife is now a sword, it's name is discard.

The waters are uneven, the piranhas of triangulation feel like strangulation, my clothes are still soaking wet with anguish, my hair is slimy and covered in Shame, my feet are cold and numb from the grief.

I can't understand why I'm here,
  I can't understand why I'm actually meant to be here.
  
Every turbulence has thrown me down, she pushes me over head first, as I try to lean up to breathe she has her foot on my neck in the cold numbing river, but this river does not affect her, this river is warmer than her, the warmth from anguish pleased her, the piranhas followed her commands to bite, she smirked as the rocks she placed crushed against my head.

She waited until I went limp every time, but she knew idealization CPR, her deceit was without compassion, her rage was without sympathy, but I had severe ambience abuse amnesia, I still couldn't remember the mountain, I am now trauma bonded from the stabs she's counting.

I only saw her veil, her gaze convinced me I placed these rocks here, her gaze made me ignore the stonewalls around me, her pure hatred was covered in false intentions, her illusion was my isolation.

As everything was becoming clearly dangerous, as everything went pitch black, I look back and see the light from the mountain glowing, I see there is something wrong where I'm at, I see the seeds are not growing, I start to see the pain all around me.

Non the wiser, I keep coming back from drowning, I keep falling for misery, I keep wiping my blood off the blade, I keep isolated, but now I feel there is something painfully wrong, the reason abates me but I feel it, it hurts, it's camouflaged by deceit, it's all in my head, my coffin is soon to be my bed.

I look to the shores, there are other villagers worried, they are waving frantically, they're pointing at a waterfall ahead, this waterfall is called Doom, this fall would be death, the sound is raging, the mouth all consuming.

I see the stream to the side that the villagers are pointing to, I see the calm waters awaiting our safety, but the boat will not fit.

Only me and the seeds are real, everything else around me is illusional, the trauma delusional, the possible harm to the seeds was not refutable, my love for misery was unsuitable.

I could see my life was in danger, I could see the stream nearby screaming safety, I knew the seeds needed me, now I can't stop shaking.

Without her knowing what I was doing, I turned my back towards her facing the water, I knew she was going to stab me over and over again until I turned around, I now see the hypnotic eyes behind the veil. Not turning around only enraged her, the blood on the knife was condesating.

  The safety of the stream for my seeds was a new found glory in my exodus.
  
I paddled with my small hands this large weighted boat towards the stream, her knife was venomous, the water was echoless, the air imparted dreadfulness, all of this was dimensionless, all of this was not real, unless I let it be, now I can see, now I can finally flee.

As I came closer to the stream the waterfall grew stronger, the pain larger, the sound louder, I knew we were closer to the end, I knew I needed to jump off with my seeds, but I know the torment will end.

I melted my enduring pain inside with molten lava heartache to mold anew, I compartmentalize because I have to choose.

I had a vision that if I jump, the seeds will be safe, the climb to the mountain can still happen, I knew I was right about how I felt all along, I realized the veil couldn't cover the true self, I now believed In me.

I now know the water air and land were not what she made me believe, I knew I didn't choose this path, I knew I could survive, I know the seeds are going to be safe now. I know because I manifested instead of throwing in the towel.

Once close enough I finally looked at her and smiled I love you, jumping into the river I could feel the bitter cold agonizing tormenting river smash me with bereavement and disillusion by dissociation, I felt the coma of trauma surround, for I am now trauma bound.

I hold my seeds up high, I kept them safe because they don't feel the water, they're starting to sprout already, no more decay.

As I climb out of the frigid waters and still dripping wet, the drops are red, my feeling is coming back, my back is full of knives, I'm scared but I survived.
Knowing the worst is over I look back to her, she is consuming the river because she was the source, everything dark folds in on itself because the light cannot touch here, for this black hole is collapsing in on itself, I cover the seeds to shield them of this exorcist, they're safe here because my love is relentless.

The tormenting pain makes it hard to stand tall, still going through bereavement of a false reality where I lost it all, the answers we're all lost in the waterfall
"" "" "" "" "" "" "" "" "" "" "" "" ”"" "" "" "”" "" ""
Jayanta Nov 2014
It is began with cry
and end with cry!
But everything filled in between
With the thrash about a quest
to accomplish glee and sanity!
If it is engaged as
the journey through breezy
Swept of right and might!
It is the
Levy to lead a life!
Arcassin B Feb 2015
By Arcassin Burnham

If you want real beauty,
You should see the delicant posture,
That is,
Jane,
No flaws of being plain,
Delicious voice like cresants,
I love a girl that knows what she wants,
With no care,
Kisses as sweet,
I know,
That she wouldn't dare,
Young as sin,
Pretty as Monroe,
And ****** as the devils den,
I would love for her to be my Mandy,
So we could live a shameless life,
And I don't want that life to end,
I love me some jane levy.
Happy Valentines Day ❤
Rob Rutledge Mar 2015
His hands are scarred,
Face is a mess,
Too long walking
Through the wilderness.
The bears are hungry
Wolves they howl,
The Levy's breaking
All will
Drowns.
Washed away by savage currents
Watching fallen suns go
Down.
Arcassin B Feb 2015
By Arcassin Burnham

If you want real beauty,
You should see the delicant posture,
That is,
Jane,
No flaws of being plain,
Delicious voice like cresants,
I love a girl that knows what she wants,
With no care,
Kisses as sweet,
I know,
That she wouldn't dare,
Young as sin,
Pretty as Monroe,
And ****** as the devils den,
I would love for her to be my Mandy,
So we could live a shameless life,
And I don't want that life to end,
I love me some jane levy.
From the Mandy valentines ep
Arcassin B Sep 2015
By Arcassin Burnham

Icebox heart,
Asinine towards the higher class,
Chocolate chip hour glass,
Running out of time for the tampered stash,
Got you stuck in your feelings,
What you feel is not there,
And sometimes she don't care,
Allowing you not to take care,
Beautiful eyes make a pretty woman,
But the smile will make any man melt,
If love and lust are summoned,
I'll be happy not to tell,
With those cocoa butter eyes,
And those 7th avenue curves,
And that Jane levy smile,
I'll give you the lovin that you deserve.
Love her so much lol
I.
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For colonies exercise.
Towns for to men than hither their to.
Dictate refused;
The have.
Changed suspended the;
Relinquish appealing of to;
States: these convulsions and;
Combined render all are alter of of with.
To raising usurpations.

III.
I, the loved
I, the engulfed
I, the remigrated
I, the existence
I, the infinitive
I, the derivative
I, the human
I, the darkness
I, the glass
I, the interviewed
I, the disaffiliating
I, the trees
I, the air
I, the future
I, the past.
I, the present.
I, the moment.
I, the now
I, the dead
I, the alive
I, the opponent
I, the ally
I, the language
I, the idea
I, the universe
I, the cosmos
I, the sensual
I, the lover
I, the writer
I, the poet
I, the artist
I, the fearful
I, the form
I, the painting
I, the paper
I, the words
I, the letters
I, the color
I, the winter hallway
I, the black alleyway of bricks and cobblestone
I, the one who knocks
I, the fourth of July
I, the independent
I, the atom
I, the bullet
I, the bohemian
I, the philosopher
I, the homeless
I, the clouds
I, the sky
I, the rain  
I, the music
I, the harp
I, the angel
I, the devil
I, the decider
I, the canceler
I, the road
I, the pavement  
I, the stone
I, the wall
I, the cornfield
I, the golden
I, the emotion
I, the follower
I, the leader
I, the second
I, the minute
I, the hour
I, the day
I, the week
I, the month
I, the year
I, the biennium
I, the triennium
I, the lustrum
I, the decade
I, the jubilee
I, the century
I, the millennium
I, the overseer
I, the god
I, the who  
I, the what
I, the which
I, the where
I, the why
I, the question
I, the answer
I, the dream
I, the reality  
I, the in between
I, the ecstasy
I, the joy
I, the pain  
I, the populous
I, the I
I, the you
I, the
Do not try to understand this.
~
July 2024
HP Poet: Gregory Alan Johnson
Age: 69
Country: USA


Question 1: A warm welcome to the HP Spotlight, G Alan. Please tell us about your background?

Gregory Alan Johnson: "I grew up in a suburb of Cleveland, Ohio called Brook Park. Son of a US Steel customer service rep and a law firm receptionist, both alcoholics. Outside of the occasional chaos and abuse of having alcoholic parents, I suppose I had a fairly normal upbringing. I loved reading, art and baseball in that order. After graduating high school, I got a job as an auto mechanic apprentice. I fell in with a motley crew of reprobates, in which the pursuit of *****, drugs and girls was of the utmost importance. Amid this swirling of foolishness I also incessantly drew and wrote poetry in journal after journal. After 2 years I had assembled enough of a portfolio to be accepted into Cooper School of Art in 1974. Here I fell in with another group of ne'er-do-wells, but this crew was of a deeper variety; intellectuals, artists of course, and thinkers, all fueled by the seventies drug scene. It made for some very interesting days. I dropped out of art school after a year and a half, having learned pretty much all I needed to, and being thoroughly disgusted with the contemporary art scene which was populated with smug know-it-alls. (Laziness and a lack of discipline may have had something to do with it as well, but my current work reflects my disdain for these types and what they consider to be "good"). I ended up with a steady job as a warehouse manager, god help me, but always hanging with the eccentric creatives. I called this tribe the "levy Group" after fifties Cleveland beat poet and lunatic d.a. levy. This group may have made an impact on the Cleveland arts scene, if we didn't place so much emphasis on getting ****** and ******* off. But it resulted in some really amazing creative moments and would inform my work for the rest of my life.

I got married in 1980 if you can believe it, I still don't, and proceeded to raise a family. I was a part time free-lance illustrator and cartoonist, as well as working my full time job as a "manager". All during this time I wrote poetry and created artwork that I showed to NOBODY. I was in the midst of becoming a chronic alcoholic dealing with crushing depression, all the while showing the world a happy face, and this art turned out to be deeply therapeutic, but dark and strange...confronting my shadows, if you will. I managed to raise three boys, who seemed to turn out pretty well in spite of me, but my alcoholism was taking me over. After several breakdowns and some suicide attempts, I finally got sober in 2004. I remain sober today. I love it.

I retired in 2021 after having several scintillating logistics jobs, and decided to become a full-time creative artist. I have had some success doing this, including 3 solo shows. The arts center that was hosting one of my shows actually put up a billboard for it, as surreal a moment as you can get. My work is displaying in galleries in Cleveland and Columbus, and I've even sold a few. I have won "Best of Show" in three different exhibitions, which I can't quite grasp. I am an active member of the Ohio Poetry Association and have been published in three anthologies, and a couple on-line lit mags. I've never pursued publishing a book. I think my poetry is okay, but I'm an artist first. I am hosting an ekphrastic poetry event at my home gallery in Willoughby Ohio this month, which I'm really excited about. And of course I write on this site, which I love."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Gregory Alan Johnson: "I have been writing poetry since the age of 18, having been inspired by E.E. Cummings. I wrote and illustrated hundreds of poems in scores of art journal books. The majority of these were destroyed in a flood about ten years ago. I managed to salvage three. I have been a member of HP since 2019."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Gregory Alan Johnson: "I just write. Like my art, my muse sort of taps me on the shoulder. When that happens, I delve deep. There is rarely any theme, it's mostly stream of consciousness. Sometimes I play with rules of verse, but I prefer free verse, which is more fun. I rarely rhyme. When I do, it sounds too much like Dr. Seuss, so I leave that to the other poets here. I tend to reminisce, I suppose because I'm pushing 70. I hardly edit except for spelling, and just hit "save" and put it out there. This ****** off some of my more accomplished poet friends, who labor over their work until beads of blood appear on their foreheads. But I always tell them that I don't take my poetry seriously, to which they scoff with derision...and smile."


Question 4: What does poetry mean to you?

Gregory Alan Johnson: "I have come to realize that the act of being a living human being is profound and miraculous. We are surrounded by incredible things all the time. There is no mundane. There is no boredom. When I contemplate this for even a second I am overwhelmed. All poets understand this instinctively. And I don't mean life is all la dee dah happy time. It can be terrifically terrible and incredibly wonderful, with an infinity of shades in between. We as poets have this thirst to describe all this; most of us feel a deep obligation to do so. And we fall miserably short, which fuels us to try again. And again. We attempt to describe the indescribable, and explain the inexplicable."


Question 5: Who are your favorite poets?

Gregory Alan Johnson: "First, my favorites on HP: Anais Vionet, you Carlo, S Olson, Melancholy of Innocence, Thomas W Case, BLT, patty m, Marshall Gebbie (that wonderful coot), Lori Jones McCaffery, William J Donovan, Jamadhi Verse, Old poet MK, N, John Edward Smallshaw, and so many others, but these names popped right out.. This site houses some amazing talent.
As for the stars: d.a. levy, EE Cummings, Anne Sexton, EVERY SINGLE BEAT POET, but most especially William Burroughs, Charles Bukowski, Keats, Robert Miltner, Mary Oliver, Bob Dylan, Oscar Wilde, Dylan Thomas and Leonard Cohen."



Question 6: What other interests do you have?

Gregory Alan Johnson: "I read voraciously. I'm currently reading "Hotel Utopia" by poet Robert Miltner, "Slick Wrist" by poet Morgan Renae Mat, " A Confederacy of Dunces" by John Kennedy Toole (for I guess the tenth time), and "The Fourth Turning" by Neil Howe and William Strauss. I am consumed by my art career with continuing shows and submissions, some for which I am rejected, which keeps me grounded. I spend a lot of time being a grandpa, doing yard work and staring out the window. I meditate daily."


Carlo C. Gomez: “A big thank you for allowing us this opportunity to get to know the man behind the poet, G Alan! We are honored to include you in this ongoing series!”

Gregory Alan Johnson: "Thank YOU Carlo. I appreciate your support of poets!"



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Gregory Alan Johnson a little bit better. I most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #18 in August!

~
Gregory Alan Johnson is on
tik tok @gregjohnson8009,
Instagram @gregoryalanart,
Facebook: GregoryAlanArtBusiness,
website: www.gregoryalanart.com,
email: greg@gr­egoryalanart.com

Below are some of Gregory Alan Johnson's favorite poems and links to each one:

Hyperactive Observations:
https://hellopoetry.com/poem/3227290/hyperactive-observations/

Love Amoeba:
https://hellopoetry.com/poem/3478844/love-amoeba/

Several Hungers:
https://hellopoetry.com/poem/3303045/several-hungers/

I Was A Stranger:
https://hellopoetry.com/poem/4628017/i-was-a-stranger/

**** Moon:
https://hellopoetry.com/poem/4735861/****-moon/
Rusty dusty pick up trucks
Old Fords and busted Chevys
Trucks that tear the road apart
And some stuck down the levy

Showing off at the truck show
All polished up and nice
When an old man in a beat up Ford
Looked us over once or twice

It don't matter how the cover looks
It's what's beneath the hood
You may look awful pretty
But, with no power...it's no good
You wanna get the ladies
Remember, it's what's beneath the hood
Although they like a real good ride
There ain't no ride, if there's no wood

I smiled and I watched the gent
Walk and laugh and smile some
He'd mumble something to the girls
And they'd follow to where he'd come

His truck, was old and battered
Wasn't tricked out like the rest
But, when it came to having girls around
This old man was the best

It don't matter how the cover looks
It's what's beneath the hood
You may look awful pretty
But, with no power...it's no good
You wanna get the ladies
Remember, it's what's beneath the hood
Although they like a real good ride
There ain't no ride, if there's no wood

A truck may last a long long time
But you've got to use it right
You've got to check the engine
And try to run it every night

I remember what the old man said
It's about what's there beneath the hood
The girls don't want it pretty
The girls, they want it good.....

It don't matter how the cover looks
It's what's beneath the hood
You may look awful pretty
But, with no power...it's no good
You wanna get the ladies
Remember, it's what's beneath the hood
Although they like a real good ride
There ain't no ride, if there's no wood
Robert C Howard Aug 2013
Shall we pause to consider
the shudder of a butterfly's wings
that sets the hurricane spinning
or the descent of the final raindrop
that breaches the groaning levy?

Shall we ponder the moment before
a chorus of "maybe's" morphs
into the vain eloquence of history?

Roiling in the broth of chaos
a cluster of causes startles the surface -
unfurling a queue of effects
that dot the timescape
like rows of teetering dominoes.

Typhoons twist villages to ruins,
armies rise to victory or
succumb to the despair of defeat,
or a medical miracle is born
from the agile mind of a doctor
conceived in a Chevy's back seat.

So here we stand on the ridge of time
ourselves both caused and causing,
cradling the sphere of chaos in our hands -
uncertain what effect will be our being
after all our causes are enumerated.

Time will surely tell - as soon
as we tell time exactly what to say.

*August, 2013
Included in Unity Tree, published by Create Space available from Amazon.com in both book and Kindle formats.
Corset Oct 2015
How could the mountains
forget
the ground beneath them

or the clouds deny
the sky

we bear this mark
this Galactic conception
and yet
we become fictional

a small etch
of understanding

nonexistent sketch
in the dredge pituitary

a one
dimensional edge
we watch like
a picture
show

existentialist
and it's fiery
seed

shooting it's
burning flames into
the black womb
soon to die
or birth a moon,

the candle is the soul
it is intent
that keeps it lit,

it is our lack of
immaculate
perception
that pulls it apart

Roche's limit
yearning
to string pearls
around heavenly
bodies
as
charisma reaches
to embrace
a burning,
and I see fire.
Thus did he speak, and they all held their peace throughout the
covered cloister, enthralled by the charm of his story, till presently
Alcinous began to speak.
  “Ulysses,” said he, “now that you have reached my house I doubt
not you will get home without further misadventure no matter how
much you have suffered in the past. To you others, however, who come
here night after night to drink my choicest wine and listen to my
bard, I would insist as follows. Our guest has already packed up the
clothes, wrought gold, and other valuables which you have brought
for his acceptance; let us now, therefore, present him further, each
one of us, with a large tripod and a cauldron. We will recoup
ourselves by the levy of a general rate; for private individuals
cannot be expected to bear the burden of such a handsome present.”
  Every one approved of this, and then they went home to bed each in
his own abode. When the child of morning, rosy-fingered Dawn,
appeared, they hurried down to the ship and brought their cauldrons
with them. Alcinous went on board and saw everything so securely
stowed under the ship’s benches that nothing could break adrift and
injure the rowers. Then they went to the house of Alcinous to get
dinner, and he sacrificed a bull for them in honour of Jove who is the
lord of all. They set the steaks to grill and made an excellent
dinner, after which the inspired bard, Demodocus, who was a
favourite with every one, sang to them; but Ulysses kept on turning
his eyes towards the sun, as though to hasten his setting, for he
was longing to be on his way. As one who has been all day ploughing
a fallow field with a couple of oxen keeps thinking about his supper
and is glad when night comes that he may go and get it, for it is
all his legs can do to carry him, even so did Ulysses rejoice when the
sun went down, and he at once said to the Phaecians, addressing
himself more particularly to King Alcinous:
  “Sir, and all of you, farewell. Make your drink-offerings and send
me on my way rejoicing, for you have fulfilled my heart’s desire by
giving me an escort, and making me presents, which heaven grant that I
may turn to good account; may I find my admirable wife living in peace
among friends, and may you whom I leave behind me give satisfaction to
your wives and children; may heaven vouchsafe you every good grace,
and may no evil thing come among your people.”
  Thus did he speak. His hearers all of them approved his saying and
agreed that he should have his escort inasmuch as he had spoken
reasonably. Alcinous therefore said to his servant, “Pontonous, mix
some wine and hand it round to everybody, that we may offer a prayer
to father Jove, and speed our guest upon his way.”
  Pontonous mixed the wine and handed it to every one in turn; the
others each from his own seat made a drink-offering to the blessed
gods that live in heaven, but Ulysses rose and placed the double cup
in the hands of queen Arete.
  “Farewell, queen,” said he, “henceforward and for ever, till age and
death, the common lot of mankind, lay their hands upon you. I now take
my leave; be happy in this house with your children, your people,
and with king Alcinous.”
  As he spoke he crossed the threshold, and Alcinous sent a man to
conduct him to his ship and to the sea shore. Arete also sent some
maid servants with him—one with a clean shirt and cloak, another to
carry his strong-box, and a third with corn and wine. When they got to
the water side the crew took these things and put them on board,
with all the meat and drink; but for Ulysses they spread a rug and a
linen sheet on deck that he might sleep soundly in the stern of the
ship. Then he too went on board and lay down without a word, but the
crew took every man his place and loosed the hawser from the pierced
stone to which it had been bound. Thereon, when they began rowing
out to sea, Ulysses fell into a deep, sweet, and almost deathlike
slumber.
  The ship bounded forward on her way as a four in hand chariot
flies over the course when the horses feel the whip. Her prow curveted
as it were the neck of a stallion, and a great wave of dark blue water
seethed in her wake. She held steadily on her course, and even a
falcon, swiftest of all birds, could not have kept pace with her.
Thus, then, she cut her way through the water. carrying one who was as
cunning as the gods, but who was now sleeping peacefully, forgetful of
all that he had suffered both on the field of battle and by the
waves of the weary sea.
  When the bright star that heralds the approach of dawn began to
show. the ship drew near to land. Now there is in Ithaca a haven of
the old merman Phorcys, which lies between two points that break the
line of the sea and shut the harbour in. These shelter it from the
storms of wind and sea that rage outside, so that, when once within
it, a ship may lie without being even moored. At the head of this
harbour there is a large olive tree, and at no distance a fine
overarching cavern sacred to the nymphs who are called Naiads. There
are mixing-bowls within it and wine-jars of stone, and the bees hive
there. Moreover, there are great looms of stone on which the nymphs
weave their robes of sea purple—very curious to see—and at all times
there is water within it. It has two entrances, one facing North by
which mortals can go down into the cave, while the other comes from
the South and is more mysterious; mortals cannot possibly get in by
it, it is the way taken by the gods.
  Into this harbour, then, they took their ship, for they knew the
place, She had so much way upon her that she ran half her own length
on to the shore; when, however, they had landed, the first thing
they did was to lift Ulysses with his rug and linen sheet out of the
ship, and lay him down upon the sand still fast asleep. Then they took
out the presents which Minerva had persuaded the Phaeacians to give
him when he was setting out on his voyage homewards. They put these
all together by the root of the olive tree, away from the road, for
fear some passer by might come and steal them before Ulysses awoke;
and then they made the best of their way home again.
  But Neptune did not forget the threats with which he had already
threatened Ulysses, so he took counsel with Jove. “Father Jove,”
said he, “I shall no longer be held in any sort of respect among you
gods, if mortals like the Phaeacians, who are my own flesh and
blood, show such small regard for me. I said I would Ulysses get
home when he had suffered sufficiently. I did not say that he should
never get home at all, for I knew you had already nodded your head
about it, and promised that he should do so; but now they have brought
him in a ship fast asleep and have landed him in Ithaca after
loading him with more magnificent presents of bronze, gold, and
raiment than he would ever have brought back from Troy, if he had
had his share of the spoil and got home without misadventure.”
  And Jove answered, “What, O Lord of the Earthquake, are you
talking about? The gods are by no means wanting in respect for you. It
would be monstrous were they to insult one so old and honoured as
you are. As regards mortals, however, if any of them is indulging in
insolence and treating you disrespectfully, it will always rest with
yourself to deal with him as you may think proper, so do just as you
please.”
  “I should have done so at once,” replied Neptune, “if I were not
anxious to avoid anything that might displease you; now, therefore,
I should like to wreck the Phaecian ship as it is returning from its
escort. This will stop them from escorting people in future; and I
should also like to bury their city under a huge mountain.”
  “My good friend,” answered Jove, “I should recommend you at the very
moment when the people from the city are watching the ship on her way,
to turn it into a rock near the land and looking like a ship. This
will astonish everybody, and you can then bury their city under the
mountain.”
  When earth-encircling Neptune heard this he went to Scheria where
the Phaecians live, and stayed there till the ship, which was making
rapid way, had got close-in. Then he went up to it, turned it into
stone, and drove it down with the flat of his hand so as to root it in
the ground. After this he went away.
  The Phaeacians then began talking among themselves, and one would
turn towards his neighbour, saying, “Bless my heart, who is it that
can have rooted the ship in the sea just as she was getting into port?
We could see the whole of her only moment ago.”
  This was how they talked, but they knew nothing about it; and
Alcinous said, “I remember now the old prophecy of my father. He
said that Neptune would be angry with us for taking every one so
safely over the sea, and would one day wreck a Phaeacian ship as it
was returning from an escort, and bury our city under a high mountain.
This was what my old father used to say, and now it is all coming
true. Now therefore let us all do as I say; in the first place we must
leave off giving people escorts when they come here, and in the next
let us sacrifice twelve picked bulls to Neptune that he may have mercy
upon us, and not bury our city under the high mountain.” When the
people heard this they were afraid and got ready the bulls.
  Thus did the chiefs and rulers of the Phaecians to king Neptune,
standing round his altar; and at the same time Ulysses woke up once
more upon his own soil. He had been so long away that he did not
know it again; moreover, Jove’s daughter Minerva had made it a foggy
day, so that people might not know of his having come, and that she
might tell him everything without either his wife or his fellow
citizens and friends recognizing him until he had taken his revenge
upon the wicked suitors. Everything, therefore, seemed quite different
to him—the long straight tracks, the harbours, the precipices, and
the goodly trees, appeared all changed as he started up and looked
upon his native land. So he smote his thighs with the flat of his
hands and cried aloud despairingly.
  “Alas,” he exclaimed, “among what manner of people am I fallen?
Are they savage and uncivilized or hospitable and humane? Where
shall I put all this treasure, and which way shall I go? I wish I
had stayed over there with the Phaeacians; or I could have gone to
some other great chief who would have been good to me and given me
an escort. As it is I do not know where to put my treasure, and I
cannot leave it here for fear somebody else should get hold of it.
In good truth the chiefs and rulers of the Phaeacians have not been
dealing fairly by me, and have left me in the wrong country; they said
they would take me back to Ithaca and they have not done so: may
Jove the protector of suppliants chastise them, for he watches over
everybody and punishes those who do wrong. Still, I suppose I must
count my goods and see if the crew have gone off with any of them.”
  He counted his goodly coppers and cauldrons, his gold and all his
clothes, but there was nothing missing; still he kept grieving about
not being in his own country, and wandered up and down by the shore of
the sounding sea bewailing his hard fate. Then Minerva came up to
him disguised as a young shepherd of delicate and princely mien,
with a good cloak folded double about her shoulders; she had sandals
on her comely feet and held a javelin in her hand. Ulysses was glad
when he saw her, and went straight up to her.
  “My friend,” said he, “you are the first person whom I have met with
in this country; I salute you, therefore, and beg you to be will
disposed towards me. Protect these my goods, and myself too, for I
embrace your knees and pray to you as though you were a god. Tell
me, then, and tell me truly, what land and country is this? Who are
its inhabitants? Am I on an island, or is this the sea board of some
continent?”
  Minerva answered, “Stranger, you must be very simple, or must have
come from somewhere a long way off, not to know what country this
is. It is a very celebrated place, and everybody knows it East and
West. It is rugged and not a good driving country, but it is by no
means a bid island for what there is of it. It grows any quantity of
corn and also wine, for it is watered both by rain and dew; it
breeds cattle also and goats; all kinds of timber grow here, and there
are watering places where the water never runs dry; so, sir, the
name of Ithaca is known even as far as Troy, which I understand to
be a long way off from this Achaean country.”
  Ulysses was glad at finding himself, as Minerva told him, in his own
country, and he began to answer, but he did not speak the truth, and
made up a lying story in the instinctive wiliness of his heart.
  “I heard of Ithaca,” said he, “when I was in Crete beyond the
seas, and now it seems I have reached it with all these treasures. I
have left as much more behind me for my children, but am flying
because I killed Orsilochus son of Idomeneus, the fleetest runner in
Crete. I killed him because he wanted to rob me of the spoils I had
got from Troy with so much trouble and danger both on the field of
battle and by the waves of the weary sea; he said I had not served his
father loyally at Troy as vassal, but had set myself up as an
independent ruler, so I lay in wait for him and with one of my
followers by the road side, and speared him as he was coming into town
from the country. my It was a very dark night and nobody saw us; it
was not known, therefore, that I had killed him, but as soon as I
had done so I went to a ship and besought the owners, who were
Phoenicians, to take me on board and set me in Pylos or in Elis
where the Epeans rule, giving them as much spoil as satisfied them.
They meant no guile, but the wind drove them off their course, and
we sailed on till we came hither by night. It was all we could do to
get inside the harbour, and none of us said a word about supper though
we wanted it badly, but we all went on shore and lay down just as we
were. I was very tired and fell asleep directly, so they took my goods
out of the ship, and placed them beside me where I was lying upon
the sand. Then they sailed away to Sidonia, and I was left here in
great distress of mind.”
  Such was his story, but Minerva smiled and caressed him with her
hand. Then she took the form of a woman, fair, stately, and wise,
“He must be indeed a shifty lying fellow,” said she, “who could
surpass you in all manner of craft even though you had a god for
your antagonist. Dare-devil that you are, full of guile, unwearying in
deceit, can you not drop your tricks and your instinctive falsehood,
even now that you are in your own country again? We will say no
more, however, about this, for we can both of us deceive upon
occasion—you are the most accomplished counsellor and orator among
all mankind, while I for diplomacy and subtlety have no equal among
the gods. Did you not know Jove’s daughter Minerva—me, who have
been ever with you, who kept watch over you in all your troubles,
and who made the Phaeacians take so great a liking to you? And now,
again, I am come here to talk things over with you, and help you to
hide the treasure I made the Phaeacians give you; I want to tell you
about the troubles that await you in your own house; you have got to
face them, but tell no one, neither man nor woman, that you have
come home again. Bear everything, and put up with every man’s
insolence, without a word.”
  And Ulysses answered, “A man, goddess, may know a great deal, but
you are so constantly changing your appearance that when he meets
you it is a hard matter for him to know whether it is you or not. This
much, however, I know exceedingly well; you were very kind to me as
long as we Achaeans were fighting before Troy, but from the day on
which we went on board ship after having sacked the city of Priam, and
heaven dispersed us—from that day, Minerva, I saw no more of you, and
cannot ever remember your coming to my ship to help me in a
difficulty; I had to wander on sick and sorry till the gods
delivered me from evil and I reached the city of the Phaeacians, where
you en
Aaron E Oct 2019
If you're gonna be lonely,
maybe learn how to cook.

Parade the smoke to the rafters
after doubting the book.

Alert the parents in vowing the earnest
salt in the brook.

A fervent effort relays to bacon kisses you took.

Brine is cheap,
and on days like this
find a Mrs. or friend,
apply the bread crumb crisp.

Buy the egg to allure.
confide that "this might miss."
If not to them to yourself.
Try the odd light whip.

Find a guide or a dozen.
Fire doesn't necessarily deny the pleasant after math.
Passable dishes levy comfort on cold nights,
dying for treasure dancing in the lights,
and forming function digging diamond from plastic wrap.

"I could serve a candied berry
pair it fairly cold below a lighter cream."
See the finer things elaborate below the theme.
Mise en place allowing,
yolk to heat,
folk wreaths are crowning.

Found a leek to brown,
found out what friends to feed can mean

Be the barer
taste your food
silk confections
social fruit
Buck the system
Find connection
tuck the mood in
ginger root

get your list out
pay it forward
take the order
grab a whisk
make an impact
Pleat the border
break the silence
wrap a gift
Hanson Yang Sep 2018
Born heavy as adorned many: objectivity lifts ready existance carried more steady with the fist than a switchblade as to fist crave: yall just manisfest id shame when you spit back like all my family here to spit crack bone in been gripped back when at grown taught to **** Macks;
I'm the R to the Mack Marck M heavy to my fam born carried since Nas dropped the bomb that Eminem levied in so to spit back, like ghost spittin the **** shittin at all emcees here to spit back:
only time you'd get a note outta me relative is when i'm posing for death: like tupac menacing his pelvis still for the ****** levy in neglection in pics wack;
i spit bone quick when it comes to being notorious in a jacuzzi playing sega and super nintendo **** be in disrespect to ever understand that i don't spit thick back.

i flow sick that before i flow spit that between to post ****:
I pose **** to even to boast fits forgotten what the Ohmegaus finds the rest as undereducated life in being in the sun.
Ghost spittin future written past to see all the conjugatives relative like ****** games on the run:
games on the fun like extension big sides as big sizes like chasing dreams again straight to the the sun is what we've become.

unfinished...

this ain't motherfucken games, and you know id through wish-epic
Mary McCray Apr 2015
(NaPoWriMo Challenge: April 5, 2015)

An effect in which incompetent people fail to realize they are incompetent because they lack the skill to distinguish between competence and incompetence. Actual competence may weaken self-confidence as competent individuals may falsely assume that others have an equivalent understanding.

Who among us know who among us?
Who worries the cracks in the levy?
The suffering know. They bear the smart
of all judgments: as they know themselves,
as they know others.  While fools
blissfully devastate the latticework
of our perfections.

The Pope advocates peace for Resurrection Day,
and end to the persecution, and by the way
he means  the Kenyan dead not Christmas signage
in America. Too many opinions

will make you blind. A competent madness,
a fear of failure: songless, unable to dance,
unable to praise the dead, restore to life
the mind of the beginner who does not yet know
yet who will be grateful to know
that competence saves lives
but will it save you?
Mateuš Conrad Feb 2017
i actually like the way slavoj žižek understands fascism, given the fourth movement of Beethoven's ninth symphony... as it stands: i really had to take pleasure in my suffering... i once called it: an exquisite pain... it's not that acknowledging pain is difficult, what's difficult is taking pleasure in it... on a whim... nothing as flamboyant as baron sacher-masoch's take on it, transcending toward the ****** thesis... i am the grey matter, the everyday comparison to a factotum sort of analogue of what pain constitutes... and i'm actually free from depressive apathy... i am sometimes prone to laugh like i might be experiencing what the Fore women experienced... the kuru "disease", otherwise known as the creutzfeldt-jakob "disease"... yes... mm... uncontrollable laugher... akin to St. Vitus' dance... sydenham's chorea.. it's hard to see why there should be any cure to the experience... given that the experience is so liberating and has no materialistic mono-mania of a well tended to economy... cannibalism really has a great array of noun-arsenal... a bit like the poetry of Christianity it's akin to... to really believe this *******: you have to take it to the extremes and make every word: utterly isolated, and in a sentence utterly meaningless... it's like a swarm of wasps honing in on a body of a bear that mistook its ash-phlegm nest for a beehive feast... sometimes it happens... but sure as all else concerning: why not take pleasure in an anti-cross crucifixion, i.e. a sick-bed? sure, it's less theatre and many less marble statues worthy of a church... but, if according to žižek / rzirzek / really? ź ż vs. ž... a fascists takes pleasure from suffering... i must be in this club, since i do, the pain in my brain with its sizzling quiz of blood emeshed in synapses has moved to my *******... ******* ahoy! i sit in a chair, and when drink (esp. when drinking): they are goosebump prone, titilating me... amusing me... all the pain concerning my brain has moved into a pleasure reaction bound to the testicles... i couldn't have foreseen this waterfall if i didn't explore the word fascist beyond the communal horror of spotting an orthodox practitioner in either street or cyber-space...

e.g. the fore of papua new guinea
(ghee-knee... later the debated about
quinoa... apparently it's not qui-
       or french agree, we-noah...
  but something else... oh, it's related to a quiz
asking me whether i could possibly be a 5% liberal
elitist... well, if you were reading
the sunday times magazine: it would ask you
that... i did cut it apart as qui- -noa...
  but apparently it's pronounced:
kin-wah...                 once again my point:
you don't use highly concentrated phonetic
units, i.e. diacritical marks...
you're bound to leisure in this linguistic hell
of constantly "correcting" people....
just saying... what's the matter, toad stole
your burp?)

   and i really wanted to write a neat poem...
poems like this emerge,
you go to a shop, by the cheapest whiskey
two cans of beer and a bottle of cola...
it's early February... the cars parked
have the eerie circumstance of jack o'fogfrost
breathing onto the windows...
    your fingers itch from the cold...
you start to really see a skeleton walking
rather than something resembling protein
fat and carbohydrate...
    thankful for winter: to naturally imagine
a skeleton walk in the cold
   smoking a cigarette and drinking the beer
while the whiskey cools in your rucksack...
all you end up needing is
   a square mile, and outer English suburbia...
and a look into that forest you once frequented
walking as if with gauged eyes into
the custard darkness...
   then sitting on a stump, taking all the clothing
items from your torso and listening in
as something neared, cracked a branch
and you uttered into the forest:
  no animal would dare come so near...
      
... (man has to drink, take a break...
         sneaky ******* get to see
a work in progress... lucky them...
           too much of a sober me)...
hey! i'm warming the stove, it's not going to
shoot out firecrackers made from words
into a
     hoghmony celebration.... oh look...
another googlewhack!
      http://tinyurl.com/z8xeqpsn
(billionth of another! this is how i play the "lottery")
ah freckle feckle ****... scoot for new years...
hogmaney...  hogmoney...
  hagmanny...
                 ­  ****! Hogmanay!
    what was i "saying"?
                            
ah wait... i know... i know...
i was watching this film goat (2016)....
with james francko doing cameo but mainly producing...
if anything could put you off going to
university, well, notably an american university
it's this film... now i drink, i really do, heavily...
but what went on in that film was nothing short
of happens when people lack any respect for liquor...
i could watch the roman empire in a zoo...
what i witnessed in this film was:
well... can't see a point of caging a lion,
but i can see all the reason for caging man...
but the problem arises with:
you can take children to a zoo...
          you couldn't even want a child
to experience this sort of Iraqi **** made in
America...
                       i drink, i really do...
i slurped on a prostitutes ****** when drunk...
hell... i even wrote this...
          and i am really starting to believe
that going to university was the worst mistake of my life...
i left it, educated as a chemist,
without a clear move toward a career as a chemist...
    would i care to learn the use of language
to university level? i.e. get an english degree?
      not if i were a middle-class woman
   who's daddy was a doctor or a dentist...
                            people from my background,
double that up with a father who works in construction
and me being of immigrant stock (when will i get
to say expat?) -
  it was the biggest mistake of my life...
you see... other immigrants start to get jealous...
     they say you have to die: for raising for head
above the water...
         a bit like they kicked the hell out of
Jamie Redknapp's career in football...
now he's a pundit... but not a football player...
they smacked him about...
good thing my grandfather was a Silesian miner
for some time... i decided to dig trenches...
yes, metaphor: write poems...
   because i still can't see what nature ordained me
to possess... and why these little hitlers decided wasn't
fair for their "sense of worth"... oh i can name them...
one of them, a childhood sweatheart of a friend,
egyptian / persian, used to call me during
weekdays and sing to me over the phone...
   apparently he could ******* 20 times a day...
i tried 4 times in one day... nothing came out...
      the other was an add on to being in school from
the age of 16 to 18... a paddy-sikh...
   loved barrington levy and driving a car while
******... loved the whole gansta gimmick...
a complete *******...
                           and to think i was fooled into their
little of jealousy... this will make absolutely no sense
to you... given we (a) never spoke outside the realm
of my tornado... and (b) had a coffee?
               well... let's just say: one stupid move on
my behalf while intoxicated on marijuana
aged 21 taught me all i needed to know...
  from the age of 21 through to the age i am now:
some could consider me a monk...
                 or that infamous word: cenobite -
oh i'm just obsessing about how i want to
put my top 3 picks into classic.fm's hall of fame,
and write 3. christopher young's something to think about,
2. christopher young's something to think about...
1. christopher young's something to think about...
as i realised the past two days...
  collecting a personal library of classical music
makes no sense... unless it's Händel... (æ, i.e. :)...
and classical music only makes sense
with a d.j., and yes: a radio...
            there's no point being poncy about classical
music when you collect it...
        unless it might be something by Hans Zimmer
or any other movie soundtrack...
      and you can just sit back, listen to the radio,
and the classics just come and come...
i spent today lying in bed, because classic.fm
was playing from about 6am to about 1pm...
  and then i extended it to 3pm because
of aled jones and the voice so necessary as
that of alexander armstrong... in between?
                     bill turnbull... a news anchor
if i'm not mistaken... couldn't handle it...
  no, not the voice: the choice of music...
but even such people are absolutely necessary...
and would anyone care to remember
the ****** megastore on oxford street?
  the classical music department?
does anyone remember is being sealed off by
   glass like an aquarium from all the other music
genre departments in the store?
   a bit like walking into a lunatic asylum:
everything had to be cork-lined waiting for a Proustian
novel... first you had to appreciate
and build up a palette for silence... before
some concerto could be "ate" like refined sushi...
    radio and classical music does work,
i might have made a mistake collective obscure tastes,
i.e. proto-folk examples in Polish and compositions
of German industrial music...
   i might have done that... yeah, so true with the jazz...
but you have to have a Houdini weak-spot...
so in bed... rummaging through the radio and
television listings and reviews...
   after doing a bit of a crossword (which i can't
for the love of god) and a 6 x 6 su doku...
        now that's definitely sunday activity...
looking through the radio and tv listings...
   esp. noting the day's programme of bbc radio 4...
well, it's not that i'm a convert, with a house
in south-west london...
                i just heard that england is famous
for its eccentrics... i wanted to experience
    the most eccentric practice on these isles...
      tending to a garden would have made sense...
if it wasn't February...
   so reading the listings and reviews was the next
best thing...
    what with confusing Aled Jones with Alex Jones...
that famous britpop bassist turned cheese-maker.

then how do you begin taking fatal
mortal steps, simply motivated by biological
dynamics? i could have ended that
servitude to the waterfall, or should
i correct myself: required it to continue...
      but then interludes in the case of opera
leave me peasant-like, most ignoble...
      there's the 15 minutes were no fame is mentioned,
and no one forces art to become advert...
   since we're talking of the thin-red-line,
i can't but help myself reading more book reviews
in English, than actual books in Polish...
because i care for the cognitive labourers,
i really do... i think they are needed
to bypass actual books, meaning they do all
the work... or should i say arbeiten?
well.. enough critics about, you get to
dissociate yourself from the actual origin...
     a bit like waving your hand at god
and embracing the "awe" inspiring profusion
of the human tongue becoming over-bearing...
not even bearing grudges...
  but no gratitudes either...
                it just is what you care to make of
germans the sole originators of
   the proto "bayeux" tapestry given a.i. -
but then you treat the germans as they
are currently given the sway,
and you awake a humanity in them:
a humanity only germans know how
to acknowledge: a collectivisation -
germans know no concept of individualism
akin to the late-removed isle Saxons...
i.e. the English... the English are always
blitzkrieg specific about the individual,
the fact that so many individuals get a chance to vote
leasves me with blisters of what i can best
estimate as noted to being conscience...
          the germans are best appropriate to
express the volk... the english are like stuffed
animals worshiping the name Byron... Milton...
Blake... Newton...
         and let's leave them there, because if they
finally manage a homogeny of an ethnic
accord to give a momentum unto it via their lack
cohesion... i am assured a passage to
the houses of parliament to laugh,
as a test of my carve to veto, rather than vote.
mainland europe calls them: the islanders!
you can't help but see a care to blow up
the tunnel la mange... the channel tunnel...
because if a 2nd ****** arose...
the tanks would flod that serene countryside...
     i come across foxes all the time...
once i picked a dead fox near the bus station
in romford using two bin bags from the nearby skip...
and walked with it home, weighed it,
just under 10 kilograms... i weighted myself first,
then with the dead fox enclosed in the bin bags...
then i walked with the fox and threw it into
a meadow... i was thinking along the lines:
at least the sanitation officer will have a day off..
  obviously i was tattooed with the idea that
i was some sort of shaman, given two people witnessed
me picking up the corpse...

900 gull herrings eating their own...
      chimanzees also take to a nibble...
        banana slug females are fond of eating
"******", when the mating gets heavy...
not ever, as ever, but with Darwinism had i ever
managed to see a woman like a mantis...
  sorry... looking at the ***-hole of nature like that
will eventually leave you paralysed and
not even awe-struck but fear-woken...
             because it really can't be so much a desire
to look at it as if it was necessarily needing
incorporation, but was necessarily incorporated
nonetheless...
         the ogasawara incident... 1945...
       yoshio had a fine fine palette...
                          cannibalism was never suggested
as equivalent of a war crime...
  and one said: human thighs tasted like chicken,
another said: a bit like raw tuna...
          judeo-christian food prohibitions...
    well... once the prohibitions come along with
the poetry... left can mean right...
and right will evidently mean left...
                 during the yuan dynasty...
         pedohpiles were more or less reductive in
their transgressions... they ate more: than they ******.
two freedoms then, china prone to omnivore status
and hindustan prone to vegetarianism...
               both examples lead to a success rate of
a billion examples...
                       it's only these pest-like infections of
mono-this omni-that are keen to always give their
i love yous as politico dictates...
  maxims even... so very fond they are: of their maxims...
they even infected their youth in the 21st century
stating that: no one is akin to us,
if not in his youth, having been ***** by abou10
10 favourite maxims... most kept, hardly any employed...
1261 edict: when children were asked to stop
plucking out their eyeballs...
   horror films are therefore, equivalent to soft-core
******... history is thrice over the real horror movie...
    but given our faculty of memory is so
(putting it mildly) "biased"... i think we're over-sensitive
in giving imagination the scenes from both
horror and Disney... we've already gave the former
and the latter we have just sold...
           but hey! a placentta fry-up like a setting sun,
illuminates with more choice of hue than
noon and the "dehydrated" shadow (yes,
i know, a better word would be suited, but i have
no time to ascribe it to a tailor-fitting, a neat and tidy
resonance... treat dehydrated as a dwarf shadow,
mingle that with photon and phonetic -
that light illuminates, and traps things into bites,
like H or He denote hydrogen and helium
respectively... and qui- and -noa denote
necessary argument of what sound goes where,
rightly)...

evidently i did take the quiestionnaire about
whether i am a liberal elite...
it had to be done... why would i otherwise read a sunday
newspaper?
            end result? 0-50 (norm), 51-100 (aspiring),
    101-150 (not quiet there), >150 (elitist snob)...
(ref. the 5%, charles murray, coming apart,
   the bell curve... superzips)
q1: what is the top prize in the thunderball and when
is it drawn?
   a1: i play the googlewhack lottery.
      alt. a1: 0 (alright), 5 (days rights), 10 (what is thunderball?)
             talk of chav tax...
q2: how many people in your vicinity voted for
    Brexit?
    a2: i just had an opinion... voting is cheap
when you can't express a ballot veto.
   alt. a2: 0 (all of them), 5 (one or two)... 10 (aghast at the question)
              a bit ******* obvious, no point explaining....
q3: what is your favourite dish on th
Joseph S C Pope Mar 2013
The writer is

                                                             ­ bound by the Oedipus
                                          cauldron stewing          can't relax

                          --all women are mine--
                                                          ­       but this doesn't stop the bloating bubbles.

                     But the writer did not invent Wonderlandia
               --no double-sided tape or wrong number or sloppy poetics.

                              Wonderlandia was born from the ***** of the stars
                                                         --our fathers,
                              and the void of space,
                                                     --our mother's womb.
the writer

                                             was busy staring at the girls that walked by
                                        ditch diggers for renovations on Euphoria.
                The hippies are disappointed in this current Wonderlandia,
   or they would be.

                               Their dreams had dirt in the mud,
                they walked upon.                Our Woodstock
                                                       ­         is celebrity interviews,
                                                     ­           reservations failing,
                                                        ­        political satires--the last ring of change
             sold at five cents a word. Period.

the writer
                                        says it understands and writes:
                      "Sticks shaped from elitism
                        rare.
                        Usually a vibe too brittle,
                        breaking in battle.
                        The bass thundered robins.
                        The snare's firearm stabled the swift,
                        electrifying beat.
                        The brass was addiction
                        to the crowd's ears.
                        All before the elitism was born,
                        a symphony was constructed in the drug's head."

the writer
                                knows about D. A. Levy and his revolution,
                  we all felt that voice, so the writer replies:
                               "Did you hear about the John Lennon poser
                                 waving his gun on TV?
                                 While listening to the Beatles, you
                                 sit and watch the vagabond cry.
                                 He says, "Counter-culture is dead, entombed
                                 in a metal casket.
                                 We need a new flame. Those watching TV
                                 get your hands out of the basket."

the writer
                                        walks with grandma Alice
                                       by lakes,
                                                       thrilling dementia
                                    "Don't tell me what taurine
                                      and caffeine can do to my heart.
                                      I can have alligators in my rib meat
                                      eating away at bone marrow.

                                      High? That's your question?
                                      Hi...I am a float
                                      in a useless pond
                                      bordered by malnourished trees.

                                      By the love of hell you better not
                                      fertilize those ****** trees
                                      because if I die
                                      the alligator of my ribs
                                      will dine and take your ****
                                      girlfriend straight to the vet.
                                      I thank you for asking though."

    the writer misses
                                 the syrup in the tree completely
              
                     I am not your beatnik
                                or future idol--burn your 1970's classrooms away.
Jerry Feb 2013
An incomplete soul.
Searching & Searching.
Can never be whole.

An incomplete soul.
Seemingly, missing  pieces.
It's hard to know.

All required parts
are locked into place.
With emptiness in my heart.

An incomplete soul
Always longing,
Always wanting,
Never consoled.

Smiles are heavy.
Never knowing how
to break through the levy

A dark black hole.
Always melancholy
My incomplete soul.
Allen Wilbert Nov 2013
Mr. Poet Guy

There was a time, not so long ago,
lived a man you all very well know.
Walking down the street one afternoon,
it was a bright sunny day in June.
Came across a man so mean,
what happened next was quite the scene.
Pulled out a gun and shot me dead,
one single bullet into my very head.
That's the day the poet died,
all over the world people cried.
Singing bye-bye Mr. Poet Guy,
paramedics tried, but with tears in eye.
As the police drew their white chalk line,
my soul escaped, you can see the incline.
The paramedics tried with all their might,
I was so dead, couldn't put up a fight.
Singing bye-bye Mr. Poet Guy,
paramedics tried, but with tears in eye.
They drove me hearse to the levy,
blood drained out and body was dry,
singing this will be the day that he die.
Thousands of people came from every state,
please don't mourn, just celebrate.
They never did find the man in question,
millions of people, now in depression.
Maybe he works for the C.I.A,
if he's caught, what would he say.
Listen Judge, does it really matter,
he deserved that brain splatter.
Singing bye-bye Mr. Poet Guy,
paramedics tried, but with tears in eye,
singing this will be the day that he die.
Mateuš Conrad Sep 2015
well the left is dead, and the left turned into tartan, i guess the islanders
are gearing up to a male patriarch where ***** go free with jealousy
rather than queened freely;
i know the left died, but to have it third day resurrect
in scotland, i'd never think the tories flavoured
outside of plum plucked blue;
only when a politics is unappealing to quote no vote,
is a change of monarch at hand,
and then why such the left disappear almost completely?
it's one thing for tyranny to leave a listening airy cleft
where once thought reigned tyrannically un-dialectical,
but it's another cased scenario to suddenly
lever a man to contort into a female face on either
photograph or coin, so we leave the wonders of chillingly
easy rhymes of song from the 1960s to the 21st complex,
and we leave the reign almost feeding a reprimand
for the multi-cultural having no artistic endeavour
in a counter. multi-cultural will not provide a counter-culture,
given the scenario of tyranny to aggregate all into taxable citizens,
perhaps that's rome shrunk into the vatican for the alphabet to survive,
perhaps why latin is "dead" and perhaps why poetry is dead,
because the only walky talkies are women in retirement;
forget dialectics even, remind yourself of dialogue first!
in the end, like the pre-socratics, i'll be a snippet of words
to bruise myself on fame post-mortem;
of course i live in readied tyranny, no one votes
and the left of politics was taken my northern nationalists...
in the end, thank **** at least that happened!
the king wears a kilt!
and? better my youth be a foolery in the realm of vocabulary
than prancing in tutu and bra on a table in ibiza;
yes, i'll be courteously french while i age in the silent winery:
that place where you won't even hear a corkscrew.*

the politics is long, i'd rather live on nn the faroe islands,
but it reminded me of a charles in henry's nursery rhyme:
charles the first survived, slow motion:
beheaded, in ****, later did some philanthropy;
conspiracy almost ******, gaffed choking on a peanut peel, never married -
entered the nunnery via public opinion that'd never allow a scandal or a ****** birth.

intelligence is uncomfortable,
let's leave it to the pigs
or play dead among the dogs,
or levy it with questions in gushing recurrence;
intelligence is uncomfortable,
let's utilise it with someone saying:
i rather speak to someone 100 prior or 100 years after.

or as later proved: among the citizens an uncomfortable censor
was a woman, that's the thing:
misogyny and homosexuality are almost alike:
gays love to talk to women but loath to butter up a sour bread dough,
misogynists loath to talk to women but love to **** 'em;
where's the middle way buddha? where's the middle way?
socrates turning into a misogynist disguised in homosexual accents
in old age? the old man got away with acceptable norms in old age,
almost, they figured out his **** pure and minded his cranium crucible divergence
from: young boys readied for pedophiles spoke more flowers
than my wife while cooking compost of fruits!

ah! i live in a spicy tomorrow, gearing up to charles the third's
reign with talk of the amputated left limp either side of the diaphragm
equator, hence the scot nationalists,
whereby we have beauty anorexic strutting eager for a faint in a cabbage patch,
and we best test tube in pigmenting alkali,
writing songs about life, not poetry of that ideal: "from the cosmos"
of autobiographic detail of metaphysics to exclude evil from a humming choir;
or as i took to my father in sepia:
beauty in anorexia, language in bad grammar and even more a terrible spelling
that never experienced the lines of detention to conform,
and then all the moral freedoms to not think about
and when thought about, quickly attached to **** smear
girly literature;
but do i go around talking of my easily-read literature?
so why this italian pole girl ruining my diary of saved orientated ordination?
she jealous or just illiterate the she-troll of all?

misogynists are like homosexuals, although the prior have no politico thumb,
we love ******* the brains out, we hate being boyfriends
from magazines or the psychology sections of saturday newspapers editions;
plus we like our own company, which is hard to grasp;
i mean, we love women within the membrane of ****** temperatures twinning,
but that's hardly the right temperature for conversation akin to vishnu and lakshmi.
JJ Hutton Aug 2017
You can rate me,
You can bait me,
You can freight me,
You can strait me,
Simulate me,
Even better
Drop a roofie,
Game a debtor.
You're so groovy, misbehaving,
Misbehaving,
Give it to me,
Trouble waiting,
Fascinating,
Always mating,
You can wake me,
You can slave me,
You can grade me,
You can shave me,
Integrate me,
I pulsating
A new navy,
All the skimmings,
Underpinning
Jehovah's witness,
Keep on stalking,
Better fitness,
Keep on shocking,
Shell is thinning,
Gettin' gotten,
Rot 'n' reeling.

Don't touch my bikini.
Better smile when you see me,
You can stare
That's a freebie.
Don't touch my bikini.
Looking is free,
But touching's gonna cost you
Something.

Smooth and lanky,
Hanky panky,
Got no treat or
New York Yankee,
Super leader,
Count to seven,
Go to Paris,
Break the leaven,
Roger Maris,
Bleed the Czar,
Shooting star,
You're so levy,
You're so sunny,
Getting ready,
Here's the money,
Socking heady,
Making honey,
Toasting herons,
That's not funny,
Waiter Betty,
Way too ****,
You're so on it,
You're so honest,
You can fool me,
You remold me,
All the preachers never told me,
Heavy breathing
Punting reason,
Welcome season.

Don't touch my graffiti.
Smile if you dare,
Oily oinkers everywhere.
Keep watching, you graffiti.
Next time you'll learn
That touching's gonna cost you
Something.
Donald Durham Oct 2010
I am sitting in water far too cold
Around me dances far too many candles
I feel like a corpse looking at his watery final mass
I am smoking far too many cigarettes,
as I tend to do
I carelessly flick ashes onto my bathroom floor, beside me, and am only slightly alarmed to hear them sizzle.
It is in these cliche, lonely moments that my mind drifts.
I remember sitting in many watery graves with your exposed back resting firmly against my heavy chest.
My breathing broken and uneven.
I shift slowly to the right
and a cascade of my cleansed conscious breaches the levy and runs down to the floor.
This is why ashes live such short lives when severed at the tip.
What could make my scene set better?
and I remember the far too warm glass of wine to my left.
It has been playing a silent game of
"When will you remember me,"
even though its baritone colors clash hard red against the white tiled walls of my fiber glass coffin.
I take a far too long look at the glass in my graspe,
before it begins its hasty adventure to my liver.
This moment is far too dramatic,
but I usually am.
I am a sorrow addict, a waxing romantic, and right now I would **** for a fix.
The open window above my head lets in autumn air
that excites my dancing candles and they whip up into a proper frenzy
and I wonder if in moments like these, where the setting and scene have conspired to give me all the hopeful imagery that only perfect circumstances can achieve,
if I should feel happy or at peace.
But I only feel far too lonely.
It is this amazing moment that it dawns on me that my life lacks better....
Better what, I do not know.
My cigarette finally reaches the end of its journey
and while trying to throw it into the trash, wayward water tag-alongers betray my trust and extinguish part of my candlelight army.
I strain to obtain my strikes so I can breath fiery life into my graveside soldiers when a chain that is connected to the cork, that is supporting my frigid funeral pyre
pulls out of its job duty and further works towards ending what was once warm water started.
Spent water slowly exits stage center
and I remember sitting in a far too cold bathtub with you.
Resting my cheek between your shoulder blades as we gave away the filth of our day.
Your head was resting on your knees and a lit cigarette makes its final pilgrimage towards your water clogged hand.
The candles then, also went out far too soon.
I stand up, grab my towel, and once again wrap warmth around me.
I look into the mirror and see the far too, far away look in my eyes.
I inhale deeply, close my eyes and try to shake the ghost from behind my eye lids.
Whispering pieces of a former life beckon to hold me back....
And far too predictably i hold on.
©Donald Durham 2010
Heather Valvano Aug 2014
she only ever wants to play
she pushes them all away
she sets the stage
and pulls the puppet strings
but no one can touch hers
and when she gets bored
she packs up her playthings and goes home

selfish she
is plastic
without a heart
selfish she
is toxic
leaving her mark

a levy of limbs
a boudoir of bones
selfish she
plays her game
never lonely
but always alone

she only ever wants to play
she pushes them all away
selfish she
laughs as she breaks her dolls
Harper Oct 2012
Midnight honeycomb
Songs of being alone
Funk chunk xylophone
Ribbons untied
Capsules split by
Things unknown
Rips unsewn
Floating free for all
Casket creep crawl
I dug you out of things too heavy
Too heavy
Too heavy
Broke the levy
We all drown
But the sound of things unfathomed
saved us from ourselves
Am still, watching myself keen,
As I dissolve now slowly unseen.
A phantom built painstakingly
On lies,half-truths,all hidden guilt.
Worldly bar of expectations heavy,
Affecting false and burdening a levy.
I dared, only for you my sacred lover,
My humanity too,so desperate to flower.
I'm now destiny broken,so invulnerable,
Barriers none whatever,nothing indefensible!
Kris Apr 2010
Trials and Tribulations.

Miles and Hesitations got me struggling and tussling to hold on to you.

It's like I have to convince you that love is worth fighting for and money is nothing but dead gluttonous men that we can spend or save. Let's not spend but save up to get up and out. I want up and out of this town full of memories of you but lacking the subject of my subjected poetry.

Our future can be picturesque. We are just being put to the test cuz God has a plan for me and you. We have been tried and turned out true.

Sad and blue your eyes weep while I smile faintly in the distant memory of your cerebral time capsule. Time is moving Slow Slow Slowly down the river banks and ports of seas that part us with waves and waves of salt and Poison.

Water got me feeling heavy so I break down the levy with my sonnets and rhymes, trying to plead for time to speed up so we can grow up and get out. Grow up and bust out to any place with a name that is far from that which we came, where nothing is the same and we can just be together in the metaphors of a summer's breeze.

I'll put your mind at ease with the calming flow of poetry and the strum strum humming of my guitar as I lull you to sleep and watch your face so serene and at peace. And I kiss your soft lips goodnight as i hang up our phone call and place my head adjacent to my pillow and meet you in my dreams.
Read too much prose today
Kerouac, Micheline and Miller
And that old Bob Kaufman too
Tried to sell me their rhymeless lines
Child, Eyed, D.A Levy capitalizes all
Splashing bloods and vessels on the wacky paper
Airs of San Francisco, Paris and even…PAUSE!

Read too much prose for hours
On end, Kerouac, Micheline and Miller’s
And that old Bob Kaufman as well
Tried to sell me their rhymeless swell
Child, Eyed, D.A Levy capitalizes, he does
Splashing bloods and vessels on the wacky paper
Airs of San Francisco, Paris, and even… PAUSE!

Renegades and outlaws, Bible of the Outraged
To me rhymless poetry is like a hammer’s sledge
Ramming its fake fluid down people’s throat
And all is left on here is some ink one should blot.

January 19, 2016, 7:45 pm
Guillotière
Geno Cattouse Nov 2012
This topic is near and dear so let me ask you the reader
I just want to take the pulse or check the reflexes.
Ladies and gentlemen. Step right up step right up.
Little closer now dont let the smell of formaldehyde turn you aside.

This is something that goes on.
The government thinks it has a right.to.

1.Tax you while you live.

2. Levy a an exit tax when you croak. How is that for a sick joke.
This is just an observation, a point of fact.
Ever been to an Irish wake.
Ther's drinking and singing
Tall tales abound as the guest of honor poses ashen and.stil.

A drink is on standby. As a test of his will.

Here's a wee snort for you laddie just reach up and knock this one back


And sing us a shanty or a sad mournfull tune .


You say what?. Yeah that's a shell game where the rules change
Like I change underwear. Now that I pulled you leaches of my sack.
Hey come back we want more.
Curses through the misty air of my dream,
Within my brightest thoughts, darkness in light,
If I stand here and stare I see black sheen,
Enjoy my brightest day till dark brings night,
The sun doesn't shine in a sinner's mind,
It has no right to levy heavy tax,
No lost mind can find what lay saints find,
Any gold I find must be only flax,
The music in my ears is a sobbing,
The sight in mine eyes is an aching hue,
The pain in my human skull is throbbing,
The color to escape my head is blue,
Don't leave my head here to turn inside out,
Don't leave me alone to the point I shout.
It's been roughly 5 months since my last sonnet.
Julian Sep 2020
DISCLAIMER: READ THE WHOLE THING IT IS MUCH MORE GENIUS TOWARDS THE END



Bypass the circumlocutions of elementary rhetoric and the obvious bulges into the ethereal realm of supersolid supercalendar emigrations of the wednongues of vogue emigrating into a new frontier of boundless awakening that blisters the sore solid metaphors of a crumbled bricolage of articulate history becoming a reiterative gabble of entropy that curdles the blood-boiling hatred of those envious of those that capitalize on the true girth rather than the flaccid otiose etymology of differential physics becoming a denatured figment of prideful imagination on a frolic with desuetude in the normalization of the wernaggles of ewnastique that defile the ridicule of even the most astute aspirations of those that despise history rather than reveling in its subtle ironies that swelter in connotation rather than suborn the cadged bridewells of those that are estranged by the Dousk Remix rather than the Voulez-Vouz Danser populism of true urbacity expanded upon a national stage as an anthem not for profligate saturnalia but rather an ode to the odium of the reckless titanism of titanic intellects clashing with the dudgeons of intermittent eye-rolling irreverence double-dealing a stacked deck of pleckigger on an intellectual stagecraft for bandwagon apostasy that leads to solidarity among tentative allegiance. We barnstorm for a grift in the grimace of an alpenglow winter to lead to the salvation of all people united under the banner of neat nexility rather than long-winded elocution reserved only for notched caliber against the nativist diatribe that serves the subservience of the engineer of the white chattel indoctrinated into turnstiles of professed irreverence for demarches of solidarity that is gainsay for gain rather than pittances for pitfall. Rhetoric should be duly curtailed against the overcomplication of hypertrophy and trimmed into the sweet success not of saccharine fads of foofaraw but engineered resistance that galvanizes albatross intellectualism into a revved engine without purpose that mobilizes because of estranged impotence in the revelry of the subtle rather than the cordial tethers of emergent entelechy of the esemplastic orthobiosis that we should all strive for not just as pioneers of the socially engineered harbingers of a remedial society but also for the trendsetters that communicate with the canvass and the celluloid rather than spelunking dormitage of drifted anomaly perceptible to everyone but heralded as prominent by the rigged ambeer of a toxicity of a plumage of city over state and country over planet. We need to provide the verdure of the verdant forest that survives the conflagrations of rage indoctrinated by systematic attempts at stilted ignorance that is engendered more by Leftism than Right-Wing thinkers because in general when observed in organic settings we notice that the Right-Wing escapes the sloganeered jaundice of limited bounds for otherwise boundless thought and provides more seminal pathways that reconcile normative virtues with entrenched inveterate harbingers of economic success. The faulty deadstocks that propel the retinoise of the anomaly among Leftism to disregard the girouettism of a world that is so piebald with dishonesty that it elects a patronage that seethes with passion but aimless in its curiosity for deeper embedded candor because the popular might count themselves among the aristocratic Left but the truly Promethean belong to a centrist tribe that borrows the ingenuity of spurned but never spurious interpretations of a sputtered history that remarks with revelry  rather than disdains with #CancelCulture irreverence that seeks to deracinate all context for insipid utopianism that is a shared prerogative of the delusional Left against their complaints of Sebastomania among right-wing zealots that are equally invalidated by the frogmarch of a dilettante history curbed in storms of a pure tempest rather than a banal reiteration of novelty phrased with participant intonation rather than blathers of whispered arbitrage ennobled by hypocrisy immune to criticism among those that crusade for economic justice without understanding formal flombricks of the true gnomic riddles of alchemy fundamental to global panoramic pleonasms becoming the aleatory vagary of admonished warning that spars against spartanism. Instead of pilfering from the exorbitant defalcation of immunized partisan bromides against the ratcheted warranty upon defective obsolescence we must coalesce around the imperious ****** of divinity bequeathing the living water of a fully-lived life that qualifies its felicity not by junctures but by an overall harmony that conforms to the finicky demands of an overly polarized complexion of dimpled conformity founded on girouettism that earns more traction than the deasil sundial emergence of brimstone rejection for alabaster limelight we must urge others to ditch the conformist utilitarian usucaption of the usufruct of manipulative sports for domineering talents suborned into inclement straits because of unwitting albatross that replicates into a fission of uniformity encapsulated in the half-assed witticisms of attempted belletrist succeeding only in alienating the noxious fumes of alveolate diminutive reduction rather than expansive detritus that scrapes the wreckage of a turmoil to build masterworks out of broken sculptures themselves indemnified from a categorical judgment by the panoramic oversight of proctored civilized ambition. We need to exhort self-education that hinges upon not a listless acquiescence to a second-exit impulsive barnacle to the urchins of brimstone because of an insipid blather of flapdoons of brittle banality because the hackencrude is an outmoded entity to the vast resources of the sizable capital of the growing power of the intelligentsia over the weakened grasp and wrangle of terminus meeting consuetude weakly enough with pleasantry to appease but ultimately a complete witwanton persiflage of sizzled destruction rather than the savory contemplation of the cotqueans of majesty derided but never derailed by terminal revivals because the generativity of the titanic original might not be a popular indoctrination but the liberated thought of the untethered is ultimately more decisive in world affairs than the synergistic hive of bees building an imperious defense against dynasty built only upon provincial hatred of hidebound illiteracy combustible into the brazen bravado of a reckless intrepid effrontery against civilized chains into the ******* of complicit interconnection rather than dissolved dissolutions that solve global problems more fundamentally rather than driving through avenues of wide pressures gilded with expansive growth but ultimately bereaved by the ultimate succor of the youthful exuberance of captive audiences rather than the wily connivance of genius unbounded. God is obviously a benevolent provider of all bounties and despite the conspiracies that predicate heterodoxy the uniform mannequin of a mascot Democracy ultimately becomes a fickle bandwagon allegiance to relationship rather than a true witness to authentic ******* to a subservient relationship to a creative God synergized with energies that should exceed all galloped windlass into demarche and expose rather than rundles of ridicule interminable because of the permanence of kitsch memorial rather than living sculpture that breathes a swiveled light that beckons preened self-accountable responsibility to a dutiful matriotic duty of optimism rather than a contrarian futility of those that despise the unequal suave crackjaw dementia of the temulentia of derangement among crowds that provide fewer bounties and more deprivations calculated to indenture need rather than motivate want. We must motivate want by fueling ambition rather than quelling dissent in defensive posture because that strategy of antinomian discord is a dead-end street against an inveterate enmity that can never be fully deposed but only opposed with nominal futility raging with violence rather than seething with the motivation to reform because reform is an efficacy mobilized. Novelty of wednongue propriety grown through the heirs of drastic impertinence gilded from the siphon of lavadero hypogeiody blasphemous in bletonism that guards a piebald scrivelo because the sought dementia of an overwrought alacrity is a purpose without a terminus but an ambition soaring through scraped ice cream stratosphere that marvels at the minutiae of the civilized anthill that becomes a beehive of industry when the rationale of moral reform becomes insuperable rather than suborned into effete recursive cycles of pittances of pitfalls obsessively pondered but never solved because the fustilugianation of a forever tampered travesty is the esemplastic rejection of a categorical aim that leans of windlasses of elegance that surpass the levy of hatred and achieve sizable filagersion to squirm above the squawk upon populace rather than the consternation of an urbane but cloistered metropolitan arrogance contravened by the historical emergence of happenstance locales fostering the most well-guarded treasures of bohemian pedigree rather than dimpled resolve faffling on ergasia in bromidrosis rather than cavorting with a skeptical indoctrination by default evaded by those that equate an improbable scenario with a definitive solution to acatalepsy quandary because by reckoning with indeterminacy we grow in historical lineaments and solve global detritus by recycling the rattled brevity of promontory preens of plumage into a recursive ostentation defalcating heavily from sturdy macroeconomic proofs of the trendsetter rather than the trend and therefore grapple with profound personalized disdain rather than cordial harmony. Essentially by the logical positivism of proof we remind ourselves that obviously a chattering blather swims in tentative irony as long as it is a penultimate relativity because the lack of capstone ensures that the relevant treads beneath the mountain of rapprochement in benign endeavors to survive and thrive in definitive conclusion rather than intermediary conclusions of amnesia in jaundice. By the gnomic apothegms that guard the fortress of the demassified we have quantulated that the preposition of continuance is in fact a guarantee of the fickle supremacy of the recent and even more preponderantly the supremacy of expectancy of latent junctures that never manifest becoming a dictatorial rule of driven alacrity of wastrels that should fast from conclusive opinion and rather favor the primordial fabric of the inveterate truths rounded by the conversion of alchemy solidified by calculated canon converging with esoteric apartheid against the simultagnosia of the simpleton drivel of primordial myths bowdlerized from history neither lewd nor depraved but moribund because of the conclusive ****** of a peremptory intermediary certainty predicating a more precise foresight. The lackluster luster of numinous foghorn subliminal graft is a nativist confusion of legionnaire mettle swaddled by the cosseted grasp of interminable boundaries that demarcate linear time even when supersolid filigrees of elemental confusion erratically swerve into oblivion that becomes a forestalled happenstance so hapless that the connivance of alveolate synergies necessarily precludes event from becoming indelible because the tentative judgment wallops the tributary incontinence of the warble of axiolative jaundice materialized by crystalline fabrication neutered by soundbyte sclerotic calculus inveterate in summations of conclusion only because of peremptory weights upon geometric certainties rather than logarithmic dampers of attenuation that spar against spartan priggish epithets upon the flamboyant grit of grisly specter of speculative sepulchral venal vanity. The timberlask cineaste irony of the partisan usucaption of sapwood is a pirated timber of startled alarm becoming a useful or useless cacophony of barnstorm for the deadstock of past cadasters of rigmarole in the docimasy of pretense in impartial circumstance in specialized oratory bounded by a hemmed bailiwick of verdure denatured by the flombricks of subtle persuasion that ignores minority fringes of opinion that occupy that majority that cowcatchers brush aside rather with cruel contemptuous unkempt slippery agenda for drivel that spawns ingeminated redoubled explosions in participle bias rather than conglomerate arraignment of arrayed brooked swamps turgid not with the pettier travesty but the charade of a brokered ceremonial calculation against the wrikpond spurious by degeneration into corruptible complicity that thrives in obscurantism but never obscurity when the omnified owns a capitalized swiftboat of never a temulentia but always an optimism in the curvature of lineaments into the self-educated shepherd of the ultimate autarky rather than insubordination in the scrappy schlep of demographic ripples of swift enrichment at great personal flops in the floppy disk of a Democratic enrichment rather than a parched rectiserial hidebound tome. A quirky time stanched by tomes of patricide against family ingratiated by parrots to anthem but lacking the lettered verve of ignoble but parsed parsecs of finite light captivated into prismatic conscience we launch the demerited ploys of foible into the heralded controversy rather than the unheralded mercenary hands behind dogmatic ripostes livid because of the suave prestidigitation of the sublime mastery of the syncopated irony of mismatch attuned to radical rhythm we become bloated slaves to a rich lineage decried widely in attempts of covert coup raxes of a largesse of continual primipara perversions of courted cotqueans of uxorious justice that by defalcating from tributary orthobiosis in specious conjecture esteemed by rattled martexts aspiring for fraternal solidarity with the ****** esteem masquerading as the auctioned flivver that the merchandise of fluminous optimism cannot be an effusive blanch of blarney bolstered by bumptious bromides of brunt blackmail but rather the artform of subterfuge needs the insidious and invidious traction of creepy Thriller subtlety to garner the vapid traction of immobilized discontent foster to malcontent rarely abridged by even the most polite courtesy of diplomacy because of inherently insatiable demand that it skulks in undetected quarters flexing in the shadowy penumbra of transparent crackjaw enigma becoming an obvious blister or a gabble of raw jaundice sweltering into thermolysis by the eventual convergence rather than the improbable divergence of fissile time beckoning its own flashy revolution while denaturing the very presence of delusion as a herald more of the authenticity of animadversion rather than the sclerotic carapace of ragged asphyxiation in the aplomb whisper entombed forever by milquetoast inefficacy in hypersensitivity rather than a flourished malfeasance of a predatory grip upon seizure among catatonic graves of incontinence braving tribulation for crucibles of the most prosodemic surgeries of the furtive froward recalcitrance of deliberation in ignominy that enables that transmogrified skyscraper of Titanic lies to become a sunken vessel of harbored prestige lost on penultimate dice rather than winning pokerish villiany. Essentially the jeer of Morel Under a Disco is a winning brandished authority to chug the capers of inscrutable difference in blandishment imposture to cavort with an elegant plot twist that enthralls abiding decay to revert into a primordial confidence of livelihood to deter the frogmarch of time into the despairing quagmires of a livid balkanization of a simultagnosia of ageotropic monoideism fomented on fervor that leads to the paralysis of privacy and the expedited furor of moribund depraved proclivity so that the offset of morale and rationale can outfit civilization to brave the tempests of cordial divisions cemented by courtesy in order to safeguard against the yeggs of paranoia seeking ultimately the craven caper of disillusioned subconsciously felt retraction of indelible deeds into evaporated constructs that vanish too quickly to spawn the vigor of a cadged and utilitarian expanse of reiterative generativity that sustains the spanned sapience of primordial alacrity to ensure that brevity in outlook becomes longevity in subsistence because without a logical positivism grounded in unshakable tenets of God the demoralization of the vast majority is ensured and entombed in aimless squalor that leads to sheepish temerity compounded by wistful latency in regretful regression rather than a spandex bluster of a bravado of obesity to weather the persnickety wednongues of perdurable badges of instinctual shame slandered into prima facie denatured transmogrified cultures seeking cosmogony out of ordinary bricolage because the eventful triage of the nimble eludes parochial sight while the vastly capable outfox and outpace with such frenetic verve that they fasten against accident and transcend against heterochrony in ridicule that the unseasonable but seminal sauce flavors better the partially indentured optimism of a curated matriotism better than it serves the obviously interminable cycle of listless demiurges of malcontent that fuel conflagration rather than reformation to their own remorseful peril. Thereby, it is obviously concluded that to micromanage a society you must exert the capacity of a selective magnetism obviously predicated on demassified capacities for oaths of gratitude to endear and endure in the humane heart for the majority that sway few but encounter many that they find proper scruple grounded on axiomatic God to sustain not a lifeless priggish inclination but a bounded felicity that is not a carapace of an indigenous and insidious decadence to the extent pursuits of happiness swelter among the marginalized majority bereaved in powerless squalor slave to temptation not to derelict fascination but to provide aim to aimlessness and predicate their worldviews not on Racial Identity Theory which postulates too many counterintuitive pessimisms that are essentially neutered fustilug predicates of a world that requires such drastic seismic reforms in societal dynamics that the earthquake capable of such a realignment would exceed a 10.5 on the Richter scale which is 32x more powerful than the biggest earthquake in recorded history that would be so catastrophic in its implicit implication of the pretense that the consummation of the theory achieves the traction necessary to jostle every crowd into alignment that the collateral damage would endanger the very integrity and vitality of the Republic itself while exerting a tremendous existential dread of radical permutation that enables many travesties that abnegate the prerogatives of a privileged society in search of a facetiously engineered impossible utopia that could only be achieved by a dictatorial authoritarianism working in concert with benumbed sloganeering to engineer pessimism and malcontent rather than nurture the fair-natured optimism of a society that flourishes because it assumes naturally that the universe conspires in the favor of prosperity. If any hint of casuistry is evident in these postulates I wouldn’t be surprised but for rhetorical sanctity it is necessary for a nation bereaved of national icons not to despise the captive imagination of tyrannical transparency but grow from the liberating and partially liberal parable of a life maximized in limber for romantic enthralled growth that heralds with due consideration the paragons of time with reverence rather than soundbyte enslavement of parochial interminable twinges of a newborn and widely shared collective guilt of a decisively antinomian and pessimistic view on the evolution of human societies beyond catchy kitsch verve nexilities of bravado mutilating thirsts for inclusive mandates that are Boa Constrictors prowling with serpentine vitriol to vastly over-represent extreme fringes to dissuade nuclear families in an overt ploy of depopulation because the truer pathway to liberation is one that feeds the hot hand in the casino and bets that the winners will always win by deregulating their ability to bet large sums because of a transcendent supersolid mastery of time that the march and demarche of a boundless prosperity gouged by the fair demands of egalitarianism enables the card counter to achieve such a decisive advantage that his indentured socially coerced eleemosynary inclination to feed the flock endures throughout all epochs because of the necessary and incumbent scruples of God-fearing men to distribute their winnings won by cheating time to conquer time itself.
Devin Weaver Feb 2013
If I could but learn to discard a wounded piece of self
If I could part with the beautiful symmetry
Of the cogs, driving forth the machinations,
Churning with their white noise, that
Turn to shape maiming thoughts
Then I might one night close my eyes,
Not to images of words bound by self-deriding connotation,
Comprised of typos and back-strokes
But to a peaceful blackness

Yes, I might lie down, close my eyes
Out of a will for rest, not contrived
But organic and my own
And so I know this as my waking dream
Relegated to wake for the night has been
Deemed the world of painful perfection
A place where protection is offered
With a backward hand, carefully made
Patron to the lovely polished mental instruments
Used to bludgeon simplicity and idiosyncrasy
Used to leverage pressure on the scales of the heart
So to tip downward the side of known cyclic indifference
And lift upward toward heightened neglect
The side of pleasure, the side of silenced retrospect

I grow, each sleepless evening, more fearful
That the ugly, backward hand might never forgo its leverage
And, if life is a wellspring of knowledge
Feeding into a stream of lessons
Then my strife stems from reading of the
Same page in the same chapter of the same textbook
A book filled with words bound by self-deriding connotation,
Comprised of typos and back-strokes

On this page, one learns a fundamental formula
It derives the relative weights of who we are
And the happiness we might find
Through some convoluted tale of misfortune
My page was written by an ugly, backward man
So, through unsagely studies, I’ve concluded
That the art of well defined reprimanding thought
Does outweigh in its beauty, the unseen hope
Of a future left to whim and bliss, or perhaps
The simple elegance of chance, goodness unsought

So, for the first time in my life, I seek to unlearn
I seek to roll back the defining lines that once flowed
From the pen in a backward hand that yearned to sow structure
But the vaulted walls that hold the scales of one’s will
Are so dauntingly difficult to unbuild or puncture

This, truly, is the weight that each sleepless night
Bares down upon my sleepless heart, so heavy
If I cannot pull exacting, formulaic pages from my sight
I fear the only peaceful blackness I will find
Is one against no patron hand can levy.
written from a psychiatric ward
Jerry Nov 2014
An incomplete soul.
Searching & Searching.
Can never be whole.

An incomplete soul.
Seemingly, missing  pieces.
It's hard to know.

All required parts
locked into place.
With emptiness in my heart.

An incomplete soul
Always longing,
Always wanting,
Never consoled.

Smiles are heavy.
Never knowing how
to break through the levy

A dark black hole.
Always melancholy
My incomplete soul.
People sense my loathing id.
cozy april Jul 2014
In secret
Words prepare dialogue transporting emotions like pilots
With no mercy words turn around and get messy
Placing Vaseline on dry throats speaking levy
Lips on skateboards sniffing the ground for reality’s ride
Electrifying plots against blurry words with
no physical basic thoughts thinking dialogue cravings
Untidy tiding plots buried in baritones hurried to hire imaginary thoughts
With no mercy things get messy

Stainless inks get messy

Poetry comes in speed bumps
Never the less poetry comes in speeds
Bumping speed bumps

Bump all slumps
Bluffing word bumps
Bump all stunts
Puff them hard till words provoke gumboot sounds        
Bump all ink pumps and thirsty thumbs                                                        
Speed bump conclusions jumping resolutions around
words spoken in gibberish gigabytes per seconds smelling leverage
Amplifying televised revolution on repetition far from average
                                                      
Paralyze those walking eyes
Bumping rhythms
Dusty broken chests serving overcrowded greeting lines
On solo mode
Flirtalicious solo chaotic modes                                                            ­
Bumb connections around chairs warmed up by bums
Speaking the same womb and rhythms

Brothers and sisters chained up in pairs and bums
enslaved by messy word poetry speed-bumbs
Words get messy with no mercy on lip bumps

Those messy words camp behind bushy brains
Rail track through lips with no vibrating mercy veins                                              
Affiliate with true bones
Crossbones carrying history's forgotten side bums
Instrumental bones
Stinking hip hop bums speed flossing word stunts        
Words dig up chaos with no mercy                  

Armed with no rounds
Pounds stolen before two rounds
Sheriffs secretly scared of their own uniform sounds
Shortlisted words saving society's bums
Words are just messy and profound

a.s.
written a few weeks back
Ayeshah Oct 2013
Tonight I felt loved like I've long since forgot existed,

It's been, it seems, like ages,
(10 years,8 months,2 weeks,4 days,12 hours,32 minutes,and 18sec!)

Since, since I've felt this or allowed myself  feel acceptance, or to allow my heart to fill up.

To be cherished even....

Tonight you slowly took your time...

You've given to me, it'd seem the missing pieces I've been needing...

I watched you watching me, as you'd listen to my history and without ever judging you've allowed a bridge to start being built.

You see long ago I knocked one down and I put up walls, I even made a levy in the hopes that no one would attempt crossing again to concur than once more destroy my heart and that of my trust, but tonight....

Oh tonight you listen, asked question's.

Purely from a longing to know me and not just about me,

but how I've come to be who I currently am...

I felt almost whole.

I was it seems, very in tuned with you,

as you shared your history with me, allowing me into a world of worlds,

I've only dreamed of.

Far away lands, I've only read in romance novels.

Yet you've actually lived it.

The magic I held of your homelands, never went away or filtered as you shared the ups and downs of your life and history... it's only made you that more enchanting to me.

It made me that more willing to share myself with you too.

Knowing of your trial and the burdens you too had faced made you seem even more real but still so very enchanting to me.

Oh tonight, you metaphorically sung to my soul and caressed my heart with the amount of trust and love you've encased around me.

After the hours past and each of us shared our history along with sob stories it seems we  solidified what we already knew; a bound not just of friends for life but it became more...

We have had this love for one another but the magnitude of us seem so over whelming as night became morning, you held me tight in your embrace, stroking my back and caressing my hair, expression the need for me to forever be with you and give to you all of me.

Mind ,soul,Heart, and body.

Spiritual love and acceptance all the days of what would be US.

You loved me, with each stroke, with each touch, with each word and syllable, with each caress, you've loved me.

I felt us joining, felt this morning- the bound we made turning into more than us becoming lovers or friends, as if you took me to wife and I've taken you as husband.

I feel foolish to even say such a thing,  because you know how it is at the present and i'ts so sorry I feel every time I leave.

Once here,  laying in bed, I think of all we've shared and things we given word to.

No one else even knows in such a short time we've consummated the idea's of US being everything we failed obtain from previous relationships.... of becoming more nor what it'll all now mean..,  I think of the tenderness you've engulfed all around me along with this shield of your protection, of your love.

Which shines brighter than a lighthouse or any other beacons.

I unthinkably touch myself,  automatically where your fingers have lingered on my skin, where your lips have traced, I find myself this morning longing for you to be with me.

Once more holding me to you as we semi sleep, I can still feel your movements as my body matched you stroke for stroke, and in awe plus yearning I let out a sigh.

I'm at peace.

With you I am home....  Yet right now my dilemma's a skinny yet hefty arm, which holds me firmly...  It feels so foreign to me now, the weight feels awards, as you know this is the same arm that's been holding another and made it a point caste me aside.

For this new assault, this new kind of manipulation(s) I feel a bit sick.

More disappointing too, knowing that it's not you.

I feel dishearten to be laying here thinking of the wonders we shared and to me I need not ever justify this love we've wrought...  yet laying here with him makes me feel sorry for our situation, It makes me feel more sorry for you.

To be placed in this as it is,  after we've cultivated this bound, this love so pure and so true.

A stark contrast to my mistreatment's by said same person & person(s) plus that of your abuse too...

I am scared and feeling very inadequate too.

I need you, and need us.

I'm vulnerable yet I wont falter on what we're allowing to take shape,  to root.

I also wont allow those roots to ever be dug up...  this is now our turn, our time.

This wont be our ending and no shame comes to me when it's about you,

about us becoming
WE!



Always Me Ayeshah ®
Copyright ©
Ayeshah
K.C.L.N 1977 - Present YEAR(s)
All right reserved ®

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