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by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
By the East River and the Bronx
boys sang, stripped to the waist,
along with the wheels, oil, leather and hammers.
Ninety thousand miners working silver from rock
and the children drawing stairways and perspectives.

But none of them slumbered,
none of them wished to be river,
none loved the vast leaves,
none the blue tongue of the shore.

By East River and the Queensboro
boys battled with Industry,
and Jews sold the river faun
the rose of circumcision
and the sky poured, through bridges and rooftops,
herds of bison driven by the wind.

But none would stop,
none of them longed to be cloud,
none searched for ferns
or the tambourine's yellow circuit.

When the moon sails out
pulleys will turn to trouble the sky;
a boundary of needles will fence in memory
and coffins will carry off those who don't work.

New York of mud,
New York of wire and death.
What angel lies hidden in your cheek?
What perfect voice will speak the truth of wheat?
Who the terrible dream of your stained anemones?

Not for a single moment, Walt Whitman, lovely old man,
have I ceased to see your beard filled with butterflies,
nor your corduroy shoulders frayed by the moon,
nor your thighs of ****** Apollo,
nor your voice like a column of ash;
ancient beautiful as the mist,
who moaned as a bird does
its *** pierced by a nedle.
Enemy of the satyr,
enemy of the vine
and lover of the body under rough cloth.

Not for a single moment, virile beauty
who in mountains of coal, billboards, railroads,
dreamed of being a river of slumbering like a river
with that comrade who would set in your breast
the small grief of an ignorant leopard.

Not for a single moment, Adam of blood, Male,
man alone on the sea, Walt Whitman, lovely old man,
because on penthouse roofs,
and gathered together in bars,
emerging in squads from the sewers,
trembling between the legs of chauffeurs
or spinning on dance-floors of absinthe,
the maricas, Walt Whitman, point to you.

Him too! He's one! And they hurl themselves
at your beard luminous and chaste,
blonds from the north, blacks from the sands,
multitudes with howls and gestures,
like cats and like snakes
the maricas, Walt Whitman, maricas,
disordered with tears, flesh for the whip,
for the boot, or the tamer's bite.

Him too! He's one! Stained fingers
point to the shore of your dream,
when a friend eats your apple,
with its slight tang of petrol,
and the sun sings in the navels
of the boys at play beneath bridges.

But you never sough scratched eyes,
nor the darkest swamp where they drown the children,
nor the frozen saliva,
nor the curved wounds like a toad's belly
that maricas bear, in cars and on terraces,
while the moon whips them on terror's street-corners.

You sought a nakedness like a river.
Bull and dream taht would join the wheel to the seaweed,
father of  your agony, camellia of your death,
and moan in the flames of your hidden equator.

For it's right that a man not seek his delight
in the ****** jungle of approaching morning.
The sky has shores where life is avoided
and bodies that should not be echoed by dawn.

Agony, agony, dream, ferment and dream.
This is the world, my friend, agony, agony.
Bodies dissolve beneath city clocks,
war passes weeping with a million grey rats,
the rich give their darlings
little bright dying things,
and life is not noble, or sarcred, or good.

Man can, if he wishes, lead his desire
through a vein of coral or a heavenly ****.
Tomorrow loves will be stones and Time
a breeze that comes slumbering through the branches.

That's why I don't raise my voice, old Walt Whitman,
against the boy who inscribes
the name of a ******* his pillow,
nor the lad who dresses as a bride
in the shadow of the wardrobe,
nor the solitary men in clubs
who drink with disgust prostitution's waters,
nor against the men with the green glance
who love men and burn their lips in silence.
But yes, against you, city maricas,
of tumescent flesh and unclean thought.
Mothers of mud. Harpies. Unsleeping enemies
of Love  that bestows garlands of joy.

Against you forever, you who give boys
drops of foul death with bitter poison.
Against you forever,
Fairies of North America,
Párajos of Havana,
Jotos of Mexico,
Sarasas of Cádiz,
Apios of Seville,
Cancos of Madrid,
Floras of Alicante,
Adelaidas of Portugal.

Maricas of all the world, muderers of doves!
Slaves to women. Their boudoir *******.
Spread in public squares like fevered fans
or ambushed in stiff landscapes of hemlock.

No quarter! Death
flows from your eyes
and heaps grey flowers at the swamp's edge.
No quarter! Look out!!
Let the perplexed, the pure,
the classical, noted, the supplicants
close the gates of the bacchanal to you.

And you, lovely Walt Whitman, sleep on the banks of the Hudson
with your beard towards the pole and your hands open.
Bland clay or snow, your tongue is calling
for comrades to guard your disembodied gazelle.

Sleep: nothing remains.
A dance of walls stirs the praries
and America drown itself in machines and lament.
I long for a fierce wind that from deepest night
shall blow the flowers and letters from the vault where you sleep
and a ***** boy to tell the whites and their gold
that the kingdom of wheat has arrived.
Perig3e Jan 2011
I've enjoyed our  bacchanal,
thus far verbal,
in the same way let's take a walk,
you pick the route,
down along the river
where we can compete skipping rocks,
or through a sylvan path
where I could show you that I'm gallant,
perhaps saving you from a low hanging branch,
then there's that orchard where I've heard your kiss 'n tell.
You pick the route so we can hold hands and talk.
All rights reserved by the author
Dark n Beautiful Feb 2016
Behind each smile is a silent frown
Behind each door is a chair turn upside down
Behind each super bowl history,
there were losers, winners, and yes

There were some wonderful entertainment,
Beyoncé and Lady Gaga,
the mighty twins and you....

Now back at the table of poetry,
there is the Bacchanal throw-out…
the mighty twin and you....
I bring ye wine from above,
From the vats of the storied sun;
For every one of yer love,
And life for every one.
Ye shall dance on hill and level;
Ye shall sing in hollow and height
In the festal mystical revel,
The rapurous Bacchanal rite!
The rocks and trees are yours,
And the waters under the hill,
By the might of that which endures,
The holy heaven of will!
I kindle a flame like a torrent
To rush from star to star;
Your hair as a comet’s horrent,
Ye shall see things as they are!
I lift the mask of matter;
I open the heart of man;
For I am of force to shatter
The cast that hideth -Pan!
Your loves shall lap up slaughter,
And dabbled with roses of blood
Each desperate darling daughter
Shall swim in the fervid flood.
I bring ye laughter and tears,
The kisses that foam and bleed,
The joys of a million years,
The flowers that bear no seed.
My life is bitter and sterile,
Its flame is a wandering star.
Ye shall pass in pleasure and peril
Across the mystic bar
That is set for wrath and weeping
Against the children of earth;
But ye in singing and sleeping
Shall pass in measure and mirth!
I lift my wand and wave you
Through hill to hill of delight :
My rosy rivers lave you
In innermost lustral light..
I lead you, lord of the maze,
In the darkness free of the sun;
In spite of the spite that is day’s
We are wed, we are wild, we are one.
Kris Fireheart Jun 2020
It's been the longest time,
Since I've felt this alive.
So many years gone by
Since I've seen all these guys.

But on this day,  I rise,
When I was granted life,
To find my eyes surprised
By all their smiles and cries!

"Hey, happy birthday man! "
"It's been a long-*** time! "
"We planned ahead, and decided
To grab some whiskey and wine! "

And that was all it took,
To get it through my head,
That when this night was over
We'd likely do it again.

See, I'm a man with good friends,
I have a thirst I must quench,
And when Bacchus calls for me,
I always let the games begin!

And once these parties start,
They rarely, if ever, end.
And when the bottles do run dry,
Someone carries some more in.

"And every glass I take,  I do it not for me;"

"It's for His Majesty!"
"It's for His Majesty!"

Now it's the third warm night
And all the wine is gone,
The whiskey comes along,
And they break out in song:

"Another cup for mine!"
"Another night survived!"

"It's for His Majesty!"
"It's for His Majesty!
My birthday parties can get a bit long and wild.  I turned 30 June 2. Yay me... bah,I'm so old...
zumee Jun 2018
Gaping voids attached
at velvet hems reveal
An oscillating, silky shrine
of serpentine appeal

A sacellum of spit
where crimson vipers preach
A sermon dispossessed of words
on biting without teeth

Two lithe reptilian wrestlers
in acrobatic trance
To recompose the primal theme
from the procreating dance

They sway in mirrored unison
as heaven’s gates converge
They twist in tongues of tactile prose
and gustatory tones emerge

In this bacchanal of senses
where feelings taste of spoken sights
The serpents molt beyond their essence
onto a plane of new delights

There they share a sounding vision
muscles blink in harmony
Hissing iridescent rhythms
At last, the panting cyclopes

Reach the Art

of seeing eye to whispering eye
through the instrument of speech.
Third Eye Candy Feb 2013
you cannot finish need.
it fiends in wretched globes of dwarf
swelling to tremendous  steam
a Bacchanal of vineyard borscht
a moonlit morsel of demolished dreams...
we serve at the pleasure of the absurd
gilding shadows with clay confetti
and the nictitating membranes of blue crocodiles.
and blank verse.

felling the Yggdrasil, by all means; you maraud the larder
in the night kitchen; nicking blackbird-pies and pinky-russet salamanders
[ the loose farthing ] and the hard liquor... all gone now
your potato sack, rakishly slung from the shoulders of an Atlas, entitled ' Promised Land; betrayed '.

a new map shrugging off old kings from dead valleys
revealing the hour of your worthless estate,
in-lieu of the boundaries of your lost holdings. unhappily -
you inherit the unripe peach
in a hound's mouth.
you slouch rough,  slowly
to your beast
of a couch:

there, to remain unholy and due South.

there, to remain unknowing
by all account.
Once, I thought of you as one usually does
Of some sort of mythical being.
Your presence only in conversations,
Drunken confessions,
A slightly blurry photograph on a phone,
Your name becoming a by-word for
Intense ****** attraction.

Once, I met you at the discotheque,
Your raven hair swirling around a
Black-clothed, willowy frame
As you partook of your personal bacchanal,
A private smile meant for my companion
On your kissable lips
And in your unfathomable eyes.

Once, you left me tongue-tied and shy,
Blushing furiously as I searched in vain
For words that usually
Happily danced on my tongue.
We left each other that night
Without having spoken past polite greetings,
And I was bitterly regretful.

Once, I decided to love myself,
And began to become almost beautiful,
Shedding layers of flesh and fear
And though I had long forgotten your face
I resolved that were I to see you again,
Both smiles and sentences would
Easily flow and you might learn of me.

Once, I took that risk,
Sending you a message full of sarcastic
And clever comments laced with charm.
This time I was ready
To set aside all of my misgivings,
Ignore your intimidating beauty,
And let myself peek through and smile.

Once, I thought it utterly impossible
That someone like you may notice me,
But after a year of meditation and peace,
I now know I was too afraid to be noticed.
Even if you lose interest and look elsewhere,
I still consider this quite the triumph,
For you were part of why I searched for myself.
*Girl hears of friend's hot friend.  Girl meets hot friend.  Girl thinks she's too fat to like.  Girl decides never to feel that way again.  Girl loses weight and gains confidence.  Girl sees hot friend on Tinder.  Girl says hello.  Girl and hot friend are now discussing going on a date.  Girl is okay if hot friend isn't into it later on because girl now is her own best friend.*

*Loving yourself is more important than any other relationship.*
‘’We’re running in circles in the night and we will be by the fire devoured’’

This gnawing fire ardently feeding on our weak bodies since the idle bird of our soul was tortured by the rebellious death, and debased if any occult alliance was giving indulgences away, it would be ******, sullied by several sins and it would desperately date a demon despite the dreaded consequences: The forces of Darkness would be dressed in their bacchanal breeches their crowns tainted by their fanciful sets cinching on sordid sanguinary dances in a tremor hearts and hearths in unconverted sets the demon’s sap, onto which would flow the alabaster lymph of the nymph, in an orgiastic horror my senses secede from this union of leeches and leave this macabre theater…

Towards angels, divine messengers, I turned my eye when, alone in the mystical night I screamed from my inner rings they let me touch an aura in a flurry of wings bathing in this fountain of youth, river of the rare ragweed in the radiance of a ray, they appear, one will prophesy the celestial might of their powers, in the new day’s seed.

Oh dear cherub, now recedes the sweet veil of my vision off my tired eyes sliding in the wind when the morning sighs trapped during my lethargic battle late at night, by evil sylphs, life’s harshness ruthlessly hangs onto me with no ceasefire. As I am struggling, if I could only cling onto the coastline, I inquire, of my childhood’s lake…Like a fainted fairy, they plan my annihilation…

“Say my soul, if you were sent before the gates of a double infinity towards which would you hold out your limp limbs, say it please, between Hell’s chaos and Heaven’s inner peacefulness would you choose the Devil or God’s eternity? To whom would you alter your altar and to whom would you give your night? Answer me! Test the shapeless orb of your entity, you know that nothing will leave this room under a candlelight. And nothing will be known, so wiggle with ease. “

‘’I would kiss love, I want to hear neither about the Arcadia or Styx
I want a seraph, would it be blessed or cursed that I would love and cherish.’’ ‘’Oh my soul, such a nice undertake, you would submit to another type of torment thus I say: There is no other painful path when declining, I will blemish your dreams… Love love to death and you will let yourself die- you cannot fix this: Love, when hell tortures you closer and closer to the edge, will tear you appart and bring this pain to the firmament and I would not call this a pleasurable privilege.
-1   Vergil’s palindrome.
JaxSpade Dec 2018
On the poetic hills
Of love

We ride along

   Pushin'
Fighting

       For the world

We're building the strength

For it
    To fall

So we could get back up again
                                   And love
On the poetic hills
         Of bacchanal

Partys
    and
          Laughter

              In alcohol

Naked under our clothes

We ride along

   Pushin'
Fighting

       For the world

We're going to be strong
When everything goes wrong

And smile
When everyone is back
      In eachothers arms

While she puts on
Those poetic heels of love

We ride along

Pushing and fighting
      For mother earth

On the poetic heels of femme fatale

We write along


    we
          write
                       along

On the poetic hills
                        of love…





















ride.
12/10/2012:
A very mellow day,
A day that makes one’s golden years actually golden.
Happy in retirement?
There’s a joke:
You slave like Spartacus in the Libyan salt mines for 30 or 40 or even 50
years, and now you’re supposed to re-calibrate the machine, re-gauge
one’s anatomy and metabolism for a habitat so far and away grindstone
gone.
The muckrakers Studs Terkel and Barbara Ehrenreich remind us:
Work is the only thing we can do for 8 hours, other than sleep.
Perchance even to dream out that Roman **** or Bacchanal.
No, alas, 4 hours is the legal limit for an ******* lasting that long,
During all our joy-juiced carnal desires,
Be they under the elms or elsewhere.
Cialis! ******!
Names already living it up in infamy.

A simple truth about Retirement:

Stop working and die.
A most intense public service announcement,
A vast digital image out of Yeats,
A very special Spiritus Mundi P-S-A.
Targeting Baby Boomers, especially:
“You better find yourself something,
Or someone to occupy your mind.”
Brought to you by the good people at
OCCUPY BRAIN STREET,
First a national, then a veritable global movement,
However so short-lived;
Like all the others.
Oh, Boomers, your attention span is down to 8 minutes.
Your mnemonic links are frayed and tattered,
Your hard drive noodle fragmented,

Yet still whirring white noise jazz.
A New Orleans Dixieland funeral,
And Al-Zheim trumpet blast to go out on.

Well, I don’t know about the rest of you,
But I am relatively well adjusted in retirement.
And today—previously mentioned as a mellow day--
Today is one reason why.
As is medical marijuana and the sultry voice of Chrissie Hynde,
With or without her band of Pretenders.
And let’s throw in a lovely bottle of Temecula red wine--
Doffo, if you’re going to get fussy on me,
Another blithe distraction cultivated and custom-made for old age.
Indeed, a very mellow day.
Connor Oct 2015
HURDLING THROUGH THE TRAFFIC NIGHTLIGHT MACROCOSM MY BUS BOPS AND DASHES LANE AND INTERSECTION
BAM GOES THE TENNIS SHOP
THE GRILL
THE SHOPPING CENTER
IT'S ALL LIGHT IT'S ALL ECSTASY
A BOILING CANDLE
RAPAPAPA-
THE WILD JAZZ
BUDDY RICH SWEATING IN MY EARS
UNRESTRAINED FRENZY
NEON BLINKING APARTMENTS WIDE IN THE DARK DISTANT ATMOSPHERE
MOHAWK MAN BOOT COLLISION ON THE COLD FLOOR
SOME LINOLEUM SOMEBODY SHUTS OFF THE LIGHTS TO HIS STALE OFFICE RETURNING TO BED DRAGGED OUT AND BEAT
BEGGING FOR SLEEP IN AN UNWASHED BED
BUZZ AND THRAP THE DRUMS AND CYMBALS SOAK ANY OTHER SOUND INTO THE
949 HYSTERICAL NIGHT
GAS STATIONS
NIGHTCLUBS
MONOLITH
CAR DEALERSHIPS
MOTELS
RADIO TOWERS
BUS DEPOTS
LIQUOR STORES
SUBWAY
UPTOWN
4 6 4 5 0
APT SUITES
DRAIN SERVICES
"STOP REQUESTED"
DISTORTED RATTLE OF THE INNER WIRING AND WHEELS SQUEAL TO A HALT IN FRONT OF EMPTY HIGHWAY CONSTRUCTION
"FOR YOUR SAFETY PLEASE HOLD ON"
UNSPOKEN MONOLOGUE OF WOES IN EACH TIRED SKULL
CASINO
LIBRARY
DRIVE THRU
PHARMACY
VAPOR SHOP
INFLAMED EGO
RAPTURE
MORNING RAZOR WELCOME
POLICE TASER UNWELCOME
I'M PROUDLY RANTING
OF MY SURROUNDINGS
OF THIS MAYHEM MUSIC
THIS GASOLINE VESSEL
HOWLING INTO NOVEMBER
TRANSFIXED AT THE ENTIRETY OF IT ALL
OF THIS
OF THAT
OF THOSE
THE STEADY RACKETING IN MY  BRAIN CONVULSES TRAIN OF THOUGHT PURE FLAMMABLE VERSE
ELECTRIC
"GRANITE & QUARTZ"
THEATRE
THERE IS NO THEATRE
NOT HERE
DON'T BOTHER STAGING SOMETHING AS ELABORATE AS CHAOS ONLY THE WIND BIG BAND CAN BUZZ OUT A TUNE LIKE THE AFTER-HOUR MARCH OF LOOSE HEADS
POLITICAL AFTERMATH ON THE TELEVISION
DRUNKEN SUPERSTITIONS
SIDEWALK FIGHTS
RECKLESS CONSUMPTION
RAMPANT DISORDER
CLASS WEALTH IMBALANCE
CRUELTY
ABANDON
INSOMNIA
PARANOIA
THE SKY HAS SEEN EVERY WAR AND MISHAP OF US
IT SECOND HAND SMOKES EVERY
INDIA PYRE
SMOKESTACK REPETITION
MORNING COMMUTE
AFTERNOON JOYRIDE
FIREWORK
AIRPORT BACCHANAL
THE CLOUDS DO RECALL
DISTANT OLD-WORLD CASUALTIES AND THE NUCLEAR INVENTION
A LOSS OF IDENTITY
I THINK OF ALL THIS
AND THE BUS WINDS DOWN
SCREECH!!!!!!!!!!!!!!!!!!!!!!!!!!
I'M ALMOST HOME
I'M ALMOST THERE
THE HOME THAT'S NOT MY OWN
NOT YET
IT'S EVERYPLACE
AND NOWHERE AT ALL
IT'S THE UNSEEN AND THEN SEEN
INDIVISIBLE AND TRANSPARENT REALITY
IT'S EVERY DRIVE
AND DREAM
I'M ALMOST THERE NOW I CAN TASTE ANOTHER
CATACLYSM
WHILE MIRACULOUS JAZZSOUNDS AND
TCHAIKOVSKY'S CANNONS
SILHOUETTE A CHANGE
OF PACE
IN THIS MAD PLANET
AND ALL IT'S
HABITUAL
INHABITANTS
FOR BETTER OR WORSE
I WILL CONTINUE MY MEDITATIONS
AND GET BY
TO CATCH THE BUS AGAIN
AND TO SEE INDONESIA AGAIN
AND TO LOVE AGAIN
AND TO DRINK WHISKEY BY A MERCURY BONFIRE IN SOME PASSING YEAR
AND HOLD TO HOPE AGAIN
AND HOLD
AND WRITE MORE POEMS
AND WRITE MORE POEMS IN VIETNAM
AND MORE POEMS IN BENARES
AND MORE POEMS IN SAN FRANCISCO
AND MORE POEMS IN BRITISH COLUMBIA
UNTIL A BEARD KISSES MY HARDSHIPS
AND REMINDING ME I'LL ALWAYS GET PAST WHAT SEEMS TO BE THE WORST OF IT
I'LL WRITE AND WEEP AND SING
AND RACE MY OWN DEATH INEVITABLE
IT WILL BE
*E  X  P  L O  S  I  V  E
X                               V
P                                I
L                           ­     S
O                               O
S                                 L
I                                  P
V                         ­       X
E  X  P  L  O  S  I  V E
I don’t even write.
I simply waste more time,
I feel like smoking ***,
sitting, enjoying this moment,
and watching the world burn bright and beautiful.
I don’t even want to write.
I am nihilistic in this sense, and also self-effacing, masochistic.
And nothing satisfies me, so I am like the Buddha, and relinquish my rights to the great systemic pattern.
Killing time and hoping for the apocalypse to move the broken record that skips and repeats.
Why waste more time writing the things that have been said?
Why express the inexpressible?
I wish to forget the meanings of all the words and pen bleak and esoteric paragraphs in universal grammar.
As I slowly begin to forget even what I was thinking of a minute ago, that thing that prompted this new but white opaque letter.
There is nothing more to say than that and why spend more precious moments contemplating the inevitable.
I have digressed to a state of vague generality so profound that all meaning is lost.
And I can only wipe the spit from my lips and experience the thinking slow and bored perception.
I am complicit in this great shadowy game.
The game that is me
and that is you
but also both of us together, as a whole
and my tacit approval of the state of things has lead me to a deep and darkened valley,
a slippery ***** of mud meant for clawing fingernails in desperation.
And I, like the rest of my generation have perfected the bacchanal and reverie of the leisure life.
Soaking up the romantic narratives of a primitive past to accept the fate of indecision, and construct meaning from the meaningless.
Picking up the pieces of a shattered ghostly mirror only to rearrange them in the likeness of a persistent and inherent logic, which can only be shown and never understood; my own computational meat sack ever deteriorating, or perhaps growing, to the ecstasy through entropy.
I have yet to find the great rut!
On the brink of a new n’other I am blinded by choice.
And I’ve yet to find my voice!
And proof of purchase is another thing entirely.
My misery is self-imposed,
and understood as only frivolous
trash beneath the hooves of trampling centipedes of mars
Because I looked into the stars
And I stared right at the sun
And felt the rapture in the wake
Of the wave I meant to break
Sharon Talbot Mar 2019
The first one happened in the dark,
On an awkward bed in too much haste;
It was not really what I wanted,
Not a meal but just a taste.
The second and third were foggy at best,
A handsome face or long, blond hair,
The connections, sweat and smooth chest,
But the memories are still fair.
The fourth one kept hailing me
And I almost saw him there,
But his pursuit was like a drug
Too flattering sweet to miss;
Unknowing pain dispelled with a winter kiss.

Other trysts would follow:
In an empty room, on a stripped-down bed,
In a forest that covered a hill,
Inside a corner room,
With nights in white
Cotton and you missing still,
While floating snow fell.
I saw your face out in the storm.
No one there to keep you warm.

A summer lad was tall and fair,
His arrogance disguised as a dare,
Flaunting traits you wish weren’t there,
But a bacchanal makes up for OCD.
Until his obsession is directed at me.
Imagine Apollo in a haze of J.D.!

He took me home (unsuspecting) in his car,
Across the Valley, but it wasn’t far
Enough for me to endure his howls
About my lack of even temper
When he inspected other girls.
I stopped his rant and smashed a car door.
Yet he called the next morning,
Insanely wanting more.
And I told him that:
If a ten ton truck had crashed
Into his tin VW and we were mashed,
I couldn’t think of a worse way to die,
Than to be pinned there by his side!

So to you and all the others I bemoan:
Don’t take me back to your home.
I have no use for your romance,
I don’t need your wants,
And you don’t want what I need.
There’s a bed of my own where I prefer to sleep
And in the sunrise I will keep
A sweet liaison with coffee and birdsong,
Of synthesized music all morning long.
With a new gold dream beside me.
And summertime inside me.
There is a light and it never goes out;
Those who don’t see it have been shown out.
Here we are
Toy soldiers, Barbie dolls
Monopoly money flying off the shelves
As intentions remain disguised,
A rush hour to nowhere.
Suspicion hangs heavy in the air.
Fingerprints of greed upon the land,
Stain the walls and smear every surface,
Tearing our world apart
Entangling us in a labyrinth of lingering agony.
As financial empires crumble and fall,
We tumble towards a dismal crown.

Here we are
A shot heard around the world
Misdirection concocted with twists of propaganda
A sinister plot to keep us quiet
While economic doom looms large,
Forcing us to gasp for breath in its tort.
We are sliding into a sea of hell,
Crafted with a sinister dusk,
Leaving us trapped in uncertainty.
A bipartisan fakery,
A manufactured reprieve of endless war
Bacchanal Celebration of the uniparty,
To keep us all in the duality
Of a totalitarian doomsday cult of our own making,
With ties to the darkest corners,
Where shadows dance in the hue.
Why did George Orwell paint a future so dire
Of totalitarian control, a world on fire?
To blackmail us into believing
We are incapable of repelling it,
Pressuring us to fear, to tyranny.
Wall Street proclaimed, "Greed is good,"
A mantra repeated, understood,
Molding our minds, shaping our views,
Enforcing belief in capitalism's ruse.
Political speech, a vile roast of reality,
A nonsensical tale of deceit,
Yet, within its twisted words,
Makes us struggle to comprehend our reality.
Revelations of a conning government,
Manufactured divisions run deep,
As secrets too dark to keep.
In the chaos of our unraveling,
We grasp for a glimmer of light,
But find ourselves lost in the darkness
Of a world consumed by blight.
Do The Right Thing, a mirror held to our face,
Amid conflict beyond repair.
We consume the lies, a terrible plight,
Believing we're powerless, as they've said.
Free falling into despair
Believing we're powerless as the moments fly by.

Here we are
We've been conned and betrayed.
In the shadows of towering skyscrapers,
Where dreams were once fashioned from thin air,
A secret kleptocracy aims to divide and deceive,
Bleeding us dry, as we unquestioningly believe
In our American uniqueness
Until we start blaming each other
While everything gets worse,
A dysfunctional elite
Building lies around dysfunctions
Inducing us into believing
Our eroding circumstances are our own,
As they steal our lives, forsaking us to atone.
Fake news media informs us to be angry and tribalized,
Daytime television warns our morality is compromised,
Local news instills fear in our neighbors, near and far,
As we celebrate masked actors, forgetting who we are.
Reality Tell-a-Vision doesn't tell our reality,
Preferably, it shows life's hedonistic strife.
Zombie television tells us the public remains our enemy.
Social media floods with existential rife,
With nonsense conspiracy theories and memes abound,
Telling us we're hopeless in a world so unsound.
On a never-ending track,
An all-time high in the belief that we are helpless,
No matter the bubbles we encase,
Bombarded with existential crises in every space,
A surge in apocalyptic film, literature, and games,
Telling us there's no way out of society's flames,
As we buy cans of Liquid Death, in our despair,
And drink Death Coffee to fuel our inner plight,
In this rotten farce, we see no end in sight.
For our entire lives, we've been led astray,
In a world where our strength is fading away,
Divided against itself in a power play so grand,
As we believe we're powerless.
But in the end, we're left alone,
In a world where truth is overthrown.
As we've been brainwashed with silent screams,
We find ourselves constantly shaking down.
Things escalate wildly in a world gone awry
Where Dr. Strangelove teaches us to stop and comply.
In the collapsed towers, nobody stands,
Only masked actors with bloodied hands
As we hurtle towards an inevitable brawl.

Here we are
Investigating the mountain of lies,
We uncover the truth, rotten to the core,
As vicious beasts roam in our streets.
Smoke and mirrors promise miraculous destinies,
But abandoning us stranded, battered, and frail.
In this desperate state of dying slowly,
Words ring true, screaming at us to wake up.
Yet suspicion clouds every intention,
As we ponder the reasons why.
The fabric of society frays at the seams,
As revelations tear through the veil,
Exposing the rot within our midst.
Our lives are a tangled web of deceit.
O say, can you see?
We are drowning in the sea.
On this moon of deception and decay,
We grasp for a semblance of truth,
But find ourselves drowning in the sea.
O say, can you see?
Did we go to the moon?
Why are we drowning in the sea?
Our Statue of Liberty is sinking fast and deep.
O say, can you see?
I'm begging you; can you see?
In the wreckage of shattered dreams,
We find ourselves lost in the debris,
Victims of a grand illusion,
Where reality is uncomfortable to see.
Terrified, yes, but unafraid to tell,
The tale of our time, the ringing knell
Of corruption and deceit,
We rise, we rise; we must rise above
In the name of truth, justice, and love.
O say, can you see?
              Can you see?
              Can you see?
Moonflower Apr 2019
In the springtime between the everglades and mountainside
I have talks with the sun about moving on
but between the downtown city streets and 7:54pm sunsets,  
I don't know if I can.

In the summertime I find myself between the trees and the glow of light against your face until very late into the evening
driving down back roads
and talking about the past,
smoking funny plants
and speaking of our dreams.

You're lost and you don't know it,
don't worry, I am too.
There are too many things to say
and not enough time
as my thoughts collapse over the other in three's and two's.
entering the bacchanal with my own elixirs in my pockets,
the chorus of voices collide against one another into a harmonious babble.

it's 6:48pm where I am,
the sun is setting on your side of town.
if these roads could bend until they led me to where you are,
I still don't think I'd follow along.

I lost my heart to a bear trap
while searching for yours in the grove,
freckle-spotted strawberries
and cracked jars of honey
littered the path for miles on end.

I followed your gaze out of the wooden corridor and found cherry blossoms tucked between folds of linen as I greeted the morn.
Your grin is so fixed that
I look to it to find the humor
even if I'm the joke,
and I think of the way your eyes looked
when you were too stunned to speak; hand to mouth,
until I fall asleep and meet you in my lucid dreams.
zebra Nov 2021
I’ve been reading a lot of poetry for quite a few years and maybe this is just me, as in some quirky bias I suffer, or misapprehension about poetry, but much of what I read doesn’t feel much like poetry at all. Now, one can rightfully argue that poetry can be anything, and that’s okay because if we take a look at poetry’s history what we see is a continuum of thesis and antithesis, flagging us who read the stuff that anything goes. So where does that leave us? I might argue that since there are so many distinct kinds of poems that a definition alludes us all together and when we hear the noun p o e t r y, we can only assign the familiar poetic shape as its definitive territory, meaning a few words in a line that are stacked up on each other, which we generally think of as verse with multiplied stacks fulfilling our expectation of poem. I’m thinking if we want to go with that poetry digresses to a linguistic charmless flat land characteristic of prose, relative to at least some of the poetic writing that is highly lyrical, sonically potent, novel, intonated, linguistically muscular, and dynamically connective to the reader. Poetry can take creative liberties that prose customarily does not or cannot take. Poetry may have different linguistic needs like different kinds of English. For example, articles may be absent towards a more concentrated synthesis for phrasing, a lyrical lilt, stream of consciousness boarding on the abstract et al.
Being a poet is born of a feeling that a face may be a liquid surface. That time is malleable, and that there is always something going on in-between the lines gleaned from inexplicable moments of inner disjuncture or a hesitating breath.
Poetry may facilitate that mind may emerge from the concrete objective into the mirrors of the marvelous or uncanny like a burped half avocado and fish head at 2 am in the morning transmuting into a torrent of dormice and angels in delirious avenues of falling stars and looking glasses.
Poetry may address intersectional dimensionality populated by visions and voices of primordial undercurrents, that stories may not lend themselves to. Poetry may be metalinguistic and a fragment of the inner life both collective and individuated. Poetry may work from the inside out without referencing the temporal, locational, and name it and claim it nouns and pronouns typical of prose. So, here’s the poetry problem. Why is it that 99% of the poetry I read here and places like it remain basically written just like prose, linguistically and sonically vacuous, largely bereft of similes, metaphors and all the other strategic devices that can make poetry progressive, inventive and deeply resonate, except of course that they are stacked and columned giving the appearance of poems?
~~~~~
EXAMPLES OF POEMS THAT CAN BE CALLED POETRY
Ballad in A
BY CATHY PARK HONG
A Kansan plays cards, calls Marshall
a crawdad, that barb lands that rascal a slap;
that Kansan ******* scats,
camps back at caballada ranch.
Hangs kack, ax, and camp hat.
Kansan’s nag mad and rants can’t bask,
can’t bacchanal and garland a lass,
can’t at last brag can crack Law’s *****,
Kansan’s cantata rang at that ramada ranch,
Mañana, Kansan snarls, I’ll have an armada
and thwart Law’s brawn,
slam Law a **** mass war path.
Marshall’s a marksman, maps Kansan’s track,
calm as a shaman, sharp as a hawk,
Says: That dastard Kansan’s had
and gnaws lamb fatback.
At dawn, Marshall stalks that ranch,
packs a gat and blasts Kansan’s ***
and Kansan gasps, blasts back.
A flag ***** at half-mast.~~~~~
Ocean of Earth

BY GUILLAUME APOLLINAIRE
TRANSLATED BY RON PADGETT
To G. de Chirico
I have built a house in the middle of the Ocean
Its windows are the rivers flowing from my eyes
Octopi are crawling all over where the walls are
Hear their triple hearts beat and their beaks peck against the windowpanes
House of dampness
House of burning
Season’s fastness
Season singing
The airplanes are laying eggs
Watch out for the dropping of the anchor
Watch out for the shooting black ichor
It would be good if you were to come from the sky
The sky’s honeysuckle is climbing
The earthly octopi are throbbing
And so very many of us have become our own gravediggers
Pale octopi of the chalky waves O octopi with pale beaks
Around the house is this ocean that you know well
And is never still
Translated from the French
Source: Poetry (October 2015)~~~~~

On Earth We’re Briefly Gorgeous
BY OCEAN VUONG
i
Tell me it was for the hunger
& nothing less. For hunger is to give
the body what it knows
it cannot keep. That this amber light
whittled down by another war
is all that pins my hand
to your chest.
i
You, drowning
between my arms —
stay.
You, pushing your body
into the river
only to be left
with yourself —
stay.
i
I’ll tell you how we’re wrong enough to be forgiven. How one night, after
backhanding
mother, then taking a chainsaw to the kitchen table, my father went to kneel
in the bathroom until we heard his muffled cries through the walls.
And so I learned that a man, in ******, was the closest thing
to surrender.
i
Say surrender. Say alabaster. Switchblade.
Honeysuckle. Goldenrod. Say autumn.
Say autumn despite the green
in your eyes. Beauty despite
daylight. Say you’d **** for it. Unbreakable dawn
mounting in your throat.
My thrashing beneath you
like a sparrow stunned
with falling.
i
Dusk: a blade of honey between our shadows, draining.
i
I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once.
i
Say amen. Say amend.
Say yes. Say yes
anyway.
i
In the shower, sweating under cold water, I scrubbed & scrubbed.
i
In the life before this one, you could tell
two people were in love
because when they drove the pickup
over the bridge, their wings
would grow back just in time.
Some days I am still inside the pickup.
Some days I keep waiting.
i
It’s not too late. Our heads haloed
with gnats & summer too early
to leave any marks.
Your hand under my shirt as static
intensifies on the radio.
Your other hand pointing
your daddy’s revolver
to the sky. Stars falling one
by one in the cross hairs.
This means I won’t be
afraid if we’re already
here. Already more
than skin can hold. That a body
beside a body
must make a field
full of ticking. That your name
is only the sound of clocks
being set back another hour
& morning
finds our clothes
on your mother’s front porch, shed
like week-old lilies.
Source: Poetry (December 2014)
~~~~~
SOMETIMES WE’VE GOT TO READ IT TO KNOW WHAT IT IS.
Dave Robertson Jul 2020
Away, not home,
this continental heat.

The air pretends
this North Atlantic rock
is worldly

The smiles of the natives
lean manic
as we clutch at multipack lager
and disposable charcoal,
grasp at the living myth
of a cloudless sky
and give ourselves to these gods

Our worship sees us sacrifice
meat and skin,
both burnt to early hours regret
and delicate, bathroom sorrows

A sporadic bacchanal
whose scarcity ensures
that be it working week,
weekend or holiday,
feverish
we’ll pay the tithe

Sunstroke and/or hangover
prove penance for our lapse
from the frigid, three bar
Protestant norm,

but these exotic gods will beguile again
even as the blistered skin still peels
It got to 34C/93F here today. Not such a common thing, there will be casualties...
Rope to ***** the weather, sweet sixteen dreams
The mirror tells we can have some fun in teams
I can't find my reflection anymore, searching in eloped reconnaissance streams
Lassoes in the sky, stealing cars under the starlight standing in strong dreams
Another day in paradise, looking better in paraplegic purging preteens
The electric fuzz on your face touches my standing goosebumps gleam at the ****** seams
Bumblepuppy acolyte turning at the prongs of the tattered road, calling up your Hessian friend and making politics right at the sanguineous pea-brain lean veal after the mob gets out on Russian ruby streets running with honesty
On the other side of the world, where the sun sets and polite moonrock never survive on The Berlin Wall tonight abseiling away sealed away, waiting for the ballot or the ballet
Waiting for the limelight to subside, guts tellin' me to keep my self in lowly mad hatters tied to napes, hundreds hanging by weather reports claps in laughter, descending tents by the brook beaming at us in starry dynamo of the thousands
Losing himself in a lucid dream of what was once the world's reality now sleeping, dead presidents in stygian darkness
Hanging on to the word of the weatherman, crime is rising in Russian motherless children hung for misdemeanor looking for a metaphor, the nation understands and wants to know us
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns, we are at the trapdoor
Resurrecting the insurrection, pejorative for misnomers and draconian dead beats sibilant suss
Too bad I see the whole earth, on my body stains on laconic red flags, still fly indeed
Flying in the wind, like idiots in the weatherman's underground cuss dirt into the report sowing dead seeds
Unable to see the sun behind cold clouds in stormy weather, battered suitcases breeze by murmurs talking by-lines and stolen **** in ****** underwear ****** unable to breed
Then, the bombs falling and shifting with changeling wind charred sun under the unbeing reading in the Aurelius light
Thousands in the starry dynamo might outshine us all and the nation can't hold us back and keep us far from the fault in stars
The silver lining in the cloud, puerile virile as lady lying Glasnost to the prognostic benzedrine patient
I've never seen a can in hang in stormy weather
Charting out the Chinaman on the hydrogen shore, communism is on the brink of helium war with itself, viscerally hanging from Tomorrow's daughter
Whipping up the foamy sea like cold ice nostrums thawed in search of the antidote to warm red planets named after Roman Gods
Looks like the sea lord created a thalassocracy for the sea cursed by memos and pastiche, droll parody in the mewling hall of the rebuke of free-prose poetry hanging on the tinkering lampshade
Touch me now, never or now bullish books read the list of people who were once on this winding road just like us shining crummy ******* now in a handful of stardust
Being is tougher than living, and the berserk wind keeps changing
Under forked lightning, it gets worse when the spoon picks me up
In my wet dreams, I'm killing myself hurting to find if you can put your mind to this cornish dream of Cavendish and hashish
Stuck in the stitches, and the ******* don't drip blood and sweat it
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns already
Murders on the mystery train, never reach the orient station looking for a whimsical refill
Halting sloth the indolent, I remember redolently like moth attracting to the blazing coruscating gleam, that's when a screaming teen becomes an upstart or a fiend
With an iridescent grin, caviling on the shore asking more from jackknifed business kitsch photos of the crosses
Throwing them in the trash, just like that
Ire of the nation broken with the lugubrious sleep of dinners after the summer's madness, hurt by the locked hearts in an armed madhouse looking at everything like geniuses
Asking what does it mean? Motifs and everything, lintels on the fluorescent signs on numinous streets caressing our wires, hanging by the piano wire
Waning adolescence now has a name in Hades' beard made of fiery pubescence that doesn't wanna listen
Tantamount to the king's orders, ligature marks on the hands that only know cuffs
The que glibly glistens in the lively dungeon
Hosted by bacchanal and mistresses, Elizabeth Bathory in the company of friendly books full of picturesque pedestrians on the streets of angry murders with ****** sleeved shirts
Blackened lackeys looking for a toss of change or pederasty with Countess Dracula
Moloch, you have made my life changeable despite skiffs
Moloch, I hang in the balance of the skirmishes of scorching fire burning at the midriffs
Easter bloc, ropes hanging for whoever doesn't wanna burn in the witch fire, sold for 200 pounds in a dilapidated home, till the berserk wind blows the candle out, old under Tudors that say a lot in a few words about style in art as slavery is merrily rampant
Killing the people, in the name of the republic of 1968 reminiscent of Phoenician Lands, rueful murmurs arouse the twisted looks turning out the traitors
From the rapidly changing wind, that brushes our hair and kills the pain of hanging to our families in bunkers
From the road of hope, I find some affliction in the forgiveness
Of my lord in whom I find breadth, heareth, endeth the breath that lendeth thy will, in the lengths of my souls searching for horizons in Old Earth
I died with my elegy in 1968, the wind still hoists flags in my name in death three years in the latter
Chapter v
Brisehal abhors the Desert

For the desolate Dasht-e-Lut. After Brisehal bellowed being from the deserted sites of contemplation he was emerging from his great mountain of empty desert. The ghosts abounded wandering alone as if wanting to take hold of the last sparks of politics that they had left to surrender from their own lost solitude. Brisehal was a canine-headed mountain similar to Anubis, but millions of times larger and more acidic, like the hope of some parishioners to enter the garden-kingdom of Heaven!. Before the day trembled with the movement of his trembling footsteps, Brisehal spent two years moving day and night. When it roared, smaller mountainous areas were liquidated with the greatest effect of their spinning forces. They were immense thunderclaps that even scrubbed up to the spheroid clouds reddened by their rising. He turned from left to right as if wanting to exile the Desert of Lut, like casing his pro generation by bundles of optical rope or high-density fiber, which could cohabit with Vernarth in his odyssey of the Horcondising (Vernarth lineage paradise to Gaugamela) .

Before beginning the chant of his ultra-low thunder of Trumpets and armor of courage without break.  Any protocol is dissipated to inaugurate in the stands of the Iranian war-educational Sky and aesthetic drama, the analogous city in the extreme north in Irna; Located in the Talesh Mountains, just 50 km from Rasht, there is a small paradise surrounded by beauty: the city of Masal. It is with the force of his traction that he drags thousands of prayers and litanies in chains through the underground near Las Acacias where unscathed heroes have died embracing them, as the cold snowy cloak of Horcondising usually supplies, to those who dream that he will redeem the ignorance of not knowing how to be reborn next to the fallen and raised trunks, scattered and destroyed by the predatory shrew of yesteryear.

In genealogical peduncle rows of the Mandragora extension they marked the ship without an unbroken ****** sea, those who blow through their burdensome ear line up before encircling them with their smiles to swallow napkins of Hawthorn and Acacia early: (essences that their nose always vomited, to later recover them)
This is how his ancestors appear accompanying him to preserve his adventures and adventures:

"Amada y Amador, Arturo and Adelina, Bernardino and Baldomero, Cándida and Cesarina, Delfina and Dolores, Esperanza and Eulalia, Francisco and Felo, Gumercindo and Gilberto, Hilarión and Hugo, Isabel and Julio, Joaquina and Juan Bautista, Lastenia and Luidiana, Lidia and Melania, Mariano and Miguel, Nicolasa and Natalia, Pascuala and Pastora and Rosa, Agapito and Ascanio, Getulio and Leocadio, Tancredo and Tranquilino, Zacarías and Zenón ”. All his ancestors settled in the Horcondising Castle to observe his cereal sandwich that he gladly took to his mouth, and movia and arms and elbows clearing the lily vines and ivies of the
Below the branches,  Joshua de Piedra and Bernardolipo. The horns sounded in symmetrical filial genetics under the same hollow empty mausoleum.

Brisehal, confused by not getting along with Vernarth, decides to walk and approach him. Its size was millions of times larger in proportion to its little finger. Try walking on confused sides, broken geographical areas and undulating corridors of the Redemptive Pass of the Christ of Lisbon, or going straight or through the center, leaning to the left.  Until she finally looks at him and manages to retain her figure surrounded by several golden rings. He was on his back and in his ventral decubitus, creating love affairs even on the mid-morning dew grass. He managed to see him in his parapsychological regression, to support his hypnosis in the still unexplored states of his Consciousness as a toddler through the Fields of Macedonia and at night through the fields of Sudpichi, on the banks of the Horcondising neighing a glass full of Chupilca for not being less.

Brisehal was in the worst halite of the super distillate saying:
Heal me even if I am not. Heal me even if my head fails to receive you, nor my heart can reconcile you, heal me even though my longings can continue with you rolling around the world with my whole body in the midst of subversive political currents and social doctrines, rumbling falling all the divisions that separate us , even the outer walls of the farthest reaches of our separate and to be separated stocks. I will go with you until the end of this long journey, I will take your feet when they hesitate to continue and I will move your frozen head from the stocks and tricks to catch those you leave with glasses full, even with the Chacolí, who makes us go in circles through places without garment or bait through the desert where the thirtieth final Oasis awaits us ”after leaving it lying with the ivy roots of the Rio Bumodos, and by all the points of its body open to discontinue with this regression, it meets the twentieth oasis.

Twentieth Oasis next to Tel Gómel:
In the well-known art of the Afro-Asian belt of the Persian zones, of deserts that extend by hydrographic basins, it transports us to its second regression along the Bumodos River. Here with roots of 60 lures will be shed by 60 centimeters from your oasis soil. Here Vernarth will remain encapsulated from his roots of lush attire from years to years entering his veins.
Diplomacy is unleashed in Ecbatana, close to the encyclopedic collision, the shelves throb, distorting the story lines more than a paragraph inflamed by their own saffron sheets of tradition written in fornited papyrus. It has also been mentioned in the Bible by its Aramaic name Acmeta. According to Herodotus and The Biblical Oral Source.

At more than 15,000 kilometers in the Castle of Horcondising;  Her mother Luccica enters, taking the lace from her dress, to go up the northern balcony saying:
Luccica: What time can I see you, my beloved Vernarth, now that your life has been cut before the harvest. Black garlands progress along the edges of the swinging of the curtains of obscurantism…. !!
Then Luccica gets up. She goes to observe the walls of Adarve, to approach the guard and ask her if she had left the window half open. The guard moves away from the loophole and responds:
Guard: My lady, our prince Vernarth, left the Crusades for Tel Gomel. And I doubt that her absence has styled the hinges of the disheartened gate by the joy of feeling her voice proclaiming life where nothing has lived any species,  nor death where no one wants to inhabit it.

Bernardolipo, your spouse enters: do not doubt that you have well exercised the straps of the barbican interwoven with grates of poisoned ivy with the life of pagan serpents. But what else has to happen if our Vernarth forged the Rake with his burned hands, and still remains intact for anyone who tries to overcome it. Oh duel of Avernus without bosses to defend their Aras!

Guard replies:  It has been conceived through the corridors of arms, that your son is in TeL Gómel, on the magical sides of the Bumodos River. He is surrounded by people who love him. He rides stretched out on a white steed, with a white flame, with hooves of Fire…, Alikanto greater fever for elder fever in midnight of the witches who frighten the Mandragora.

The regression continues towards the region of Gaugamela, hearing with his breastplate on his sleep the distant tales of his parents in the Horcondising castle. He walks on the dry and discolored leaves, on the docile rods that hung over his veins, hydrating with magical liquids his body asleep in Bumodos and his accomplices. Every time he walked on this tube that was tubed through skies and beautiful places, he had to approach to inject the young elder wands with slopes of Bumodos concoctions, before eating and drinking delicious meals.Together with their diocesan comrades with wine.

This bacchanal episode has to do with a love story. Rather it mixes love, passion, madness and death.Or almost death. Persian legend tells that from the seeds that a bird dropped at the feet of King Djemchid (Yemshid), plants were born that bore abundant fruit, the fermented juice of which was drunk by the king's favorite. The woman fell asleep soundly under the relaxing effects of the drink, and when she woke up she felt healed and flushed, and also happy. Then the king named the wine Darou é Shah (daru eshjá), "the King's remedy." Almost with the second degree beer, he replied before Shamash Sumerio with his celestial oscillations, to approach the Philistines hand in hand to keep them intoxicated rather than healthy.Brightly and lights of the green candle in her tabernacle ... beyond the Sumeria table.

Vernarth says: Take out the table, take it out. I want to continue lying on the wild plasma floor of Bumodos. I need my odalisque Valekiria to bring ***** and elderberry to unleash the kidnapping of myself, for not wanting to be assisted nor for the greatest fear I have ever felt. This echoes in Horcondising in the ears of his mother who was in the battlement just a few minutes from sending her eagles.

Luccica says:With what number of molten bronze and burnished copper gag, I will polish your flabby regret for not being with us. Son I know that you will give your life in Gaugamela. I know that your strength is not mine or your father's. That Etrestles your brother will be in the biggest puffy nimbus clouds of the sacrosanct oracle. Pastoral flutes will take my basket to your store, loaded with goat cheese, grass bread with balsamic Palo Santo. "May the Nile Cobra not get dark your fiercely wounded Brisehal."
To be continued… / under edition
CHASING THE CURE
Third Eye Candy Dec 2018
how have you been? we seldom pass the other by
but here I have you self contained
in the raiment of your randomness, something tweed.
I must say the feathers in your shadow are remarkable
and they remind me of my own...
though mine are on fire.
are you in haste to a Bacchanal of unparalleled dismay?
or do you always look like that these days?
I would love to have a chat on your island
if you are so inclined.
I would even dream of stealing your moon
Ogunsanya victor Jun 2020
I rise on a summer morn
Viewing feeling the addae drizzling through my face
Making me to emerge from my mundane

As I take a walk through the terrace
Enjoying the warmth of the sunshine on my skin
I felt the joy within the birds chirping
Playing like a baby with no misgiving

I felt the cool breeze on the trees making them to dance profusely like a bacchanal
Enjoying themselves although the day

At this point I felt anguished because I can't be like them
The feeling of uneasiness of mind
All thought running through my head like a vechile   on the highway.
I've got a lot of things to worry about.
Sophia Granada Mar 2019
Strong dose, that girl
Taken on a spoon and you'll fall
Writhing to be the first to apologize at her skirts
Confessing sins known and unknown
Screaming them half-mad in the night
As the sweat drenches your sheets

Did the spoon clear those sins from your lungs
Did she build them up there
Brick by brick in the bronchi

You dream of her standing impassive
In the midst of the bacchanal
Object to be worshipped
Effigy to be burned
Single sane survivor in the whirlwind of tarantism
She engineers such hurricanes

Hair shines down from the cloud-pale face
Solid bars of sunlight through a hole in the sky
The palpable yellow beams of God's arms
As her fingers pluck the wind to send it roiling
Rodwin A Tyndall May 2020
At the cusp of dusk they billow in,
Great black beasts, gravid and wroth;
They devour moon, they devour stars,
Thundering across the celestial sphere.
Roaring eruptions and lambent light –
A bacchanal of Babeldom.
Eden fire pierce, fierce, incisive stabs;
Instantly illuminating,  
As the great black beasts birth torrents.

R. A. Tyndall
A bought a peach dripping from serendipity
A stolen apple from beggars dreams
A bough of flowers from the nearest bouquets
A couplet of children followed me, driving me bananas
Popular with them, I made haste with the bread and wine from the supermarket in downtown annals of stated streets
All of them were documented like the underground denizens of the supercilious looking for a summer promiscuity and bacchanal
T R Wingfield Mar 14
Oooh~ I Caught the tail end
of the tail trail
back from the parade,
coming from Canal zig-zagging
back the back way,
(maybe south, no north…)
to Bourbon St;
and the tail trail promenade
was full of talent on display,
and temptation,
and it was passing
right. in . front of me.
A veritable smorgasbord
of bad decisions one could make.
A circus Maximus of humanity,
in Grecian magnitude;
this bacchanal goes rolling
through the streets every year,
and this year it’s encircling me.

^Rocking This Sweet *** Suite^

Boppin’ around the outskirts of town,
With bottle o’rotgut, a limp, and a smile,
Wearing a thin coat of mornin’ sunrise
to cover the patina of Stale *****
and gutter dew,
in his Gutter-Suit
with a Pair o’ boots On,
an’ a Fresh-Cut Gutter doo,
Is man of means
(mostly “means well”)
On sabbatical from livin hard,
And taking it extra easy
this very evening,
and looking for something to do.

^In the Big Easy^

“Take it Eeeeasy,
Take it eeeeaeeasy”
he sings to himself softly,
and then to no one in particular
in his purview,
“I been livin’ hard my whole ******* life,
trying to prove I ain’t got nuttin’ to prove,
and all I got for all it took
is a whole lotta ******* nothing-to-lose.
Man I gotta figure it out,” he muttered,
swaying slightly under the *****.
“This ol back’s only gotta a few seasons left,
dude. We gotta come up with something new.”
He reaches back with his right hand
and places his fist in his back,
knuckles to his right hip,
as he limps a shuffled cadence
favoring his unhealed broken ankle,
which lends his pace
a meandering sashay
of someone strutting,
and belays a a bit of class in its stance,
with his arm held out of view,
much akin to the prideful rigid reserve
of a French maitre’d,
but with a derelict sheik
uncommonly seen.

“Otherwise it’s broke street,
on the corner of no-go rd,
and you know what that means.
Yes you do…
You gotta big brain buddy,
why don’t you use it to maybe do something good for you?”

There is no response…

He looks weathered in a way
that only rough living can wear on a man -
leathered skin,
wrinkled brow,
creased crows’ feet at the corners
of his bright gray blue eyes
(eyes that seem unsettling, at first glance
• almost animal •
due in part to a golden yellow ring
around his pupils,
and a wild flitting movement
as if he’s constantly seeing someone unknown
entering into his view;
But this wild-eyed creature turns
uncannily human,
as soon as someone
willing to listen more than a minute or two
gets caught in his gaze
and locks eyes for the first time;
And let me tell you,
it does something to you.
That gaze is magnetic,
and his hard scrabble appearance
is softened and sweetens
when he’s looking into you.
It’s not something that’s common these days
(steady eye-contact, that is),
what with all the distractions
we’ve entrenched ourselves in
with our phones and computers
and near constant stuff to do.
But his eyes are soft,
and  welcoming and it’s hard to not believe
he means no harm.
So, despite his appearance,
most people don’t shun him,
as people are often wont to do
when confronted by poverty
and personal suffering-
but he doesn’t wear that as armor,
as many of the indigent community will;
he simply lived what he was given
and doesn’t complain,
“Cuz, what good would it do?”  
He’s profoundly joyful
in his demeanor,
and He’ll tell you why if you let him,
cuz he’s “playing with house money
everyday he wakes up”
and he’s “still gotta a lot o’ livin’ to do!”

As he shuffles along the the shaded city streets
Every now and then, he stops
And squats,
Puts his hands on his knees
And props himself up.
He looks
like he might be having a heart attack,
but his back just hurts
(like it always does),
and he just needs a second
to let it breathe.
Once it’s released,
he pops back up, and continues about his way, spry for a man his age
but still brittle and broken
and whistling the blues.
More sketches for a longer work. This is a description for the main character Thompson Caine Hackett
(Of “The life and times of Tom-Cat Hackett”)
B E Cults Mar 2021
black robed bacchanal
cracked home
back back
past the walls and black holes
I'm ashing in the bathtub
by the way
act appalled if you want
I'll be passed out in it later
vapor in the clouds
find me
please

— The End —