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brandon nagley Jul 2015
1-When the going gets weird, the weird turn pro.........

#2-The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over.

#3-The TV business is uglier than most things. It is normally perceived as some kind of cruel and shallow money trench through the heart of the journalism industry, a long plastic hallway where thieves and pimps run free and good men die like dogs, for no good reason.

#4-“In a closed society where everybody's guilty, the only crime is getting caught. In a world of thieves, the only final sin is stupidity.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#5-We can't stop here, this is bat country!”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#6-We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of *******, and a whole galaxy of multi-colored uppers, downers, screamers, laughers... and also a quart of tequila, a quart of ***, a case of Budweiser, a pint of raw ether and two dozen amyls.
Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#7-“You better take care of me Lord, if you don't you're gonna have me on your hands.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#8-Hallucinations are bad enough. But after awhile you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip-the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#9-“We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#10-“With a bit of luck, his life was ruined forever. Always thinking that just behind some narrow door in all of his favorite bars, men in red woolen shirts are getting incredible kicks from things he’ll never know.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas

#11-The possibility of physical and mental collapse is now very real. No sympathy for the Devil, keep that in mind. Buy the ticket, take the ride.”
― Hunter S. Thompson, Fear and Loathing in Las Vegas
Can anyone tell me why hunger s. Thompson isn't on HP poets or writers when you search for them lol I love his fear and loathing work especially with Johnny depp playing him mine fav actor amazing !!!!! Mine fav quotes from his #5 and 6 and 7 and 9 and 11 lol love it
Robert C Howard May 2017
Through an open window, I hear
      the Big Thompson's steady music
drifting up from the valley below.

May breezes and gentle rains
     coax the snow-capped peaks
to surrender their alabaster cloaks
      downslope into gathering streams.

Silhouetted by light from the waxing moon,
      a cinnamon bear lopes along water’s edge,
pauses for a draught and meanders on.

A bull elk newly coifed with velvet antlers
        folds his legs beneath its belly
and kneels into grasses beside a tranquil pond.
        while the Big Thompson rushes on.

Spring beauties, calypso orchids and geraniums  
       shake off their winter's sleep and
dot every vagabond trail and verdant hill
        while fresh new leaves adorn the aspen boughs.

The Big Thompson inexorably presses on
        bound for rendezvous with time and space
and tumbles into the always patient sea.

© 2017 by Robert Charles Howard
Chapter 1
It was cold. Freezing. The first day of the winter chill had started in northern Washington. The sun now hid behind the thick ceiling of clouds as they began their annual snowdrop and the mountains began to howl as the winter winds bared their fangs. Near the mountains was a town with a population of one hundred thousand. The town was officially established in 1840, though a now extinct native tribe settled there long before. Life here was normal for most.
A jog and a stone's throw away was a semi-secluded high school that lay deep in the woods, holding some fifteen hundred students. The gray bricks were reminiscent of a prison, juxtaposed against the walls of towering trees all around it. As snow began to blanket the ground, a single pair of footprints led to the school.

Professor Thompson, a younger teacher, was yelling again, "If I see another one of you punks rolling in here halfway through class, I swear I'm going to make sure you end up living in detention!" Alexei grinned, whispering the exact same phrase in unison with the teacher. The younger members of his "pack" snickered behind him. His group of eight was split between boys and girls appearing between seventeen and twenty. They were a small part of the senior class and had the reputation of being stubborn, loyal, and dangerous at times.

They embraced the reputaion, knowing how true it was. They were Lycans. Shapeshifters. Werewolves. They all meant the same thing. They were descendants of the "extinct" tribe that once lived in the area, though their numbers now were far greater and much more widespread.
When each Lycan turned fifteen, they would have their first shift. They would turn into Dire Wolves, about twice as large as a normal gray wolf.  During their first transformation, instinct would guide them to an alpha who would help them transition to the new life, teaching them how to shift at will and how to survive. Each pack was structured by rank, Alpha, Beta, and Delta.
There were only two Alpha's per pack, one male, one female. They made decisions and guided the newly transformed Lycans. Once a Lycan proved themaelves, they were given the rank of Delta. Their duty was to learn and follow any order to the best of their ability. A Delta could be chosen to become a Beta, either by trial or by challenge.

In this case, Alexei was the alpha and this was his territory.
Alexei stood at exactly six feet tall, was light skinned and was built like an animal, lean and muscular. His straight hair was jet black and ended in a flurry of blood red tips that lay hidden under a heavy black jacket and a hood lined with white fur. His yellow eyes glowed faintly under his hood.

Alexei turned his head slightly to the left, where Hunter sat, or rather slept. Alexei heard his pack mate wake up in a daze and groan, "What? I'm still in class? Man this *****."
Alexei grinned, flashing his long canines and the rest of the Pack laughed quietly amongst themselves. "Alexei... would you mind keeping your cronies under control, please?" His eyes locked onto the professor, their golden glow piercing the darkness of the hood like slivers of fire. The pack immediately went silent.
"Why of course, professor. We wouldn't want to disturb the lecture now would we?" His powerful voice dripped with acidic sarcasm, laced with a deadly seriousness. "Right guys?" The question hung dead in the air for a few heartbeats.
When no response came, he turned his head sharply, his gaze cutting into each of his bretheren. A collection of nervous, 'yes sir, yes alpha' rang out quietly. He closed his eyes and said, "All yours, professor."
Alexei drew a breath and let his consciousness flow towards the group. He felt each of their minds twitch in surprise as he spoke directly to them.
Just bear with it guys, its the last class of the day.
He heard another person's voice flutter into the pool of thoughts. but, alpha, it was Leiks, one of the betas.its snowing... we want to go out.
He growled slightly, just low enough for the Lycans to hear  And you think I don't? You know how this works, Leiks. We have to abide by the Sapiens rules.
Alexei heard her whimper slightly in submission, backing out of his thoughts. Leiks fidgeted in her seat on the back row, looking out the freezing window at the puffy white flakes cascading down around the school. Her blonde hair ended in vibrant purple curls that bounced around her chest. She was the youngest Beta at eighteen years old. Leiks was one of the three betas in Alexei's pack. The longest serving Beta was a male named Chance. He was Alexei's right hand, commanding all of the strength and loyalty as his Alpha. He had the figure of a sprinter, and was the fastest Lycan other than Alexei. His eyes were a very rare violet, further accenting his undercut blonde hair.
The other Beta was a red haired female named Krista. She was one of the oldest of the pack, at nineteen years old. She acted as the peacekeeper of the pack, settling the disputes when Alexei was away on business.

The other four were all deltas, each of them still looking to prove themselves.
Alexei caught a hint of something in the air; it smelled like a sweet musk mixed with crisp apples. The smell sent an icy tingle up and down his spine for an eternity before settling at the base of his neck, making his hair stand on end. He growled softly in his throat, grinning.
Smell something, alpha?, it was Leiks.
Yeah... maybe...
He grinned and felt warm all over. He felt the urge to go wild, to wolf out. Alexei bit his tongue in an effort to calm his instincts. He cleared his mind and closed his eyes, taking one long breath after another before the waves of longing subsided.
Professor Thompson continued with his lecture on mythology, talking about the classic horror creatures like vampires and werewolves. He focused awfully ******* the latter, going on and on about lycanthropy. The professor then began to compare the natures of both species, concluding with a comment on their painful existence.

Alexei bared his fangs in a silent growl, gripping the edge of his desk hard enough to make it creak in dismay. 
He thought to himself, we shouldn't be giving the Sapiens our whole history, even if they don't pay attention, much less believe in us.
Alexei's mind wandered as he pored over the history of his people. He stared down at his hands and he began to think about all of the Lycans that had been part of his pack.
An image flashed before his eyes of a bloodied white wolf lying before him, whimpering helplessly as its crimson blood steamed against the snow. The cries of pain echoed as clear as crystal in his mind. Alexei's own blood boiled as the memory took over his thoughts. He could see blood on his hands, staining the desk. He could see the life leaving the white wolf's blue eyes. He heard the all to familiar laugh echo in the forest. Alexei's heart beat filled his ears, deafening him. He felt nothing but rage as he searched for the killer's face.

His anger lasted only a second before a hand tenderly gripped his shoulder. His eyes flashed open and he bared his fangs slightly. He snapped his gaze over his shoulder at the pack, their eyes wide and locked on him, emanating dread. The hand belonged to Flora, the youngest member of the pack at sixteen. Her eyes were full of innocent fear as she looked at her enraged Alpha. Alexei realized he had partially transformed, his teeth had all turned to sharp incisors, ready to rend flesh from bone. He forced his body to revert back, feeling the fangs retreat. Alexei nodded and Flora let go of his shoulder. Alexei turned and shut his eyes again, his good mood soured for now. He took a deep breath and sighed, wishing for that scent again. Five more minutes...
Those five minutes drug on like a glacier, the professor's words trailing off into the distance as he switched topics. Can he go any slower?
Don't jinx us, alpha, sir. came Flora's response.
You don't have to call me sir, Flora. We're a family.
The wolves stayed silent for the rest of the class, listening halfheartedly to the professor. "As you all know, this is the last day of school until January. I hope you all have some plans, some family to go see." 
He paused for a moment as if to say something else. The professor was looking directly at Alexei, who could feel the teacher's eyes boring into his soul. The bell finally rang, and Alexei was the first one out of his seat, ready to bolt for the door, but a stern voice called his name.
"One moment, Alex. I need to have a word with you." The professor looked directly at Alexei with an iron stare. They stood there for a moment as the others left the room, chattering amongst themselves. All but one. Flora remained defiantly beside Alexei, looking up at him. He looked down at her, his eyes opening with a soft yellow glow.
"Go on, I'll be fine." Flora looked at him quizzically but obeyed.
Alexei waited for the door to close, looking at the professor only after the latch had clicked into place. Alexei smirked and said, "What's up, doc?"
Professor Thompson raked his hand through his hair and removed his glasses. Laying them gently on the table. "I really wish you'd stop doing that. It's unbecoming of a wolf of your stature."
Alexei looked at him and shrugged. "You have to keep up with the times, Tom."
The professor laughed, "What times? The forties?" He walked around the desk and leaned against its front. He sighed and his tone changed, "We may have a problem on our hands, Alex. It's a vampire attack."
Alexei scowled. "I thought you had tabs on all the vampires in the area. As the resident Vampire Lord, it's your job to control them." The professor looked impatiently at the Lycan, waiting for him to finish. "Besides I thought you had them all drinking blood from the hospital?"
Thompson clenched a fist against the table and said through gritted teeth, "My people... Didn't attack anyone. They were attacked. By a Lycan."
Alexei sat on the edge of one of the desks and was silent for a moment. Then, "Please tell me it was just an unhappy accident?"
Thompson sighed and shook his head, "Lycan blood was found at the scene. A trail led to the outskirts of town where we found the unidentifiable body of a half transformed Lycan. Female. We cleaned it up as best we could but you have to understand, my people are going to find out one way or another." He looked intently at Alex, "I'm not accusing you or your pack of anything. But we're going to have a serious situation on our hands soon once the High Courts hear of it."
Alexei sighed and pondered the facts. He tapped a finger against the table repeatedly as he thought. "We had reports of a lone wolf wandering around the countryside. Nothing unusual, other than nobody had seem this particular wolf in nearly ten years. Then all of a sudden she vanished. We tacked it up to misinformation." Alexei tilted his head back. "Last we knew she was outside of my territory, closer to Steelhead's." He paused, "This makes the first death since the interspecies pacts."
The professor nodded, "And that's why we both have to be on our best behavior. All of the Underworld will be watching us now."
Alexei nodded and stood up. "Thanks for letting me know. I'll be in touch." He touched ******* to his lips in farewell and the professor did the same.


As Alexei opened the door, he saw the pack waiting in the hallway just out of earshot. He approached them and they swarmed around him, each of them with a question on their lips. Alexei silenced them with a short gesture and they continued on their way outside. The pack wound through hallways and double doors until they felt the tingle of cold touch their skin. They trailed along behind their leader and burst out the doors, welcoming the frigid air and the soft snowfall they had waited all year for. They hooted and howled giddily, their faces covered in goofy grins and awestruck eyes as they pushed past Alexei and dove into the snow with the other students. Alexei stood there, looking for what he had smelled earlier, for him it was more important than the snow. He scanned the horizon, eyes open wide and searching relentlessly. After a moment, he saw his target, leaning against a tree on the far end of the schoolyard, her fiery hair waving gracefully in the wind. "Jenna."
She winked at him and gestured to her right, where an open forest lay uninhabited. He nodded slightly and made his way down the steps, his heart pounding harder and harder in his chest.
I'll be back soon... Leiks you're in charge.
You okay, alpha, sir? Flora always worried for her alpha.
Yeah, I just need a walk is all.
But... Leiks put a hand on Flora's shoulder and shook her head.
Alexei walked to the edge of the schoolyard and saw that Jenna was already in the woods. Glancing back at the pack, he grinned like a Cheshire cat and chased after her.
They wound through the trees, picking up speed and tossing their heavy jackets away.
Come catch me, big boy. she taunted.

He watched her every graceful move, following relentlessly until he had her. He wrapped his arms around her in a tackle and they rolled, laughing all the while until they came to a halt. Alexei was on top of Jenna, straddling her legs and breathing heavily with her. She closed her eyes and grinned wide, her chest heaving. The air was freezing cold but they couldn't feel it as he leaned in and kissed her, entwining his fingers into her hair. She kissed back and pulled away, biting his neck in the way she knew would make him go weak. Alexei stifled a moan and Jenna felt his muscles quiver. She took the opportunity to push him onto his back and claim dominance over him by straddling him. The heat from Alexei's body made the snow melt and steam below them. He buried his face in her neck, kissing just below her ear. She smelled amazing, the musk of her animal side mixed with her perfume drove Alexei crazy.
He slid his hand under her shirt and felt the curves of her slender body press against him and she growled. Jenna pulled away from the kiss, a grin on her face, "Not yet, darling. There's time for that later."
"I've missed you, kitten."
She growled softly, "you best stop that while you're ahead." She grinned wider and kneaded her claws into his chest. Alexei called her 'kitten' because of her fondness towards cats, specifically kittens.
"Are the others here too?" He pushed her up off of him and stood up himself, closing his eyes in the process. He was referring to Jenna's friends who had left with her a year ago.
"They got here shortly before I did. They're already at the hideout."
Alexei nodded, "We'll be there shortly. Do you want to come with us for the time being?" They began walking back to the schoolyard, grabbing their jackets on the way.
She giggled, "I suppose I should, so they can get used to having two alphas around." Her eyes twinkled as she said it.
Alexei grinned, "I thought it wasn't for another year! Congratulations!"
There was a glimmer of pride in her eyes. "I couldn't have done it without you, darling. They made an exception for me since you had already trained me so well." Jenna had gone to a Lycan Academy farther north, in Canada. There, wolves would be trained to become better leaders or soldiers, depending on their rank. Jenna had shown great promise immediately and was put into higher groups and classes.
The schoolyard soon came into view, and Alexei's pack was still playing in the snow, throwing snowballs and just rolling around in the stuff like children. He whistled a little tune and each of the pack members looked directly at him, going wide eyed when they saw Jenna. They rushed over as fast as they could and tackled her with hugs. "You're back!"
Jenna struggled to get up as a dog pile ensued. Alexei's wild laugh mixed with the cacophony of greetings as Jenna squirmed out. Flora stood behind Alexei, this new person's presence terrifying to her. As the pack got untangled from each other, Jenna walked up to Alexei and Flora, who hid behind him like a cowering pup. Jenna looked at her, "Hey. I'm Jenna, me and Alexei are old friends."
Flora whimpered quietly but peeked out enough so she could get a good look at Jenna. Alexei turned to the pack, saying, "We're going back to the hideout. There's some old friends waiting there for us."

Chapter 2
The pack carried on as usual, sa
G Rhydian Morgan Aug 2011
I hope someone was shot today
at four forty-seven *** em
somebody famous
with a famous death
I know where I was right then
(for once)
I don’t know where I was
when Kennedy got it
and I don’t know where I was
when Martin King went
(all I know is I wasn’t here)
I think I know where I was
when Lennon walked his last
(eating Weetabix eight years old)
and I know where I was today.
At four forty-seven *** em
I was ******* tomato seeds from a picture
of Doctor Thompson’s face.
Jordan Apr 2013
Security … what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut?

Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes?

Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences.

As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?

Hunter S. Thompson age 17, 1955
Gregory K Nelson Apr 2013
"Turn back the pages of history,
and see the men who have shaped the destiny of the world. Security was never theirs,
but they lived rather than existed,"
said Hunter S. Thompson
at age 17,

before he became The Duke,
and shaved off a leg in Doonsbury cartoons,
before he rapped the sharp corner of his shot glass,
so too many times,
on the inch thick enamel,
of the Woody Creek Tavern bar top,
and waited until closing time
to begin blowing lines,
out of the divets he'd made.

The people clapping,
the moon attacking,
the red bone blood of America pumping past his eyes.


After he died, everyone there had a Hunter story:

Hunter shot his hot girl assistant in the *** by mistake,
but he felt like **** about it.

Hunter had a dozen red cheeked lasses he skied with,
but he never messed with them.

Hunter showed up in a Cadillac convertible packed with
strippers dressed burlesque.

But it was hard to tell just exactly what he was up to with
the strippers, the peacocks,
or anything else.

Alot of the stories had ****** implications,
but what they mostly implied
was he was cool about it.
He didn't write any of those stories.

Despite all evidence to the contrary he liked his privacy,
and what peace he found in rare quiet.
And he made **** sure they'd shoot his ashes
out of a ******* canon when he died.

The canon is still there.
So are the peacocks.
The Woody Creek Tavern, where Hunter used to hang, is still there.  The food is fantastic, the company is pleasant, but the prices are high.
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Nigel Morgan Jun 2013
She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.
Gideon McCarthur Nov 2015
I always thought feminism was just for women. That feminism was a bra burning, man hating, joke.
Then I had Mr. Thompson for AP US History. We were talking about the 1960’s and all the protests that were happening when we got to feminism and I let out an audible groan.
Mr. Thompson got quiet, and approached my desk.
“So you think feminism is a joke? Folks this is the problem we have with the word feminism. Because I bet you all think of feminism as a bunch of hippie women who don’t shave burning their bras? Well guess what that never happened. Feminism isn’t about putting women above anybody else. It’s about putting them on equal ground with men. It’s equality. And you know what? I’m a man and a feminist. You can be both!”
Mr. Thompson taught me two things that day that have affected me to this day. 1. That I was an ignorant *****. And 2. Teaching can change not only a life but the course history as well.  So now I’m a teacher, and a feminist. I see these same boys who were just like me who believe in equality but don’t know what feminism means. So I try my best when I talk about feminism in my history class to teach them better. And you might ask why does the label matter? When you misunderstand or degrade feminism you make it impossible for actual feminists to affect any actual change. I get laughed at when I tell people I’m a feminist. I get it from other men, from faculty, even from women.
These people are not misogynists, but they aren’t doing much to help the cause either.
I try and teach what feminism is about but every year I’m noticing people think this is an outdated concept. If you think that women’s rights will keep progressing as a natural function of time you are wrong. I teach history and time and time again societies that have been progressive, changed and people became oppressed. We still have a long way to go but if we don’t take feminism seriously we can lose what’s been achieved.
Robert C Howard Aug 2016
Our dog, Hannah and I wended our way
    across the Moraine highway
that winds west toward the park.

The front range, rising to our right
    and Lumpy Ridge to our left
were shrouded in the post-dawn mist.

A short walkway through speckled fields
    of Asters, Mexican Hats and Gallardia
led us to the tall gray slat fence
     that lines the path down the hill
to the Big Thompson River Walk.

Hannah and I took copious notes
      each in our own way as we took in
the sounds and sights along the trail.

      The morning lights danced over
rock-strewn rocks and riffles tumbling down
      from the mountain rains and melting snows
and the sweet music of the river
     assured us that tranquility exists even
amongst the jagged rocks of a troubled world.

*Estes Park, August, 2016
Showman Aug 2013
He opens his Star Wars: A New Hope lunch box
Inside a hippies dream.
**** in baggies that have the superman symbol
And Batman symbol on them
Tabs of LSD
And molly.
Hunter S. Thompson would have a field day

©Gambit '13
TinaMarie Mar 2012
Be my novel tonight
Allow me to navigate the depths of your thoughts
and journey through the pathways of your mind while
merging in my imagination and infusing in my wildest
poetic fantasies.  Inscribing in our bedpost an
unforgettable bestseller.

Be my music tonight
Let me groove to the beat of your heart picking up pace
as I explore new ways to invoke melodious outbursts. I
want to sing a duet with you of synchronized moans and
pleasurable sighs.  Culminating with you belting out my
name in one final perfect note.

Be my masterpiece tonight
Permit me to trace my fingertips across every inch of
your frame as I find your sensually stimulating spots.
Armed with new knowledge and intent, sit back as I
stroke you with my brushes of desire and take you on a
creative adventure of twists and turns as I bring to life my finest
work of art and watch with all anticipation your love erupt.

© Tina Thompson
TinaMarie Mar 2012
Sunny afternoon

75 degrees

Breeze
     Flowing
          Blowing softly through the slightly cracked window

Trees
     Swaying
          Laying rhythmic undertones to lyrical chirping

Me
     Smiling
Snuggled so tightly
     Pressed against your skin
Entangled limbs
     Indistinguishable as to where you end and I begin

Our
     Hearts and Breaths
Synced
     Collaborating
Producing a soothing lullaby as we drift off to...
      Sleep

I miss afternoon naps

     With you

In

     The afterglow

                                   after...



© Tina Thompson
Mateuš Conrad Aug 2018
where was i? right, anywhere but here,
listening to some medieval music,
i sometimes sit in one place,
fade, and then find myself sitting
in the same place with a question
on the tip of my tongue: where am i?!

hard not to notice:
heaven reigns supreme with
a "st." michael coming down
with the sword...
depiction, please!
where's satan?
  coming from below armed only
with a tongue...
fair fight, by anyone's standard:
i'm dripping sweat from both
ridicule and sarcasm...

st. michael comes down with a sword...
satan rises up with a flaming tongue,
does satan lick michael's sword
to draw the blood required for
running the heart factory?

               medieval people and their
"nuanced" explanation...
so many images contra words
contra literacy of the people outside
the realm of monks...

   satan rises from the depths of
     hell saying: i wish a socratic dialectic
with god...
god replies: michael i will send armed
with swords...
who ever said: the quill is mightier than
than the sword,
implied: when the tongue has
to be necessarily silenced? then!

      das schwart,
          das feder,
    das zunge...

       how many definite articles are
there in deutsche? das, der, die?
too many or too few?

         always with "st." michael armed
with a sword...
and satan... armed with only his tongue!
i guess, the tongue becomes a tank,
while the sword becomes a feather's
tickling effect...

    angehoben das teufel von der
    tiefe: und gab sie namen...

  (raised the devils from the depths:
  and gave them names)...

why is satan only armed with a flaming tongue,
while "st." michael is armed with a sword?
is god, the god-dialectic / theology
so afraid that it has to remain topped
with unchallenged imagery
                         of sword contra tongue?

ich werden anfangen:
   ich werden treffen du hälfteweg...
            im schreiben...

                  satan rose to a depiction
with "st." michael: disarmed...
  tongue in mouth: which should have been
his hand, "st." michael descended with
a sword... come to think of it,
with satan's tongue cut off...
it still spoke to "st." michael within his
hand...
  the sword overcame the medium...
and so writing was born...
once upon a time when satan's tongue
in his hand began licking the sword
of michael...
            and? if the contemporaries
should hope to know:
writing is the res extensa medium
of res cogitans:
            writing is an extension of thinking:
it's not an invitation to speak...

writing cannot be speaking,
however much commentaries you leave
behind...
writing is an extension of thinking:
it's not an invitation to speak...

it's no disguise...
    in terms of the depiction...
enough of Milton and Dante and...
satan came to the summit
  without his armour without his weapons...
the summit of the plateau...
tongue in gob and joke in cheek...
while "st." michael descended
wit a sword and a missing tongue...
it would appear that god cut out
"st." michael's tongue before his descent
while arming him with a sword to
cut the conversation even shorter
than it was supposed to be, to take place...

the aspired to monotheistic monogamy
of king Solomon,
to imitate swans...
    Muhammad's lost enterprise of
the: greatest harem the world has ever
seen... sorry... Muo-Mo-Hammie:
the macedonian alexander beat you to
the count of 365 concubines...
as did genghis khan...
           so many pakistanis with khan
as a surname...
             your failed harem ambition?
compared to the otherwise world "greats"?
with the ******* promise of 72 virgins
post-mortem? that ship is sinking in my head...
muhammad failed in the ambition
of averaging a 100+ concunbine **** fest...
so he promised 72 for those that believed in
him...
   and if he was ever competing with
king solomon? look at solomon...
         he chose monogamy in the end...
i guess it's a noble enterprise to come back
among the lizards...
to spawn from an egg: from an womb
made external by an egg in the form of a bird...
birds: half mammal half lizard...
            muhammad failed at having
an envious harem...
                which makes me a little bit envious
of him... compared to the others...
he's quiet honest...
        but if he was illiterate...
    who the **** wrote the Quran?
    what's that book, in praise of older women?
andrás vajda...
   who would have written the first
verses (if not the last) of the Quran if not
khadijah **** khuwaylid?

i'm sorry to say: the feeling of conversation
soon turns into a feeling of conversion,
me, beer in hand, park, bench,
an old pakistani walks up to me...
flips out a digital Quran,
tries to convert me...
     opens the book on surah al-baqarah...
i point at three words...
what are these, i ask?
he replies: oh... only allah knows...
really?! really?! i ask myself...

    the three words?
   alif. lam. meem.

           allah knows?!
guess i'm allah then...
given alif: أَلِف  (α, א) a-lif
                 lam: لاَم (λ, ל) l-am
   and meem: مِيم (μ, מ) m'eem...

so yeah, "god" knows...
   how was this old pakistani going to convert
me, supposing i was simply some european
"drunk" sitting on a bench, drinking beer,
assuming i was ease target for
isis propaganda?!

    "god knows"... when it comes
to old pakistanis trying to
             recruit young europeans...
god knows ****!

if this old pakistani was seeking an easy target
like some paedo, he was much mistaken,
what does a pumpernickle (has) to do with
a windmill?! zilch!
i'm not going to exactly crawl out
of my walther von der vogelweider:
        palästinalied
that much easier...
i won't....
   i just think:
the yids have tight defences
against proselytes... they abhor converts...
islam, welcomes them,
at their own peril...
          and there i was thinking that
urdu was "superior" to sanskrit...
an old pakistani tells me "god knows"
in relation to alif. lam. meem.

             i guess the quran has an inbuilt
proselyte defence mechanism:
in reverse... ask a muslim what alif. lam. meem.
means... if they tell you: only god knows...
ha ha...
              hello stupid...
                            is the islamic world playing
a jewish game of gematria?
are the three letters supposed to represent
some sort of "covert" message?
A.L.M.?
        what, based on the hebrew alphabet
where "a" is not an an A but a consonant(s)
akin to ayin and aleph?!
the gay genesis?
          
                really?
                 we: the europeans were perhaps
the barbarians in the medieval years,
harrowed by the cold...
lucky us: lucky me: we did learn to read...
so ignorant of the pakis to presume
such and such...

             that we are still unable to read
and will fall for the next sort of *******...
look at us! we even began to question
christianity with the unearthing of
the nag hammadi library where
jesus played chinese whispers with
st. thomas!

   next time i'll be listening to a camel jockey
or a magic carpet ride aladdin
i'll ask them: you dehydrated, or something?!
oh forget h'america,
their evangelical ******* is worth
as much as a free microwave or a toaster...

_

hell man...
    i mean my neighbor smokes
16 8ths in a spare of the week...

wha?
    ****...
   i remember i used to smoke
an 8th over the week...

yeah... an 1/8... of an ounce...
he smokes two ounces
in a week,
  
gets the **** on discount...
but still has to cough up
over 100 quid for the stash...

but... but... these organic
cigarettes you're pushing?

ha ha... **** me... holy basil
(tulsi leaves) -
and the peppermint and green
tea leaves?
   in ******, whatever you want
to call it, rolling paper...

i've seen the inner sleeve -
big fan of hunter s. thompson,
i suspect...
   otherwise you wouldn't
have used the second, plastic
filter...
  
   tell you what... don't put
that plastic filter on every cigarette -
halve it...
     or provide two or three...
it's reusable -
        i smoked one of your
placebo marijuana joints...
  and then i'm going to smoke
a red Indian cough-up...

   ah... these blue Indians...
Vishnu centrists -
   beyond blue blooded,
more blue skinned herbalists...

dunno... the effects are subtle...
you can only tell the difference
if you actually smoke tobacco...

but sure as hot **** on a street
in Calcutta -
    it beats the Arabic portable
hookah pipe...
   i.e.?  
         vapping - or vapourißing -

i'd say less a cure for tobacco smokers,
and more a cure for
the dope-heads...
    he (my neighbor) smokes
2 ounces a week,
   and somehow manages to stay
down on a job...

    no ******* way...
    he says it helps him to sleep...
like me...
   a liter of ***** and two
paracetamols,
    or one naproxen (if i'm lucky),
or two paracetamols
  and one amitriptyline (25mg)...

sorry, what? sound of mind?
sound of mind to the point
where i'm mindful of grammar
and spelling?

            **** man...
  the content is transcendent
    of whatever the receiving end deems
it to be...

i might actually buy into
this... placebo marijuana -
given that i am a tobacco smoker...
  ha ha! holy basil:
  like Basil Fawlty...

   as you see...
there are people, and there are "people",
there are neighbors,
    and there are "neighbors",
i don't see how the natives
can dictate universal laws of
     private property ownership...
esp. over such... trivial...
meaningless...
          sitting down on a cactus
****-naked "problems"...

i hate being mean,
   i hate telling someone to *******...
i really do...
    i compromised -
i stopped smoking cigarettes
out of my window...
  but yesterday's confrontation?
over a ******* barbeque...
    oops... the compromise
has just been revoked...
  
   music blasting into my ears
through my earphones...
the next thing my cuntish neighbor
will "hear" is sign language...
  
oh yeah... that primary school
lesson:

(a) WHY     (b) DON'T  
        (c) YOU    (d) ****    (e) OFF

(a) index + middle fingers
    slapped on the left palm knuckles up

(b) index + middle fingers
    slapped on the left palm knuckles down

(c) scissor index + *******
   into the side of the left hand

(d) fist, vertical slam onto the left
  palm

(e) thumb's up moving away from
  the palm of the left hand...

because?
      i just can't be bothered trying
to reason with some people...
     they might as well be put in zoological
confinement, and put under observation...
but i'd feel sorry for the chimps
and other animals, have to share a close
proximity.
TinaMarie Feb 2012
Your presence warms me daily
We flirt with anticipation
Of what's to come.

As you beam closer to me
I toss playful mists of eagerness.
Your caress drives me crazy
Every sense is heightened.

I arch towards you.

I am swelling with excitement
Raging wet with desire
Open to receive you.

You invade me

s l o w l y

Illuminating me to vibrancy
Of colorful ecstasy
Igniting golden fires
To radiate from me.

You drink my hues of your reflection

Returning each day
At sunset
For a time.

In those minutes
You are mine.

We are one

You are my Sun.


© Tina Thompson
View for yourself.  https://www.youtube.com/watch?v=oyoa-QfeGho&feature;=youtube_gdata_player
TinaMarie Feb 2012
The sounding alarm starts the frenzy
I hurry myself to shower and dress
Slowing just for a moment
To strategically place fragrant surprises
For later explorations.

Accelerating with all urgency
I weave through the blockade of traffic
Risking it all to preserve
Each second, each minute, every moment of time
For my waiting infatuation

Flushes of excitement consume me
As I near my destination
I am overwhelmed with pulsating urges
As I search for a way to impress you
Show advanced appreciation

Welcomed with a sensual eagerness
Each of us knowing and wanting
I ask "Can I play you a tune?"
A Love song plays to a faintness
As you bring me to satisfaction

Then,

Ascending to kiss me softly
You wish me a good day at work.
Wiping excess from your chin
You smile and say "See you tomorrow."

© Tina Thompson
maggie W Nov 2014
I see Thoreau as a token
You and my airplane ticket.

I never get it why you only declare your love for Thoreau
Instead of something darker, Hunter S Thompson,Marijuana
Or me.

Traveling in Denmark now, I guess you'll eventually head to the Netherlands.
Where your true colors shine through your eye socket.

Oh, so I still admire you
Dreaming of having a walk with you beside Walden
Having Arizona ice tea in the dessert

I beg Thoreau to win me an airplane ticket to
The unknown
Robert C Howard Sep 2018
Prophesies of impending fall
     creep stealthily over the Great Divide.
Gold-green Aspens shiver in the breeze
     like leagues of fibrous wind chimes
serenading the mountain slopes
     with aires of shimmering gold.

A few distant bugle calls echo
     across the Big Thompson valley
as bull elks warm up for the autumn rut.
     Sudden early gusts of frigid wind
bring waves of sleet and snow -
     in tune with the turning polar axis.

The greater chill is soon to come.
     The animals know it as do we.
Bears bulk up on grasses, roots and berries.
     Elk and deer drift down from the heights
To show their young the ways
      of the plains and river valleys.

We pull our sweaters on
     and toss another log on the flames
and greet the harbingers of approaching fall
    creeping stealthily over the Great Divide.

September, 2018
I continue to be amused &
Captivated by Gabriel García Márquez,
His Love in the Time of Cholera,
Captivating me still.
His simple use of the name
“Bolívar,” por ejemplo.
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There is something uniquely Latin
About life in Latin America,
Once again, stating the obvious
For all the media-slain retards
Hovering around me.
Their never-ending enthrallment
With Strong Men,
Particularly when strength is
A measure of one’s honor,
Hizzoner,
Your honor,
To wit: Honor Killings.
In practice, a sober demonstration
Of the theory as it is practiced.
Americans—with swarthy exceptions—
Do unfavorably view most of us who
Can trace our ancestry to Southern Europe.
“Southern European,”
Itself a vicious racial slur,
And remains so north of Eboli,
No surprise that Christ stopped there,
According to Carlo Levi, writing off the
Il Mezzogiorno, beyond redemption.
Southern European:
Smug words you make them eat,
Throwing Greco-Roman Civilization
Up into their faces.
Athens & Rome--
Epitomes of culture and class--
Patricians, of course, yet
Skifoso bragging rights for all those
***** scratched plebeians of the mob.
But I digress.

Strongman Latino-Americano.
Some Bolívar, some José Martí.
Why not some Fidel?
¿Por Que No?
Tu compadre, Gabo--
Tu Generalissimo Cubano.
How could you miss, Gabo?
Castro lobbying for you, twisting the
Surreal & squirrely qualms
Of Nobel Prize Nabobs.
(SAS: Flights to Sweden, Norway and Denmark - Scandinavian Airlines www.flysas.com/en/us/‎ Welcome to the official SAS US website. Find the best flight bargains from the . . .)
You owe that bearded strong man, Gabo.
Fidel Castro: Maximum Leader to be sure--
Like Omar Torrijos & Noriega--
Panamanian Reds,
Tasmanian Devils!
And Sonny Barger –
Dubbed Maximum Leader,
By Hunter S. Thompson's Hell's Angels:
(The Strange and Terrible Saga of the Outlaw Motorcycle Gangs RetroBites: Hunter S. Thompson & Hell's Angels (1967) - YouTube ► 6:21► 6:21 www.youtube.com/watch?v=ccyu44rsaZo‎ Jul 7, 2010 - Uploaded by CBCtv Hunter S.Thompson defends his book against an irate Hell's Angels biker.)
Come Perón, come Hugo Chávez.
But, Hark-a-lark,
Let’s wait a sec
Lest we forget
Cristina Fernández de Kirchner,
One tough, Argentine *****,
Illustrating again for all men
The root of all machismo:
La Mujer!
The ***** that bore him;
Nurtured & nursed him.
****** & ****** him.
La Mujer!
(La mujer sin cabeza (2008) - IMDb www.imdb.com/title/ tt1221141/‎ Rating: 6.4/10 - ‎1,815 votes Directed by Lucrecia Martel. With María Onetto, Claudia Cantero, César Bordón, Daniel Genoud. After running into something with her car, Vero experiences a... I get 7 cents for each link, each hit, making poetry pay for once, the savvy poet, a marketer finally figuring out how to avoid death in the gutter, a death penniless, diseased, babbling and insane.)
Yes, the woman,
The woman, who loved him,
That widow who buried him.
The woman—at any particular
Time of life, in his life—
The woman who just happened to be there;
Was just hanging around
During that brief, emphatic,
Conversation lull.
Genesis got it wrong:
Adam was a stiff rib of Eve,
Made from sterner stuff,
A creation conceived in torture,
Reared in disequilibrium.

Women create the men they touch.
Strong women.
Scott Hamsun Mar 2017
Here lies John Thompson,
Dead from a plane,
That flew from Spain,
It was part of the Icelandic game,
To teach kids about the brain,
And how easy it can feel pain,
The program proved pretty lame,
No ones to blame,
For Johns leftover stain,
But it was in vain,
The kids wanted trains,
The kids are still ignorant.
R.I.P.
david jm Jul 2014
Dream is but a life,
Severed from congruence and chronology.
Did I imagine my memory?
The adolescent blizzard,
The tar pits of first love,
The prepubescent honeycomb,
The shedding of innocent skin,
The infant cobweb spun by genetics.
Death at the leg of my mate,
Birth among a thousand siblings.

Climbing to the ground
From the sky where i was buried,
Resting in rapid eye ether,
Transparent atmospheres solidify
With ruby whips of gravity.
My reflection in your fingernails,
My face askew in distortion,
Your hand's a house of mirrors,
Peeling at my silhouette.
I'm drinking fire,
As we cremate the sea.

Nirvana becomes panoramic,
The air ripples.
The topaz pillar i held becomes my body pillow,
And I wipe the sleep from my eye.

The dream unstitched,
We sew reality back up,
But the thread gets thin
At night.
TinaMarie May 2012
Ahh, sweet familiar uncertainty
My joy you will not steal.

My Faith abounds, My journey's sound
For my co-pilot's at the wheel.


©Tina Thompson
TinaMarie Jan 2012
Concerned with
The rapid pace
At which women
Are being
Disgraced.

I pray

Confused by
Their acceptance
Of the outright
Level of
Disrespect.

I pray

I pray for
Men to understand
You degrade yourself
When you dishonor women.

I pray for
Women to demand
Their value, worth and
Respect from men.

I pray for
Children to be
Protected and shielded
Able to retain a high esteem.

I pray for
Humanity
To return
To it's divine purpose.

I pray for
Love
To abide
In our hearts and mind

I pray for you

I pray me

I pray for family

I pray for harmony

Understanding we need
Whole men             able to love
Whole women       able to raise
Whole children     able to Achieve
Greatness

I pray

©Tina Thompson 2012
judy smith Sep 2015
It’s been a summer of love for many pairs in the Aspen area who chose to tie the knot near home or with a destination wedding such as these six couples below.

Natasha Lucero and Mike Conklin of Carbondale pinpointed Puerto Aventuras, Mexico, for their May 2 wedding at Hacienda del Mar Resort. Surrounded by nearly 100 friends and family members, they celebrated in the sun with a beach wedding. Though they lead an active lifestyle filled with lots of CrossFit workouts and semi-strict diets, they decided upon a decadent wedding cake (opting for one made of donut holes in lieu of something more traditional). For their honeymoon, the happy couple stayed in Mexico at an all-inclusive resort just down the road from the wedding.

Kelly Ann McColm and Daniel Conal McCarthy of Aspen chose a mountain wedding for their June 6 event. The ceremony was on the wedding deck at the top of Aspen Mountain with a reception in the beautifully decorated Sundeck. Kelly Ann’s favorite part about the wedding was the weather. “All four seasons in an hour! We started up the gondola with rain, got to the top of Ajax with snow and as I came out to walk down the aisle, the clouds parted and the sun came out for a beautiful summer sunset. The McCarthys are beach-bound for their honeymoon with a trip to Bora Bora.

Lori Augustine and Bill Small of Aspen tied the knot on June 14 on Aspen Mountain. They and their guests enjoyed beautiful summer weather for the ceremony at 11,212 feet. They’ve just set off for a honeymoon through Europe, spending the month of September in Venice, Milan, Lake Como, Capri, Positano, Rome, Tuscany, Monaco and St. Tropez.


Molly Elizabeth Eckrich and Charles Barclay Dodge of Aspen exchanged vows amidst friends and family on June 26. The Snowmass Chapel performed the ceremony in the John Denver Sanctuary in Old Snowmass. The bride noted, “We were the first wedding out there and I hope more people will use it because it was the most perfect setting.” Their reception took place at Tempranillo in Basalt. And their long awaited honeymoon will be spent in St. Bart’s and Cuba in November.

Katie Kowalski and Mickey Krentz of Aspen were married on a beautiful summer afternoon at Aspen Center for Environmental Studies at Rock Bottom Ranch near Emma on Aug. 8. “We supported a farm to table dinner there last year and both knew instantly, that is where we wanted to get married,” the bride noted. “It represented out love of the outdoors and love for good, local food, in a relaxed and beautiful setting. The atmosphere the day of our wedding couldn’t have been more perfect with the roosters crowing, ducks waddling, pigs lounging, the warm glow of the sun.” Next spring, they’ll honeymoon in Italy and France.

Maggi Whitmer and Ryan Thompson of Aspen tied the knot on Aug. 15 at Elk Camp in Snowmass under clear blue skies. “We loved being one of the first weddings in this location,” explained the bride. “Ryan and I both grew up in the valley and are passionate about skiing so having it on the mountain with chairlifts in the backdrop was special.” Sparklers, a food truck and the gondola were all little details that made it especially unique. For their honeymoon, they’re heading to Croatia and Italy in October.

read more:www.marieaustralia.com/formal-dresses-perth

www.marieaustralia.com/vintage-formal-dresses
Mateuš Conrad Mar 2016
i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.
TinaMarie Mar 2014
I once lived by a river
That flowed with a seducing call
Drawing me daily to it's bed
And Liberating me in it's waves.

I miss my raging river
That use to splash all over me
Bringing joy and excitement
To my otherwise lonely days.**

©Tina Thompson

— The End —