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"scrag" poems
"Tout aux tavernes et aux filles." Suppose you screeve? or go cheap-jack? Or fake the broads? or fig a nag? Or thimble-rig? or knap a yack? Or pitch a snide? or smash a rag? Suppose you duff? or nose and lag? Or get the straight, and land your *** How do you melt the multy swag? ***** and the blowens cop the lot. Fiddle, or fence, or mace, or mack; Or moskeneer, or flash the drag; Dead-lurk a crib, or do a crack; Pad with a slang, or chuck a *** Bonnet, or tout, or mump and gag; Rattle the tats, or mark the spot; You can not bank a single stag; ***** and the blowens cop the lot. Suppose you try a different tack, And on the square you flash your flag? At penny-a-lining make your whack, Or with the mummers mug and gag? For nix, for nix the dibbs you bag! At any graft, no matter what, Your merry goblins soon stravag: ***** and the blowens cop the lot. THE MORAL It's up the spout and Charley Wag With wipes and tickers and what not. Until the squeezer nips your scrag, ***** and the blowens cop the lot.
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Villon's Straight Tip To All Cross Coves
Genetically glad Genetically sad I'm running with momentum over scrag and path My muscles drag me to the destination Other's pass by me Other's I pass All shapes and sizes All styles and devices The view from the top is sublime Body sore from the climb The town below think we are mad Me ...I'm genetically glad
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Aug 17, 2022
Aug 17, 2022 at 6:36 PM UTC
Genetically glad
4/19/2019 I’m too skinny to be mean, So why do I walk with swag? That’s not maturity, I’m so green. They say, “Work out, you’re such a scrag.” I should try to smile more, A scowl doesn’t draw people. But the outside reflects from the core, So change is not that simple. Jesus change my heart, Fill me – no, overflow me! I need all of you to start, To erase this mood of gloomy. I’d rather be a nice guy, I wouldn’t have to worry. My old image – it’s time to die. My turn to forget my history. I’m still worried about my image, I thought I climbed over that! This culture values the savage. In Your face, they’ve spat. I’d rather be a decent fellow, Someone readily trusted. I’m quiet, I don’t bellow, This way I was made, but I’ve resisted. I was raised to be a gentleman, What does that mean? Call me a madman, Act like Christ, when not even seen. I’m done with looking tough, I want nothing to do with grim. I’ll act in a way devoid of mischief, Even if I look like a weak victim. But going back to culture; I don’t want to slip into the throng, I won’t blend in and become a vulture, Feeding off the weak, don’t make you strong. “Speak softly and carry a big stick,” An interesting concept. People these days are all talk, That they are wrong, they’d never accept. Even when I’m hated, By Christ, I will show humility. It’s not that complicated, An extension of His credibility.
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Apr 25, 2019
Apr 25, 2019 at 8:02 PM UTC
Counter-Cultural
A Lazarus body litters the sidewalk outside a well-lit, desolate lobby. On the left is a mexican restaurant, with a line reaching to the entrance. They should stamp the grey and scratched up plexiglass with a light and dark purple neon: Welcome To America. It would be reinforced by every delicious crunch one hears on the way out as cheap crumbs garnish concrete. On the right, there’s a bar alive on a Friday night. Friends share hearty laughs and pats on the back. The bitter and the perishing pretend they want this when they should be somewhere or someone else. And mingling singles look for compliments and numbers, or maybe just someone to take back and **** the **** out of. But in the midst sits a throne for ghosts. Ceiling fluorescent reflects off porcelain, paler than a farmer tan. There are no other colors besides the receptionist, bored to death, leaning on the wall behind the porcelain reception desk, reading a copy of Ebony. No ottomans or chesterfields or benches. No consoles or cocktail tables. Nothing adorning the walls. Not even a stain. Just a white hole, a bright ***** in an otherwise colorful street on gray canvas. I rise from my slumber and mosey on out the lobby in my purple linen suit. The impoverished scrag, his dog lapping his sores, asks if I’d spare some change. “Sorry, I only have card tonight.” “That’s alright, sir. God bless.” And I walk on, aware of the Abrahams rubbing up against a ****** in my wallet. I take a sip of whiskey hidden in my empty can of a drink that can never satiate me. I wait for traffic to pass, and then I jaywalk across Sticks St. - by Aleksander Mielnikow
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Jun 7, 2019
Jun 7, 2019 at 5:47 PM UTC
Sticks St.
A Lazarus body litters the sidewalk outside a well-lit, desolate lobby. On the left is a mexican restaurant, with a line reaching to the entrance. They should stamp the grey and scratched up plexiglass with a light and dark purple neon: Welcome To America. It would be reinforced by every delicious crunch one hears on the way out as cheap crumbs garnish concrete. On the right, there’s a bar alive on a Friday night. Friends share hearty laughs and pats on the back. The bitter and the perishing pretend they want this when they should be somewhere or someone else. And mingling singles look for compliments and numbers, or maybe just someone to take back and **** the **** out of. But in the midst sits a throne for ghosts. Ceiling fluorescent reflects off porcelain, paler than a farmer tan. There are no other colors besides the receptionist, bored to death, leaning on the wall behind the porcelain reception desk, reading a copy of Ebony. No ottomans or chesterfields or benches. No consoles or cocktail tables. Nothing adorning the walls. Not even a stain. Just a white hole, a bright ***** in an otherwise colorful street on gray canvas. I rise from my slumber and mosey on out the lobby in my purple linen suit. The impoverished scrag, his dog lapping his sores, asks if I’d spare some change. “Sorry, I only have card tonight.” “That’s alright, sir. God bless.” And I walk on, aware of the Abrahams rubbing up against a ****** in my wallet. I take a sip of whiskey hidden in my empty can of a drink that can never satiate me. I wait for traffic to pass, and then I jaywalk across Sticks St. - by Aleksander Mielnikow
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Watched you in white. How you crossed your sceptered body, glazing ludicrous contortions Supple-legged exaggerations sex-shod, patent platforms towered, figure-hugged and cut to high indecency... Ah, the slow-cooked incandescence, that you struggle to contain.... though pay no mind to likes of me, a letching scrag who yearns to see you set yourself on fire....
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Nov 21, 2020
Nov 21, 2020 at 4:17 AM UTC
St Joan