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NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
ConnectHook Sep 2015
Sustainably globally gay – we need more of it / socially-conscious progressive group-think / openness through tolerance of diversity in perversity / justice for more more more of gay gay gay / it’s progress it’s now its queer-friendly because it's sustainably globally gay / when gay gets gayer the queering gets clearer / so let's start the conversation about ****-**** gayness / inclusion through cluelessness in transparent openness / by the way - get GAY / before the homosexual conversation queers the queerness of the ongoing conversation / let's celebrate gayness, **OK ?
Did I mention the need for openness and tolerance of absolutely everything Gay? After all - they represent almost 7 percent of the population...
Alex Jan 2014
Here lie the golden girls
pretty maidens, advocates of sin
Her lie the in their earthen beds
Those born of evil, those who win

One such young lovely, with hair of liquid night, Liked to frolic in bare dresses
Her favorite playthings were her men, her asset her dark tresses
It became her life this mad chase, the center of her being
It mattered not the man or place or time, to engage in her filthy doings
Easy was the girl in tow, a slave to insatiable ****** craving
The only thing of value was, to reach the height semblance of flying
She got a babe to grow inside her once, six more with different fathers
When upon her came the syphilis bug, love her no one bothers

The other maiden fine and fair, has eyes as pale as silver
Her demon rocks in iron chains, turbulent as the winds that blow inside her
What scares her most is growing old, the waning fickle moon of  beauty
For ever since she was a babe in crib, they've always called her pretty
A love of looks indeed, my dear, nothing can be queerer!
But to this young lass all that counts-- is what she sees in the mirror
Hung herself she did one morn, when there appeared a wrinkle
She's rather die young and bold she says, before the rest of her skin crinkles

The third of these young bright gems, is cunning as fox or raven
With hair that glows red, like a thousand fires, to money she is slaven
There can never be less just more and more
such an ugly trait to be practiced by such a gentle flore
She does all she can to gain each coin, each soiled valued paper
As her greed grew and money too, her spirit left like vapor
There is no limit to the rest, so long as you have cash
It was all of which she spoke, until she became again, ash to ash

The last of these four maidens tragic, was the one lover of snow
All year she'd search for kind a hand, for someone to bestow
Upon her lips, her nose, her brow, a taste of man-made magic
Just try it once and once enough, the beginning of many a story tragic
She sold her goods, ones people would buy, herself a commodity standing
And years go by, she's but a husk, a story;s unhappy ending
All worth it was the snow, she said. it gave her new perspective
Though when she died an ****** hag, that opinion was subjective

Here lie the golden girls
pretty maidens, advocates of sin
Her lie the in their earthen beds
Those born of evil, those who win
softcomponent Aug 2015
You come out of the dark, and a young Japanese schoolgirl--couldn't be any older than 19--is standing in a heavy-lit archway, the blinkered 'sort-of's' of her eyes only visible in corners due to the convex glare rebounding from the heavy light and onto a parked Miyata windshield, right back into the bloodshot lower-left cleft of each eye, sleepless veins like miniature pipelines slogging her fossil fuel blood to the energy markets of her face (but it ends in death, hopeless economy! it begins in death like OPEC!)

There's concrete, and there's stone: the former a collection of synthetically compiled chunks of the latter. In either regard, it might just be the end of the World, tho just an intermission during an afternoon matinee for the world. There are a lot of things you don't understand. There is plenty more you do, and yet you believe your own humility when it whispers, "You don't," tho you are entirely unaware this is delusion and not humility, but some unconscious form of ascetic worship of WONDER!! You're going coocoo for cocopuffs WONDER! We can remember what J.B.S. Haldane once said: "I have no doubt that in reality the future will be vastly more surprising than anything I can imagine. Now my own suspicion is that the Universe is not only queerer than we suppose, but queerer than we can suppose."

I was born at the edge of the Cold War. 4 years after America's Operation Just Cause deposed Nicaraguan dictator Manuel Noriega using heavy metal music and heavy metal weapons, loaded to capacity with heavy metal bullets. 4 years after the slow-dissolve tablet of the Berlin Wall finally faded upon the German palate. Brian Mulroney was my Prime Minister at birth. I was also alive (tho not 'conscious,' per se--intellectually conscious, that is) during the Prime Ministership of Canada's first female Prime Minister: Kim Campbell (she was only leader for just over 3 months and thus I cannot give her time in office the full credibility it would have deserved had she been a fully elected candidate instead of an inter-election Prime Ministerial appointment; when, for godssakes, will we have a Fist Nations' Prime Minister? I would like to believe the only reason there has been none is because the indigenous people have categorically rejected the game-fantasy we have stomped upon their land and the world and self-righteously crowned as 'realistic, sober, objective;' tho maybe I'm wrong, whispers Humility: "I don't know").

There is the endless and omnipotent consensus that the world's about to end. For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history. 'Now' is the always-result of 'then' and it will never change unless we neglect its consideration. That's really all theory takes to disappear: stop thinking about it. (as if that were possible, ha!)
Because the impression has been one of pollution and confusion, our wide un-thought idealization as children has often led us to emulate all the bad habits we witness growing up, even if at one point we cloudlessly rejected them because the damage didn't seem clear, it was clear.

I was 8 years old when I took my mother's cigarettes from her bedroom while she slept, and proudly announced to her the next morning that I had thrown them out. She had become furious, tho I had done it out of a militant concern for her well-being. During my years of primeval arrival on this planet, mom had almost lost her life to breast cancer. I can't remember understanding much as it happened, nor do I recall fully understanding the implications of death until my grandmother died and I watched my dad fight back tears as he read aloud her eulogy, recalling a story I can pick through scattered memories stored in grey matter to resurrect only one fact about it: they were on a boat, pulling up to shore. My grandfather--the cheeky Briton-optimist he is--made some silly joke, and my grandmother pitched in. The rest is somewhere else in space.

However--regarding death-- I feel that even then we never understand the full implications of death in witnessing another's death, but only through dying ourselves. Which is fine. None of us need to understand these implications until the time comes (and even then, it may just drip away once you've reached the Light. Which is fine).

Returning to the cigarettes: I had absorbed the common knowledge they were awful for you. 'Death-sticks' indeed, just like that scene in Attack of the Clones. Tho I understood nothing of the chemistry, a box or a video or an authority explaining their potential 'results' or 'consequences' was enough for me to righteously desire to save my mother from her own acquired vice.

14 years later, I skulk through the streets of Victoria with Chris, high on ******* and chain-smoking Export-A Gold on the subconscious condition that the world will probably end soon enough for none of this to matter. Tho as I said: For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history.

History is comprised of an endless succession of losers who sincerely believe they've figured it out. The only redeemable characters in this Human Odyssey are those who have realized nothing in particular. The people who think, believe, and conceptualize as an infinite process; something without a result. Something with abstract 'goals' that only fit for awhile, not forever.

I'm nobody special. Tho, at the same time, I am; and at the same time and in terms of my relationship to this greater Human Odyssey, whether I will matter in this giant plot is in part up to me (should I write a book? 10 books? Relentlessly pursue the arts, whether that be rapping, writing, music?) and in part up to sheer probability (if I do write a book, will many notice? Or will it be swept under the Great Rug of the Present-Into-Past and be forgotten to thought?), and regardless of all this: the rocks will forget. The trees will forget. Both space and dark matter will have already forgotten what I am doing and what I may one day do.

But life can't be approached on a basis of personal impact; honestly, who wants to pursue the writing of 10 books or the creation of albums in the same way the capitalist approaches economy, for sheer attention and accumulation? Those desperado's, those who chase-the-game-of-success, they have already lost. They lost as soon as they tried to win. There is nothing to win, no award great enough to keep, no person you love or have loved who you will one day depart with for the very last time. But to depart with a personality may be tragic, it is only a true void in concept; when one removes the individual (both themselves and the one they love) from the eternal context of the universe--the ebb and flow of tides to the movement of the moon, the soft breeze supplemented by a fan placed next to an open window, how your hand--when clapped to the surface of a wooden table--is one with the matter in that table regardless of how transiently you perceive such a touch as an interaction. In essence, it's all still here; it always was, and never won't be.

tho maybe I'm wrong, whispers Humility.


                                             *"I don't know."
EP Robles Sep 2018
i met a poet  just today

he greeted me  with much

laughter   as foreplay

(we seized each other

from brim to toe)

one cried  the other sang

a hymn

and at the end  we shook

our head   contemplating

which the queerer

and stepped away

from our mirror.


:: 09-12-2018 ::
a remarkable encounter
vermin Dec 2011
sometimes you wish things were different
that every day wouldn't wake up the same homely person
somehow you could be ****** into something less generic
less like your life, where each boring second

is dripping a canyon in your heart's ice age
theorize that maybe you speak a hidden language
something ancient, that can unlock dead secrets
by virtue of how your eyes drift in a set of hexes

if you drew white triangles on the right misty morning
you'd wake up anew to a beautiful sun dawning
and a garden of different faces to choose from
pick one that smells of fresh rain on iron

that never distorts into angry clouds spitting caustic words

you dream about that perfect jawline and how the hair falls just right

but then

you remember

oh

...

this isn't my perfect picture, this is human
this is
bleeding
broken
bruised
a flurry of imperfections
a talented accident
an impossibly improbable confluence of the shy words love speaks
planted by chance
abruptly lucky
forcing a hand out of the ground to grasp the air that flees
as though you knew this destination was perilous
by virtue of murky precognition through your electric embryo
as though your mother had muttered all the secrets before she killed you
and sent you again through the white door to cold air
so now you chant and you pose and you powder your nose
forcing yourself behind glass
into a frame
stood up straight
leering into the mirror just to steer yourself queerer
fighting natural finesse [in compatible] dresses
used to be so perfect
under the knife you're worthless
wishing in wells and walking on shells
someday you just might reverse it
Isabelle Apr 2019
oh my belle, my beautiful belle
you mourn in front of the mirror
each night you feel queerer
so you bury yourself, clutching the trigger

oh my belle, my pretty little belle
beauty you deny yourself
you’re afraid for the world to attest
so you shut your eyes to the rest

oh my belle, my lovely dove belle
you died when you put that mask
why did you do that to yourself
do you hate your skin that much?

oh my belle, my poor sad belle
you were once my sunshine
lighting up my world with your smile
you don’t even have to try

oh my belle, my beautiful dead belle
i’ll never forget the way the light left your eyes
and my only consolation is i’ll never hear your cries
oh my precious belle, flickers and fades and dies
elegy for belle
♚ As they rested on the front porch side by side on rocking chairs the farmer sarcastically said to his wife of 60 years, while pointing at her sagging *******: "If those things worked I wouldn't need a cow."; "Yes," she conceded, "and If that thing worked," said she while pointing at his crotch, "I wouldn't need your brother."
Olivia Kent Jul 2014
A smile stretches over her face,
as they come.

There are old men,
in shorts and sunhats,
indoors
and
ladies in heels,
who,
dash in from work,
they are moaning,
about their weights,
and their waits,
their husbands,
their children.

Winchester folk are queerer folk than her,
yes,
honestly,
they are
there are precious old dears,
who love having her near,
she makes them feel safe.

They come to pick up their pills,
while discussing their ills,
discussing the weather,
the air conditioning is that,
just an air con,
and she melts again,
they make her melt,
her job pays her bills,
it is them,
however;
who,
stretch her smile!
(C) Livvi
Kellin Feb 2022
Nothing is queerer than quiet understanding...

Except  maybe  survival
Classy J Sep 2015
RIZN is a place to be to chill out,
its a place for those to find what their asking questions about.
RIZN is a place to be to hang out,
its a place for those to talk and shout.
RIZN is a place to know about the Saviour,
man if you don't agree to that,
you better change your behaviour.
HE forgave you from your sins,
now you got God's favour.
RIZN is a place to meet new people,
now you can start a whole new sequel.
RIZN is a place to dance and sing,
to let the whole world know that you love the King.
RIZN is a place to play games,
its a place to read about people like Matthew, Mark, Luke, James.
RIZN is a place to learn from the experience of the leaders,
its a place to be ok with yourself everytime you look in the mirror,
without worrying about someone calling you a queerer,
RIZN is a place to tell others about your life story,
to one day be baptized in the main church for God's glory,
RIZN is a place to glow in the dark,
so it leaves you with a fun and impressing mark,
RIZN is a place were you can express your good opinion,
not make you into some zombie minion
RIZN is a place to expand your horizon to new views,
so your not some story in the breaking news.
Classy J Sep 2014
RIZN is a place to be to chill out,
its a place for those to find what their asking questions about.
RIZN is a place to be to hang out,
its a place for those to talk and shout.
RIZN is a place to know about the Saviour,
man if you don't agree to that,
you better change your behaviour.
HE forgave you from your sins,
now you got God's favour.
RIZN is a place to meet new people,
now you are a whole new sequel.
RIZN is a place to dance and sing,
to let the whole world know that you love the King.
RIZN is a place to play games,
its a place to read about people like Matthew, Mark, Luke, James.
RIZN is a place to learn from the experience of the leaders,
its a place to be ok with yourself everytime you look in the mirror,
without worrying about someone calling you a queerer,
RIZN is a place to tell others about your life story,
to one day be baptized in the main church for God's glory,
RIZN is a place to glow in the dark,
so it leaves you with a fun and impressing mark,
RIZN is a place were you can express your good opinion,
not make you into some zombie minion
RIZN is a place to expand your horizon to new views,
so your not some story in the breaking news.
Unlike
sandra wyllie Jan 2022
in a pool of water
as the camera rolled
his wayward daughter
wet and cold
but he couldn’t spot her

Loneliness sits
in a ***** martini
salty and cloudy
in her stuffed bikini
she’s a bit rowdy
for a teeny ******

Loneliness sits
in a paperback
pages yellow
lines are hacked
in type, she bellows
they say she’s whacked

Loneliness sits
in a gilded cage
a broken mirror
it’ll age
only queerer
but never sage
Shayma Nheri Oct 2018
when ere sleep tries to soothe the sleepy eyes
i get the mirror from off the shelf
and start getting queerer, chasing myself
drilling thy far-out mien that no more is my guise

Alas!,emits the odd reflection,
A young woman with good intents
but needed direction

pardon my manners dear me,
i says, I've lost my taste for grace as you see
I'm no longer virtue's servant and devotee

pardon my treacherous soul that trembles like autumn's leaf
like a slice of iron between two lodestones of woe and grief

but, life waggles me up and down in ebb and flow
and nothing but moans, perfidy and malice To bestow
shall i settle for a crust of bread and a place to sleep in ?
shall i hold my tongue in pain and take a corner to weep in ?
I've been a gullible pawn in a staggering game of chess

pardon my weary soul dear me, i shall confess
not pawns who gentle but pawns who bow
nor who crown are kings  but they who blow
therein he who craves the crown full-blown,
cleaving all paths, must wrestle the burden
that dropped him down

— The End —