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"prosaic" poems
Extravagantly exorbitant mentality panacea Pretentious eidetic’s ubiquity mnemonics Extraversion embezzlement extortion mens rea Endergonic laconic cacophony phonics Preterite rendition enclitic equilibrist motion Mystic symbiosis dharma spiritual sky Brusque macabre abjections the gist of the potion Straight up forever ontology on high Obdurately abstruse vituperatively vociferous Juxtaposition apparition myriad avarice Orotund sonorous diction obliquitous Multifariously versatile nefarious nemesis Mirador bartizan phantasmagoria aesthetics Guidon gyration excursion integration Sorcerous alchemizing interstitial endemics   Chaos charisma objectified tribulation Conjurous apothegms clitoral apomixis Exude emote surrogate extrapolation Astral projection littoral hypotaxis Kinetic supremacy homogeneity gravitation Coercible coalescent cohesion dexterities Adjunct conjunction conjecture acuity Platonic pragmatic prosaic austerities Extemporaneous impromptu innuendo fortuity Propinquity habitation harbinger spectra Perplexing paradox tenacity rostra Intensely cogitational abstract mantra Penumbral exigency , umbrage per contra Theoretical incursion grandiloquent ne plus ultra Exogamy of homoplasy sic itur ad astra Quiescent serendipity surreal anestra
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Jan 22, 2013
Jan 22, 2013 at 6:16 AM UTC
Asylum
No. It's an impudent falsehood. Men did not Invariably think the newer way Prosaic mad, inelegant, or what not. Was the first pointed arch esteemed a blot Upon the church? Did anybody say How modern and how ugly? They did not. Plate-armour, or windows glazed, or verse fire-hot With rhymes from France, or spices from Cathay, Were these at first a horror? They were not. If, then, our present arts, laws, houses, food All set us hankering after yesterday, Need this be only an archaising mood? Why, any man whose purse has been let blood By sharpers, when he finds all drained away Must compare how he stands with how he stood. If a quack doctor's breezy ineptitude Has cost me a leg, must I forget straightway All that I can't do now, all that I could? So, when our guides unanimously decry The backward glance, I think we can guess why.
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5.6k
On a ****** Error
A bridge from colloquial to courtly fare A span where idealism and fantasy pair A railway to the existential realm; celestial lair A conduit through which rational discourse can flare Deep medium to: forage, inculcate, and inform Broad brush to paint rare beauty; sculpt surrealistic form Incisive scalpel to surgically alter the societal norm Delicate utensil to educate on civility and decorum A literary ***** a prosaic construct A mechanism our syntax to deconstruct An analytical tool; an observational viaduct Introspective milieu to reduct; extrovertive sphere to reconstruct A semantical edifice that aspiring wit, lofty orations implore An experimental structure gramatical anomalies to explore A thematic repository in which concrete ideas, abstract notions to pour A vernacular cathedral butressed by an idiomatic core
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Jul 25, 2012
Jul 25, 2012 at 6:37 PM UTC
On Poetry and Prose
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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Mar 28, 2013
Mar 28, 2013 at 12:28 PM UTC
Sonya Rose
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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The pierced ego sees through an opaque lens; a vestige of hope, humor and   intellectual solidarity. Effigies of forgotten ethos, the culmination of a fated dream; unrequited ardor, abandons identity to an irreducible fervor,                       subtext of tension,                     enduring ****** privation; etude of a paramour ending torture, tasting mystical polarity. The wounded heart once intruded, bleeds effusive; the ornament of humility. Flattened collateral damage, primal search, proves illusive; portals of hurt, slivers of pride, assembled fragments of thereness absorb the loss of my English muse. Poetry and devotion punctuated murmurs of piety,   depth perception virtue unfound; expectation - access to suffering;   disinterested love present,   desultory carnage of rescission,    absurdity personified; euphemism of adieu, the sound of no sound. The discarded image finds no favor, the salt lost it's savor unquenched thirst; desire of diminished purview, the saporus stream deferred; vision eclipsed; saturated self hidden in the text. Poverty asks the question, absence summons ethereal substance merged into the immanent frame; integrating, in solitude signifying, mediating - logos contested the humiliation of the word. Lyrical enigma, where did I go? provisional personality scorned, renouncing nostrums of the prosaic, surrenders to the the realm interior sovereignty assumed in provenience, native horizon of the next. ©2008 & 2011 W.S. Warner
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Sep 3, 2011
Sep 3, 2011 at 6:11 PM UTC
The Humiliation of the Word
The pierced ego sees through an opaque lens; a vestige of hope, humor and   intellectual solidarity. Effigies of forgotten ethos, the culmination of a fated dream; unrequited ardor, abandons identity to an irreducible fervor,                       subtext of tension,                     enduring ****** privation; etude of a paramour ending torture, tasting mystical polarity. The wounded heart once intruded, bleeds effusive; the ornament of humility. Flattened collateral damage, primal search, proves illusive; portals of hurt, slivers of pride, assembled fragments of thereness absorb the loss of my English muse. Poetry and devotion punctuated murmurs of piety,   depth perception virtue unfound; expectation - access to suffering;   disinterested love present,   desultory carnage of rescission,    absurdity personified; euphemism of adieu, the sound of no sound. The discarded image finds no favor, the salt lost it's savor unquenched thirst; desire of diminished purview, the saporus stream deferred; vision eclipsed; saturated self hidden in the text. Poverty asks the question, absence summons ethereal substance merged into the immanent frame; integrating, in solitude signifying, mediating - logos contested the humiliation of the word. Lyrical enigma, where did I go? provisional personality scorned, renouncing nostrums of the prosaic, surrenders to the the realm interior sovereignty assumed in provenience, native horizon of the next. ©2008 & 2011 W.S. Warner
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83
I asked my inner writer, Is your prose poetic? Or your poetry prosaic? And my inner writer asked me, Are you traditional with modern values? Or are you modern with traditional values? Are you an introvert who loves to express? Or an extravert who loves silences? Are you an optimist who sees the clouds? Or a pessimist who sees rainbows? Are you thoughtful with some light-hearted ways? Or humourous with some sober ways? And on and on and on and on And on and on it went. I'll never ask my inner writer About writing Again. -Vijayalakshmi Harish 24.09.2012 Copyright © Vijayalakshmi Harish
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Sep 24, 2012
Sep 24, 2012 at 2:40 AM UTC
A Writer’s Dilemma (A Serious Parody of the poem “Zebra Question” by Shel Silverstein)
Spinning on the north pole. Truth be told, it's being pulled in all directions thus the spinning inflection. A prosaic misdirection. 4 cardinal directions but when they conflate you get eight.  If you prorate in-between you get sixteen directions you can take. The only mistake you can choose is standing in place. At the pace your face is rotating on your flesh case, your bones will displace. your mind will efface from it's designated space. Don't be a waste. Move along. Pick one of the 16 directions you can take Whichever one you pick is the road you belong. Just get to where your going before your swan song.
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May 23, 2013
May 23, 2013 at 4:33 AM UTC
Compass
1.  If it doesn't take place at 4 in the morning, immediately change the setting. 2. You should center all your work. Centering makes the piece unique and improves readability. 3. You should invoke the idea of The Mask. Paul Laurence Dunbar didn't do it well enough. 4. One word lines improve readability and do a great job of making emphasis. Use them a lot. 5. On the other hand, really long lines explain points wonderfully. Feel free to be essentially prosaic. 6. The subject should be obvious and everyday, that way everyone can easily understand what you're trying to say. Subtext is dated. 7. Confessions and heartbreak are unique to you. 8. Not editing makes the work extremely human and relatable. 9. Emoticons and the ilk are the cutting edge of the English language. Feel free to use them without reservation. 10. Rhyme scheme doesn't need meter. 11. Making a word into waterfall letters tells the reader you're falling apart (See #3). 12. Journals, diaries, blogs and Tumblr are old news when it comes to venting. Write an angry poem about your day instead. 13. You're probably going mad according to the DSM-5. Definitely write about that.
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Aug 22, 2013
Aug 22, 2013 at 2:23 PM UTC
How to write a successful Hello Poetry poem
She Let A Moth Drown In the Lake She let a moth drown in the lake, Waves taking stackars* little thing Further than her oar could reach. Standing on beach, cupped eye, Squinting, trying… Moth was gone. Death had won. Just so you know I do no lie, That ‘she’ was I. I am the wimp who hesitated. Fear of depth, of cold, of wet. Excuses inexcusable. Death of moth, still flapping moth Is just as undeserving as our own demise. Pedestrian, prosaic, commonplace, Disgusting, Yet compulsively discussable. All living things delight in life-ness. While they move and throb the slightest, They delight. Who takes a life by standing by Will also die. It is essential, is it not, to cry, Identify with kin? Kin hereby meaning ‘life within’. Left with remorse and shame She self-condemns, She takes the blame. She hopes some force That knows the individuality of moth Shows sympathy in rebirth In some future form that has a breath. So be it, Om, Amen to Earth! She Let A Moth Drown In the Lake 6.14.2020 Birth,Death & In Between II;Nature Of & In Reality; Circling Round Nature II;Pure Nakedness;Circling Round Experience; Arlene Nover, Corwin *stackars; Swedish; ‘poor thing’
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Jun 14, 2020
Jun 14, 2020 at 6:17 AM UTC
She Let A Moth Drown In The Lake
The Buddhists Teach There is a door Between the conscious and the unconscious On the threshold of awareness Where, from this sleepy place Mind-door takes in space A snap-shot of what’s around The shapes and the sounds Be it red, blue or brown Sensory fed and felt and judged A conceptual conclusion Based on memory and illusion Served up ofttimes with a bit of confusion The sixth sense of inclusion Transcending time and allusion. Knock, knock. Who’s there? The unaware From where? Memory Lane What a pain Insane and mundane Tainted and sainted Familiar and unfamiliar It’s the object and the flavor It only makes sense To bring in the other scents Can you feel it   Through my poetry? Because I have no other way      I’m sending you the sweetest berry In bloom And tea scented perfume For some lazy afternoon. Starting out so poetic Descended into the prosaic I’d like to stay in those high-minded places Between the sheets of my faces I’m at peace and war with myself No one else. I know I shouldn’t get attached Shrug it off with panache When I think about impermanence Makes me cringe and   create another circumstance A twirling happenstance A devil’s dance A devilish lance It’s getting better Like frankincense Then it fades Like the past tense How does one let go When clinging’s become a way of life? A hunting knife couldn’t pry My pathetic fingers lose Holding on to A hangman’s noose I’d scream and rail Holding on To the nail That pierced my travail As life stomped and pounded grounded me down But, I wouldn’t let go. Oh no, not me Fool that I am Was it a question of pride? A fear of the night The ego chasing its’ tale Personal blackmail? A forgotten memory A mishmash Lack of mindfulness A Pandora's box? Nonetheless, I confess A little bit of everything. I tell myself Baby steps Baby steps Baby’s need to let go And fall and get up Or they won’t learn to walk Or talk or grow up It’s baby talk And baby steps Knock, knock Who’s there No one Then come on in Naked and all alone   Rest on the threshold of time Rest on the threshold of awareness But, In all fairness Don’t expect it to last Such is the nature of impermanence Only the bliss shall remain. You can find it once again. When you learn to let go. But, Don’t listen to my advice As you can see I’m still holding on for dear life.
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Oct 9, 2018
Oct 9, 2018 at 12:30 AM UTC
Mind- door
The Buddhists Teach There is a door Between the conscious and the unconscious On the threshold of awareness Where, from this sleepy place Mind-door takes in space A snap-shot of what’s around The shapes and the sounds Be it red, blue or brown Sensory fed and felt and judged A conceptual conclusion Based on memory and illusion Served up ofttimes with a bit of confusion The sixth sense of inclusion Transcending time and allusion. Knock, knock. Who’s there? The unaware From where? Memory Lane What a pain Insane and mundane Tainted and sainted Familiar and unfamiliar It’s the object and the flavor It only makes sense To bring in the other scents Can you feel it   Through my poetry? Because I have no other way      I’m sending you the sweetest berry In bloom And tea scented perfume For some lazy afternoon. Starting out so poetic Descended into the prosaic I’d like to stay in those high-minded places Between the sheets of my faces I’m at peace and war with myself No one else. I know I shouldn’t get attached Shrug it off with panache When I think about impermanence Makes me cringe and   create another circumstance A twirling happenstance A devil’s dance A devilish lance It’s getting better Like frankincense Then it fades Like the past tense How does one let go When clinging’s become a way of life? A hunting knife couldn’t pry My pathetic fingers lose Holding on to A hangman’s noose I’d scream and rail Holding on To the nail That pierced my travail As life stomped and pounded grounded me down But, I wouldn’t let go. Oh no, not me Fool that I am Was it a question of pride? A fear of the night The ego chasing its’ tale Personal blackmail? A forgotten memory A mishmash Lack of mindfulness A Pandora's box? Nonetheless, I confess A little bit of everything. I tell myself Baby steps Baby steps Baby’s need to let go And fall and get up Or they won’t learn to walk Or talk or grow up It’s baby talk And baby steps Knock, knock Who’s there No one Then come on in Naked and all alone   Rest on the threshold of time Rest on the threshold of awareness But, In all fairness Don’t expect it to last Such is the nature of impermanence Only the bliss shall remain. You can find it once again. When you learn to let go. But, Don’t listen to my advice As you can see I’m still holding on for dear life.
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104
Here we are again, in my darkest night, _I’ve never escaped_ I thought the last stretches of a pitch-black pool did not  reach me. Should I be happy on the crescent carving my brokenness? you said _how beautiful the glimpse of the moonlight is,_ they have been a prosaic, silvery dust in dismal, but now, _they are a rare light in the sky._ I adore things that aren’t mine and so you are, I held an illusion in my desperation, and it wasn’t the universe's fault for sculpting an embodiment of galaxies and stars, such ethereal like you were living in a myth. You can be there and begone or just begone (your mercurial imperative) but this time, I wanted to be left on the traces where you were at.
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Mar 10, 2022
Mar 10, 2022 at 10:41 AM UTC
Moonlight part two
you have the formula A Love Poem Recipe:   Fij = G(Mi x Mj)/Dij. This formula, simplified, means that trade between two markets will equal the size of the two markets multiplied together and then divided by their distance. (The model gets its name from its mathematical similarity to the equation in physics that describes gravitational pull.) ~~~ long ago, swore off the love poem business. lying that this the last poem ever published moan not, statistically, for sure be a heart-infected sick teenager bemoaning/high fiving their  fated status but I don't need to add to that smoldering pile the excellence, the richness, the virtuosity of the formula a metaphor, for the bounty and the risk, in any love affair, thus love needy for a diagrammed explication two markets, soft upon each other, multiply their trade in love and kisses can you kiss her (him) but once? nonsense! saying I love you but once a day, like it was a vitamin, preposterous! no, love expands like a gas (a distant cousin to our formula), filling in the empty spaces, escaping through crevices, spilling, oft filling up the nearby bystanders in love, there is no thing as one touch clicking but one touch reveals the genetic marker, the initial intimacy injection Let the addiction begin! ten thousand grasps, some soft, some hard, upon each other, till fingers go lifelong contented numb desire and affection spread like a positive infection, the curative powers elegiac, but never prosaic and though formulaic think more voltaic and paradisiac electric heaven go forth and scribe you got the secret recipe
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Jun 16, 2018
Jun 16, 2018 at 9:15 AM UTC
Yes Kid, You CAN write love poetry, if...
you have the formula A Love Poem Recipe:   Fij = G(Mi x Mj)/Dij. This formula, simplified, means that trade between two markets will equal the size of the two markets multiplied together and then divided by their distance. (The model gets its name from its mathematical similarity to the equation in physics that describes gravitational pull.) ~~~ long ago, swore off the love poem business. lying that this the last poem ever published moan not, statistically, for sure be a heart-infected sick teenager bemoaning/high fiving their  fated status but I don't need to add to that smoldering pile the excellence, the richness, the virtuosity of the formula a metaphor, for the bounty and the risk, in any love affair, thus love needy for a diagrammed explication two markets, soft upon each other, multiply their trade in love and kisses can you kiss her (him) but once? nonsense! saying I love you but once a day, like it was a vitamin, preposterous! no, love expands like a gas (a distant cousin to our formula), filling in the empty spaces, escaping through crevices, spilling, oft filling up the nearby bystanders in love, there is no thing as one touch clicking but one touch reveals the genetic marker, the initial intimacy injection Let the addiction begin! ten thousand grasps, some soft, some hard, upon each other, till fingers go lifelong contented numb desire and affection spread like a positive infection, the curative powers elegiac, but never prosaic and though formulaic think more voltaic and paradisiac electric heaven go forth and scribe you got the secret recipe
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61
'Sola! J, why are your poems so depressing?' Oh for the love of Tartarus, prosaic. Will you please shut up?
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Oct 28, 2014
Oct 28, 2014 at 11:14 AM UTC
why are your poems so depressing
Loneliness is pages splayed across the bed It is clutching the empty space beside me Writhing in agony, knowing very well You're not there Loneliness is having my blood run cold, My feet solidly planted to the ground Every time I hear the unfamiliar ring Of my (prosaic) name Loneliness is basking in the sweet but transient Moments of companionship, when your supple Lips brush mine (and sparks flit down my back) Knowing they will soon be relics Loneliness is donning heavy, splotched clothes Sodden from last night's tears and broken memories It is having your mind plagued with yesterday Loneliness decays your today
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Apr 17, 2014
Apr 17, 2014 at 1:51 AM UTC
Relics of Yesterday
Can we speak of these certain vacant spaces in my abandoned bedroom where the moon dwells and shuttered creatures search their teeth for a bloom of flavor and sun. I'm surrounded by prosaic twilights--tenantless places-- where plaster perfumed by dormant fire gapes with cavities and empty mouths that seek him with their tongues. Where darkness crawls on poppy seeds on moths and reeds and shoes to reach me in my consternation now that his name has fled my lungs. Today I sewed his note to my breast pocket but it grew crescent roots like fingernails and murmured that we were too young.
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Jul 28, 2014
Jul 28, 2014 at 3:55 PM UTC
luna moth
She dreamed of the Mountains beyond the historic oceanic driveway, between the scorching morning sun and back again, her illusions were rash and reckless in themselves. Long Beach from the sea suspected strangers as tortured scions, they will un-bridle your Yin-Yang your mind is all that is left intact, hands prosaic with lanolin washing ablute  your American dreams
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Dec 15, 2012
Dec 15, 2012 at 6:30 PM UTC
Picking the mountains needs
131 Besides the Autumn poets sing A few prosaic days A little this side of the snow And that side of the Haze— A few incisive Mornings— A few Ascetic Eves— Gone—Mr. Bryant’s “Golden Rod”— And Mr. Thomson’s “sheaves.” Still, is the bustle in the Brook— Sealed are the spicy valves— Mesmeric fingers softly touch The Eyes of many Elves— Perhaps a squirrel may remain— My sentiments to share— Grant me, Oh Lord, a sunny mind— Thy windy will to bear!
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1.9k
Besides the Autumn poets sing
the comma a most prosaic-looking fellow never gets into a coma though he’s useful enough to give you a pause or break; the comma separates and lists and where the word-traffic may be in danger of crashing into one another, bumper to bumper the comma comes in like road markers and ensures smooth flow: don’t kiss bumpers; kiss your commas
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Oct 9, 2010
Oct 9, 2010 at 11:31 AM UTC
the comma
Defunct delightful fruits noir The sacrosanct pheromone of death Garnishing Hells credence table Quailled hem and haw sate Ilk a slew of paper tigers With a keen prosaic veneer Consuming vittle of Gaia Ravishing ichor like dancing water Spurning a chimerical somatic Catharsis as creaking doors hang The longest watching satorial Flowers wilt nascent by Tactiturn vespers. ELEETE J MUIR.
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Jun 19, 2012
Jun 19, 2012 at 4:22 AM UTC
Prandial Origins
The poet tries with her words to create something new something hitherto unconsidered, unthought, unspoken She rakes the dirt for language that is inimitable and rare Fighting her way out of prosaic platitudes Searching deliriously for a sharp-edged jolt of ingenuity that will awaken and inflame In this great pursuit of something clever to say, she overcompensates, birthing a few stanzas of exaggerated hogwash that inspires more dismay than satisfaction Out the window her poem goes A little crumpled ball of melodrama and stale cliché Then the poet sits in silence smoldering with displeasure wanting nothing more than to finally write something that works It is when, radiant with disappointment, she relinquishes her fantasy of excellence that the true poem begins With rosy wings and eyes like screaming bullets it sails forth to proclaim to declare to profess without apology or contrition the wildest truths of her soul It is out of this realm of deflation and defeat that true originality is bred Just a murmur at first, just a glint, but listen, listen as it swells into an exquisite roar and watch, watch as it rises from the decay of the past to flare in a new light
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Apr 21, 2014
Apr 21, 2014 at 8:36 AM UTC
Out of darkness comes light
There is a brisk  discountenance in an angry Mother's Moon for their bespoke Sons onwards, they snap their beaks, pea size humanity, resurface  buried adrenaline from hockey days, inwardly angry at their profligate fertility. Its enough to de merit the spirit, then store a prosaic promise that when older their *** is marked for attention, a discourteous tail chasing. A mark of a indoctrinated Son.
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Jan 12, 2013
Jan 12, 2013 at 9:00 AM UTC
The casual Hen.
'Poetry is for emos!' screamed a prosaic once Don't worry, he's dead now I shot him with my gun which is made from words 'Poetry is for the beautiful minds' Someone once said 'No, silly! Poetry is for the scarred soul' replied a maiden 'Poetry is for people like me!' screamed Mr.R 'No happiness but chests filled with money!' 'Poetry is my hobby.' said a future entrepreneur 'Poetry is for the one dealing with loss' said the scientist 'I don't care about poetry, How often do you floss?' said my dentist. 'Poetry is dumb.' said the misanthrope 'Poetry makes me think about him' said the victim of infatuation I cleared my throat and spoke to clear the confusion '*You're wrong to say poetry ain't fun poetry is for everyone*'
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Nov 24, 2014
Nov 24, 2014 at 8:17 AM UTC
Poetry is for...
Providence summons   Natures purchase, Beyond prosaic Utility, toward Communion. Austere terrain, Ice crystal, Dust – covered Haunt. Divine disclosure, Epiphany;   Ourselves - Carnal cisterns of spirit Enfleshed Skin; merging Luminous,   Savouring, Design Ordered by love. ©2012 W.S. Warner
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Aug 5, 2012
Aug 5, 2012 at 1:26 PM UTC
Epiphany
Toothaches in the early morning, a bitter kiss that woke me up. Toothaches trees in the garden, I rely on Rose's but she refuses. so many blackberries and apples on the street I'm waiting for the next mangoes. Prosaic, sometimes i wonder the need for education if i will still follow the ethics of my grandfather, without remodeling it to suit my time. But, when I look pass it i see Lavender The death tolls have risen three to four lost to bombing each day I still see Lavender.
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Feb 9, 2014
Feb 9, 2014 at 1:27 PM UTC
Sometimes I See Lavender