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"positional" poems
Curtains, veils of virtual vice So, gaze through the ****** intermix of positional latency, nano-notions lost in frantic phantasm, requisites of an idle, unhealed mind. Draw the virtual screen curtains open, bring forth the lustful images to feed the circuitous appetite, lurking front-row-presence, at the keys. Unknown, undertones of desirability, poses in patient wait, online implication of fallen ways, predication of unveiling moments. As any-time-porn pours its spill of sickest gratification behind the curtain tab selective viewing. It is someone’s child the glides on rails of drawn conclusions, through windows where drapes of cyber mindlessness hang on dank walls of seedy buildings. The ***** grinder always plays the tune to which monkeys happily dance, in a world where Neanderthals hang out, unperturbed with new technology.
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May 22, 2012
May 22, 2012 at 9:44 AM UTC
Curtains, veils of virtual vice.
This empty ***** bottle, has been cuddled and swaddled and squandered. In my ***** it seeps to every dame between, a dad and not knowing her own preponderance. I **** I **** by the ****** of my hilt, of the sword of unrighteous, self help, and filling their wombs with guilt. I've never helped anyone all of my life. Though they would tell you different mistruths, of their positional view, so skewed by proof, undo, that I sent them through. It's a fun house of lies and mirrors shaping figures, of veneers, so botched that plastic surgeon quacks wouldn't own up to the scars. I ferment peoples living. I turn drunk ****** into angels. I mask charlatan as queens, and poison my own gut with the fakes in my head. Crops die. Crust subdues verdance. Chronos rhymes the days and night. Course subjugation to penance. But now I seethe my own head into my throat, and end in ink wrote as prose. Killing beauty. Art. **** Art. Today is. Death. Tomorrow's not life, nor living, breathing nor breath, oxygen's just a molecule, it causes no spark, except in molecules charged, with dividing and subdividing, and rejoining and conjoining into something that can use it. happy flights :)
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Mar 17, 2013
Mar 17, 2013 at 11:01 PM UTC
Cunk Fike Dank
Are there strategies to displace binge eating with binge doing? Wouldn't it be swell to get $ for binge coding? something like: poem.each do |word| money = word.compose(your.wordstream) end More efficient monetizing of your thoughts. More efficient cars and buses. Correlarry: more paved roads, driveways and concrete surfaces, therefore, more runoff pollution. It's not the end game yet, but a vast, complicated middle game with closed centers and deep positional Play. Will our grandmasters make a mistake real-time playing?
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Jan 10, 2014
Jan 10, 2014 at 1:18 PM UTC
Bingeing for Money
Pertinaciously vituperative irrefragable determinism.  Inscrutable axis of spontaneities’ imaginative.  Perplexity’s prognosis to prospectus.  Elan vital’s preternatural perpetuity.  Cohesive coherency’s opaque opulence.  Space-time continuum’s natural induction expressed as identity.  Exponentially tangential imagination’s immaturity.  Entropy catalyst blonds.  Spaciotemporal telemetry tactician’s tellurian terrene.  Protractive analyses dimensional delineation.  Reflectively refractive positional empathy.  Prophylaxis protocol.  Objectified manifest's self inductive diminutive minutia iotas of interstitial edict.  Graspy greedy stingy frugal mingy minions.  Manumission’s indentured servant sail.
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Feb 5, 2016
Feb 5, 2016 at 12:52 AM UTC
Frabjously Vorpal
thirteen men came together, who shared a common goal each one persisted on the field, to bring glory to their football team employing skills they'd been taught, on the oval they put in their best struggling against the other side, to win for the team they'd not be disgraced, their competitive spirit rode high the lads unified in battle, they played as a solid team each man drilled and trained, none had defeat on their minds positional play was all important, they'd not be a routed team their football team had a draw on Sunday, the thirteen strove to win as a cohesive unit they tried well, but the time clock disfavored their team
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Nov 12, 2013
Nov 12, 2013 at 5:05 PM UTC
Common Goal (Ghazal and Sports Poetry)
So we find ourselves, once again, succumbing to the very anticipations of our ever-entrenched customs. What lies in store for us, is not yet revealed. But trust me - my deep, spiritual and connected partner of positional variation: just go with it. The musky scent of agarbathi is sensually captivating amidst the fiery secretions of India. How powerful is your experience?
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Dec 31, 2013
Dec 31, 2013 at 3:42 PM UTC
Necessities on the Threshold of Dawn
thirteen men came together, who shared a common goal each one persisted on the field, to bring glory to their footy team employing skills they'd been taught, on the oval they put in their best struggling against the other side, to win for the team they'd not be disgraced, their competitive spirit rode high the lads unified in a battle, they played as a solid team each man skilled and trained, none had defeat on their minds positional play twas all important, they'd not be a routed team their football side had a draw on Sunday, the thirteen strove to win as a cohesive unit they tried well, but the time clock disfavored their team
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Jul 2, 2013
Jul 2, 2013 at 7:30 AM UTC
A Common Goal
there is a delight unique (which is mispronounced by all, actually, u-nee-cue) after thousands of poems composed and disposed, smack dab read, two- fab-you-lust- fulfilling new(new (to HP), anyway) poets who have left me brighter but blue with one option, two problems: *De doc he say, son you in a bad way, wake to neon flashing ear to ear, a l t e r n at i n g smiles and grimaces, face flashing unceasingly like a lonely orange red Hotel sign irritating the dark, all night long* two poets, offering either hope or despair, and I am bereft and bewildered, by two new to me poet~scriveners, with such distinctive and oppositioned positional views of life expressed so well, making my Pity #9, feeling prissy and yet prophetic, as these two make want to cry/smile with every read of theirs…and throw in the crying towel…wet with tears … *and the summer breezes, carries us leeward, to the sheltering side of my island* READ THEM! (see below)
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Aug 8, 2025
Aug 8, 2025 at 2:11 PM UTC
New Poets: TheLees and the Bree(ze)
Somethings in life is just a symbol. All the power they process is run by others. The Pope is the symbol of faith. But anything, he propose is control by other voices. Similar to the Queen of many countries. Where the Prime Ministers makes the powerful decisions? We notice the symbols most in beauty pageants. Where the women are required to act under certain provisions? And any controversial move create a demotion. It's strange. It's true that many we think would be the most powerful. Are just there for the people. Parents seems to be more stronger to make decisions of their own. And yes, parents operate under certain restriction. But nothing more than the positional symbols. It's better to president. Where you can veto proposals of Congress? If they refuses to agree half way.
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Feb 28, 2013
Feb 28, 2013 at 6:52 AM UTC
Symbols
I don't write erotica not because I am Chinese or on account of my being prudish oldish pedantic sanctimonious fearful of public condemnation nothing as such it's just that the subject-matter doesn't fit my poetical scheme of things and I must give way to others who have such forte the poetic stage is theirs and I wish but to be among the audience to witness their play and listen to what they have to say I look at the universal (this covers more themes than I could ever imagine) not the microscopic individual (should *** be brandished as a product for public consumption? why do  bed-rooms have doors? entry VORBOTEN - private property--no intruders no voyeurs,  no spectators- as simple as that) what is art and what is vulgarity and obscenity? who is the definitive authority? after all writing is democracy every writer is free to choose their subject-matter no author should have the audacity to condemn another it's effrontery otherwise-- as all right-thinking people would readily agree yet ****** poetry is quite easy to write the images , the metaphors the nuances,  the allusions the rhythm, the plot, the vocabulary are within the reach of most poets (only if their interest lies in this field) ****** poetry revolves around physicality the anatomy of the human body two bodies- or one body plus another- in secluded conversation of skin-touches-skin motion positional modality the heavy sighs the heart racing the fluidity of the lovers as they seek to drown in the sea of ecstasy where the dying is stronger than death itself the unity that sets the lovers free (haven't I over-spoken?) I don't write ****** poetry because that's not my poetic territory and it could spell the death of my creativity!
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Oct 9, 2015
Oct 9, 2015 at 12:50 AM UTC
WHY I DON'T WRITE EROTICA
I don't write erotica not because I am Chinese or on account of my being prudish oldish pedantic sanctimonious fearful of public condemnation nothing as such it's just that the subject-matter doesn't fit my poetical scheme of things and I must give way to others who have such forte the poetic stage is theirs and I wish but to be among the audience to witness their play and listen to what they have to say I look at the universal (this covers more themes than I could ever imagine) not the microscopic individual (should *** be brandished as a product for public consumption? why do  bed-rooms have doors? entry VORBOTEN - private property--no intruders no voyeurs,  no spectators- as simple as that) what is art and what is vulgarity and obscenity? who is the definitive authority? after all writing is democracy every writer is free to choose their subject-matter no author should have the audacity to condemn another it's effrontery otherwise-- as all right-thinking people would readily agree yet ****** poetry is quite easy to write the images , the metaphors the nuances,  the allusions the rhythm, the plot, the vocabulary are within the reach of most poets (only if their interest lies in this field) ****** poetry revolves around physicality the anatomy of the human body two bodies- or one body plus another- in secluded conversation of skin-touches-skin motion positional modality the heavy sighs the heart racing the fluidity of the lovers as they seek to drown in the sea of ecstasy where the dying is stronger than death itself the unity that sets the lovers free (haven't I over-spoken?) I don't write ****** poetry because that's not my poetic territory and it could spell the death of my creativity!
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