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Piotr B Sep 2017
One day it will erupt
and turn this city into grave - I say.

No one believes a fortune-teller,
no one wants to face the fate.
They won’t leave Pompeii,
nothing can make them go,
there's no place like this
in the whole Rome.

Nothing will make them leave,
only fools run away from paradise.
They are singing and drinking wine,
girls are dancing and music's playing.

I wish I didn't know how it will end,
I wish I was one of them.

I'll pour some wine into the glass
and down it as fast as I can,
and then I'll have another one,
and another one.
I'll be singing with them, dancing.
I'll kiss a girl and then I'll sleep with her,

I will be trying to forget it.
Josiah W Menzies Mar 2013
I pace a space of limited freedom.
A space where, when love’s concerned,
We’re rarely in our right mind.
And times eternal lines wash out
Onto white pages in elegant contours of black -
Outlining all it is I cannot say,
Like ink on a body bathed in caramel.

Tonight the roof is open. And enigmatic
Shapes fill the void above our heads;
Incandescent shapes swirling and burning
At night before the eyes of stars,
The stern staring bright shafts of winking white,
And yellow and crystal.

Oh, Pompeian Girl – the old me was young!
Oh, reckless indecision,
Ever evading good sense,
Like shapes in the black;
Light evasive figures of light-lost spaces –
Pinning at hope in the dark.

Oh discontented winter of your youth,
You have been weighed.
You have been found wanting.
You’re going down
And I’m coming with you.

Electricity hurts,
And the Hippie-code is broken.
Placid indifference envelops my heart.
The city reeks of Urban Folk, miscalculation and conceit.

I eat my hand, fingers first,
Contemplating the Epic Cycle,
Like Plato in the shadows of the Beule Gate.
And write drivel
With the neurotic mind of a sonneteer –
Past cure am I now reason is past care.

Still no star-fangled shape of blurry
Minds eye reveals itself.
Still the work is not yet done.
Tilting for months-on-end
Upon the abyss of some nauseating
Overheated, drug-induced-calm-before-the-storm.
I lose my touch,
And touch loose ends
Of quasi-philosophical moments
Of enlightenment, or revelation,
Or some other nonsensical,
Unimportant *******,
Like the etymology of
God and good.

Good God, and giddy aunts,
And aunties that would put the sophists
And the pop world, and the upper class,
And parliamentary embarrassment, and
The football score, and grammar, and
Self-induced debt, and man-flu, and
‘off days’, and awkward dates, and
Broken phones, and insufferable library fellows, and
Hangovers, and the middle class, and first world problems,
And second world problems, and no signal,
And problems with the ex, and
The wrong coloured flowers,
And the fickle whims of fussy eaters, -
The repulsion of grown men at the sight of blood,
Or a reasonably ***** kitchen surface;
A broken string, a bad day, a long week,
A bad long week, a weekend cut short,
A short changing, the wrong sized internet-delivery,
The trivial pursuit of ancient notions of justice,
And early mornings, and morning sickness,
And the evasive nature of
Soul-mates and talent and happiness,
And ******* myxomatosis,
And dissertation proposals
And dissertations, and deadlines and pay-cheques,
And checkups;
Anything that is not fighting for your life
Or for those you love…

…Aunties that put all this to shame.

She is strong.
She eats Odysseus for breakfast,
With his affable, sneering, divine assistance.

Lighten her load if you can.

My helpless heart and I are here all week.
And my velvet tongue will inflame
And be an irritant.
My unconscious will tell me that you scoff,
Though you don’t,
I know you don’t.
Yet doubt and delusion will prevail,
And I find myself
Pacing a space of limited freedom,
Crowded by celestial forms, looming deadlines
And unfinished sentences that...
TLPrince May 2020
My god just happened to me yesterday

And it shone blood, dark red blood.

The papers are red, the peepers are bled.

Shall we ever forgive us for being born? Shall we resurge with new hands for new signs?

Or will our fate slide towards inevitable mud? The question is lit, in every human nerve, but in mine burning coal replaces burning eyes and I cry in the Pompeian destruction of my heart.

Stand tall for those who fail.

This will be my last command,

Stand tall for those who fail.
Jonathan Moya Mar 2019
It has been five years
since I visited you
my old  Sea Grape friend,
standing proud and
wizened in the front yard,
unbothered by all
the construction behind.  

Everything is smaller
and crowded than
I once lived it,
except for you—  
still the right size
for a wild girl to climb,
providing enough shade
for a shy and pensive boy
to shelter under and  
think lyric thoughts
or listen to the Dolphins
playing their first football
on a scratchy transistor radio.

I was always the net
under your boughs
lest that restive girl  
should fall after proudly
reaching your canopy,
seeing the open sky
the soft sunlight
kissing her face forever
urging a higher climb.  

She never did stumble,
not even once, just
shaking green hard grapes
loose onto my head
like Newton’s apples,
creating ideas for
stories to explore and write.  

She is still a Sea Grape climber
and I a shade tree dweller,
she ever conquering canopies
and I seeking safe shadows
to read under, plot and scribble.

Your life has spanned
close to a century,
although I have known
you near sixty of those.

Your history, I imagine
had you a transplanted twig
torn from Crandon shores
to become, after the road,
the first magnificent presence
in the middle of East Shore Drive,
the pride of the community
that built a wall to contain,
protect you from Atlantic winds.

You are the survivor
having seen the coco tree
just across the sidewalk
break in a hurricane,
and the banana plant,
which never fruited,
behind the barrier wall,
under the corner eaves,
(where beneath its fronds,
I watched my first desire
shivering cross armed
in a blue maid’s dress, seeking
shelter from the pelting rain)
the succumbing victim
of gnats, flies, mosquitos
and persistent tropical rot.

I saved my first kiss so it
reside under your  embrace,
an awkward peck that
braced her to your trunk,
unleashing an army
of carpenter ants that
trooped through her hair,
the cleft in your middle
a way station for home invasion.

I knew then that you were
a jealous protector of
all the things that loved you,
at least the human ones,
for I never witnessed
gray squirrels scurry
up your speckled trunk,
nor mockingbird nests
resting in tan scar branches,
nor a single heart leaf,
fall sadly to the ground.

The old house behind you,
has kept true to your colors,
beginning green as the sea
and the initial touch of hand to leaf;
five years after college,
a new owner turning it tan
as your weathered bark;
ten years yon, after mom’s funeral,
it like the twilight glow dusting
your every branch and limb;
till thirty years later, I stand here
feeling the squishy snap of your
purple mature fruit under my feet,
the destruction echoed in the  
dusty patina walls looking
like a Pompeian relic.

Now everything is a remodel,
peafowls, peahens, peachicks
with their rainbow eye tails,
iguanas strutting everywhere,
roosting for competing limbs
in mangroves and cypress,
though respecting your old dame
privacy and royal privilege,
while the din of new spaces
being built on still good wood
vibrates out to you my friend.

I scoop some of your purple pulp
into a zip lock plastic bag,
I keep in the car for road trip
vegetable treasures, enough
for a proper souvenir, the rest
reserved for my wife to make
a sweet, tangy Sea Grape jelly,
knowing that this will be
the last time I spend with you
in your earthly eternity.
Donall Dempsey Sep 2018
GOING ABOUT ITS BUSINESS

'Oh wall! I'm amazed you haven't collapsed
under the weight of drivel you're holding up! '

the graffiti laughs
in self mockery.

'Happy the man who is sleeping with you
tonight.I'd be much happier if I were! '

another wall
mutters to itself jealously.

'You ask, beautiful girl
how many kisses I've snatched?
I've snatched these ones and...
I'm not the only one to do so.'

yet another wall
kisses 'n' tells
in a red on yellow voice.

In the silence
the wallls are shouting
(a babble of voices)          

Time is smiling.

'I came here.
Had a ****
- then I went home! '

another announced
in a who-gives-a-fk manner.

'Lucius is stuffing it
into Caesu's mouth

a drunken scrawl
pronounces

amongst the inns of
THE ELEPHANT...THE LITTLE EAGLE
THE MERCURY & APOLLO.

It is the 23rd
August

AD 79

Mount Vesuvius
hasn't yet exploded.

Pompeii
dozes

in the lazy sun
of this

new morning

going about
its business.



The Pompeian graffiti still exists in all its extraordinary ordinariness and just goes to show that humans will be humans no matter what peroid of history we come to rest in. Most of it could be...now. And it amazes me that their 'now' is little different than our 'now.' People will be people. It is the day before the explosion and Pompeii is just being Pompeii and hasn't yet stepped into the history that will surround and preserve it. How fragile we all are and life is and how alive and fluent are their voices. Only history is static.



This 'exchange' dug up from the long ago when time is history and myth combined is worth more than gold and the voices that come back could well be our own.

NOTHING CHANGES

In the lost city
of Ur

a fragment
survives

The father/son
divide.

The conversation is
a confrontaton.

startling in its simplicity.

Father: 'Where have you been? '

Son: 'Nowhere! '

Seems like there's nothing
new under the sun.

Nothing...
...changes.

***


THE STONES SPEAK IN A GRAFFITI VOICES

“You...have got me pregnant! ”

“You...are a mediocre man! ”

“I hope your ulcerous pustules
open and burn more than ever before! ”

An ordinary day
in Pompeii

then all is
forgotten

as Vesuvius
enters history.

— The End —