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Joan Karcher Jul 2012
emerald, olive, viridian
oh how you perplex me
forest, jade, chartreuse
why do you tease me so
cyan, verdigris, moss
such excitement arises
to be a word
to be a meaning
is there such a thing,
to have a feeling
to see a vision,
phthalo, pine, teal
are you the same
mint, myrtle, laurel
you make me envious
to be blooming, to be healthy
to be young, to be clumsy
are you callow, how about credulous?
but such a conservationist
unquestioning, so trustful,
tenderfoot and common
the tree, the lawn, the willow
though ecological and crude
a sage in all but name
apple, spinach, pea
aren't you scrumptious,
lime, kelly, bice
are you nature, how about luck
you're pungently rotten
though with such dark beauty and hope,
love and lust ensues
you're the jolliness of balance
and the creative intelligence;
of evil, and decay of money and safety,
will you resurrect me, are you immortality?
such jealousy arises
high goals and honor
so so allusive
healing and vitality
you're calming though fast
lush spring stability,
abundant generosity,
vert vegetation; witchcraft
an aphrodisiac I hear,
are you youth or fading youth?
sunrise and life, growth and fertility
sacred ideology,
eroticized though shameful
so romantic and humble
I see the third ray
or is the the fifth ray, the third eye
are you truth, are you vision
it's becoming a science,
so much compassion
the fourth chakra, the heart,
the centre of us all
a higher consciousness
such a harmonious aura
a hunter, a nurse, a solider, an outdoorsman
villains and superstition
misfortune and prosperity
with toxicity, sickness and death,
recycle and reuse
oh so powerful
you exude auspiciousness
just a holiday
mystical fairies and spirits
though also devilish,
cancer in the stars
a renewal of paradise,
biliously tranquil
are you refreshingly soothing,
peacefully restful,
a naive novice,
very understanding,
is there truly a term for you?
what do you really convey,
countless representations
a definition of name,
or do you signify the feeling, the specimen
the aspect?
though some have no locution for you

here I am,
stepping around the issue
you are you, in any word
yet with a different meaning
Every word in this poem describes or is described by one thematic morpheme
El oro, cuando lo golpea, brilla.


I want to stand at 3,082 meters
On the overlook above Machu Picchu — close
Enough to the edge so my timid toes
Flirt with wild columbine and teeter

On white granite stones laid centuries ago.
Speak to me the way the Andes
Breathe cumulus clouds phthalo blue. Seek
Answers in the form of temples. Slow

Down time in the Room with Three Windows —
Hanan-Pacha: bless my fears with conviction.
Kay-Pacha: reject this earth’s mundane affliction.
Ukju-Pacha: watch my seedling-soul as it grows.

Move with me in cyclical certainty from ruin
To reverence, beyond what words can measure —
Even the old Peruvian proverb for treasure.
Our trials make us mountains among humans.
bambi Apr 2013
Look at this, I made for you,
with lungs and fingertips

I've painted the whole of me,
but you've always seen less.

I must have been afraid.
See how my knuckles trembled
to create something so large,
a human soul could fill it?

Don't look at it,
I'm bare.
See my face
in every stroke?

I'd rather turn from you
and quit this sick indulgence
but you must have always known
you'd claim this ruptured soul.

So I have given this nothing reason,

as I gave your darkness color,

and I have given this paint a purpose,

as I gave myself to you.
Dolores Jun 2023
Phthalo blue
You know I loved you

When the stars came out
And you painted them,

And when they disappeared
You left with them.
Brandon Mar 2012
I want to live life in a Bob Ross painting
With serene monstrous mountains far off in the distance
The peak half covered by happy little clouds
A happy little tree and it’s many brothers and sisters
Blanketing the landscape of light snowfall and growing bushes
A small cabin bathed in melting snow rests comfortably
Next to a thawing private lake lit by a cadmium yellow sun

This is where I want to live
Swarmed in colors of titanium white,
Phthalo green and blue,
Midnight black,
Alizarin crimson,
And Indian yellow

Where there are no mistakes
Only happy accidents
Where the big decisions
And the tests of courage are
Where the next tree will go

In a Bob Ross painting
I could live peacefully
Ninja Nov 2013
A thousand miles it came
From an endless plain blue desert
Creatures down below
Undiscovered, feared, unknown
A thousand miles it came
From a journey nearing defeat
Creatures down below
Break into foamy, fragile things
A thousand miles it came
As they wander forth to shore
Creatures down below
Follow, by throbbing, violent waves
A thousand miles it came
As they die a briny death
Creatures down below
Once again, glisten into majestic, untouched wights
I'm an island, and get off my shore

*(this is a mediocre poem so sorry)
Anais Vionet Mar 2024
The Eiffel Tower stabbed at a midnight
as blue as an old Muddy Waters track.
From a distance, its lace-iron skeleton
looked like a slick and oily spider-web
crowned with a glittering neon diamond.

(My Grandmère's home is across the street from it).
“Do you want to go climb it?” I’d asked Peter (my bf).
“Naah,” he’d replied, “too crowded - what’s next?”
We’ve been tourist-ing all of the big Paris sights.

As we night cruised the Seine, the rivière looked dark
and perilous - a phthalo-green snake slithering north
westerly at six times the speed of the Nile.

We took a guided tour of the Louvre - it’s a crowded
fortress and you can’t see the Mona Lisa up close.
We day-toured the palace at Versailles, with its ghosts
of past grandeurs and revolutionary, royal beheadings.

The Arc de Triomphe is just an unsafe round-about.
As we Uber’d around it, I turned to Peter saying,
“Joke time: What’s more dangerous:
a shark or an American driver in a Paris traffic circle?”
Paris la nuit = Paris at night

Muddy Waters was a singer and musician - a delta blues man, considered the "father of Chicago blues." Chicago blues was electrified, hard driving and drum backed. The Rolling Stones took their name from one of his songs. He was the original “Hoochie ******* Man."
Kevin Mar 2017
Unquestionable, firmly examined facts hold on solid ground,
Confirmed from living fiction and knowing minds.
But this is the sea, doubtful trade-winds, frightful storms, doldrums rich Of inactivity, the water looks fine until you dive. Until you sink.

Tropical rotations, influential easterlies void of West African dust,
Stir the depths into unnavigable waters. the boldest stitches will rip, Possessive nests will fill of cawing crow's imagining uniformed horizons. Clouds will hallucinate above an unstable phthalo blue.

Depressions created by uneven poles, so coldly separate but,
These days are in the tropics. endlessly middle green, equatorial and lush In figuration, continuing as the great divide between such chilly distances.
It remains the equalizer, massively active without the thought of day.

Unquestionable. Doubtful of Naught on land. these depressions are not For our concern, they say. They are earth, compounded by the will of Father, Son, and Holy Ghost. Bow; pray. Weep from fear. sacrifice your Souls for his favor, his pity will spare his wrath; his pity will spare life.

Unquestionable, they say. They speak in certainties. Not knowing the
Days when our nature remained unquestioning. A time before my vision Heightened towards perfection. Before his plans unfolded into Nothingness; scribbling pious fool. Denied of will, accepting the ill of it.

Placed at sea, our sails may rip and crows may gather together.
Their cries of fortune remain the most familiar. On land too, their call is a Familiar caw. not fateful of Godly affairs, or willful of the willing.
He was not there when the storm approached; Nor present as it passed.

He did not show pity when enlightened of our truths. Apathetic
Towards He, that holds the anchor when standing in rising tides.  
Apathetic towards He, beaten man of unjustly men, frustrated with Ignorance and misleading truth. Practicing rage, passing on hate.

Clouds of deathly intentions flashed bright of color and sound, revolving Above the stirring deep where circumstance crescendoed into a coda of Rattling crows. Where sails ripped free from stitching in the passing squall And hope had lost itself amongst the wailing souls and rising seas.

Unquestionable,there were times when faith drifted alongside in the guise
Of cooing Sirens, supple in song and form. Alluding to lust and love, Tempestuously adrift. Giving aim away from direction, only leading Further into Bedlam. Where the mirage of paradise appears.

Tilted storms spitting rain, winds pushed our hull closer to the deep. We Were left to truths of weathering might. Water spilled from above and Rose from below in equal volumes, displaced from equal but opposing forces. Differentiated by the sting, not by circumstance.

In it all, we lost everything. the caws of gulls, the coos of Sirens, the Hopeful sails to catch a promising wind. All we had were the cresting Waves of a torrential sea. All we had were the forceful rains and winds From clouds intent on freeing us from our undeserving existence.

No longer just adrift, our vessel groaned groans only equal to the sound Saved for aging beasts of dying mythology. The sounds of a beast Cornered in an arena filled with hungry spectators, out to feed their taste Of whining blood. Eager to watch "weakness" be ruled by humanity.

We held onto ourselves like the aging beast anchored to the groaning hull. We drank the water without intention like we were lost amidst the sahara Sun. We watched as blue joined together from above and below, Attempting to squeeze out life just like sweet forbidden fruit.

There was nothing we could do. this was no different than on land. We
Knew this place, in-between. Where our blood was used as juice to quench The thirst of humanity. Whether earth or civilization, we remain pressed Between, afloat in the seas of misfortunate circumstance.

Where we hold onto all we can with apathy to circumstance because
That is all we have come to know. That is all we have been allowed by god, Mother earth, humanity. We look upon all things with a smile and good Will. We know no other way, but listen for the cawing crows.

It remains unquestionable, that this is the sea.
On land too, it is unquestionable still, that this is also the sea.
Crystal Freda Jun 2019
Glimmered warmth
congealed on the wintry rice.
A sumptous surprise
melting apart the frosty ice.

Twilit timbers
radiated rays of sunny soils.
Rooftop thunders
swirling and softening snowy oils.

Phthalo pastures
engendered the energy of dawn.
Spring's riant arrival
among winter's mix forgone
Evan Stephens Mar 2019
Night wedding
on the
mountainside,
flights of tuxedos
in the grass shadow.

I'm watching
from the moss mane
that coils
the monadnock.
Slopes of music
spill against
the tarnishing
puck of moon.

But weddings cease
to move in me,
even now,
seven months
before the divorce.

Gaze out
instead on
the rockfall
where we
backpacked in
cottonmouth July.

Is there an
emptiness
in me?

I sit apart,
dress shoes
shine in
the moon switch,
mountain
a long strum,
the forest
is phthalo.

I melt
down my past
and recast it
into something
better.
Because maybe
the moon
is just
a cinder
crumble.

Maybe the
low-footed mountain
just some angles
in brown.

Maybe all
the deep green
woods are
just trees,
some trees.
c rogan Dec 2024
The morning air was cold in the forest.  
Sweeping black wisps in a microscope lens, her eyelashes outlined a delicately illuminated tapestry that reflected back.  When sunlight brushed them, a feathery frame changed; from crows flying to a gilded insect’s wing.  Laurel’s icy fingers fiddled the tubes, aquamarine humming with rusty umber.  In a warm mist of exhalation, dawn quietly unfolded into a cacophony of colors that flowed and collided in metamorphosis.  A self who is and is not - fluidly interconnected here nor there, alive nor dead.  Revelations echoed in the hall behind a closed door.  Falling asleep, the earth turned.  Waiting for wings, to remember or not.  Flutes echoed mournfully in the forest that day.

Late autumn leaves muddled under her boots as she stepped over dew-beaded clovers, eager for warmth.  Her canvas stretched across velvet pillowy mosses, crawling over pastel blue and pink linen rocks abundant with ancient fossils and lichen, phthalo and quinacridone.  Colors swam in waterfalls over the white noise.  Water wrapped each rounded stone like a gift, carrying the rains to elsewhere.  Tied together with root ladders of grandmother trees, who spoke quietly and whispered secrets.

She wondered who she would love, how many.  It was difficult to not be pulled back from here, now.  Now.  Now… Back then, soon.  It was difficult to think of anything else but this: the cells and molecules danced in the sun, exuberant, entirely animate.  They all called her name, over and under and in between.  Her limbs ached with longing and belonging.

The birds fell silent.  The hushing whoosh of water and wind lulled.  
Ornate filaments of starlight filtered through the last trails of fog.  Every inch of the forest was overflowing with love.  Colors moved independently of their origins.  She could stand here every day, chart all of the comets and meteors, earthworms and beetles.  The trees wrapped their boughs around her, reverent and wistful.  The art of existence is a radical, transcendental, immanent one.

Slowly, she became a tree.  To be regarded, to be kept.  Regarding, keeping.  Regardless of what happened in her story, she could lay down on the mosses and close her eyes.  Wild grasses would reclaim her heart.  Forest mice would build their nest in the cave of her ribs.  Love would go on.

She whispered her prayer to them, the mice.  Shadows slowly crawled.  The trees seemed to bend lower, listening, thinking.  She hummed a lullaby to the fog and the dew.  How she would see her friends again soon.  

Laurel recalled her first memory of dirt, gardening with her mother and overturning a stone.  Mesmerized, she drifted in thinking of her birth, her land, clover's grasses sprouting over her hands like clouds eclipsing the sun.  Something that didn’t hurt.  Maybe she would photosynthesize, warp the light around her body.  Become the light.  Heal.  Turn iridescent.  Make something new.

The thrush thrush thrushing of her brush on the cloth mirrored the contours, pushed the pigments into vibrant vibrations.

“Are you listening?” Laurel’s eyes drifted upwards, her painting half-finished.  The bristles clouded a glass of river water, clinking against the glass rim as sediment settled like smoke.  “Does this matter?”
We held your feet when you were born, bathed in us.  We remember.
Her irises stretched deep enough to swim in.  The forest held them in her hand like cool water.

A sunny patch of grass tilted into sunlight.  Sunlight tilted into a sunny patch of grass.  Laurel lifted her gaze, observed the highlight of each mountain and valley in her fingerprints.  The dirt from planting.  The body of earth.  She felt her own hands, twisting like gyroscopes.  Like parchment, she thought.  Scraped clean, hung, taught to dry.  Waiting for a divine word to be scrawled on them, charmed lilies proliferating the margins.  An illumination, an unveiling, an apocalypse?  The word of a god, punctuated by freckles and scars.  Unspoken, eyes closed under dirt.  There may not have been twice as many stars, but her book still felt light on her skin.

She did not question why one tree bent this way towards a patch of sun, or why the barks all felt different under her hand.  She accepted them for trees.  To be fossilized, to burn, to decay.  A fleeting thing, she embraced her verdancy.  The moss agate bookends were on the shelf with white painted trim.  Collecting dust, written, unwritten.  Known, unknown.

Turning the page, her arm swept over the sun, smearing light down to a glowing understory.

— The End —